SoCo Strong, Justin Seidenfeld of Rodney Strong Vineyards

Justin Seidenfeld is the senior vice president of winemaking & winegrowing at Rodney Strong Vineyards, the iconic Sonoma County winery founded in 1959. 

His journey started as an intern at Iron Horse winery in 2005, then quickly moved up the ranks at Robert Mondavi Winery in Napa Valley, where he developed his expertise working with premium vineyards.

Now overseeing nearly 1,200 acres across 12 estate vineyards, Seidenfeld is known for his innovative spirit—he created square stainless steel fermenters now used at wineries everywhere and developed apps to monitor vineyard irrigation vine by vine. The UC Davis graduate lives in Santa Rosa with his wife, Dena, and three daughters.

Amber Turpin: How did you get into this work?

Justin Seidenfeld: I fell in love with the idea of making wine while working at a fine dining restaurant in Denver. I always loved how the wine we served made the guest feel and how people would come back to the same bottle or producer because it unlocked a special memory for them.

Did you ever have an ‘aha’ moment with a certain beverage? If so, tell us about it.

The most impactful moment for me has to do with wine. (I know, what a surprise.) I was at a tasting with some of the greatest winemakers in the world, tasting through an unforgettable line of some of the best merlots in the world. Wines like Petrus, Le Pin, Cheval Blanc, Ausone, Masseto and more. 

I recall the conversations happening as we tasted through the wines. But once we got to the Masseto, I was taken to a place I had never been before. I have spent every day since aspiring to craft a wine that can do for someone else what that bottle of 2001 Masseto did for me.

What is your favorite thing to drink at home?

While I am at home, I drink a lot of iced tea. I like to find ones with different flavors and unique twists.

Where do you like to go out for a drink?

I am not really picky, as long as I am with good company. I also like to find cocktail bars that use fresh ingredients for mixers. I think it makes a big difference.

If you were stuck on a desert island, what would you want to be drinking (besides fresh water)?

I would like a fully stocked bar with a good selection of wine, beer and spirits. That way, I could have some variety based on my mood. I realize that might be cheating, but why not shoot for the moon?

Rodney Strong Vineyards, 11455 Old Redwood Hwy., Healdsburg, 707.431.1533. rodneystrong.com.

The Hall of Flowers, Show Designer Greg Duncan

For those who haven’t been to the Sonoma County Fair, The Hall is in fact a hanger, measuring a massive 180 feet by 350 feet by 35 feet. 

The Hall was built during the war to house the mighty Boeing B-17 “flying fortress”—that heavily armored long-range bomber, whose distant thunder meant lightning to the cities and military bases of the Axis powers. 

This hanger was bought in San Diego war surplus by building magnate Hugh Codding and transshipped to Santa Rosa in ’49. There is, therefore, a certain monumental poetry in that the hanger is now and forever “The Hall of Flowers.” That poetry is captured in the fragment, “swords beaten into plowshares.” 

Having won “the war to end all wars,” we would plant flowers and practice the arts of peace … a  beautiful sentiment … Such were my musings as I sat in tender weather on a marble bench dedicated to the memory of Will Forni, who established the annual flower show at the Sonoma County Fair in ’52. In the space of 73 memorable shows, it has grown and spread into the largest flower show on the West Coast. 

My appointment this week was with Greg Duncan, the fourth director of the show. And as I entered the massive hangar, I marked among the many raised bare plots, the major features of this year’s theme, “hot dogs and cool cats.” There were a mock animal shelter promoting rescues, a 15 foot tall hydrant gushing water, an “altar” for pets departed, cat and dog statues made of scrap, and mock cats and dogs falling from the ceiling on umbrellas in front of a 150 foot wide mural of a hard rain of cats and dogs. And still the 15,000 square feet of gardens had yet to be planted. 

Cincinnatus Hibbard: I understand you studied movie and theater set design. 

Greg Duncan: Yes, I’m more of a set designer than a landscaper. I graduated from Sonoma  State in ’73 in theater arts in set design. And if you don’t want to move to New York and you don’t want to move to LA, you have to broaden the definition of set design. 

I understand you have had this position for 35 years. Congratulations, Greg. Not referring to your retirement; I can see here that your work is nearly done. Now (from mid-July) the 31 professional and amateur exhibitors will have two hectic weeks to build and plant  their plots. About how many plants will be planted? 

I’m not sure … (calculating) … maybe a thousand on each professional plot… 

Wow, that’s above 10,000 plants planted in this show. And they will be building up their flat plots with miniature hills and valleys and streams and ponds and pet-themed props. 

This show lets them do something more imaginative than they’re used to.

Develop that. Besides the prizes and publicity, what drives them—and you? 

Well, this is the land of Luther Burbank. Home gardening is a big deal in Sonoma County. And this is a place to showcase our best gardeners, entertain and inspire our gardeners. 

It’s where I begin and end my fair visit. Thank you, Greg. 

Learn more: Visit the Hall of Flowers Preview Party, from 5:30 to 7:30pm, July 31, at the Sonoma County Fairgrounds, 1450 Bennett Valley Rd., Santa Rosa. The event is a fundraiser for student scholarships in agriculture. sonomacountyfair.com/pages/preview-party.

Culture Crush, July 23

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Petaluma

‘Found Poets’ Returns

San Francisco’s 8th poet laureate, Tongo Eisen-Martin, headlines the next edition of Found Poets at The Big Easy on Saturday, Aug. 2. Known for his politically charged and soulfully lyrical work, Eisen-Martin brings his celebrated voice—along with special guests Original Giotis and Audio Angel—for an afternoon of spoken word designed to provoke and inspire. 3:30pm, Saturday, Aug. 2, at The Big Easy, 128 American Alley, Petaluma. $15 at the door. All ages welcome.

Graton

Getting Framed

What immortal hand or eye could frame thy fearful symmetry? We may never know, but we can get a deal on an interesting frame next week. More than 100 pieces of vintage artwork, frames and mirrors—from antique hardwood to eclectic estate finds—will be up for grabs at the Graton Community Club two-day sale, Friday, Aug. 1 and Saturday, Aug. 2. This fundraiser may appeal to artists, collectors and DIY framers, and promises unique treasures at bargain prices, all supporting local scholarships. 9am-1pm, Friday & Saturday, Aug. 1-2, at Graton Community Club, 8996 Graton Rd. Free entry. Details at gratoncommunityclub.org.

San Rafael

Rod & Gun Picnic

A Bay Area tradition dating back nearly a century, the Marin Rod and Gun Club Annual Picnic is back in action—and the public is invited. Founded in 1926 to support conservation and outdoor recreation, the club now boasts more than 1,200 members and 55 acres of waterfront property on San Pablo Bay. At this family-friendly bash, expect a feast of BBQ chicken, hot dogs, oysters and corn on the cob, plus carnival booths, games and live music by local favorites The Fargo Brothers. It’s a rare chance to experience one of California’s premier outdoor sporting clubs—no membership required. Starts at 11am, Saturday, July 26, at Marin Rod and Gun Club, 2675 E. Francisco Blvd., San Rafael. Free admission; food plate $20. Call 415.456.3123 for more info.

Mill Valley

New Moon Sound Bath

One may sink into deep rest under the Leo New Moon with a healing sound bath guided by Sean David and Journey Beyond Sound. Held at The Studio Mill Valley, this 90-minute meditative journey offers a chance to recharge, reflect and realign with one’s heart’s intentions. As the moon begins its waxing phase, the evening’s vibrations—crystal singing bowls, gongs, chimes and other sacred instruments—will support intention-setting, energetic renewal and emotional clarity. Attendees may bring a yoga mat (rentals available), plus optional eye mask, pillow or sacred object. Blankets and bolsters provided. 7-8:30pm, Saturday, July 26, at The Studio Mill Valley Yoga & Wellness, 650 E. Blithedale Ave. $45. No membership required. Info and registration at thestudiomillvalley.com.

Open Mic: Those Three Little Words—Fraud, Waste and Abuse

Between Elon Musk’s brief, disastrous tenure with the misnamed “Department of Government Efficiency” (DOGE) and the Republicans’ mad rush to gut healthcare and food assistance for millions of lower-income Americans, one would think they’d just discovered a massive cabal of diehard leftist criminals committing “fraud, waste and abuse” in the federal budget. 

A quick look back, though, shows that there’s nothing new in the Republican charge that our government is awash in fraud, waste and abuse. That verbal triumvirate has been standard fodder with so-called conservatives since at least the 1980s and the Reagan administration. 

In fact, the biggest fraud in this whole charade is the unproven accusation that fraud, waste and abuse are rampant within the government. How else can anyone justify throwing millions of people off Medicaid when its money goes not to patients but to healthcare providers? 

As for waste, isn’t it curious that DOGE and the Republicans have done nothing to rein in spending at the Pentagon? As Republican Sen. Everett Dirksen reportedly said back in the day, “A billion here, a billion there—pretty soon you’re talking real money.” Republicans never seem to see a weapons system that they don’t like, and they like to throw money at it. Where’s the oversight?

Then there’s abuse. I’m not sure what the deficit hawks mean by this, but they sure seem to like paying for it. How else to explain the huge increase in funding for Immigration and Customs Enforcement (ICE) as they continue their raids, detentions and deportations unchecked by any semblance of due process or common decency?

I’m all for going after fraud, waste and abuse in our government. But if we’re going to do that, let’s look at where those are actually happening and who is responsible. We probably won’t reduce waste as much as some would like, but then again we don’t need to give huge tax cuts to those who don’t need or deserve them.

Michael J. Dover is author of ‘To Feed the Earth: Agro-Ecology for Sustainable Development.’

Free Will Astrology: July 23-29

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ARIES (March 21-April 19): In Hindu cosmology, the Sanskrit term “lila” refers to divine play. It’s the idea that all of creation is a sacred and artful amusement that’s performed by the gods with joy, sorrow, artfulness and flair. I hereby proclaim lila to be your theme of power, Aries. You have been so deep lately, so honest, so drenched in feeling. Now, life is giving you a big wink and saying, “It’s playtime.” You can start this fresh phase by making a list of all the experiences that bring you fun, recreation and entertainment. I hope you emphasize these pursuits in the coming weeks.

TAURUS (April 20-May 20): In the high desert of Chile, astronomers work at observatories on mountaintops where the air is dry, and the sky is clear. There, away from light pollution, the universe reveals itself with astonishing intimacy. But even the most powerful telescopes can’t function during the day. I suspect you will be like those observatories in the coming weeks, Taurus: capable of seeing vast truths, but only if you pause, quiet the ambient noise and look during the dark. This approach should embolden you to use your intelligence in new ways. Stillness and silence will be conducive to your deep explorations. Night will be your ally.

GEMINI (May 21-June 20): Are you courageous enough to let go of sparkly clean but unfruitful fantasies so as to clear space for reality’s disorderly richness? Are you wild enough to relinquish naïve fears and hopes so you can see the raw truths blooming right in front of you? Are you cagey enough to discard the part of your innocence that’s rooted in delusion, even as you bolster the part of your innocence that’s fueled by your love of life? Here’s my response to those questions, Gemini: Maybe you weren’t mature or bold or crafty enough to accomplish these heroic feats before, but you are now.

CANCER (June 21-July 22): Coral polyps are tiny, soft-bodied creatures. Over centuries, they assemble massive reef systems, turning their fragile exoskeletons into monumental architecture. These creatures can be a symbolic reminder that your sensitivity is not a weakness; it’s your building material. Keep that in mind during the coming weeks, when tender care and your nurturing ability can be primal sources of power. I invite you to start creating an enduring sanctuary. Generate a quiet miracle. Construct an elegant masterpiece. For best results, allow your emotional intelligence to guide you. You have the precise blend of aptitudes necessary to coax beauty to grow from vulnerability.

LEO (July 23-Aug. 22): I predict that your imminent future will be a ticklish and tricky but ultimately uplifting masterpiece. It will feature guest appearances by members of your private hall of fame, including one future luminary you have not yet fully appreciated. This epic series of adventures may begin when you are nudged to transform your bond with a key resource. Soon, you will be encouraged to explore frontier territory that offers unexpected help. Next, you will demonstrate your understanding that freedom is never permanent but must constantly be reinvented.

VIRGO (Aug. 23-Sept. 22): Sci-fi author Octavia Butler wrote, “All that you touch, you change. All that you change changes you.” The coming weeks will be prime time for you to honor and celebrate that prayer, Virgo. You won’t be a passive dreamer, gentle traveler or contemplative wanderer. Rather, I predict you will be a tidal force of metamorphosis. Parts of your world are pliable and ready for reshaping, and you will undertake that reshaping. But it’s important to know that the shift will go both ways. As you sculpt, you will be sculpted. As you bless, you will be blessed. Don’t be shy about riding along on this feedback loop. Do it with reverence and glee. Let the art you make remake you. Let the magic you give become the magic you are.

LIBRA (Sept. 23-Oct. 22): In certain Hindu traditions, the deity Ardhanarishvara is depicted as half-male, half-female—a divine fusion of opposites. They are not torn, but whole in their duality. I invite you to be inspired by their symbolism in the coming weeks, Libra. For you, balance will not be about making compromises or pushing to find middle ground. It will be about embracing the full range of possibilities. Energies that some people may imagine are contradictory may in fact be complementary and mutual. Benevolence will coordinate well with fierceness and vice versa. Your craving for beauty will not just coexist with but synergize an affinity for messy fertility. This is a time for sacred synthesis. Don’t dilute. Integrate. 

SCORPIO (Oct. 23-Nov. 21): The medieval mystic Meister Eckhart wrote, “God is not found in the soul by adding anything, but by a process of subtraction.” Subtracting what? He wasn’t referring to losing something valuable, but rather to letting go of obstacles that obscure our direct experience of the divine. I invite you to make abundant use of this principle, Scorpio. Slough off layers of illusion, outmoded fantasies and self-images soaked in others’ longings. As you let go, do so not in bitterness but in a joyous quest for freedom.

SAGITTARIUS (Nov. 22-Dec. 21): I’m hoping that the Season of a Thousand Feelings hasn’t confused you. I’m praying that you have maintained a measure of composure and aplomb while navigating through the richest emotional flow you’ve experienced in many moons. It’s true that in some ways this barrage has been draining. But I’m certain you will ultimately regard it as being highly educational and entertaining. You will look back at this bustling interlude as a gift that will take a while to harvest completely.

CAPRICORN (Dec. 22-Jan. 19): Greek myth tells us that Persephone didn’t just return from the underworld each spring; she ruled there half the year. Yes, she was taken there against her will, but she adapted, transformed and ultimately wielded great power in the depths. In the coming weeks, Capricorn, you will have the chance to navigate realms that other souls may not be brave enough to enter: taboos, unusual yearnings, ancestral memories. My advice is to go gently but with intense resolve. Don’t act like a tourist. Be a sovereign explorer, even a maestro of mystery. Claim your throne in the underworld. Use it to create healing maps for others. When your work is done and the right moment comes, you will rise again into the light.

AQUARIUS (Jan. 20-Feb. 18): In my astrological opinion, you are ready to graduate from the University of Senseless Suffering. It’s time to get your diploma and treat yourself to a vacation. I’m not saying you will never again experience pain, of course. Rather, I’m telling you the good news that your dilemmas in the coming months will be more fully useful and redemptive. They will feel more like satisfying work than unpleasant ordeals. Congrats on the upgrade, Aquarius. You are forever finished with at least one of your arduous lessons.

PISCES (Feb. 19-March 20): Ancient Greek philosopher Heraclitus said you can’t step in the same river twice. Like everything else in nature, the river is in constant flux. It may appear to be the same, but the water is always flowing. What Heraclitus didn’t say is that you are never the same, either. Eternal change is your destiny. I invite you to ruminate eagerly on this truth, Pisces. Hopefully, it will help you let go of any hyper-perfectionist urges you might have. It will inspire you to see that the plan you made a while ago may need revision—not because you were wrong, but because you have grown. So yes: It’s time to reassess and recalculate. The goal isn’t to stick to the blueprint, but to build something that breathes with your becoming. Let the ever-new version of you draw a fresh map. It will be wiser than the last.

Your Letters, July 23

No Scroll & Roll

I write today not just with concern, but with heartbreak. In recent weeks, two pedestrians in Petaluma were struck by vehicles. One of them has since died. Let that sink in. A walk—something so basic, so human—has become a life-or-death gamble on our streets.

We in Sonoma County pride ourselves on our quality of life. We stroll our towns, we walk our dogs, we cross the street to say hello to neighbors. But increasingly, we do so at great personal risk, because too many drivers are looking down when they should be looking ahead.

Distracted driving isn’t just a buzzword—it’s an epidemic. We see it daily: a car creeping past a crosswalk as the driver scrolls; a text sent at a stop sign that bleeds into the intersection; a phone call that becomes more important than a life.

I am calling on all of us—yes, you behind the wheel—to put the phone down. Your notifications can wait. The life of a pedestrian can’t.

Let’s not wait for another headline. Let’s not let another neighbor become a statistic. We owe it to each other to pay attention, to be present and to treat our shared roads with the care they—and we—deserve.

Micah D. Mercer
North Bay

Truth Will Survive

Donald Trump may be winning battles, but, take heart; he cannot and he will not win the war. Immigrants and their allies will win this war. LGBTQIA+ and their allies will win this war. People of color and their allies will win this war. As the South African antiapartheid activist and poet Dennis Brutus wrote, “We will not bow down. We will not submit to defeat. Our courage will endure. Our truth will survive.”

David Madgalene
Windsor

Atypical Type, Pt. Reyes Author Samantha Kimmey’s ‘The Extremities!’

Samantha Kimmey is a woman with many titles: She’s a West Marin local, a former journalist from the Point Reyes Light, the current store manager at Point Reyes Books and, very soon, she’ll be able to add published author to that already impressive list, with the upcoming release of her debut novel, The Extremities!

“I’ve always been a big reader,” said Kimmey. “When I was applying to college, there was no question that I was going to get an English degree. It was my primary interest. It still is. I liked writing, reading, words in general. When you’re young, you might not have as much to write about, but I tried because it has just always been an interest of mine for as long as I can remember. I’ve had ups and downs in terms of the frequency and regularity of my writing, but it’s always been a part of my life in some way or another.”

The Extremities! plunges readers into the vivid world of a young newspaper reporter who loses the ability to type after developing mysterious, debilitating pain in her hands. As she struggles to come to terms with the illness’ lasting, life-changing effects, she embarks on a search for answers, and maybe even a cure. Through her physical pain, the protagonist digs into her own past, questioning whether her symptoms stem from trauma, poor posture or something else entirely. Relatable, right?

“When you work on something for as long as I’ve worked on this book, you can pretty easily lose your sense of objective perspective,” explained Kimmey. “But I think it’s safe to say that the book is a little strange. A little offbeat. So, if you’re into books that get a bit weird, if you’re interested in language or in the unknowable depths of what it means to be alive, you may enjoy reading.”

The Extremities! is a fictional story that is loosely based on Kimmey’s own experience dealing with a mysterious pain that appeared in her hands and, at the height of her journalism career, made typing a painstaking ordeal. Writing is already challenging. But to write professionally without typing is something else entirely.

“I was at The Light in 2016 when, suddenly, I developed this really intense pain in my hands,” explained Kimmey. “It was pretty much immediate with the onset, and I found I couldn’t type through it. When I’d press my fingertips to the keys, I’d get this pain shooting up my hands and forearms. 

“At first, I thought or hoped it would go away quickly. I went to a doctor, who wasn’t that concerned. In the end, it lasted in its acute phase for two years, which was much longer than I anticipated or hoped for. I was at The Light for a year after the pain started; I was kind of dealing with that, using voice software to compensate, which was much less prevalent than it is today. I just couldn’t type at all,” she continued.

“Over the course of those two years, I went to quite a lot of people, trying to figure out what was going on,” recalled Kimmey. “Or, rather, I was just trying to find someone who could get rid of this excruciating pain I had whenever I typed. The way it manifested was acute pain if I tried to type, or if I spent a long time washing dishes or other stuff like that … but typing was the worst, and it triggered the pain the most by far.”

In light of her condition, she had to grapple with the profound changes it set in motion. At first, that meant finding alternative ways to work, like using voice-to-text software to keep writing even without the full use of her hands. But after a year at The Light primarily relying on that technical workaround, she made a pivotal decision: She chose to step back from her work as a journalist to instead rest, reevaluate and then decide what she wanted to do next. 

As it turns out, leaving the newsroom she knew for the blank slate of an unknown future led her to a role she loves as store manager at Point Reyes Books. And, ultimately, to writing and publishing her debut novel, too.

“I quit the paper, and I think it was the very next week that I started writing a draft of this novel,” said Kimmey. “Though, in retrospect, it probably wasn’t a good idea to start writing all this while I was still in the middle of it.”

While there are many overlaps and similarities between Kimmey and the protagonist of The Extremities!, she is very clear in her stance that the book is solidly rooted in fiction, not fact. Although the circumstances are similar, the person in the story and the one who wrote the story are not the same.

“To be clear, this book isn’t autofiction,” stated Kimmey. “It’s based on my experience, but there are quite a lot of fictional elements, though it was obviously greatly inspired by the health crisis I had.”

With that separation established, there’s no spoiler alert needed to share that she did, in fact, find treatment and relief after two years of acute pain. Whether the protagonist of The Extremities! will be so lucky is another story entirely.

“It took some time to sell the book, which is not unusual, but it’s still a scary place to be when you’ve poured your heart and soul into something like a novel,” explained Kimmey. “For a while, it was unclear if I’d find a publisher to sell the story to, and that was a scary time and very stressful. But when we did sell it, that was just so, so exciting. I’m still super excited, and so glad that I took a chance on it.”

“I got to hold a copy of my book as a physical object in my hands not long ago, and it made me realize the thing I worked on for so long … now it feels like 90% real,” concluded Kimmey. “The official release date for The Extremities! is Oct. 7, but it will probably be more or less available starting in September. Of course, Point Reyes Books will be selling it … which will be funny, having my own book for sale there, since I’m working four days a week and will probably see the people who buy it because I’ll be the one ringing them up.”

To learn more about Kimmey and ‘The Extremities!’ or to preorder a copy of Marin’s new local novel, visit ptreyesbooks.com.

Saving or Taking Lives? Controversy Over Restraint Device Used by Local Police

Part two of a series about a Marin family, mental health and local law enforcement.

Critics liken the WRAP restraint system to a torture device and point out that it has been linked to some in-custody deaths. Proponents claim it saves lives.

Nine of Marin’s 13 law enforcement agencies use the WRAP. San Rafael, Ross, Belvedere and the College of Marin police departments do not have the device.

The WRAP, manufactured by Safety Restraints Inc., includes a locking shoulder harness, a locking carabiner to secure handcuffs to the device, a leg restraint and ankle straps. In a demonstration video on the company’s website, CEO Charles Hammond recommends using the WRAP system in conjunction with a spit hood and helmet.

During an interview with the Pacific Sun, Hammond admitted that when the WRAP is applied, “It doesn’t look pretty.” But he maintained it is a safe and pain-free method of restraining an individual during a crisis, and much better than the alternatives like oleoresin capsicum (OC) spray, also known as “pepper spray.”

“OC spray is extremely painful and restricts breathing,” Hammond said. “A Taser doesn’t feel good. Batons. Obviously, those are striking instruments, right? The old hog tie—where you handcuff somebody, tie their feet together and then tie their hands to their feet—is awful, and big people die on a regular basis.

“All of those tools that help stop the fight are all pain compliance,” he continued. “With the WRAP, there’s not pain associated with its use.”

According to Hammond, more than 2,200 law enforcement agencies and correctional facilities in the U.S., Canada and Australia have purchased 14,000 WRAP restraints. Next up, Brazil.

“They are all looking for a better way to stop a fight,” Hammond said. “In the [police] videos you watch that don’t have the WRAP, it’s yelling and screaming, ‘Stop resisting, stop resisting.’ Then the fight is on and escalates, and the punches get more heavy and more severe.”

Despite Hammond’s estimate that the WRAP is used 50,000 times each year, scientific research and data on the device’s safety are hard to come by. The manufacturer provides only anecdotal information.

A 2013 study by The Institute for the Prevention of In-Custody Death Inc. (IPICD) relied on four police departments that voluntarily submitted 128 use of force and incident reports, some of which had information redacted. The institute’s summary of findings included that “users reported The WRAP to be 100% effective,” and that no deaths or injuries were identified.

Yet, numerous coroner reports, lawsuits and media articles describe in-custody deaths involving the WRAP. As a result, some agencies have banned the device.

“We have not ever lost a lawsuit, and the WRAP has never been the sole determined cause of death when used correctly,” Hammond said. “Everything else that’s used has severe downfalls and pain compliance components to how they operate. That’s not how the WRAP operates.”

When asked about Dujuan Armstrong, who died in 2018 after being restrained in the WRAP at the Santa Rita Jail in Alameda County, Hammond said the equipment had been misused. While the coroner’s report did not comment on whether the device had been used correctly, it concluded that Armstrong died of mechanical asphyxia, attributing the cause to the position of the WRAP device and the spit mask covering his face.

“Any tool that you use, there’s still a human component there,” Hammond said of the incident. “The equipment has been used improperly, so in the video from the Santa Rita Jail, they put the harness on the neck rather than on their back. And when they put it on the neck and tightened it forward, that’s what pulled the [Armstrong’s] head forward.”

Marin resident Michael Little, who is suing the Central Marin Police Authority, Novato Police Department and Fairfax Police Department for their use of the device, believes that Armstrong’s death demonstrates the need for enforceable policies on how to use it correctly. 

Little’s brother, Josh Little, was placed in the WRAP many times by the three Marin police agencies. The legal claim filed against them is for violating Government Code 7286, which states that law enforcement agencies must maintain a policy that includes “comprehensive and specific guidelines regarding approved methods and devices available for the application of force.”

During a court hearing in April, Thomas Bertrand, the attorney representing the three police agencies, disputed Little’s assertion, noting that his clients use policy manuals from Lexipol, a Texas company.

“The Lexipol policy covers all restraint devices,” Bertrand said. “It covers handcuffs; it covers the WRAP device. It mentions the WRAP device in specific places. We do not need a policy on every single type of restraint device, and the reason for that is that the manual would be so lengthy that no police officer could absorb the policies.”

Actually, the Fairfax and Novato policy manuals do not mention the WRAP restraint at all. Central Marin does have specific references to the WRAP, but only regarding how to clean and prepare it for reuse.

Bertrand declined requests to be interviewed for this article.

In Marin, only one of the nine departments with the WRAP device has a specific policy on its use—the Marin County Sheriff’s Office. Little hopes that his legal action will spur the others to follow the sheriff’s lead.

Additionally, Little raises concerns about the amount of training officers receive on the WRAP. Although it’s not an element of his lawsuit, he believes that adequate training on the device can mitigate risks.

Hammond agrees, which is one of the reasons his company provides a free two-hour training session on Zoom when an agency buys the WRAP and every two years thereafter. Training is also available upon request, he said.

“Only two hours of training for a device like that is nuts,” Little told the Pacific Sun. “It’s grossly insufficient for a device that has a known risk of positional asphyxiation and has been linked to multiple deaths. It’s totally different putting it on your training partner than on somebody having a mental health crisis in the street.”

However, Hammond stated that the WRAP is not a complicated device. And he claims that it is not a full body restraint system.

“The allegation [is] that it’s a full body restraint—really it’s a leg restraint, and the harness is not a restrictive tool or the restraint,” Hammond said. “It’s an added component to allow a person to lean back like you’ll lean back in the chair. So you can sit and relax. That’s what the shoulder harness is for.”

Interestingly, his company website, saferestraints.com, also sells the harness separately, describing it as a restraint. “If the individual became violent, a full-body restraint can be accomplished by adding the leg restraint,” according to the webpage.

Perhaps as lawsuits wend their way through the court system—either for in-custody deaths associated with the WRAP device or to demand specific policies for its use—answers will be revealed.

Planting ‘Seeds,’ Festival of Classic Works ‘Revised’ in San Rafael

When creating the Seeds of Time festival, curator AeJay Antonis Marquis was looking to “create programming that invites multiple ways in” while also “inviting conversations about the classics in our modern lives.” 

So the first thing they did to invite audiences in was make all tickets “Pay What You Will.” The resulting festival runs three weekends from July 19 to Aug. 3 at the Marin Shakespeare Company’s downtown San Rafael theater. 

While the tickets could cost nothing, there’s an opportunity to make a donation so this type of theater can continue. What type of theater? Marquis and MSC artistic director Jon Tracy invited various playwrights to reimagine the classical canon. 

Cathleen Riddley’s Where’s Mama? came from Riddley looking at the Shakespearean canon and thinking, “So much happens because of the patriarchy. It would be different if these women had mothers or aunties.“ 

Then there’s Torange Yeghiazarian’s English-language adaptation (with original music by Sirvan Manhoobi) of Leili and Majnun. Yeghiazarian was keen to “introduce theatrical content from the Middle East to the West in English so that more audiences can experience the form.”  However, she found that the story she had known all her life was not the whole story.  She was surprised to find that in the original Persian text, Leili is an active participant, rather than just an object of desire. Yeghiazarian realized, “We bring back these ancient texts because we think we know them, but we don’t. There is value in rediscovering, a deeper exploration.” 

Along with Riddley and Yeghiazarian, the festival also features: Dr. Austin Dean Ashford’s Rap Monologues, a dynamic mash-up of Shakespearean verse and hip-hop; Robert Parsons’ Tri Sestry,  a surreal, cross-cultural twist on Chekhov’s Three Sisters; Leigh M. Marshall’s The Rosaline Play, a bold retelling of Romeo & Juliet through Rosaline’s eyes; and Julius Ernesto Rea’s Othello.exe, a speculative, tech‑infused interrogation of race, AI and authenticity in Shakespeare’s Othello

Some might question why a classic would need to be reexamined or adapted. Riddley has an answer for that: “The work isn’t dead; it is designed to be interacted with. It’s meant to be taken down off the shelf, to be played with, to ask, ‘How can I honor this?’ It’s that play and honor that makes it alive in our times.”

I’m pretty sure Shakespeare would have approved.

TheSeeds of Time’ festival runs weekends July 19-Aug. 3 at Marin Shakespeare Company’s Center for Performing Arts, Education, and Social Justice, 514 4th St., San Rafael. Sat, 1 and 7:30pm; Sun 1 and 6:30pm. Pay What You Will. 415.388.5208. marinshakespeare.org.

Petaluma’s Rivertown Revival Offers Music & Art

Now in its 14th year, Rivertown Revival returns to Steamer Landing Park on the McNear Peninsula Friday and Saturday, July 18 and 19, from 5 to 10 each night. The waterfront festival brings together music, art, food and community spirit in celebration of the Petaluma River—and all things delightfully eccentric.

Hosted annually as a benefit for the nonprofit Friends of the Petaluma River, Rivertown Revival is known for its vibrant mix of local culture and creative spectacle. The event helps fund year-round educational and environmental programs, including river cleanups, nature camps, in-school watershed education and free boating initiatives.

This year’s music lineup spans two evenings on the Barn Stage, starting Friday with a family-friendly set by Farmer Arann & Miss Heidi’s Farm Music at 5:20pm, followed by performances from Van Goat, LaiddBackZach and headliners The Space Orchestra at 8:45pm. 

Known for recreating the legendary 1970 “Mad Dogs and Englishmen” concert led by Joe Cocker and Leon Russell, The Space Orchestra features a three-piece horn section, two drummers, backup singers and lead vocals by Sebastian Saint James. The evening closes with a roving set by The Hubbub Club at 9:45pm.

Saturday’s musical slate opens with Farmer Arann’s Barn Dogs and continues with Spike Sikes & His Awesome Hotcakes, Audio Angel & Her Good Intentions and headliner Sean Hayes at 8:45pm. Hayes, whose soulful sound reflects his roots in New York and North Carolina as well as three decades in the Bay Area, has collaborated with artists including Aimee Mann, Frazey Ford and The Wood Brothers. The Bourbon Street Brass Band concludes the festival at 10pm.

In addition to music, Rivertown Revival features a curated selection of local visual artists and large-scale installations. Painter and builder Jonny Hirschmugl brings Petaluma-inspired work steeped in nostalgia and storytelling, while WonderStump previews its soon-to-open immersive art venue with interactive sculptures blending technology, narrative and play.

Sculptor Kevin Clark of Reared in Steel contributes dramatic fire-infused metalworks, and Karen Lockert shares pieces shaped by years of imaginative reinvention following a career in art education. Her sons, Jim and Stephen Lockert, both exhibit original works as well—ranging from sculptural to conceptual.

Returning favorites include Stan Clark’s Astro Botanicals, large inflatable forms designed as dreamlike flora, and Tony Speirs and Lisa Beerntsen’s “Game of Hope and Fear,” an interactive installation presented by the duo’s collaborative project, Art Farm. Also returning is artist and inventor Stephen Milborrow and his “Portrait Drawing Machine.”

Festival-goers can also enjoy food and beverages from local vendors, acrobatic performances and—for those so inclined—$5 weddings. A hallmark of the event, the pop-up ceremonies offer legal or symbolic nuptials performed by volunteer officiants, including Bohemian and Pacific Sun editor Daedalus Howell, who will also emcee the event.

“We are incredibly excited to bring Rivertown Revival back to the community for another fantastic year,” says Elizabeth Howland, Friends of the Petaluma River’s founder and board secretary. 

“This festival is not just about great music and art; it’s a vital fundraiser that directly supports our mission to promote stewardship of the Petaluma River through education, conservation and community engagement. Every ticket purchased helps us continue our vital work for this incredible natural resource,” Howland continues.

Rivertown Revival began as a grassroots celebration of the Petaluma River and has grown into one of the North Bay’s most anticipated annual events. Its blend of entertainment and environmental advocacy remains at the core of its mission, with all proceeds supporting Friends of the Petaluma River’s work to protect and promote the local watershed.

Rivertown Revival,  5-10pm, Friday and Saturday, July 18-19 at McNear Peninsula, Steamer Landing Park, Copeland Street, Petaluma  Tickets and full lineup information are available at rivertownrevival.com and vor.us/b2e6e

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