The Stars Depart with Closing of Strange Constellation Art Space

Although the queer and BIPOC led art space was open for “just” a year and nine months, Strange Constellation was met with the kind of sudden, galvanic, runaway horses’ success that only happens when a new venture fills a deep yearning need in a community.

The closure comes with multiple reasons. The easiest of which to grasp was the question of money, and how to maintain such an expressly anti-capitalist space for community amid the grinding requirements of late capitalism. There were gifts—oh, there were so many gifts of time, talent, art and flowers from the marginal community that they served, but too few dollars among them. Owners Dani DiAngelo and Lee Johnson were forced to work multiple other jobs amid housing insecurity, debt spending, car troubles and no safety net. And now the limit has been reached.

Still raw in their grieving process, DiAngelo and Johnson agreed to meet for an early statement on the closing, and to talk at my request about how the wider community might thank them for their unpaid work and help them through their next steps.

Cincinnatus Hibbard: Tell me about opening the space.

Dani DiAngelo: I had come from restaurant management. I was GMing and hating it. I took a year off to study herbalism and figure out what I wanted to do that wasn’t working for a millionaire white man. And I was frustrated by the lack of spaces like this that represent us—us being BIPOC and other marginalized communities that have been told a million times that this is Wine Country and it’s a happy place if you love working in wine and serving people wine … but I don’t enjoy any of those things (they laugh).

Lee Johnson: Factual.

DD: In Northern California, everyone thinks they are an ally and impervious to racism and classism…

LJ: …which we both found is so far from the truth, in so many ways (they laugh) from working in the [wine focused] restaurant where we met to walking around the streets together…

DD: Yeah, so many micro-aggressions—and macro-aggressions on the regular.

LJ: We were always in other people’s spaces, not having anywhere to feel safe. Not having anywhere to let my shoulders down and just breathe. Always walking around ready for a fight.

Tell me about co-creating the space with the community.

DD: When we opened as an art space, people were like, “What does that mean?,” and we said, “You tell us.”

LJ: What do you need it to mean? This world’s a little scary —what do you need?

You tried a lot of their ideas and there were a lot of one-offs, but you were best known for what emerged as regular—your weekly craft night hangs, your Sunday performance spotlights, your First Friday events and your annual Juneteenth block parties. Could you shout out just a few of the key collaborators that helped you build this?

DD: Cecilia Şenocak, Bianey Esquibel of Quince Project, Da Components Collective, nadia solano of Cariño Vintage, Dabid Ortega of Tacos El Gran Mac, Mathilde Amiot and Joshua Thwaites of Big Mouth Unique, BiankA AlloyN & SabreeN NaimaH of I Love Cute Coffee. Many more…

What advice do you have for those that will come after you?

LJ: It’s never going to be easy, but do it anyway, because no matter how far or long it goes, it’s going to be worth it.

Learn more. For closeout events and final sales, follow @__strangeconstellation, and help DiAngelo and Johnson continue to make art with donations at gofund.me/046b3e8d.

Jordan Vineyard & Winery Winemaker Maggie Kruse 

When one grows up in a family where fermentation science and wine is a primary topic of conversation, things could go one of two ways: embrace it in one’s adult life or completely reject it. 

For Maggie Kruse, who was raised in Milwaukee and is the daughter of a brewer at Miller Brewery Company (and a wine enthusiast), a fascination with fermentation persisted, eventually bringing her across the country to Napa Valley College while awaiting acceptance into UC Davis. In between semesters, she interned at a local winery, a first harvest experience which solidified her desire to work in the wine industry.  

Amber Turpin: What is your job?

Maggie Kruse: Head winemaker at Jordan Vineyard & Winery.

How did you get into this work?

My passion for fermentation and winemaking began early, sparked by childhood visits to my father’s workplace at Miller Brewing Company. That initial curiosity quickly grew into a lifelong calling. I moved to Napa Valley after high school to begin studying viticulture and enology, eventually earning my degree from UC Davis. From working in a sensory lab to hands-on cellar roles and being mentored for over a decade by Jordan’s founding winemaker, each step along the way solidified my commitment to crafting wines that are both timeless and evolving.

Did you ever have an ‘aha’ moment with a certain beverage? If so, tell us about it.

During a brief stint in college, I considered switching my major from winemaking to brewing. But the moment I smelled the first beer I brewed in the lab—and the room filled with an overwhelming burst of banana aroma—I had an aha moment. I realized my skills (and nose) were far better suited to winemaking.

What is your favorite thing to drink at home?

When I’m enjoying a drink at home, it’s usually a bottle of Anderson Valley Pinot Noir shared with my husband.

Where do you like to go out for a drink?

Locally, I love going out in Healdsburg. It has so many incredible spots to grab a drink with friends. Lo & Behold is a favorite for its exceptional cocktails and the friendliest staff. Roof 106 also offers a stunning setting and top-notch libations. And of course, you can never go wrong with cocktails on the patio at Bravas.

If you were stuck on a desert island, what would you want to be drinking (besides fresh water)?

I’d bring large stacks of German riesling. I never get tired of its vibrant fruit profile, layered complexity and ultra-fresh acidity. It’s the perfect wine to keep things interesting, even on a desert island.

Jordan Vineyard & Winery, 1474 Alexander Valley Rd., Healdsburg, 707.431.5250. jordanwinery.com.

Free Will Astrology: July 16-22

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ARIES (March 21-April 19): For the Dagara people of Burkina Faso, the element of fire has profound cultural meanings. It’s a symbol of innovation and inspiration. It’s a mediator between the physical and spiritual worlds and a conduit for communication with the ancestors. Through rituals, fire is a purifying and renewing force that helps people reconnect with their purpose, heal relationships and catalyze positive change in the community. In the coming weeks, Aries, I hope you will be deeply aligned with all these symbolic meanings. What are you ready to ignite for the sake of nurturing and care? What truths need light and heat? What future visions would benefit from surges of luminosity?

TAURUS (April 20-May 20): In the Nahuatl language spoken by Indigenous Mexicans, the word nepantla describes an in-between space. It’s a liminal threshold where a transition is in process. The old ways have fallen away, but the new ways are not yet fully formed. It’s unsettling and perhaps confusing, yet seeded with the potential for creative change. I suspect you are now in a state resembling nepantla, Taurus. Please understand that this isn’t a crisis. It’s a chrysalis. Any discomfort you feel is not a sign of failure, but a harbinger of the wisdom and power that will come by molting the identity you have outgrown. I hope you will honor the rawness and speak tenderly to yourself. You are not lost; you are mid-ritual.

GEMINI (May 21-June 20): The sea slug Elysia chlorotica is a small, unassuming creature that performs a remarkable feat: It eats algae and steals its chloroplasts, then incorporates them into its own body. For weeks afterward, the slug photosynthesizes sunlight like a plant. I believe, Gemini, that you are doing a metaphorical version of this biological borrowing. Some useful influence or presence you have absorbed from another is integrating into your deeper systems. You’re making it your own now. This isn’t theft, but creative borrowing. You’re not copying; you’re synthesizing and synergizing.

CANCER (June 21-July 22): Ancient beekeepers in Anatolia carved hives directly into rock faces, coaxing honey from the cliffs. This practice was designed to protect bees from harsh weather and predators while maximizing honey production. The bees adapted well to their unusual homes. I suspect, Cancerian, that in the coming weeks, your sweetness and bounty may also thrive in unlikely structures. It could take a minute or two for you to adjust, but that won’t be a problem. Your nectar-making instincts will guide you. So I advise you not to wait for the perfect container before beginning your work. Make honey in the best available setting.

LEO (July 23-Aug. 22): I laughed until I sobbed as you earnestly played the game of love even after the rules had changed. I sighed till I panted as you dredged up a new problem to avoid fixing an overripe hassle. I rolled my eyes until I got dizzy as you tried to figure out the differences between stifling self-control and emancipating self-control. But all that’s in the past, right, Leo? Now I’m preparing to cheer until my voice is raspy as you trade in a dried-up old obsession in favor of a sweet, fresh, productive passion—and outgrow all the fruitless nuisances.

VIRGO (Aug. 23-Sept. 22): The ancient scribes of Mesopotamia etched records onto clay tablets with styluses, pressing wedge-shaped marks into wet earth. Once baked, these tablets endured for thousands of years. Some are still readable today. In my astrological assessment, Virgo, you are undergoing a metaphorically comparable process. Messages and expressions that are forming within you are meant to last. They may not win you immediate attention and applause. But you already suspect how crucial they will be to both your own future and the destinies of those you care for. Be bold, decisive and precise as you choose your words.

LIBRA (Sept. 23-Oct. 22): Is there any aspect of your life or character that is still unripe even though it is critical to your life-long journey? Have you held on to your amateur status or remained a bit dilettantish beyond the time when you might have progressed to the next highest level? Are you still a casual dabbler in a field where you could ultimately become masterful? If you answered yes to these queries, now is a perfect moment to kick yourself in the butt and leap to the next level. Waiting around for fate to kick your butt would be a mistake.

SCORPIO (Oct. 23-Nov. 21): Many astrologers rightfully say that Virgo is the most detail-oriented, meticulous sign. I think you Scorpios may be the most methodical and thorough of all the signs, which means that you, too, can be meticulous and detail-oriented. A prime example is the Scorpio sculptor Auguste Rodin (1840-1917). Eventually, his work became world-renowned, but his career developed gradually because of his painstaking patience and scrupulous devotion to excellence. I propose we make him your role model for now. Inspired by him, resist pressure for immediate results. Trust in the slow, steady refinement process.

SAGITTARIUS (Nov. 22-Dec. 21): Here are half of your words of power for the coming days: windfall, godsend and boon. The other half are potion, remedy and healing agent. If you’re lucky, and I think you will be, those terms will blend and overlap. The blessings that come your way will be in the form of cures and fixes. I’m being understated here so as to not sound too wildly excited about your immediate future. But I suspect you will wrangle at least one amazing victory over hardship. Your chances of a semi-miraculous visitation by a benevolent intervention are as high as they have ever been.

CAPRICORN (Dec. 22-Jan. 19): The ancient Chinese character for “listening” contains symbols for ears, eyes and heart. I interpret this to signify that it’s not enough to seek the truth with just one of your faculties. They must all be engaged and working together to get the full story. You are wise to survey the world with your whole being. Keep these meditations in mind during the coming weeks, Capricorn. Your natural inclination is to be practical, take action and get things done. But for now, your main superpower will be listening to everything. So my advice is to listen with your skin. Listen with your breath. Listen with your gut. Let your attention be so complete that the world softens and speaks to you about what you really need to know.

AQUARIUS (Jan. 20-Feb. 18): If you would like to glide into rapt alignment with astrological rhythms, give gifts to your two closest allies. These offerings should inspire their ambitions, not indulge their cravings to be comfortable. They shouldn’t be practical necessities or consumer fetishes, but rather provocative tools or adult toys. Ideally, they will be imaginative boons that your beloved companions have been shy about asking for or intriguing prods that will help beautify their self-image. Show them you love both the person they are now and the person they are becoming.

PISCES (Feb. 19-March 20): Piscean photographer Ansel Adams is so renowned that he’s in the International Photography Hall of Fame. We know the moment that his lifelong passion erupted. At age 14, his family gave him a simple camera and took him to Yosemite National Park in California. “The splendor of Yosemite burst upon us, and it was glorious,” he wrote later. “One wonder after another descended upon us. A new era began for me.” In the coming months, I foresee you encountering a comparable turning point, Pisces—a magical interlude awakening you to a marvel that will become an enduring presence in your life. Be alert for it. Better yet, declare your intention to shape events to ensure it happens and you’re ready for it.

Your Letters, July 16

Gov Is the Prob

It’s pretty easy to say that the government is the problem, as Ronald Reagan did.

The people who represent his party often run for office claiming the government doesn’t work, and then when they get in, they do whatever it takes to prove they were right. The party of Richard Nixon. 

OK, then, anyone who doesn’t like the government should be required for just one day to keep their kids home from public school, stay out of public parks or any public recreation area, stay out of a post office and stay off of any public highway or other civic thoroughfare. 

Get docked of Social Security benefits, stay out of court, stay off the phone with police and fire officials, avoid free vaccinations at public health facilities, don’t take classes at COM, stay home from the county fair and off of all Civic Center property, and otherwise free oneself of any public benefits. No library visits, either, and you can’t register to vote.

No bridges, no beaches, no fishing and no hunting on public access land, like Yosemite. No Medicaid, no school lunch programs, no food stamps, no empathy allowed.

This is the new Mike Johnson fundamentalist Proud Boys Viking hat feet on Nancy Pelosi’s desk, run, Josh Hawley run, bribe a justice, oligarch regime. Knock yourselves out, kids. When you get mad enough, go burn down 30 Rock. They started it.

Craig J. Corsini
San Rafael

Devil in the Details

I take exception to Tom Tomorrow’s misrepresentation of Donald Trump as the Devil (This Modern World, July 9). First of all, the Devil is personally attractive and charming. Trump is not. The Devil is intelligent. Trump is not. The Devil is sophisticated. Trump, for all his worldly experience, remains a yahoo. Finally, the Devil, despite his disreputable status, was and still remains an angel, albeit a fallen one. Believe me, there is nothing angelic about Trump.

David Madgalene
Windsor

Culture Crush, 7/16

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Santa Rosa

Fridays at the Hood

The Fridays at the Hood Summer Concert Series returns to the lawn of historic Hood Mansion on July 18, launching six weeks of live music under the stars. Opening night features the Anthony Paule Soul Orchestra with powerhouse vocalist Willy Jordan, performing on the Levi Lloyd Stage—named for the late Santa Rosa blues icon. The family-friendly series blends music, food, dancing and community in an outdoor setting. Proceeds support the Peace & Justice Center of Sonoma County. 6-9pm, Friday, July 18, at Hood Mansion, 389 Casa Mañana Rd., Santa Rosa. Tickets $15-$25; kids 12 and under free. More at fridaysatthehood.com.

Petaluma

‘Blue’ To-Do

Opening July 17, My World in Blue is a juried group exhibition at the Petaluma Arts Center that explores the symbolic and emotional depth of the color blue. Through painting, photography, collage and mixed media, artists take on themes ranging from serenity to vastness to melancholy. Digital artist Jeffrey Ventrella contributes “Cosmic Atom” (as seen above), a 30″x30″ metal print created with generative algorithms that echo both micro and macro worlds—a convergence of art, code and imagination. 5:30-7:30pm, Thursday, July 17 (opening reception); on view through Aug. 23, at Petaluma Arts Center, 230 Lakeville St. More at petalumaartscenter.org.

San Rafael

Child’s Eye View

Don’t Let’s Go to the Dogs Tonight, opening July 18 at the Smith Rafael Film Center, follows eight-year-old Bobo as she navigates a divided world on the eve of Zimbabwe’s 1980 independence. Based on Alexandra Fuller’s memoir, the film captures the emotional complexity of growing up amid war, with a child’s perspective illuminating both love and loss. A Sony Pictures Classics release, the film runs 98 minutes, is rated R, and is presented in English and Shona with English subtitles. Opens Friday, July 18, at Smith Rafael Film Center, 1118 Fourth St., San Rafael. Tickets and showtimes at rafaelfilm.cafilm.org.

San Geronimo

Last Great Dream

As part of the Valley Arts and Lecture Series, the San Geronimo Valley Community Center hosts author and cultural historian Dennis McNally for a discussion of his latest book, The Last Great Dream: How Bohemians Became Hippies and Created the Sixties. McNally—well known as the Grateful Dead’s longtime publicist—traces the roots of the counterculture from the salons of North Beach to the communes of Haight-Ashbury. He’ll be in conversation with poet and author Albert Flynn DeSilver. Books will be available onsite via Point Reyes Books. 6:30pm, Wednesday, July 30, at San Geronimo Valley Community Center, 6350 Sir Francis Drake Blvd. More at sgvcc.org.

Open Mic: In Reply…to the Social Security Commissioner

Dear Social Security Commissioner Frank Bisignano—I received your letter. It looked like an official Social Security Administration (SSA) communique, but I could see it was not from the institution that, as you say, “For nearly 90 years … has been a cornerstone of economic security for older Americans.”

So, it must have come from you, commissioner.

I’d like to explain how the many astoundingly bad measures in “The One Big Beautiful Bill” will hurt Americans; how loss of health care for 17 million Americans will damage the health of the entire nation; how loss of food assistance, for millions of children who depend on it, will hurt them through their entire lives; how increasing the federal deficit by $4 trillion, without investing that money in benefits for most citizens, will mean less prosperity for all but a microscopic minority; how the tax changes, sold as beneficial to everyone, give less than $300 savings to a family earning under $50,000 a year, but give $90,000 to those with $1 million annual income. 

It would take many pages to debunk the many lies inherent in your ludicrous claim that the bill will provide “… meaningful and immediate relief to seniors who have spent a lifetime contributing to our nation’s economy.” But the truth is simple. The bill will cause a colossal shift of wealth from regular folks to the super wealthy, and an overall impoverishment and sickening of our nation.

Your fraudulent letter confirms you don’t intend to do the job the American people have given you. That job can only be done by someone with thorough expertise in the field, and a passion to serve and protect our fellow Americans. You have neither. You only have the competence to do the job you’ve really been assigned: destroy Social Security.

There is only one way that you can say, “Social Security remains committed to providing timely, accurate information to the public and will continue working … to ensure beneficiaries understand how this legislation may affect them.” That is that you are lying.

Robert Nuese is a retired general and electrical contractor who receives Social Security in Graton.

Gin Win: Griffo Distillery’s Scott Street Gin crowned ‘America’s Greatest’

Time to raise a glass—Petaluma’s own Griffo Distillery has just been named the producer of “America’s Greatest London Dry Gin” for 2025 by The Gin Guild at American Distilling Institute’s (ADI) International Spirits Competition.

The winning bottle? Scott Street Gin, a crisp, citrus-forward spirit made with wild juniper berries and locally sourced Sonoma Meyer lemons (it must be mentioned that master distiller Dr. Mike Griffo has an app that alerts him when neighbors’ lemon trees are ripe for the zesting). The Gin Guild—a global body dedicated to promoting excellence in gin—praised the Petaluma spirit’s keen balance of botanicals. 

CEO William Maroun sees the award as something bigger than bragging rights. “Take one award by itself and it doesn’t mean a whole heck of a lot,” he said. “But you start stacking them—Best of Show, White Spirit of the Year, now this—and it’s validation. It means something.” In fact, Scott Street Gin quietly nabbed yet another Best of Show award just days before this one. Let the celebration beGIN.

And it’s not just spirits judges swooning. Anecdotally, it’s become the gin for people who think they hate gin. “You pour them a taste and they go, ‘Oh… I didn’t know I liked gin,’” said Maroun. He chalks that up to Griffo’s deft dodge of common pitfalls: too piney, too floral, too syrupy. Instead, Scott Street Gin leans into something subtler. A soft complexity. A balance.

That’s the word that comes up again and again: balance. Not surprising, given Dr. Mike Griffo’s scientific approach to distillation. The guy designed their custom Vendome still himself—and monitors its performance via text alerts. The man is half wizard, half engineer. “He’s very much a scientist,” Maroun said. “But he’s got a phenomenal palate. There’s artistry in the science.”

Griffo Distillery, founded in 2013, specializes in what it calls “scientifically crafted spirits”—a term redolent of beakers and Bunsen burners but more a testament to the precision exhibited in every pour. From their award-winning gin and vodka to their cult-favorite Cold Brew Coffee Liqueur (made with Equator Coffees, naturally), the distillery has become a quietly potent force in American craft spirits.

It helps that Griffo’s Petaluma DNA runs deep. The fermenter is an old dairy tank. The vibe is farm-to-glass. And while the juniper berries are imported from Italy (organic, of course), the brandy grapes and Meyer lemons are decidedly local. One can taste the terroir—or at least the neighborhood.

Though two-thirds of Griffo’s business comes from contract distilling (yes, there’s a secret gin or two out there with a Griffo provenance), Scott Street remains their flagship. It’s been their standard bearer since the beginning—same formula, same still, no tweaks to chase trends. “We might launch a new SKU if the market drifts,” said Maroun. “But this one? This one is perfect.”

And now, officially, America agrees. Drink accordingly.

Visit Griffo Distillery at 1320 Scott St., Suite A, Petaluma. 707.879.8755. griffodistillery.com.

Marin Jazz Swings Into a New Era at Lark Theater

In a move that harmonizes style, soul and civic-mindedness, Marin Jazz is making a melodic leap from the Marin Center Showcase Theater to the iconic Lark Theater in downtown Larkspur. 

Beginning with the 2025–26 season, the nonprofit jazz outfit will call the restored art deco venue its new home, thanks to a freshly inked partnership with the Lark’s executive and artistic director, Ellie Mednick.

This collaboration brings more than music to the stage. Co-produced by Marin Jazz managing director Todd Ghanizadeh and Mednick, the new season will feature seven star-powered performances, blending world-class jazz and blues with a local mission—raising funds for Marin Jazz’s Kids After School Theatre Programs. These performances don’t just entertain—they’ll underwrite arts education, fund scholarships and support teaching artists who inspire the next generation of performers.

The partnership kicks off in August with a dynamic duo of debut performances. On Saturday, Aug. 16, blues legends Tia Carroll, Terrie Odabi and Lady Bianca join forces for 3 Ladies Sing the Blues—a powerhouse tribute to the genre’s matriarchs. Then, on Thursday, Aug. 28, America’s Got Talent finalist Brian Justin Crum brings his Broadway background to the stage. Both shows start at 7:30pm, with doors at 6, allowing ample time to explore the Lark’s bar and snack offerings—or linger on the patio during the special opening night celebration.

“We’re looking forward to this new partnership with Todd and Marin Jazz,” said Mednick. “It fits perfectly with our vision of the Lark as not just a cinema, but a vibrant cultural center. We’re excited to bring more live music to our stage—and to our community.”

Ghanizadeh echoed the sentiment: “Our audience is in for a treat. The Lark isn’t just a gorgeous, state-of-the-art theater—it’s in the heart of downtown Larkspur, with all the food, drink and post-show strolls one could ask for.”

This season promises more than great music. It offers a chance to support arts education, build community and bask in the glow of a local landmark doing what it does best: bringing people together. Jazz hands optional; enthusiasm required.

—Weeklys Staff

For the full schedule and ticket info, visit MarinJazz.com.

Media Served Rare: ‘Legacy’ forms still resonate

The media is like that apocryphal Mark Twain quote—the reports of its death are greatly exaggerated. It hasn’t died so much as evolved, perhaps beyond recognition, but vestigial elements persist.

This is the case for so-called legacy media—print, broadcast, cable/satellite, theatrically released films, out-of-home billboards and artefacts like one’s precious vinyl—which are like neanderthals—they’re cruder, less elegant precursors but still made their mark on cave walls. Digital media is like homo sapians—ubiquitous and redolent with self-importance.

It should be noted that neanderthals were doing just fine until the homo sapiens ate them. It’s the same for legacy media and the omnivorous, apex predator of digital media that has devoured our culture. Now, dinosaurs like Warner Bros. Discovery are spinning off what remain of their pre-digital assets; ditto Comcast, which has hived off the bulk of its NBCUniversal cable network portfolio into a new entity called Versant—a deceptively simple name that nobody can pronounce correctly (apparently it’s Vers-ANT, like the insect, not croissant).

These so-called “Spin-Cos,” once jettisoned, will atrophy in the chilly vacuum of digital space and eventually wink out. Meanwhile, the myth of a democratized digital marketplace has pushed an agenda of content-to-platform sharecropping, resulting in a Cambrian explosion of influencer Instagrams, podcasts and Substack newsletters that has finally reached Butthole Status—everyone’s got one. The result is an endless scroll of content so abundant it feels disposable. Scarcity, it turns out, is a feature, not a bug.

But scarcity isn’t merely economic; it’s psychological. A limited-press zine feels weightier than the average Substack post. A midnight 35 mm screening feels more cinematic than an algorithmic auto-play. An interesting billboard on the 101 can still catch one’s attention in a way no promoted tweet can.

For creatives, that means legacy channels double as status amplifiers. The very hurdles inherent in their production filter out the sludge. What survives enters a smaller arena, but with brighter spotlights and more attentive audiences. In an era when everyone can publish anything instantly, abundance breeds indifference and scarcity suggests significance.

Legacy media may be diminished, but in its scarcity lies a new power—not reach, but resonance—fewer signals, perhaps, but clearer ones, and maybe worth tuning in before the cave wall crumbles.

Bohemian editor Daedalus Howell hosts At-Large with Daedalus Howell, 2 to 3pm, Monday through Friday, on Wine Country Radio’s 95.5 FM and podcast platforms everywhere. More at dhowell.com.

Poetry Unbound, ‘Itinerant Songs’ by Terra Oliveira

Terra Oliveira is a poet, and she definitely knows it—and soon, she’ll celebrate the publication of her second poetry book, Itinerant Songs, at San Rafael’s Rebound Bookstore.

Oliveira wrote the poems collected in Itinerant Songs over the course of years. Each work stands alone as an artwork while also threading together a compelling narrative of the writer’s life and lived experiences during that time. Now, she’s about to share those slices of her life with the world. But first, she’ll share them with Marin.

“I started writing the poems in Itinerant Songs in 2018,” said Oliveira. “The last poetry book I put together and published was in 2017. And now with my new book, I really wanted to just start the process by slowly compiling my poems. Then, I looked more seriously at the collection when I knew I had enough poems that I would start putting together a book; that was in 2020. It’s really been a slow chip-away process.

“I didn’t want to rush the process of this book, and because of that, it has captured so many different periods of my life,” she continued. “There have been so many changes in the world and in my life, so the collection really followed me through different periods. I think I felt surprised looking at the end result and then thinking, this book couldn’t have been written if I hadn’t lived through the experiences I’d lived through. This book just unfolded itself as my life kept happening.”

Oliveira is already an accomplished poet whose work has appeared in notable publications such as The American Poetry Review, Bamboo Ridge, The Common, Puerto del Sol and many more. Her previous collection of illustrated poetry, An Old Blue Light, won accolades with its entry in the Where Are You Press Poetry Contest in 2016.

“I had come from a storytelling background already,” she explained. “I went to San Francisco State and was studying documentary film production there. Shortly after finishing that degree, I transitioned to bookmaking, published poetry, illustration and photography books. Came to put more of my focus on poetry in 2015 or so and had a poetry book published in Portland, and that experience led me to found my own publishing company called Recenter Press, published my own and others.”

“I do still consider myself a multidisciplinary writer and artist,” continued Oliveira. “My most formal practice comes through poetry. Each poem can stand on its own. But I really like bookmaking and that I can have all these different poems that I can weave together into a book of poems.”

Alongside receiving well-earned recognition for her own contributions to the field of modern poetry, Oliveira has also founded her own publication company. In June of 2017, she founded Recenter Press, which she hoped would give poets and wordsmiths an avenue to share their works and words with the world. According to the website, Recenter Press’ mission focuses primarily on providing a platform for underrepresented voices to find their audience and speak their truth, with emphasis on important social and societal issues, including “workers’ rights and experiences, LGBTQ and racial justice, recovery and mysticism and our interdependence with each other and the natural world.”

In Marin, a progressive and inclusive mission feels right at home. Especially in this era, people are more eager than ever to support social justice, community and those working to advance both. The North Bay’s love of the arts runs deep, and its affection for poetry is nearly as strong as its commitment to activism. Put those together and one has fertile ground for a truly engaged and forward-thinking poetic community.

It is the kind of place where poetry readings, workshops and open mics don’t just entertain but also provoke thought and spark change. Here, poets can explore complex ideas, challenge assumptions and bring people together through the power of language. Marin offers a welcome invitation to anyone interested, even those only slightly intrigued, to lend their ear or raise their voice and join the lively chorus of local denizens shaping the cultural conversation.

“I do think that poetry is for everybody, and I don’t want to write poetry only for poets,” said Oliveira. “I want to speak to people who haven’t read that much poetry or who don’t know they can even like poetry. I like to write with concrete, accessible terms while still having some craft to them, too. I do think it is important to try to reach people who don’t consider themselves part of the literary world. That’s why I try to write really grounded poetry. Poetry that speaks to very real, material experiences about housing, about work, about day-to-day trying to make ends meet.”

At her upcoming book launch, Oliveira will read alongside two other renowned poets, including Marin poet laureate Francesca Bell as well as former Marin poet laureate Rebecca Foust, both of whom are deeply rooted in and celebrated by the Marin community. The event promises not only an introduction to Oliveira’s newest work but also a rich gathering of voices that highlight the depth and talent of the local literary scene. Attendees can expect an evening of thoughtful, engaging poetry that reflects the vibrant spirit of Marin’s artistic community.

“I find community totally essential in poetry,” Oliveira concluded. “Oftentimes, writing can be a really personal, introspective process. With poetry and any art form, community is how our work gets shared and it’s a big part of why I started a poetry press, because I find it important to share others’ work and use whatever platforms we have to uplift other people’s work.”

So, for those interested in coming out to support and uplift the work of one of Marin’s up-and-coming poets, they know where to go: Oliveira’s book launch. Poetry is for everyone, so one need not be shy. This event will bring together a ton of the established powerhouses of local poetry, which makes it the perfect time and place to meet, listen and feel the power of poetry alongside fellow community members. After all, now more than ever is a time that calls for empathy, connection and the kind of honest expression only poetry can offer.

Terra Oliveira’s ‘Itinerant Songs’ book launch is free to attend and will take place at 6:30pm on Wednesday, July 16, at Rebound Bookstore, located at 1611 4th St. in San Rafael. To learn more about Oliveira and her work, visit her website at recenterpress.com.

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