Going to the Dogs, ‘Mutts’ in Live Show at Marin Theatre

This time of the year, it’s important to take a breath,” says Erika Chong Shuch, director of the upcoming The Gift of Nothing at Marin Theatre. 

The play is adapted from the book of the same name and, coinciding with the book’s 20th anniversary, will have its West Coast premiere at Marin Theatre. This show, being presented in partnership with Muttville Senior Dog Rescue, runs Dec. 13–23. 

“That’s why the perfect gift from Mooch to Earl is nothing,” says Amanda Le Nguyen, who plays beloved comic dog Earl. 

“Doing nothing with your best friend is a gift on its own,” agrees Jordan Covington, who plays Earl’s best friend, the cat, Mooch.

“I am so grateful for Amanda and Jordan,” Schuch says. “It’s obvious they are doing children’s theater because they believe in it. They have so much enthusiasm.” 

If one is unfamiliar with the book, there’s a pretty good chance they’ve seen Earl and Mooch before. They’re the main characters in the Mutts comic strip by Patrick McDonnell. The award-winning comic has appeared in more than 700 newspapers in 20 countries. In 2005, McDonnell published his first book, The Gift of Nothing. And in 2014, along with co-adaptors Aaron Posner and Erin Weaver, with original music and lyrics by Andy Mitton, McDonnell adapted the book for the Kennedy Center Stage. 

“I was part of the 2014 production,” says Schuch. “It was great. I brought my son to work with me, and he got to play in the Kennedy Center’s corridors.”  

So what’s the show about?

“It’s about two best friends who have so much fun together,” Le Nguyen says. 

“There is so much joy, and the story is good,” Covington adds. 

“It’s a true family show,” Schuch says. “Kids will love the big emotions. Musicians will love the nuance in the songs. Pet owners will relate to the dog and cat shenanigans, and everyone will appreciate the central themes of celebrating each other, slowing down and appreciating what we have.” 

“Plus, I’m in it,” Le Nguyen says with an irresistible grin. 

“Plus, Amanda is in it,” Covington agrees with a laugh.

The exuberant energy of the two radiates through the room, before Le Nguyen says thoughtfully, “My family is coming. They are immigrants who don’t often come to my shows because of the language barrier. But this show is perfect. Music is universal, and the plot is understandable. It really is a show for everyone.” 

‘The Gift of Nothing’ runs Dec. 13–23 at Marin Theatre, 397 Miller Ave., Mill Valley. Various dates and times. $25-$44. 415.388.5208. marintheatre.org.

Still Shining, a Writer’s Time in the ‘Sun’

This year, I reached a professional milestone. I’ve spent half my career working for the Pacific Sun, investing two decades and writing more than a million words at the longest running alt-weekly newspaper in America. 

The paper has been in existence for 62 trips around the sun, and I’m happy to have shared stories in it for almost a third of that time.

When I started in the summer of 2005, I authored a first-person column, “Single in the Suburbs,” a humorous perspective on my angst-filled love life. I wrote about it in what I now look back on as an almost embarrassingly detailed fashion.

Since I’m old and no longer give a hoot, what the hell; I’ll briefly relive it. There were stories about the size of my boyfriend’s penis, kissing a woman and becoming romantically entangled with a sort-of-known Jewish stand-up comedian. Internet dating, speed dating and silent dating. I got dumped frequently and scurried away on a few occasions myself, once just in the nick of time before planned nuptials.

“Single in the Suburbs” crashed after 10 years because I finally settled down with that nearly perfect guy I waxed on about. For anyone wondering, our relationship recently ended, but we remain close and co-parent the chiweenie, making it worth the colossal effort of trying to connect with another human being.

By 2010, I had also begun writing the occasional news story and telling “Hero & Zero” tales from around the county, which was pretty much what it sounds like—celebrating Marinites who did good deeds and chastising those who deserved it. I inherited the column from several people who penned it before me and think I did it justice every week for the decade it was in my hands. 

The paper has had five owners since its 1963 launch, and I’ve worked for three of them. After one experienced financial issues, the Pacific Sun’s website content disappeared. Although most of my life’s work went offline forever, I kind of felt relieved that someone pulled the plug on a decade of my dating debacles.

Our current owner got us up and running again, but we had that Covid hiccup five years later. The world became more serious. “Hero & Zero” suffered an unceremonious death when, like millions of other workers across America, I was laid off during the initial shutdown.

I spent five months on the sidelines watching the headlines until I was asked to come back. In August 2020, I started covering the Marin news that was fit to print and some that probably wasn’t. From homelessness to police use of force to the incredible wealth disparity in our county, I’ve had the opportunity to sound off about it.

For the most part, I feel fine about the 1,100 or so articles that I’ve drafted. My mail runs half hot and half ice cold, a pretty decent indicator that I’m landing somewhere in the middle. If they let me, I’d like to stay at the Pacific Sun for another 20 years. There are still a few more people that I need to piss off.

Trump vs. Higher Ed, a Direct Attack on the Freedom of Speech

After waging war on public broadcasting and the arts, the Trump administration threatened recently to cut federal funding to nine prominent colleges unless they restricted campus speech that opposed conservatives.

“Academic freedom is not absolute,” read part of a Compact for Excellence in Higher Education that offered the schools preferential research funding if they obliged with a laundry list of demands that would restrict expression. If any school refused the demands, it “elects to forego federal benefits,” the compact read.

While the corporate media chose to gloss over the full extent to which the proposal undermined free expression, thousands of students across the country read it for themselves and took to the streets, demanding that their schools not capitulate.

And although none of the initial nine universities have signed on thus far, President Donald Trump has now offered the agreement to every college in the country.

What Does the Compact Say?

The compact was sent on Oct. 2 to the University of Arizona, Brown University, Dartmouth College, Massachusetts Institute of Technology, the University of Pennsylvania, the University of Southern California, the University of Texas at Austin, Vanderbilt University and the University of Virginia.

Nine pages long, it listed almost two dozen demands. Among the most controversial was one requiring schools to abolish “institutional units that purposefully punish, belittle, and even spark violence against conservative ideas.” Students noted these terms were vague, perhaps intentionally.

“What does that mean?” said Raya Gupta, a freshman at Brown who protested the compact. “We can be pretty sure that the Trump administration is going to use that to shut down programs like the Center for Students of Color and our LGBTQ+ center.”

The compact also demanded professors, when acting “as university representatives,” refrain from speaking on “societal and political events.”

Timmons Roberts, a professor of environment and society at Brown, said his courses on climate change fall into those categories.

“How am I going to teach what I need to teach?” he said. “That is a direct attack on the freedom of speech.”

In another clause, the compact demanded that universities “screen out” international students who “demonstrate hostility” to U.S. values and allies, and share “all available information” with the State Department.

Universities risk “saturating the campus with noxious values, such as anti-Semitism,” the compact read.

Notably, the State Department this year has revoked the visas of hundreds of students it accuses without evidence of supporting antisemitic terrorism.

Students and faculty claimed other demands—a limit on international students to 15% of the school population, sex-based definitions of gender and an SAT requirement—eroded institutional independence.

“We are not a dog,” said Clay Dickerson, the student council president at UVA, at a protest. “We are not to be leashed up by the federal government and dragged around.”

How Did Universities Respond?

Although federal officials set a final deadline of Nov. 21 to respond to the compact, seven of the original nine schools had already rejected it at the time. 

Emphasizing the importance of academic freedom, Vanderbilt stated it was providing feedback as part of a dialogue but not yet deciding whether to accept or reject the compact. The University of Texas at Austin’s response was more positive, welcoming the opportunity and expressing a desire to work with the administration. However, it has yet to publicly commit to signing the agreement.

But, in a social media post, Trump expanded the compact’s scope to all universities, claiming it will “bring about the Golden Age” of higher education.

While only two universities—the New College of Florida and Valley Forge Military College—have officially agreed to the compact, many of the schools that rejected it appeared more concerned with preserving merit-based research funding than protecting free expression.

In his response to the federal government, Arizona president Suresh Garimella wrote that his school has “much common ground” with the compact’s ideas, but does not agree with “a federal research funding system based on anything other than merit.”

UVA interim president Paul Mahoney’s response was almost identical. Penn president Larry Jameson’s only justification was that he is “committed to merit-based achievement.” MIT president Sally Kornbluth wrote that the compact would “restrict” her school’s independence. But “fundamentally, the premise of the document is inconsistent with our core belief that scientific funding should be based on scientific merit alone,” she wrote.

Only three schools—Brown, Dartmouth and USC—heavily emphasized academic freedom in their responses.

“It’s disappointing,” said Jade Personna, a senior at MIT who protested against the compact, “that the school, which has a lot more power and leverage than I do, is not willing to stand up for us in that way.”

Personna said she believed MIT treaded lightly to prevent a brash response from Trump. But she would have preferred “stronger language,” she added.

It remains unclear what will happen to the schools that did not sign. In early November, Project Censored requested comment from the Education Department, but received an automated response: “Unfortunately, Democrat Senators are blocking passage of [a spending bill]. … We will respond to emails once government functions resume.”

What Did the Media Cover?

The Wall Street Journal reported first on the compact, but its main and deck headlines included no mention of free speech. Six paragraphs in, after referencing the SAT requirement, the story mentioned the clause banning “institutional units” that “belittle” conservative values.

The article included no reference to clauses prohibiting professors from discussing “societal and political events” and mandating that schools screen foreign students who “demonstrate hostility” to U.S. allies. Neither did stories by The New York Times, CNN and USA Today.

The Washington Post’s story does mention the “societal and political events” clause—30 paragraphs in. But, like the others, it doesn’t say international students would be screened for their values.

In its framing, CNN initially downplayed free speech implications, describing the effective ban on anti-conservative speech as a policy “to foster ‘a vibrant marketplace of ideas on campus,’” before quoting the rest of the clause seven paragraphs in.

Personna, the MIT student, said it was “concerning” to see that the establishment press did not cover all of the compact’s free-speech implications. Although she read the compact in full, individuals who relied on media summaries may have lacked critical information. “We all need to look at the things that are most alarming,” she said in reference to the compact’s free-speech clauses, because they can become a “stepping stone for the Trump administration to expand its power further.”

But even with the selective coverage, student groups on campus publicized the unfiltered truth, Personna said.

“The Trump administration very much miscalculated … how easy it would be to coerce people into signing something like this,” she said.

James Libresco is a first-year student at Brown University studying political science.

Pour it Forward, Toys Through Time and a Studio 54 Disco Party

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Petaluma

Pour It Forward

Lagunitas Brewing Company hosts a community-minded holiday bash with Hops & Holidaze: Pour It Forward, a full-day celebration benefiting the Redwood Empire Food Bank. Expect a lively mix of local makers curated by SoCo Market, holiday food specials, live music and the seasonal return of Lagunitas Sucks on tap and in 16-ounce cans. Guests who bring a non-perishable food donation receive 15% off in the Schwag Shop, extending the Taproom’s employee-led food-drive effort to the broader community. Bands on deck include Morris LeGrande, Solid Air and Dan Durkin, keeping the winter tent festive from midday to evening. Suggest one wear an ugly Christmas sweater. 12–8pm, Saturday, Dec. 6, Lagunitas Taproom, 1280 N. McDowell Blvd., Petaluma. Reservations via OpenTable at bit.ly/4rqlJCl.

Petaluma

Toys Through Time

The Petaluma Historical Library & Museum rings in the season with its annual Members’ Holiday Party—and a first look at Toys Through Time: From Machine Age to Space Age. This new exhibition pairs antique mechanical toys with iconic Star Wars collectibles to explore how play has echoed (and shaped) the imaginations of different eras. Bank on a festive gathering, a special demonstration of antique mechanical toys in action and—if rumors on the “comlinks” are true—a visit from some unexpected guests. 4–6pm, Saturday, Dec. 6, Petaluma Historical Library & Museum, 20 Fourth St. Free for members. RSVP required at bit.ly/luma-toys.

Novato

Studio 54 Disco Dance Party

HopMonk Novato transforms into its own slice of 1970s New York City when Studio 54 (yes, named for that Studio 54) brings a hedonistic disco dance party to the Session Room. Fronted by powerhouse vocalist Angie Maserati and backed by a six-piece band of seasoned Marin musicians, the group dives into classics by Donna Summer, Chic, KC and the Sunshine Band, Michael Jackson, The Bee Gees, Kool & the Gang and more. Anticipate glitter, groove and wall-to-wall dance-floor nostalgia. 9pm, Saturday, Dec. 13, HopMonk Tavern Novato, 224 Vintage Way. $60.26. bit.ly/studio54-novato.

San Rafael

C.S. Lewis Gets Christmas

C.S. Lewis didn’t always believe in the Christmas story—but an evening conversation with J.R.R. Tolkien changed everything. The Christmas With C.S. Lewis theatrical event at Showcase Theater invites audiences into Lewis’ Oxford home in England on Christmas Eve, where visiting Americans are treated to his warm, witty and deeply personal reflections on myth, faith, friendship and the moment that forever transformed his understanding of the holiday. 2 & 7:30pm, Friday, Dec. 5, Showcase Theater, 10 Ave. of the Flags, San Rafael. $64–$75. Tickets at bit.ly/cslewis-marin.

Locally Made, Locally Minded, Made Local Marketplace

Made Local Marketplace is a small shop with a big mission—offer “locally sourced, curated goods made in the North Bay.” 

The brainchild of Willow Fish Peterson, the shop has an awesome variety of goods from more than 150 local makers, artists and brands. So to say there’s a little something for everyone would be an understatement.

To this point, Fish Peterson says, “Shopping local isn’t just about finding a great gift—it’s an investment in the North Bay’s creative community. Every dollar spent here circulates through our local economy, supporting real people, real makers and real jobs.” 

She adds, “Our curated gift boxes have become one of the easiest ways for people to support local makers. Every item inside is made right here in the North Bay, and we offer pickup, delivery and shipping so you can send local love anywhere.”

Locally made highlights include the clever and beautifully rendered wood and resin charcuterie boards, serving plates and artwork from West Coast Vibez. Artists and co-founders Doreen Griffiths, Tim Curtis and Jeanine Curtis lean-in to the beautiful coastline we share in the North Bay to create eye-catching work that really feels one of a kind.

Another thoughtful gift comes in the form of candles from Green Castle Rock Gardens. Each one is hand poured and made of 100% soy wax, which makes them toxin free. There are some very intriguing and lovely scents available, including Harvest Moon, Cashmere Plum, Garden Mint and Black Violet Saffron, to name a few.

Clearly the vibe here is chill as we head out of arguably the dumbest timeline (2025) and into the unknown. Selfcare is key—starting with a gift from MoonEssence Bath Products.

Maker of natural handcrafted artisan body care products, MoonEssence has a lovely variety of soaps, lotions and serums to help soothe all the wrinkles accumulated with each bizarro headline. The products make great gifts for everyone, including oneself.

“When you shop local, you’re voting for the kind of community you want to live in,” reminds Fish Peterson. “You’re helping your neighbors thrive.”

Made Local Marketplace is located at 2421 Magowan Dr., Santa Rosa and 881 Grant Ave., Novato. madelocalmarketplace.com

Artisanal Gifting, a Hyper-Local Gift Guide

The North Bay’s artisanal offerings are a haven for those who think outside of the big box store when it comes to holiday gifting.

What follows is a curated collection of makers whose work is as distinctive as the places they inhabit.

In Point Reyes Station, Wild West Ferments channels flavors gleaned from Maggie Levinger and Luke Regalbuto’s travels among nomadic fermenters abroad. Their rediscovery of a Bosnian juniper berry beverage informs a shop now tucked into the former Cowgirl Creamery space. Everything here—from their kraut and kimchi to their fermented sodas—ages to perfection in ceramic crocks or oak barrels.

80 4th St., Point Reyes Station. 415.310.5700. wildwestferments.com

Petaluma’s LALA’s Jam Bar sprang from Leslie “Lala” Goodrich’s decision to operate under California’s Cottage Food laws. She produces small-batch jams and fruit spreads from her little yellow cottage on Washington Street, including her Petaluma FOG blend—figs, orange juice and ginger—which remains one of Sonoma County’s great edible souvenirs. The Jam Hotline (707.773.1083) is both real and enthusiastically used.

720 E. Washington St., Petaluma. lalasjams.com

In Sebastopol, Little Apple Treats operates as a “peel-to-pip” closed-loop farm where orchard, kitchen and aging room form a single ecosystem. Joanne Krueger’s candy cap mushroom caramels—featuring wild-foraged fungi with an uncanny maple aroma—became Good Food Award finalists, while her apple cider vinegar rests in French oak wine barrels like a quiet experiment in patience.

707.849.8547. littleappletreats.com

Down the road at The Barlow, glass artist Michael Dickinson of Dickinson Glass suspends pocket universes inside clear spheres. His “black hole” marbles—made by heating and vaporizing clippings of gold and silver, then trapping the resulting nebulas inside layers of molten glass—are always singular. Dickinson’s compact studio doubles as a glassblowing classroom.

4200 Green Valley School Rd., Sebastopol. 707.690.4136. dickinsonglass.com

Another Sebastopol institution, Nichibei Potters, reflects the long-running collaboration between Cheryl Costantini, who trained for years as an apprentice in Japan, and her husband, Mikio Matsumoto, whose expressive face motifs have become something of a signature since the mid-1980s. Their work appears in the Asian Art Museum; their home studio remains open by appointment.

1991 Burnside Rd., Sebastopol. 707.823.0950. nichibeipotters.com

In San Rafael, North Bay Candleworks emerged from ER nurse Doug Coomer’s need to decompress after shifts. His Marin Landmark line—“Karl the Fog,” “Muir Woods,” “Mount Tamalpais”—captures local microclimates with surprising fidelity. Each candle is hand-poured with soy and coconut wax and will light up the life of whomever is lucky enough to receive one.

757 Lincoln Ave., Ste. 19, San Rafael. northbaycandleworks.com

Finally, San Anselmo’s Compass Rose Design is the realm of Creek Van Houten, who transforms salvaged heirlooms into contemporary jewelry. Antique buttons become pendants; vintage teaspoons become charms; spent watch parts evolve into steampunk relics. She began with lost-wax casting at a young age alongside her dentist father—a plausible origin story for work that merges precision with whimsy.

compassrosedesign.com

In Napa, the Soap Company gets the obvious joke out of the way early with names like “Cabernet Soapignon” and “Clean O Noir,” then proceeds to back up the puns with actual craftsmanship. Sophia and Garrett Williams hand-pour each batch of bars at their Bel Aire Plaza shop, wrapping them in flower-petal paper with a light hand. The berry-scented cabernet version includes cocoa butter and a dose of red wine, which is either a selling point or a waste of good cab, depending on one’s threshold for novelty. Either way, it makes a defensible gift.

3816 Bel Aire Plaza, Napa. 707.963.5010. napasoap.com

Community & Cookies, Local Baker Gets Kids Involved

Courtney Clifton runs a cottage food bakery out of her Santa Rosa home called Cove & Crumb, specializing in royal icing cookies. 

She combines a love for art, baking and family life to create stunning cookies for special occasions that also happen to taste good. Her traditional sugar cookies are an almond and vanilla bean flavor, but she can make chocolate, birthday cake or other flavors upon request. However, in the Cove & Crumb case, these cookies truly are too beautiful to eat. 

The busy mom also works with Hanna Center, a nonprofit that provides mental health and community services in Sonoma, to lead their Winter Culinary Camp this year. This camp gives kids a fun, hands-on experience to learn basic cooking skills, recipes and kitchen safety. Hanna is also offering other winter skill-building experiences on their 90-acre campus, including basketball and LEGO robotics, to give local kids a place to learn, grow and explore during the holiday break, Dec. 29–Jan. 3. Clifton loves getting to work with kids, and is inspired to support the incredible work Hanna Center does for Sonoma families.

Amber Turpin: How did you get into this work?

Courtney Clifton: My first ‘order’ was a gender reveal set of cookies for my sister. It was such a hit that people began asking for their own custom cookies. It wasn’t long before I became an official cookie business. 

I started working with Hanna Center because I wanted to give back to the community in a meaningful way and partner with an organization that truly makes a difference in Sonoma. Their mission to support local families through mental health services and youth programs really resonated with me. Being able to share my love for baking and cooking with kids while contributing to a place that brings so much good to our community is incredibly rewarding.

Did you ever have an ‘aha’ moment with a certain beverage? If so, tell us about it.

All of my cookies (and ‘aha’ moments) are products of late nights with iced coffee and Alani energy drinks. 

What is your favorite thing to drink at home?

My current morning obsession is a vanilla latte. I like to end the day with a cozy tea or Golden State Cider.

Where do you like to go out for a drink?

El Gallo Negro’s seasonal margaritas are my go-to.

If you were stuck on a desert island, what would you want to be drinking (besides fresh water)?

Lemon drop martinis.

Hanna Center, 17000 Arnold Dr., Sonoma, 707.996.6767. hannacenter.org. Cove & Crumb, coveandcrumb.com.

Trump Peace Plan Scam: A Study in Diplomatic Malfeasance

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The official U.S. line on how the peace plan to end the Ukraine war emerged has Steve Witkoff, Donald Trump’s special envoy, and Jared Kushner developing it, Marco Rubio endorsing it and then Russia assenting to it. But that story does not hold up.

First, Rubio told two senators that the plan was made in Moscow and was one-sided. Later, having been told this was Trump’s plan, he changed his story and said he was all aboard.

Then Bloomberg reported on a telephone conversation between Witkoff and Yuri Ushakov, a foreign policy aide to Vladimir Putin. According to Bloomberg, Witkoff tells Ushakov, “Here’s what I would do.” He is all ears. Witkoff advises that the Russians compliment Trump on his peace initiative and say Russia supports it. Then “maybe we set out like a 20-point peace proposal, just like we did in Gaza,” he adds.

Don Bacon, a Republican member of Congress, said of Witkoff: “Would a Russian paid agent do less than he? He should be fired.”

He won’t be, of course. Asked about the conversation, Trump said: “I haven’t heard it, but it’s a standard thing. That’s what a deal maker does.” In other words, he knew all about it and supported Witkoff. Why not? These are real estate guys, and that’s the way they always operate. Trump even said he had “thought this [deal] would be one of the easier ones because of my relationship with President Putin. But this is probably one of the more difficult ones because there’s a lot of hatred.”

Also notable is the administration’s chaotic, self-interested diplomacy. The secretary of state/national security adviser isn’t in charge—Witkoff and Kushner are. Their eyes, and probably Trump’s, are on potential financial rewards from an agreement with Moscow: investment opportunities in energy, rare earth minerals in the Arctic, Russian infrastructure and resources.

That approach, which ignores Ukraine’s and Europe’s security, must leave heads spinning among Russia and Europe experts in the State Department and intelligence community. But that’s Trumpworld, where the personal interest is the national interest.

Mel Gurtov is professor emeritus of political science at Portland State University.

Healing Music: Ivan Neville Brings New Orleans to the North Bay

By the time Ivan Neville rolls into Sebastopol on Dec. 7, then glides over the hill into Mill Valley on Dec. 8, the man will have effectively turned the Bay Area into an annex of New Orleans. 

Not that he’d put it that way—Neville is far too grounded for grandstanding—but spend five minutes on the phone with him, and it becomes clear: He carries The Big Easy in his bones.

Neville is hitting HopMonk Sebastopol first, appearing with Dragon Smoke, before joining an all-star lineup at Mill Valley’s Sweetwater Music Hall for Music Heals International’s “New Orleans Meets Haiti” benefit, a fundraiser bringing music education to kids in Haiti, India and Venezuela. The Sweetwater show pairs Neville with Jackie Greene, Jay Lane, Paul Beaubrun, Dan “Lebo” Lebowitz, Elliot Peck and others, plus a pop-up New Orleans dinner courtesy of the Brothers Rosenthal.

It’s a lot of energy in two nights for anyone—except, apparently, Ivan Neville.

“The only hard part is the traveling,” he tells me with a laugh. “The work is the planes and vans and buses. Then you go play music for a couple hours—that’s the easy part.”

That ease is earned. Neville’s résumé is a syllabus in American music: generations of Neville bloodlines, ferocious funk with Dumpstaphunk and high-profile stints with everyone from Keith Richards to Bonnie Raitt. He’s also just released Touch My Soul, his first solo album in nearly 20 years—a record that reveals a man who’s lived long enough, and hard enough, to mean what he sings.

And what he sings, this time, is clarity.

“I was experiencing life,” he says. “Accepting where you are, trying to make the best of what your day could be, enjoying the moments along the way.”

Those moments bloom across the album’s tracks—the social plea of “Stand for Something,” the buoyant uplift of “Dance Music Love” and the Talking Heads cover, “This Must Be the Place,” which lands like a long exhale. Neville’s messages are unvarnished: Stay teachable; find purpose; act one’s way into right thinking. He’s reflective, the way people are after life has knocked a few metaphors into them.

“If I’m thinking about myself too long, I start walking into negativity,” he notes. “If I try to be of help, it puts me in a positive place.”

That ethos threads into the Sweetwater benefit. Music Heals International has been working for more than a decade to bring music education—and its corresponding resilience—to young people in Haiti and beyond.

“I’m always down for helping out as best I can,” he says. “I’m really glad to be part of it.”

As for his song, “Greatest Place on Earth,” which unabashedly crowns New Orleans as the global champion, I ask whether Sebastopol or Mill Valley might crack the top three, even temporarily.

He laughs. “Up there in the Bay Area, doing those two days? Absolutely. The Bay Area will be the place to be—and maybe the greatest place on Earth—for that time.”

Ivan Neville performs at 4pm, Sunday, Dec. 7, at HopMonk Tavern, 230 Petaluma Ave., Sebastopol (for tix and prices, visit hopmonk.com), and as part of the Music Heals International annual benefit concert at 7pm, Monday, Dec. 8, at Sweetwater Music Hall, 19 Corte Madera Ave., Mill Valley (for tix and prices, visit sweetwatermusichall.org).

Cedars of Marin Artist and Animator Kirby Faine’s Imagination Soars

This edition of “Locals” is a touch ticklish. It follows up my interview with Nicole Frazer, the art curating director of “The Artist Within”—the gallery-studio that fronts Cedars of Marin’s efforts to forefront “artists with disabilities.” I had wanted to interview one of their star artists.

Like many current and out-of-date labels associated with that community, “artists with disabilities” can be uncomfortable. It is othering. And truly, it imparts no information. For, if we haul out the great and weighty DSM-V or consult the list of the hundred commonest issues in therapy (inclusive of anxiety disorder, depression, PTSD, body dysmorphia, addiction and adjustment issues), we come to find all artists—and all people have “disabilities.”

I am an artist, and I have nervous attachment syndrome. And happy is the day when we discover what our own special “disorder” is. It clarifies our identity and the continuing work of building the community that will support our own “special needs.”

In some cases, as with artist Kirby Faine, those supports were found ready-made, in Cedars of Marin’s puppet film making program. I was introduced to Faine by Daniel Krakauer, the artist who facilitates his studio. That studio is a rented room in the basement of Art Works Downtown in San Rafael—low ceilinged and windowless but considerably cheered by the presence of wall-to-wall art and hand-crafted wire frame puppets.

Faine was there doing pre-production work, adapting one of her gothic poems to a short self-contained film called, The Artist. The autobiographical plot has a solitary artist escaping the boredom of real life into a fantastical world of her own imagination, eventually coming into conflict with characters who want to pull her further and further away from the real. The characters she creates are so vivid to her that she feels they take on a life of their own.

At a coffee break, Faine and I broke off and sat down.

Cincinnatus Hibbard: Kirby, tell us a bit about yourself.

Kirby Faine: I am an artist. I am on the autism spectrum. I grew up in the Bay Area. And I now live in Marin County.

Tell us about your art.

Well, I love to draw. I also love to animate. And I love to sew. I like to sew stuffies—which are stuffed animals. Sometimes the same characters that are in my animations. I also love to make costumes—creature costumes and fur suits.

Are all these characters in the same shared universe?

Pretty much.

Tell me about your animated shorts.

They are hand drawn or stop motion—like South Park.

What are your other inspirations?

My biggest inspiration is definitely Tim Burton. Also Ray Harryhausen, Wes Anderson and Guillermo del Toro.

They certainly have worlds of their own. And they brought us into them. What do you want to do with your art, Kirby?

I would love to be a filmmaker and a cartoonist. I want to make my own cartoons and TV shows, and get my crazy creations in the world. I have so many story ideas.

What’s first?

I have an idea I want to turn into a children’s TV show. It’s called “Phoebe of Fernwood.”

It’s about a girl that protects the mythical creatures of a magical forest—like unicorns, fairies, goblins, dragons and griffins. I love mythology. That story is inspired by my childhood experiences in forests near where I lived. With my art, I want to share my unique and interesting life.

Learn more: Kirby Faine can be found on instagram @demonhound66. Cedars of Marin can be found at cedarslife.org. Check their calendar for their next film festival.

Going to the Dogs, ‘Mutts’ in Live Show at Marin Theatre

Marin Theatre presents 'The Gift of Nothing,' a play adapted from the book of the same name.
This time of the year, it’s important to take a breath,” says Erika Chong Shuch, director of the upcoming The Gift of Nothing at Marin Theatre.  The play is adapted from the book of the same name and, coinciding with the book’s 20th anniversary, will have its West Coast premiere at Marin Theatre. This show, being presented in partnership with...

Still Shining, a Writer’s Time in the ‘Sun’

Reporter Nikki Silverstein has worked at the ‘Pacific Sun’ for 20 years.
This year, I reached a professional milestone. I’ve spent half my career working for the Pacific Sun, investing two decades and writing more than a million words at the longest running alt-weekly newspaper in America.  The paper has been in existence for 62 trips around the sun, and I’m happy to have shared stories in it for almost a third...

Trump vs. Higher Ed, a Direct Attack on the Freedom of Speech

Academic freedom and freedom of speech
After waging war on public broadcasting and the arts, the Trump administration threatened recently to cut federal funding to nine prominent colleges unless they restricted campus speech that opposed conservatives. “Academic freedom is not absolute,” read part of a Compact for Excellence in Higher Education that offered the schools preferential research funding if they obliged with a laundry list of demands that would restrict expression....

Pour it Forward, Toys Through Time and a Studio 54 Disco Party

Crush features upcoming art and cultural events in the North Bay.
Petaluma Pour It Forward Lagunitas Brewing Company hosts a community-minded holiday bash with Hops & Holidaze: Pour It Forward, a full-day celebration benefiting the Redwood Empire Food Bank. Expect a lively mix of local makers curated by SoCo Market, holiday food specials, live music and the seasonal return of Lagunitas Sucks on tap and in 16-ounce cans. Guests who bring a...

Locally Made, Locally Minded, Made Local Marketplace

Made Local Marketplace showcases locally sourced, curated goods made in the North Bay.
Made Local Marketplace is a small shop with a big mission—offer “locally sourced, curated goods made in the North Bay.”  The brainchild of Willow Fish Peterson, the shop has an awesome variety of goods from more than 150 local makers, artists and brands. So to say there’s a little something for everyone would be an understatement. To this point, Fish Peterson...

Artisanal Gifting, a Hyper-Local Gift Guide

curated collection of local makers
The North Bay’s artisanal offerings are a haven for those who think outside of the big box store when it comes to holiday gifting. What follows is a curated collection of makers whose work is as distinctive as the places they inhabit. In Point Reyes Station, Wild West Ferments channels flavors gleaned from Maggie Levinger and Luke Regalbuto’s travels among nomadic...

Community & Cookies, Local Baker Gets Kids Involved

Courtney Clifton teaches basic cooking to kids at the nonprofit Hanna Center's Winter Culinary Camp.
Courtney Clifton runs a cottage food bakery out of her Santa Rosa home called Cove & Crumb, specializing in royal icing cookies.  She combines a love for art, baking and family life to create stunning cookies for special occasions that also happen to taste good. Her traditional sugar cookies are an almond and vanilla bean flavor, but she can make...

Trump Peace Plan Scam: A Study in Diplomatic Malfeasance

Daedalus Howell, editor of the Pacific Sun and the North Bay Bohemian. considers April Fool's Day a celebration of humanity.
The official U.S. line on how the peace plan to end the Ukraine war emerged has Steve Witkoff, Donald Trump’s special envoy, and Jared Kushner developing it, Marco Rubio endorsing it and then Russia assenting to it. But that story does not hold up. First, Rubio told two senators that the plan was made in Moscow and was one-sided. Later,...

Healing Music: Ivan Neville Brings New Orleans to the North Bay

Ivan Neville at Hopmonk Tavern in Sebastopol
By the time Ivan Neville rolls into Sebastopol on Dec. 7, then glides over the hill into Mill Valley on Dec. 8, the man will have effectively turned the Bay Area into an annex of New Orleans.  Not that he’d put it that way—Neville is far too grounded for grandstanding—but spend five minutes on the phone with him, and it...

Cedars of Marin Artist and Animator Kirby Faine’s Imagination Soars

Kirby Faine: I am an artist. I am on the autism spectrum.
This edition of “Locals” is a touch ticklish. It follows up my interview with Nicole Frazer, the art curating director of “The Artist Within”—the gallery-studio that fronts Cedars of Marin’s efforts to forefront “artists with disabilities.” I had wanted to interview one of their star artists. Like many current and out-of-date labels associated with that community, “artists with disabilities” can...
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