The Word We Need: With the World at an Impasse, One Emotion Can Unlock Everything

Here,  journalist and organizer Cincinnatus Hibbard shares the first chapter of his forthcoming book, ‘Love is The Answer,’ as part of a two-part series in our pages. —Editor

“ … Love… Love is the answer—the solution … to everything.” The words were wrenched out of me. That inner critic that sat watch on my words was aghast. Suddenly I was ill at ease…

These were serious people I was sitting down with. Worldly people—Adults. And I was being hopelessly naive.

True, they had progressive leanings—but they were operators … heavy weights—such as the machine makes—keen animals, such as the jungle breeds.  I had almost convinced them that I was a killer myself this hour and more. But then—for some damnable reason, I turned up my soft white underbelly and gave up the game by professing love … damn.

I had brought these two professionals together in a glass and steel corporate office so that they could meet each other. As a journalist and an organizer, this is what I do—I bring people together to help solve the problems of our community. And the problems these two brought both had broad social implications and vague affinities with each other. 

Sitting to the left of me, drinking a matcha latte, was a regional figure. Her work and mission was a project to change the culture of consumption among middle-class consumers. Her method was educational—she taught awareness. She wanted people to shift their business from cheap Walmart and fast Amazon to local businesses promoting a slow culture of quality, ecology, and community. But people were stuck in their ways, frozen.

Sitting to the right of me, drinking black tea, was a national figure. He was an expert and consultant to the wealthy. His work and mission was to change the culture of work (and overwork) among executives. His clients were money mad, productive machines chasing empire and breakdown. Like addicts, they wanted to stop—but couldn’t. His methods were therapeutic. He wanted his clients to slow down, take time for family, reconnect with friends, rediscover hobbies, and build legacies of philanthropic giving.

As he spoke, he gave me pause. “Even the rich and the powerful are unhappy in this system,” I thought. “The winners” of “the game.” 

I sat between right and left with my double-shotted dirty chai, and between them we talked around and around the twin poles of the two issues. We talked long, with speed, fluency, urgency of cause, and intellectual aggression—spiraling up, up, into the blue sky like raptors, until, sighting the horizons, their problems seemed the problems of the world.

We spitballed. But all our solutions seemed to make these matters worse. I think we knew in our hearts that our “solutions” derived from the system itself, and partook of its brutality. It has been said that “you can’t dismantle the master’s house with the master’s tools.” And all our solutions amounted to more commands—more complexity, longer lists, more hurry, fear and shame, and burnout productivity—the fuels and the fire accelerating us into the slow motion train wreck of total crisis.

We were paralyzed. We—and the world itself, were now at an impasse… And with that, our over-caffeinated conversation stalled, and entered free fall.

It was at that moment, in the mounting pressure of nothing to say, that I had said it—the inexcusable thing. It just rose up inside of me—“Love is the answer.”

My words were received with shocked silence. And then, there was a sudden unexpected softening—like a long exhalation. Slowly, and somewhat shyly, they agreed. Love was—somehow, some way—the solution. In the great paradox of love, these two heavies had been disarmed by my vulnerability.

We did not attempt to answer why or how love could be the answer to society’s problems (of frenzied over-work and hollow hyper-consumption). Really, we couldn’t. But somehow we knew it in our hearts, and our agreement was enough that day. The meeting ended shortly thereafter, floating away on a lightness of being…

Two Become One

In hindsight, I think things had been building to that moment. Perhaps deep intuition had guided me to bring those heavyweights together to bring it about—a catalyst. Making my statement there had in some sense committed me before my peers to pursue love as “the answer.” Truth be told, I had been thinking a lot about love—love as an alternative to our world, founded in fear. I had been dreaming about it—at the margins of my hectic life. 

Reading into the wisdom traditions, as best as I could tell there are three alternative ends in life—three goals, three drives, and three outcomes. The first is the most familiar, because it is our choice. We seek it. And its pursuit gives rise to our world-system. One can call it “status,” or one can call it “power.” But it is the control of money and people as safety. To lack power in this system is to be in danger. Thus we are driven toward the accumulation of power in pursuit of safety, whipped by fear. As only total control is total safety, power is a zero-sum game. We immediately come into conflict with each other. It gives rise to competition, violence, and exclusion—and thus to sexism, and racism, and nation set against nation. The world as we know it is born in fear.

WRITER Cincinnatus Hibbard believes that deep in our hearts everyone knows that love is the answer (to fear), but few advocates of love can say why (love is the answer, or how it applies). Love is vague and seemingly impractical. So Hibbard undertakes to define love and how it addresses itself to the problems of modernity and the present political crisis. Photo by Loren Hansen.

You have only to define the emotional constructs drifting along the spectrum of fear to describe our lives within this system—anxiety, stress, dread, pessimism, cynicism, phobia (such as xenophobia (racism) and neophobia (conservatism)), panic, PTSD, mania, paranoia, decision paralysis, nightmare, and terrorism.

Now for the two alternatives to fear/power. They are rare in this world—but they do exist—uneasily, because they are antithetical to fear/control, opposing it. Hypothetically, alternative worlds could be built around them. But they are not considered practical or serious. Perhaps because they are so hard to define—they’re vague, nebulous, numinous. 

The alternatives to fear are love, and the mystical experience. Love is the end-all-be-all of lovers, the pursuit of poets, and the naive—the child-like. And, the mystical experience is the one true goal of the spiritual, some religionists, and the mystics—those wild, poetical, lovers of god.

Power/fear, love, and the mystical experience are our choice of three. But perhaps it is only a choice of one—the one that is workable and practical. I myself chose the pursuit of status (fear).

I still pursued love and the mystical experience, but academically—in library cross references  sprawling across continents and millennia. There were partial definitions—fragments of pieces, vague and incomplete. Although I pursued these two alternatives separately, along parallel lines, I began to see that there were overlaps in the two definitions—commonalities, and I dare say affinities…

For example, “otherworldliness” was a quality-characteristic shared both by love and the mystical experience—as was “timelessness”—the suspension of all madly ticking clocks and countdowns. “Love is the answer,” said my heart.

“Euphoria” or heavenly “bliss” was another quality common to love and the mystical experience—as was “healing.” Either act as a kind of medicine to our inflamed, cortisol-drenched bodies.

But most provocative of all was a characteristic central to the definition of both love and the beatific experience—“ego death,” and the emergence of “soul”—experienced as a kind of liberation. That too seemed medicinal—the medicine to treat our ego-dominant world. Indeed, each quality held in common seemed to address the issues of the world with a profound and penetrating directness. “Love is the answer,” said my head.

I pursued this research project with a detached intellectual rigor. So it embarrassed me to admit to myself that these incomplete definitions of love and the mystical experience seemed to yearn toward each other … almost as lovers yearn…

And there the project stood for some time, waiting.

Until my fool utterance—that catalytic spark compelling me to explain to all my peers why love was in fact “the answer.” I came home from the meeting all in a passion. I was going to fit the full fragmentary definitions of love and the mystical experience together, as one…

And as I did, so I discovered … that they completed each other…

It is hard for me to relate the raw and ecstatic emotional power that was released in that epiphany, but it contained within it the simple mechanism of a key sliding into a lock. 

Something opened—the barred gate of our collective impasse. The unified definition was still “love”—but love in its aspect transformed. It was love surrounded by a nimbus, a halo—an aura of spiritual power. Like a sacred heart.

In what I had, love was at long last, definitively, “The Answer.” I could prove it. I looked up from my writing blinking tears of joy. Life had become, in that moment, simple. Decision became simple. Action became simple. Ours was a choice … between love and fear.

Part two runs next week. Learn more at loveistheanswerbook.substack.com.

Liquid Motion, Thotty McNaughty’s Give & Take

Bastet Dance Fitness is located in Rohnert Park. It’s situated between a Pentecostal church and a Packard car museum—in what looks to be a battered old Safeway. 

“Interesting neighborhood,” I thought to myself. I knocked and entered. Thotty McNaughty was waiting. 

As we stood at her ad hoc work station inside the stripper pole dance studio, she made a wholly unexpected disclosure—she is a martial artist trained in traditional Filipino melee weapons. It is “her first love.” Conversationally, I asked her which was her favorite weapon. “Knives,” she said. Could she, I began, kill someone with a knife? “Yes” was the response. She finished my sentence for me. Charmante. It was good to know—my work as an interviewer is to quickly establish the basic facts of my subject.

At her work table, Thotty was constructing fans out of tall and airy ostrich feathers of the purest white—instruments that carried their own danger. Like many of the stars of the 

burgeoning North Bay burlesque scene, Thotty Mc Naughty is incredibly handy and makes many of her own costumes and accessories. Soliciting a breakdown of her skill sets, Thotty said her “superpower” was that she could break down and build most anything she saw—something she had inherited from her dad—an auto mechanic and rock bassist.

Thotty started her adult dance career as a curious student at that very studio—Bastet Dance Fitness, a school for sensual dance styles. Sensuality—an embodied awareness and aliveness of the senses—is emphasized at Bastet, although sexy often flows out from it. Discovering a real aptitude, Thotty soon became a teacher herself. Event production flowed naturally as she sought new performance opportunities for her advanced dance students.

Weaving through the stripper poles, we came to a non-mirrored wall hung hip-to-ceiling with photos of past dance productions. Below the hip were low display shelves of half a hundred pairs of eight-inch stripper heels—beautiful art objects even before one considers their associations. I’ll mention in passing that Thotty was herself wearing overstuffed bear slippers for the interview.

What personally interests me about burlesque as an art form is that it has been progressively expanded until it can be quite anything one can do in a corset—stand-up, physical comedy, acrobatics, satire, protest, theater, singing, lip sync, storytelling and dance—as well as striptease. And local shows, such as those Thotty McNaughty produces, reflect that variety.

Thotty went even further, saying, “Diversity is super important; there is no set standard of body type. I love the glitter and the glam, but that’s just me. There’s nerd-lesque; there’s boy-lesque; there’s gore-lesque. There is something for everyone. And no one should be afraid to try it. Dive into your interest, and people will be interested.”

Then Thotty flipped through some recent burlesque photos in which she had been sexy Super Mario, sexy Gandalf, a sexy James Bond, a sexy cocaine reindeer, as well as a vintage Hollywood bombshell—for the record, also sexy.

“Thotty, you’re an expert. Tell us how to be sexier. Tell our readers how to tease. Just a tip,” I said. Briefly, she considered and then replied, “Some people get up there and take it all off. But you want to give it and take it away from them…”

Learn more: Thotty McNaughty will be featured at ‘Whole Lotta Love,’ a burlesque tribute to Led Zeppelin, at The California in Santa Rosa on Feb. 7. She will be dancing to ‘I Can’t Quit You Baby.’ Thotty has other shows on Feb. 13 and 21. Show descriptions and ticket links are available at thottymcnaughty.com. Thotty is also on TikTok at thottymcnaughtyofficial.

The Yin and Yang of It: Nothing is Ever Just Black and White

The world is made of opposites
Combined in different forms,
For things to be otherwise
Would violate all sensible norms.
There’s some light in the deeply dark
There’s at least a little bit
Of wealth when things seem stark,
That’s the Yin and Yang of it.
Smart people do things wrong
Untrained minds get complicated matters right,
Every short contains some long
Blindness is one type of sight.
Everything contains itself
Some candles are never lit,
There are useless things on some low shelves,
That’s the Yin and Yang of it.
The humongous contains some small
The weakest have some strength,
The mile or inch that we assign
To calculate a length
Is as accurate as it is false
There is no perfect fit,
The random graces and the carefully planned,
Are the Yin and Yang of it.

David Reinstein is a poet in San Anselmo.

‘Tight & Nerdy,’ Burlesque Meets Weird Al Onscreen

Burlesque sometimes makes for strange bedfellows—a Star Wars-themed performance is an annual local favorite, for example. But something weirder this way comes thanks to a traveling burlesque show inspired by, and set to, the music of Weird Al Yankovic—a show called Al-Stravaganza, which is now the subject of a new documentary film, screening at San Francisco IndieFest this weekend.

Tight & Nerdy is not about Weird Al Yankovic (who notably flipped Chamillionaire’s 2006 gangsta-inspired lyric “ridin’ dirty” into the song “White and Nerdy,” with comedians Keegan-Michael Key and Jordan Peele playing foils to Donny Osmond, Seth Green and Weird “I ain’t got no grille, but I still wear braces” Al in the music video) or burlesque (which has its roots in perversions or “travesties” of high-culture including opera and Shakespeare), but a remarkable hybrid of both.

Weird Al, who rose to fame in the ’80s through goofy, frequently (and inexplicably) food-obsessed music—and music video—parodies of pop heavyweights including Michael Jackson (“Eat It”) and Madonna (“Like a Surgeon”), became both the king of novelty entertainment and pop culture’s reliable, but never mean-spirited, jester. He began disarming audiences and skewering self-serious, highly commercial musical acts and, in doing so, poked fun at the craft of songwriting, celebrity and the very mechanisms of attention and fame.

Al-Stravaganza, the live burlesque show (well, “nerdlesque” show—a subgenre melding striptease with geek culture, sci-fi and comic book fandoms, and cosplay) and subject of Tight & Nerdy (its name taken from the troupe’s name), has its roots in San Francisco, where performers Pickles Kintaro, Mistress Marla Spankx, Pearl E. Gates and Odessa Lil met more than a decade ago. They soon tantalized audiences with DIY showgirl costumes, bawdy choreography, down-to-their-pasties nudity, a vibe of inclusivity across ages, genders and bodies, and, yes, Weird Al songs. 

Because what says seduction like Weird Al’s “Spam” (bending REM’s “Stand” into lyrics like “If you need a spoon, keep one around/Carry a thermos to help wash it down”) or “Amish Paradise” (morphing Coolio’s “Gangsta’s Paradise” into “As I walk through the valley where I harvest my grain, I take a look at my wife and realize she’s very plain”)?

If Jeff Nucera and Jonathan Ruane, Tight & Nerdy’s filmmakers, capture the backstage thrill and about-to-go-on stress and, as well, the am-I-really-doing-this essence of the troupe’s act onstage—in Jan Brady, Bob Dylan and Oscar the Grouch costumes, and, sometimes, merkins—the heart of the film rapidly reveals itself as something else entirely: the prospect and peril of belonging and not belonging.

Amidst road-trip montages and sequined Spam can strip-teases (yes, featuring a peek-a-boo flap), the filmmakers slip in day-to-day life confessionals from Laura, aka “Pearl,” describing her housewife-induced depression and with an on-a-whim burlesque class serving as savior, and Jann (“Pickles”) chronicling the mundane microaggressions and overt racism of her Korean-American childhood as “the only POC in an all-white world” and an on-again, off-again estrangement with her conservative parents, “not willing to be someone I’m not” to make it work.

And then there’s the confessional of Odessa Lil, her love for a parent notwithstanding, admitting “mixed feelings about how to show compassion for someone who didn’t show me compassion.”

Recalling that she “never really fit in,” Pickles might be speaking for all of these women—outside, that is (however simplified these things can be in compressed, filmic narratives, not to mention compressed film reviews), of the burlesque counter-world they co-create—this expressive, creative, sexually-commanding, body-positive playground where everyone in the audience is in on the kink-meets-camp Weird Al-ness of the whole thing (“They know the words to every song,” Odessa Lil told Weeklys, calling them “our people”).

But if Pickles, Pearl and Mistress Marla Spankx are largely the troupe’s supply of vivaciousness, transporting patrons, with every tit-tassled milkshake, away into this alternate reality, Odessa Lil is its high-concept dominatrix (“I was terrified of her,” says Pickles of her first impression of Lil. Lil’s response? “Good.”), her razor sharp wit as much theatrical dimension as it is existential adaptation.

Lil, whose real name is Audra Wolfmann, a two-time Ms. Noir City—referring to the annual festival that projects rare 35mm prints of classic 1940s-50s noir films at Oakland’s Grand Lake Theatre—punctuates Tight & Nerdy with her trademark, hardboiled dialect. She’s cynical, world-weary, if belied by a hungry, guarded vulnerability, her dialog often in the form of meta-commentary that emphasizes the frequently bizarro nature of existence, socialization and meaning.

Playing tour guide at what she playfully refers to as the “Wolfmann horror house” (notable, as it is, for its horror vacui), Lil points to the dining room-set, gilt framed portraits of “relatives who were killed in the Holocaust” and those from her father’s studio—including (and as faint echo of Lucien Freud’s nudes of his daughter, Annie) kitschy paintings of her as corset and leather crop-accessorized burlesque performer.

She then adds, amongst the sprawl of bric-a-brac assembled by her antique dealer-turned hoarder mother (including a feathered ottoman footstool with high-heeled, mature lady legs) and in her usual self-aware way, “I’m so embarrassed to be alive.” (Wolfmann’s at work on a short story collection loosely based on her life.)

One’s tempted to reach for Jean Baudrillard’s opus on simulacra, probing the way representations of things can precede and even define the things they represent to better understand Wolfmann’s reflexive use of language, the troupe’s appropriation of Weird Al’s music, the burlesque form itself, and Weird Al’s mimicry of and satirical riffs on some of pop culture’s most sacred signals—or at least to wriggle further out on Wolfmann’s “weird loop” wavelength. 

Though not in the film, Wolfmann displays in her living room a close friend’s Comic Con fan photo with Star Trek’s William Shatner—the result of successive posed pics, year after year, each featuring the pair and, in hand, their most recent printed photo (picturing, as it does, them and the previous printed photo, and so forth, as a kind of photographic infinity mirror). This is a recursive joke that Shatner indulged, if with raised eyebrow, and plausible shorthand for Odessa Lil’s taste and wit insomuch as it applies to Al-Stravaganza itself.

Tight & Nerdy filmmakers Ruane, who co-produced the Martha Stewart documentary Martha, and Nucera, who had producer roles on The Osbournes and The Baldwins, and who’s been part of Weird Al’s team for years in tour and fan club-related capacities, live and breathe the rhythms of unscripted cinema and bookend these personal revelations and live production scenes with excerpts of interviews with Al himself. 

The “Weird” in “Weird Al,” he tells us, came to him as a sledge in his early college years—one that he owned, branded and monetized, parlaying his childhood affinity for the way MAD Magazine skewered contemporary culture into a one man empire that managed to elevate the stature of the world’s nerds, outcasts and weirdos, with MAD’s Alfred E. Neuman reimagined as a musically-inclined, perpetually dad-joking Weird Al (aka, Alfred Yankovic). 

Yes, Weird Al was perhaps born to be weird and to carry it off with charm and swag, but he was also destined to be this particular burlesque troupe’s spirit animal.

In the documentary, Mistress Marla Spankx says Weird Al’s oeuvre gives people “permission to be weirdos,” but, importantly, as Al-Stravaganza demonstrates, weirdos together. Weird loops aside, Tight & Nerdy is ultimately about owning one’s weirdness, bonding over it with co-conspirators and—gasp—reveling in it in public, under the lights, probably in homemade Spam can costumes, until off comes the last of one’s disguises, revealing the only self one will ever have in this vast universe.

‘Tight & Nerdy’s’ West Coast premiere is scheduled for Saturday, Feb. 7, 8:30pm, at the 28th San Francisco IndieFest (Roxie Theater, 3117 16th St.), with streaming available during the festival’s run. For more info, visit tightandnerdymovie.com.

Mission Possible: Brice Giannotti Leads with Intention

It has been just a couple of months since Brice Giannotti started his job as the new general manager at Santé and 38• North in the Fairmont Sonoma Mission Inn & Spa. 

But the two decades of luxury hospitality, dining and beverage programming under his belt has ensured a smooth transition into this iconic Sonoma destination. And ultimately, “he understands the importance of seasonal ingredients, local purveyors and the stories behind each dish,” the main tenants for the restaurant, says executive chef Chris Kurth. 

In fact, Giannotti was an executive chef himself early in his career at Lucca Bar & Grill, so he understands the ins and outs of a restaurant. Those who have worked with him will say that he is known for his collaborative spirit and mentorship-driven leadership, which will surely guide him in his new role.

Amber Turpin: How did you get into this work?

Brice Giannotti: Honestly, I sort of backed into it. I needed a job when I was younger, and restaurants were the place where hard work actually paid off in real time. I liked the rhythm of service, the personalities and the idea that you could make someone’s day better in a couple of hours. One thing led to another, and before I knew it I was building a career out of something that never stopped teaching me new lessons.

Did you ever have an ‘aha’ moment with a certain beverage? If so, tell us about it.

Yes—and it was pretty simple. It wasn’t a rare bottle or a grand tasting. It was a well-made glass of wine with the right food, in the right moment, where everything just clicked. That was when I realized beverages aren’t about labels or scores—they’re about context, balance and how they make you feel. That idea still guides how I think about drinks today.

What is your favorite thing to drink at home?

At home, I keep it uncomplicated. A good bottle of wine shared with my partner or friends, or a clean, classic cocktail—nothing fussy. After long days, I appreciate things that are honest and well-made more than anything flashy.

Where do you like to go out for a drink?

I’m drawn to places that feel comfortable and intentional—somewhere the lighting is right, the music isn’t fighting the conversation and the person behind the bar actually cares. It doesn’t have to be fancy; it just has to feel genuine.

If you were stuck on a desert island, what would you want to be drinking (besides fresh water)?

Something timeless and calming. Probably a simple wine or a well-balanced cocktail. Nothing too heavy; nothing too precious. If you’re on a desert island, you want something that reminds you of good company and better days.
Fairmont Sonoma Mission Inn & Spa, 100 Boyes Blvd., Sonoma. 707.938.9000. fairmont-sonoma.com.

Your Letters, Feb. 4

Guest List

After the murder of a second U.S. citizen by ICE agents in Minneapolis, United States Attorney General Pam Bondi sent a letter to Minnesota Gov. Tim Walz linking the violence in Minnesota to a demand for complete access to the state’s voter rolls.

Bondi’s reported reason to so politely request the information was so that she could invite all Minnesota’s citizens to her domestic partner’s birthday party. There are those who believe that what’s actually behind her polite request is a desire on the part of her boss, our president, to mildly interfere with the 2026 midterm elections.

Now, come on, people, why would anyone think a man with our president’s criminal record, with only 91 felony counts, and his deep commitment to the principles and processes of democracy, would attempt to rig an election? Really, what kind of person do we think he is?

Craig J. Corsini
San Rafael

No Gold for ICE

Outrage is growing in Italy over the deployment of ICE agents to assist U.S. security operations at the Winter Olympics this month—something U.S. officials say has been common practice at previous Olympics.

The U.S. is losing friends in the EU, and alienating Italy does not seem like a smart play.

American athletes are having to deal with routine premier competition and the hostility the Chump Administration is generating.

Gary Sciford
Santa Rosa

Never Assume 

A Haiku for Renee Good

Man is not Human

His Gun is Reptilian

Death is his Greeting

L. Watson
Petaluma

Free Will Astrology, Feb. 4-10

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ARIES (March 21-April 19): I’m thrilled by your genius for initiating what others only dream about. I celebrate your holy impatience with fakery and your refusal to waste precious life-force on enterprises that have gone stale. I’m in awe of how you make fire your ally rather than your enemy, wielding it not to destroy but to forge new realities from the raw materials of possibility. Everything I just described will be in your wheelhouse during the coming weeks.

TAURUS (April 20-May 20): How do I love you? Let me count some of the ways. 1. Your patience is masterful. You understand that some treasures can’t be rushed and that many beautiful things require slow nurturing through your devoted attention. 2. You have a knack for inducing the mundane world to reveal its small miracles and spiritual secrets. 3. You practice lucid loyalty without being in bondage to the past. You honor your history even as you make room for the future. 4. You know when to cling tightly to what needs to be protected and preserved, and you know when to gracefully loosen your grip to let everything breathe. In the coming weeks, all these superpowers of yours will be especially available to you and the people you care for.

GEMINI (May 21-June 20): In carpentry, there’s a technique called “kerf bending.” It involves making a series of small cuts in wood so it can curve without breaking. The cuts weaken the material in one sense, but they make it flexible enough to create shapes that would otherwise be impossible. I suspect you’re being kerf-bent right now, Gemini. Life is making small nicks in your certainties, your plans and your self-image. It might feel like you’re being diminished, but you’re actually being made flexible enough to bend into a new form. Don’t interpret the nicks as damage. They’re preparation for adjustments you can’t see yet. Let yourself be shaped.

CANCER (June 21-July 22): In Irish folklore, “thin places” are situations or areas where the material and spiritual worlds overlap. They aren’t always geographical. A thin place may be a moment: like the pre-dawn hour between sleeping and waking, or the silence after someone says “I love you” for the first time. I believe you’re living in a thin place right now, Cancer. The boundary between your inner world and outer circumstances is more porous than usual. This means your emotions may affect your environment more directly. Your intuitions will be even more accurate than usual, and your nightly dreams will provide you with practical clues. Be alert. Magic will be available if you notice it.

LEO (July 23-Aug. 22): In traditional Korean jogakbo, scraps of fabric too small to be useful alone are stitched together into a piece that’s both functional and beautiful. Every fragment contributes to the whole. I encourage you to treat your current life this way, Leo. Don’t dismiss iffy or unfinished experiences as “wasted time.” Instead, see if you can weave all the bits and scraps together into a valuable lesson or asset. Prediction: I foresee a lovely jogakbo in your future.

VIRGO (Aug. 23-Sept. 22): The Maori people of New Zealand practice mirimiri, a form of healing that works not by fighting disease but by restoring flow. The technique involves removing blockages so life force can move freely again. I think you need the equivalent of mirimiri, Virgo. There’s a small but non-trivial obstruction in your life. The good news is that you now have the power to figure out where the flow got stuck and then gently coax it back into motion. Let the healing begin. Here’s a good way to begin: Vow that you won’t hold yourself back from enjoying your life to the max.

LIBRA (Sept. 23-Oct. 22): In the coming weeks, I encourage you to prioritize mirth, revelry and gratification. For starters, you could invite kindred spirits to join you in pursuing experimental forms of pleasure. Have fun riffing and brainstorming about feeling good in ways you’ve never tried or even imagined before. Seek out stories from other explorers of bliss and delight who can inspire you to expand your sense of wonder. Then, with your mind as open as your heart, give yourself the freedom to enjoy as many playful adventures and evocative amusements as you dare.

SCORPIO (Oct. 23-Nov. 21): In the Inuktitut language of the Intuit people, the word ajurnarmat is translated as “it can’t be helped.” It acknowledges forces at work beyond human control. Rather than pure resignation, it reflects an attitude of accepting what can’t be changed, which helps people conserve energy and adapt creatively to challenging circumstances. So for example, when hunters encounter impossible ice conditions, ajurnamat allows them to refrain from forcing the situation and notice what may actually be possible. I suspect you’re facing your own ajurnarmat, Scorpio. Your breakthrough will emerge as soon as you admit the truth of what’s happening and allow your perception to shift. What looks unnavigable from one angle may reveal a solution if you approach it from another direction. Practice strategic surrender.

SAGITTARIUS (Nov. 22-Dec. 21): Your hunger for meaning is admirable. I love it. I never want you to mute your drive to discover what’s interesting and useful. But now and then, the hot intensity of your quest can make you feel that nothing is ever enough. You get into the habit of always looking past what’s actually here and being obsessed with what you imagine should be or could be there. In the coming days, dear Sagittarius, I invite you to avoid that tendency. Rather than compulsively pursuing high adventure and vast vistas, focus on the sweet, intimate details. The wisdom you yearn for might be embedded in ordinariness.

CAPRICORN (Dec. 22-Jan. 19): In architecture, a “flying buttress” is an external support system that allows a massive building like a cathedral to reach greater heights without collapsing under its own weight. Because the buttress is partly open to the air rather than solidly built against the wall from top to bottom, it appears to “fly,” which is where the name comes from. In the coming weeks, I encourage you Capricorns to acquire your own equivalent of at least one new flying buttress. Who or what could this be? A collaborator who shares the load? A new form of discipline that provides scaffolding? A truth you finally speak aloud that lets others help you? To get the process started, shed any belief you have that strength means carrying everything all by yourself.

AQUARIUS (Jan. 20-Feb. 18): The coming weeks will challenge you to think with tenderness and feel with clarity. You’ll be called on to stay sharply alert even as you remain loose, kind and at ease. Your good fortune will expand as you open your awareness wider, while also firming up the boundaries that keep mean people from bothering you. The really good news is that cosmic forces are lining up to guide you and coach you in exactly these skills. You are primed to explore intriguing paradoxes and contradictions that have valuable lessons.

PISCES (Feb. 19-March 20): In alchemy, solve et coagula is a Latin phrase translated as “dissolve and coagulate.” It means that transformation must begin with the process of breaking down before any building begins. You can’t skip over the dissolving phase and jump straight into creating the new structure. I mention this, dear Pisces, because I believe you’re now in the dissolving phase. It might feel destabilizing, even a bit unnerving, but I urge you to stick with it. When the moment comes to construct the beautiful new forms, you will know. But that time isn’t yet. Keep dissolving a while longer.

Homework: What small burden could you let go that will provide a rush of freedom? Newsletter. FreeWillAstrology.com.

Physical Poetry, Pour + Explore, Cello Joyride and Tiburon Trivia

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Fairfax

Dance in the Stacks

Ballet meets lived experience in Strength Through Grace, an intimate evening on Feb. 26 at the Fairfax Library celebrating Black heritage through dance and storytelling. Professional dancer Marusya Madubuko of Alonzo King Lines Ballet shares her personal journey into the rarefied world of professional ballet—what it took to get there, what she learned along the way and the obstacles she had to move through to land her dream job. The conversation is paired with a short live performance excerpt from one of Alonzo King’s ballets, offering a glimpse of the physical poetry that has defined her career. The result is part talk, part performance and wholly grounded in resilience, grace and hard-won insight. 6:30–7:30pm, Thursday, Feb. 26, at the Fairfax Library, 2097 Sir Francis Drake Blvd. Free; no registration required.

Healdsburg

Pour + Explore 

Sonoma County Vintners kicks off its 2026 Pour + Explore tasting series with a Valentine’s-adjacent evening devoted to Bordeaux varietals, hosted in the atmospheric Artisan Cellar at Rodney Strong Vineyards on Feb. 12. Produced in collaboration with sommelier Christopher Sawyer, the walk-around tasting brings together red Bordeaux-style wines from more than 20 Sonoma County wineries, offering a broad snapshot of how classic grapes express themselves across the county’s diverse vineyards. Light bites—cheese and charcuterie—keep things grounded while DJ J-KIND supplies romantic lounge beats. There’s also a playful dress-up angle, with Valentine’s attire encouraged and a photo wall for commemorating the occasion. The event is strictly 21 and over and designed as equal parts education, social hour and early Valentine’s celebration—less candlelit dinner, more well-poured conversation. 5:30–7:30pm, Thursday, Feb. 12, Rodney Strong Vineyards, 11455 Old Redwood Hwy., Healdsburg. $75 plus tax and fees.

Cloverdale

Dirty Cello

If one thinks a cello belongs in the symphony hall, Dirty Cello is here to politely—and loudly—correct that thought, with a Feb. 7 performance at the Cloverdale Performing Arts Center. Fronted by virtuoso cellist Rebecca Roudman, the globe-trotting band turns blues, rock and Americana into a high-voltage joyride, with the cello standing in for a lead guitar and then some. Roudman, classically trained and happily unshackled, leads a band that thrives on spontaneity, loose setlists and reading the room. One night might veer from Jimi Hendrix to Charlie Daniels to roaring originals; another might zig somewhere entirely unexpected. That unpredictability is the point. The band has taken this anything-goes energy everywhere from Iceland to China to, yes, a Santa Cruz nudist resort. Wherever they land, the goal is the same: maximum fun, minimum rules. 7:30pm, Friday, Feb. 7, Cloverdale Performing Arts Center, 209 N Cloverdale Blvd. Tickets are $25 online ($30 at the door) and available at bit.ly/dirtycello_cloverdalefeb7.

Tiburon

Trivia Cafe

One may put that pop-culture recall and brainpower to the test on Feb. 12 at Trivia Cafe, hosted by Marin’s master of trivia, Howard Rachelson. This friendly, all-ages quiz night mixes smart questions, music and visuals in a relaxed, team-friendly format—participants may come with a crew or join one on the spot. Set in the Belvedere Tiburon Library Founders Room, it’s a lively reminder that libraries still know how to have fun. 6–7:30pm, Thursday, Feb. 12, Belvedere Tiburon Library Founders Room, 1501 Tiburon Blvd., Tiburon. Free; registration required. More info at bit.ly/trivia-cafe-tib.

Kid-Free Date Night at Exploratorium After Dark

Enter for a chance to win two tickets to Exploratorium After Dark—an adults-only (18+) experience—every Thursday evening from 6:00–10:00 p.m. at Pier 15 in San Francisco.

Leave the kids at home, but bring your sense of wonder to Exploratorium After Dark. Explore 700+ hands-on exhibits spanning science, art, and human perception. Engage with innovative programming featuring thinkers and creators reshaping our world. Navigate the pitch-black passages of the iconic Tactile Dome, where touch becomes your guide. Grab a drink, get curious, and dive into conversation. With 75,000 square feet of fascinating discoveries, you’ll have plenty to talk about all night long. LEARN MORE »

Drawing Date for this Giveaway is Thursday, April 16, 2026.
Winners notified by email and have 48 hours to respond or forfeit.
Must be 18+ to win.

Stephen McNamara, former Pacific Sun Publisher, dies at 91

Former Pacific Sun publisher Stephen McNamara died of natural causes at his home in Mill Valley on November 24, 2025. He was 91.

McNamara operated the Pacific Sun for 38 years, until its sale to Embarcadero Media in 2004. It remains the longest-running alternative newsweekly in the United States.

The grandson of the founder of schoolbook publisher Scott Foresman, McNamara was born in Chicago and raised in Urbana, Illinois, by his mother and stepfather, a Shakespearean academic. McNamara graduated from Princeton University, which his grandfather, father and son also attended.

He began his career as a reporter working for the Twin-City Sentinel in North Carolina in 1955. He moved to California in 1960 and took a job at the San Francisco Examiner, where he worked his way up to Sunday editor. He purchased the Sun after six years at the Examiner, in 1966.

He was a founder and the first president of the National Association of Alternative Newsweeklies, now the Association of Alternative Newsmedia (AAN). Following his sale of the Sun to the Palo Alto publishing group, he led the revival of the award-winning San Quentin News inside California’s oldest state prison.

McNamara married Kay Copeland on September 22, 1976. Their marriage of nearly 50 years produced six children: Kevin, a film assistant director; Chris, a rock climber and BASE jumper; Natalie, a magazine publisher in Sonoma County; Marisa, a former San Francisco assistant district attorney; Lise, an occupational therapist in Denmark; and Morgan, a project manager for Apple in Japan.

A celebration of life will be held Thursday, August 6, 2026, at 2pm at The Outdoor Art Club in Mill Valley.

The Word We Need: With the World at an Impasse, One Emotion Can Unlock Everything

Cincinnatus Hibbard undertakes to define love and how it addresses itself to the problems of modernity.
Here,  journalist and organizer Cincinnatus Hibbard shares the first chapter of his forthcoming book, ‘Love is The Answer,’ as part of a two-part series in our pages. —Editor “ … Love… Love is the answer—the solution … to everything.” The words were wrenched out of me. That inner critic that sat watch on my words was aghast. Suddenly I was...

Liquid Motion, Thotty McNaughty’s Give & Take

Thotty McNaughty started her adult dance career as a curious student at Bastet Dance Fitness, a school for sensual dance styles.
Bastet Dance Fitness is located in Rohnert Park. It’s situated between a Pentecostal church and a Packard car museum—in what looks to be a battered old Safeway.  “Interesting neighborhood,” I thought to myself. I knocked and entered. Thotty McNaughty was waiting.  As we stood at her ad hoc work station inside the stripper pole dance studio, she made a wholly unexpected...

The Yin and Yang of It: Nothing is Ever Just Black and White

Daedalus Howell, editor of the Pacific Sun and the North Bay Bohemian. considers April Fool's Day a celebration of humanity.
The world is made of opposites Combined in different forms, For things to be otherwise Would violate all sensible norms. There’s some light in the deeply dark There’s at least a little bit Of wealth when things seem stark, That’s the Yin and Yang of it. Smart people do things wrong Untrained minds get complicated matters right, Every short...

‘Tight & Nerdy,’ Burlesque Meets Weird Al Onscreen

Al-Stravaganza, a traveling burlesque show inspired by, and set to, the music of Weird Al Yankovic.
Burlesque sometimes makes for strange bedfellows—a Star Wars-themed performance is an annual local favorite, for example. But something weirder this way comes thanks to a traveling burlesque show inspired by, and set to, the music of Weird Al Yankovic—a show called Al-Stravaganza, which is now the subject of a new documentary film, screening at San Francisco IndieFest this weekend. Tight...

Mission Possible: Brice Giannotti Leads with Intention

Brice Giannotti recently started his job as the general manager at Santé and 38• North in the Fairmont Sonoma Mission Inn & Spa.
It has been just a couple of months since Brice Giannotti started his job as the new general manager at Santé and 38• North in the Fairmont Sonoma Mission Inn & Spa.  But the two decades of luxury hospitality, dining and beverage programming under his belt has ensured a smooth transition into this iconic Sonoma destination. And ultimately, “he understands...

Your Letters, Feb. 4

Guest List After the murder of a second U.S. citizen by ICE agents in Minneapolis, United States Attorney General Pam Bondi sent a letter to Minnesota Gov. Tim Walz linking the violence in Minnesota to a demand for complete access to the state’s voter rolls. Bondi’s reported reason to so politely request the information was so that she could invite all...

Free Will Astrology, Feb. 4-10

Free Will Astrology
ARIES (March 21-April 19): I’m thrilled by your genius for initiating what others only dream about. I celebrate your holy impatience with fakery and your refusal to waste precious life-force on enterprises that have gone stale. I’m in awe of how you make fire your ally rather than your enemy, wielding it not to destroy but to forge new...

Physical Poetry, Pour + Explore, Cello Joyride and Tiburon Trivia

Crush features North Bay art and cultural events.
Fairfax Dance in the Stacks Ballet meets lived experience in Strength Through Grace, an intimate evening on Feb. 26 at the Fairfax Library celebrating Black heritage through dance and storytelling. Professional dancer Marusya Madubuko of Alonzo King Lines Ballet shares her personal journey into the rarefied world of professional ballet—what it took to get there, what she learned along the way...

Kid-Free Date Night at Exploratorium After Dark

Exploratorium After Dark
Enter for a chance to win tickets to the Exploratorium After Dark—an adults-only (18+) experience—every Thursday evening at Pier 15 in San Francisco. Drawing April 16, 2026.

Stephen McNamara, former Pacific Sun Publisher, dies at 91

Stephen McNamara
Former Pacific Sun publisher Stephen McNamara died of natural causes at his home in Mill Valley on November 24, 2025. He was 91. McNamara operated the Pacific Sun for 38 years, until its sale to Embarcadero Media in 2004. It remains the longest-running alternative newsweekly in the United States. The grandson of the founder of schoolbook publisher Scott Foresman, McNamara was...
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