Black Pacific History, Literary Twist and Fly Story Slam

Santa Rosa

Black Pacific

African American History Month is marked at the Museum of Sonoma County with a Feb. 21 evening of readings and conversation featuring African American writers from across Sonoma County, reflecting on the museum’s exhibit, “Take Me to the Water: Histories of the Black Pacific.” Hosted by Kwasi Turner, the program features Joanna Wheeldin, Enid Pickett, Dr. Andrea Hall, Morris “Abashe’” Turner and N’game’ Gray—many of whom are descendants of families who made the historic westward migration explored in the exhibition. It’s a rare chance to hear local voices in direct dialogue with regional history, culture and memory. 5pm, Saturday, Feb. 21, Museum of Sonoma County, 425 7th St., Santa Rosa. Free; registration requested at museumsc.org/events.

Mill Valley

Dream Logic

Carol Duchamp’s large-format acrylic and watercolor paintings currently animate the lobby and stairwell at Thompson/Dorfman with a sense of looseness, luminosity and trust in the unplanned. An intuitive painter, Duchamp works from feeling-tone rather than fixed destination, allowing color, ink and gesture to arrive where they may. The result is a series of inner landscapes shaped by encounters with nature, travel, emotional and spiritual states, and the lived experience of being human. Now through March 25, Thompson/Dorfman, 39 Forrest St., Mill Valley. 8am–5pm, Monday–Friday.

Geyserville

Sips & Stories

Dutcher Crossing Winery adds a literary twist to wine country with the debut of Sips & Stories, a new quarterly book club that pairs thoughtful conversation with small-lot wines and thematically inspired bites. The inaugural gathering, on Feb. 26, centers on The Widow Clicquot: The Story of a Champagne Empire and the Woman Who Ruled It, an engaging look at the woman behind one of the world’s most iconic Champagne houses. Participants who buy the featured book at Copperfield’s in Healdsburg and mention Sips & Stories receive a special discount. 5–7pm, Thursday, Feb. 26, Dutcher Crossing Winery, 8533 Dry Creek Rd., Geyserville. Free for wine club members; wines by the glass available for non-members. RSVP by Feb. 20 to la****@*******************ry.com.

Mill Valley

Fly Story Slam

Love gets the mic at a special Valentine’s edition of Fly Story Slam, the local, live-wire storytelling night modeled after The Moth. Now in its 21st show, Fly Story Slam invites Bay Area storytellers to take the stage at Boomerang Lounge on Feb. 13 and share true, personal stories told straight from lived experience. February’s theme, Connections, is tailor-made for a Valentine’s crowd. Expect laughter, tenderness, the occasional gut punch and the communal thrill that comes from hearing real people tell real stories in real time. Doors 7pm, show 7:30pm, Friday, Feb. 13, Boomerang Lounge, Mill Valley. More info (including sign-ups for storytellers) at theflystoryslam.com. $23.18.

Your Letters, Feb. 11

Not Averse

I picked up the last issue expecting the usual mix of music, culture and mild civic agitation, and instead found myself ankle-deep in poetry. Then knee-deep. Then—suddenly—immersed. A Courage of Poets. Found Poets. The Open Mic. Poetry everywhere. At first I thought it was a themed issue. Then I wondered if I’d accidentally grabbed a literary journal. Then I realized: No, this is just the North Bay.

To be clear, I’m not complaining—just marveling. In an era of doomscrolling and evil algorithms, it was refreshing, and maybe kinda, sorta anarchic. So yes: WTF. But also—keep going. If poetry is having a moment in the North Bay, go big.

Cassady Caution
Petaluma

Authenticity

It was nice to read the article by Nikki Silverstein about the Novato Girl Scout troop that helped to educate the public about authentic versus Americanized Chinese cuisine. Great to see the youth in action in our community. Thanks for including a youth-oriented article in the Pacific Sun.

Michelle Aschwald
San Rafael 

A previously published version of the ‘Pacific Sun’ article, ‘Homeless Count,’ Feb. 4, 2026, misstated that Marin County was redirecting funds from homeless veterans to homeless families. Instead, Marin is implementing the same approach with families that it used to reduce veteran homelessness. We regret the error. —Editor

Placing Pets: Local Humane Society Services

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When it comes to pets, the Humane Society is usually the first call. The 95-year-old nonprofit organization, founded locally in 1931, has a long and storied record in pet rescue and adoption. 

Then as now, the services they offer are focused on pet welfare, health and adoption. Cynthia King, their new executive director, has a lengthy local career in community nonprofits and only came to the Humane Society of Sonoma County six months ago.

“I’ve always loved animals. I thought I wanted to be a vet when I was younger,” she told Weeklys last week. “I was drawn to the Humane Society for what they do and how well they do it.”

No surprise here, but King has pets. Two dogs. “I have a Covid puppy who is a mix, and then a neighbor rehomed their dog with us; she’s a chocolate lab,” she said. “I always feel like I have to explain that because I wouldn’t have bought a pure-bred dog that hasn’t been given to me.”

Rehoming of pets is one of the main services the Humane Society performs. But there are others: clinics for spaying or neutering pets (and other veterinarian services, including vaccinations), an Animal Adventure Camp for primary school children (registration starts March 3), licensing, plus pet microchipping and euthanasia.

There’s even a “dog’s day out” program where pet-lovers can pick up a dog to take out for the day. “It could be people who are visiting or people who live here; they can take them to the beach, take them to a winery, take them to a dog park,” said King. “Different things are great for the dogs to get out and experience,” especially for the larger dogs that can use the exercise and variety.

Adoption is of course a key mission of the Humane Society. They begin the process with an interview of the applicant to get a clear idea of what kind of pet they’re looking for, and if they’re looking for the right kind of pet.

King outlined the process when an animal comes in, whether a stray or a “surrender” from a previous owner. “When an animal is brought in, ideally it’s within 24 hours that we’ve done medical assessment, updated vaccines, checked their microchip and made sure they don’t have any infectious disease,” she explained.

Most of the pets pass through in a matter of days—some don’t even make it out of evaluation for health, behavior, etc., before one of the volunteers takes the animal home. Many stay less than 24 hours.

The society’s secret weapon in the adoption process might be Gabe Rathmann, who is coming up on his 30th year with the organization. “He’s very good at pairing people with the right pet. So if people can come with an open mind as to the animal that might be the best fit for them, we actually are quite good at creating that match,” King noted.

Whether or not Rathmann is a “dog whisperer” or a “people whisperer” depends on who’s asking, pet or person. “I would say a little of both. I came into this with the compassion and understanding of people, and then learned the animal component here. It then became a marriage of the two,” he said. 

More than 1,800 pets went through the Humane Society of Sonoma County in 2025, about a third of which were dogs, and 63% were cats. Most of the felines pass through in “kitten season,” from March through September. The “other” category was 4%, said King. “That’s Guinea pigs, rabbits, the occasional rat, things like that.”

More information about adoptions and other services is available at humanesocietysoco.org

Celebrating Tenacity: Canal Tenant Union Stood Firm for Years Until Landlord Yielded

About 15 tenants and their supporters gathered last week to celebrate a new affordable housing program at The Meridian, a Canal Street apartment complex on the San Rafael Creek.

Congratulatory speeches flooded the outdoor space next to the leasing office, a place where the tenants once held a rally to protest increased rents and evictions. But this evening, the group happily discussed how their determination brought about positive change. They had organized, formed a tenant union, become educated on housing policy and stood their ground for years.

In fact, it took three years for tenants to reach an agreement with the building owner, Tesseract Capital Group. For the tenants, it finally paid off. The owner converted the building from market rate housing to affordable housing. And Tesseract agreed to terms that go beyond the minimum requirements, bringing substantial benefits to the tenants.

Now, rents may not increase by more than 4% annually, making it the strongest rent control policy in Marin County. Tesseract also agreed to keep robust eviction protections in place, rights the tenants could have lost if the conversion had been executed differently.

The basics of the affordable housing program provide low-income tenants, those earning 80% or less of the area median income (AMI), with rents based on their household income, rather than the amount the market will bear. Some tenants will even see a rent decrease based on the new program.

Certainly, the affordable housing conversion was cause for celebration, especially since the preceding years had often been tough for the tenants.

The saga began in 2022, when Tesseract purchased the 99-unit building at 400 Canal St. in San Rafael. The company soon began increasing rents, attempting to get tenants—who are mostly Latinx and low income—to sign new leases and apply utility charges that were previously covered. Eviction notices and requests for some tenants to relocate were also issued.

“We formed the union because of what was happening to the tenants,” said tenant leader Glendy Barrios, who spoke to the Pacific Sun through an interpreter. “Many tenants were being evicted. And for that reason, we started knocking on doors to talk to all the tenants.”

Tenant meetings followed. Union members demonstrated and filled the seats at San Rafael City Council meetings to speak out about the issues they faced. Supporters stood beside them, including Legal Aid, the Regional Tenant Organizing Network (RTO) and Marina Palma, a local community leader.

In an interview with the Pacific Sun, Derek Flores, Tesseract’s president of development and construction, said the company bought the apartment complex planning to keep it market rate housing. It did not anticipate providing provisions for low-income tenants.

“Our intent was to never evict or displace any residents, but there was a lot of building improvement that we needed to do,” Flores said. “And that aligned with having to offer buyouts to residents to perform building upgrades for deferred maintenance and safety and code upgrades to the building.”

Many tenants had lived in their home for years and didn’t want to move. Initially, when Tesseract issued notices to vacate, some renters didn’t understand their rights under San Rafael’s just cause eviction ordinance and simply left, according to tenant leader Barrios.

“Tesseract operated under a pretty classic playbook,” RTO spokesperson James Huynh said. “But when the tenant unions started to organize to preserve affordability of the building, they were able to win some concessions from the landlord early on.”

For example, Tesseract placed a cap on the amount of utilities that tenants were required to pay. Still, the two sides had a long way to go to see eye to eye. When the union held a rally in front of the leasing office, management didn’t come out to meet with them.

Before Tesseract bought the building, most rents at 400 Canal St. were below market rate. The property was essentially “naturally occurring affordable housing,” resulting in rents remaining relatively low due to the building’s age, location or market conditions, even without rent regulations.

Rent control laws represent another way to keep rents from rising an inordinate amount. Although San Rafael doesn’t have a rent control ordinance, The Meridian fell under California’s Tenant Protection Act of 2019. Still, the state law often doesn’t offer enough protection for low-income renters, some of whom are severely rent burdened, paying more than 50% of their income on housing.

California’s statute limits property owners to annual rent hikes of 5% plus the local Consumer Price Index or 10%, whichever is lower. This year, that rent increase equals 8%, a level that likely strains the pocketbooks of those earning below AMI.

The tenant union, its advocates and the City of San Rafael diligently worked to educate Tesseract about the situation at 400 Canal St. and the low-income Canal neighborhood.

“After gaining a large understanding of the needs of the tenants, the needs of the community, getting a very, very, very deep understanding of the housing needs of San Rafael, we did start exploring an affordable housing conversion,” Flores said.

Tesseract eventually decided to move forward with the program. In return, the company would benefit from property tax welfare exemption. The total tax exemption is based on the percentage of units deemed affordable. Simply put, a conversion of the entire building from market rate to affordable housing would mean that Tesseract would pay no property taxes.

The landlord and the tenant union began meeting to discuss the program, and the union made clear that it wanted tenant protections included in the affordable housing conversion. While it seemed the tenants and Tesseract found a mutually beneficial solution, the devil is in the details.

To facilitate the conversion, Tesseract wanted to use the California Municipal Finance Authority (CMFA), a joint powers authority of public entities across the state. The property owner had previously worked with CMFA on affordable housing projects and had been satisfied with those outcomes.

The tenant union, however, was not interested in CMFA, finding it less transparent than another finance authority.

“The tenants began advocating for Tesseract to work with the Bay Area Housing Finance Authority (BAHFA),” Huynh said. “It’s a regional entity, and they offer a very similar program for buildings and landlords, but they enforce much stronger tenant provisions.”

It took time for Tesseract to switch to BAHFA, but from there, the affordable housing conversion went smoothly. Approximately 80 units are now deemed affordable, and Flores believes they’ll soon reach 100%.

The three-year struggle has now concluded. Flores agreed that management and the tenants went down a patchy road for a while. But in the end, he says they arrived at a great result.

Legal Aid of Marin’s housing policy advocate, Ethan Strull, also agrees. He attended the tenant celebration and praised their success.

“Their tenant-led campaign to make the conversion of their building to affordable housing transparent and tenant-centered sets a new precedent for similar proposals in Marin,” Strull said. “They have demonstrated that when building owners receive tax breaks, tenants must not lose key protections and must gain a comparable benefit.”

Get to It Because Time is Not on Our Side

In a bookstore yesterday, I clocked a stack of calendars going for 90% off. Albeit, it’s February, and calendars have about as much shelf life as the bananas one buys in a fit of virtuousness in the produce aisle, only to watch them blacken on the countertop. But still, the rest of the year is on clearance.

Time used to be money. Now no one knows what either are other than we have neither. Which is why getting a whole year as a calendar for 10% the usual rate seems a little undervalued. When it comes to the denominations of time, a year—though less than a decade, century or millennium—is still worth more than the chump change we feed parking meters, right? Save the coins for minutes and hours. I don’t have time to change my time-to-change ratio.

Time is the one currency we’re allotted by fate—we can’t acquire any more of it, and we often spend it unwisely (think hangovers, Jerry Bruckheimer films, the DMV). We get what we get, and we never know how much that is until it’s too late. Random sh– happens all the time. In the U.S., 13,000 people are hit by buses annually.  

I was once a cub reporter and have lived the entirety of my professional life on deadline, only to realize I’m now a grizzled old bear pawing at the passing fishwrap with an acute sense that time is running out. Our perception of time speeds up as we age because our brains think we’ve seen it all. Youth feels endless because it brims with novelty—firsts upon firsts, each day richly encoded, each memory distinct. 

Adulthood, by contrast, is a greatest-hits album: Routine flattens experience; we’re stuck in a groove; time is a flat circle; and then the Great Record Scratch. 

Fun fact, on the cyclical nature of time—the 2026 calendar is the same as  calendars from 2015, 2009, 1998, all the way back to 1931. Time doesn’t repeat, but it rhymes—like a lewd limerick.

All the more reason to always do the things, say the things and live the way we wish right now—one’s time might be discounted 90%, and we’d never know it.  

And therein lies the irony. In my experience, there is one reliable way to sidestep the clock, and that’s making something. Anyone who’s ever written, composed or built anything from nothing knows this trick. Sit down; do the thing; look up. Hours have vanished. This is that elusive flow state where time both passes and stands still. Neuroscience has ways of explaining this, but we don’t have time for that—we have to get to work. 

The irony is that while creating pulls one out of time, the work one makes gestures toward permanence. However naïve, we work under the assumption that what we produce might outlive us—that it will enjoy a brief afterlife, a half-life, a glow after we’re gone. In its way, every work of art is a memento mori. Unless, of course, one designs calendars. 

Read more Daedalus Howell at dhowell.com.

Forest for the Trees, ‘The Cherry Orchard’ Blooms in Mill Valley

An impressive set by Nina Ball literally sets the stage for a homecoming turned tragic in Anton Chekhov’s classic final work, The Cherry Orchard. The story of how one formerly powerful family flails in the face of losing their ancestral home is so sharply observed and written by Chekhov (and executed with mystical feeling by director Carey Perloff) that it will leave one emotionally wrung out like a tattered rag. Marin Theatre hosts the production in Mill Valley through Feb. 22.

Glamorous matriarch Liubóv (Liz Sklar, who becomes more engrossing as the show progresses) swans around her decrepit old estate in a way that would make Miss Havisham envious, drinking Champagne and spending freely. 

She laughs often to hide anxiety over the disastrous situation she’s put herself in. And while not a villain, she’s totally careless. Her two children, naive Ánya (Anna Takayo) and adopted elder daughter Várya (Rosie Hallett, severe until a beautiful softness reveals itself at the end), orbit her fruitlessly, but always with hope she’ll come down to Earth. 

Liubóv’s bachelor brother Gáyev (a compelling Anthony Fusco) is one of those rich men who pretends he’s an ordinary guy, delighting himself in his own waxing poetic mediocrity while popping candy and muttering, mantra-like, about billiard shots.

In fact, all of the characters are enamored with their own ideologies, spouting off about love and sex, identity, progress and classism whenever they can, often in random chorus. No one truly listens—their words flit between the drafty cracks of the mansion and float into the ether.

Comic relief of the highest caliber comes from Danny Scheie as spendthrift neighbor Pìshchik, whose antics are both outrageous and wholly believable. Molly Ransom is excellent as the dramatic housemaid Dunyásha. Lance Gardner romps as triumphant former servant Lopákhin.

The presence created by Ball’s set is truly an artistic accomplishment: The home is all shadows and decay, dolls scattered around the floor like corpses. It’s a space delicately balanced upon impending ruin. Lavish costumes by Lydia Tanji and sound design by James Ard enhance the surreal atmosphere.  

The story is ultimately punctuated by the fate of its best character, Firs, the doting, utterly neglected butler. And the role is played with devastating truth by Howard Swain. This masterclass of a performance will leave one bereft.

Marin Theatre’s The Cherry Orchard might be the art to sustain one through the doldrums of winter.

‘The Cherry Orchard’ runs Tues–Sun through Feb. 22 at Marin Theatre, 397 Miller Ave., Mill Valley. Various dates and times. $15–$89. 415.388.5208. marintheatre.org.

How Legal Sports Betting Has Built Our Modern Infrastructure

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Published in cooperation between bet105 and the Pacific Sun

Legal sports betting has evolved into a catalyst for healthier competition, stronger consumer protections and rapid innovation across multiple digital industries. While much of the public discussion centers on revenue and tax dollars, the broader impact is the modernization of consumer experiences, the elevation of product quality and the push toward safer, more transparent digital ecosystems.

The most immediate advantage is the shift from unregulated markets to regulated, accountable operators. In the past, bettors relied on offshore platforms with limited oversight, inconsistent payouts and no guaranteed security. Legal sportsbooks changed this landscape by introducing strict compliance standards, mandatory auditing, transparent rules and reliable customer safeguards. Users now have access to verified odds, secure withdrawals, clear dispute processes and responsible gaming tools that did not exist in the unregulated era. This creates a far safer environment for millions of bettors.

Competition among licensed operators also has improved the quality of products. When sportsbooks compete legally, they must offer better odds, cleaner app interfaces, faster payouts and more intuitive features. This competitive pressure accelerates improvements that directly benefit users. Crypto sports betting platforms like bet105 contribute to this environment by promoting efficiency, reduced juice odds and streamlined user experiences. As each operator tries to outperform the others, consumers receive more value and higher standards across the board.

The innovation triggered by legal sports betting extends well beyond the sportsbooks. Data companies, payment processors, geolocation services, live-odds providers and streaming platforms all are part of the expanded ecosystem. These industries are now building faster servers, more accurate analytics, advanced latency reduction tools and sophisticated fraud prevention systems. The requirements of modern sportsbooks force continuous upgrades, which spill into e-commerce, fintech and digital entertainment spaces at large. What benefits the betting market ultimately strengthens the entire digital economy.

Bitcoin sports betting also has reshaped sports entertainment consumption. Fans now have access to real time player stats, predictive probabilities, interactive dashboards, live in-game markets and performance insights that enhance their understanding of the sport. This evolution has made sports more strategic, more analytical and more accessible to a broader audience. Fans who previously watched passively now engage deeply with matchups, statistics and trends. This enriched engagement boosts viewership, supports media growth and increases revenue for teams and leagues.

Another major benefit is professional integrity monitoring. Betting activity is now analyzed by licensed integrity firms that track suspicious patterns and alert leagues to potential issues. These systems protect athletes, teams and fans by preventing match-fixing and identifying anomalies. Regulated betting brings transparency to a space that once operated in the dark. The more data that flows through legal channels, the stronger the oversight becomes.

Local economies gain advantages too. Legalization encourages partnerships between sportsbooks, stadiums, restaurants and entertainment venues. Sports bars host betting-focused events. Teams launch interactive fan zones linked to betting insights. Hospitality revenue climbs during major sports weekends, and local businesses benefit from increased foot traffic. Even small content creators and analytics startups can grow in this ecosystem by providing insights, software or community engagement solutions.

Ultimately, legal sports betting has become a modern infrastructure builder. It raises the technological bar, improves consumer protections, stimulates competition and drives higher quality experiences across the sports and entertainment sectors. The industry’s growth has demonstrated that when oversight and innovation intersect, both consumers and the broader economy benefit.

As adoption continues to expand, the ripple effects will keep strengthening technology, media, local businesses and the overall digital marketplace. The positive impact is already visible, and the long term trajectory remains strong.

Homeless Count: Marin Tallies its Unhoused Population for Fed Funding

It was hours before sunrise as 110 participants fanned out across Marin during the biennial point-in-time count to document the number of homeless people in the county. The 2024 survey identified 1,090 unhoused individuals.

Those conducting the count included elected officials and employees from cities and towns in Marin, staff from the county and community organizations and people with lived homelessness experience. All received training and area maps in the days leading up to the event. Their assignment was to capture quantitative data by observation only—no outreach.

On Jan. 28, beginning at 5am, teams of two to four people searched each of Marin’s 62 census tracts for vehicles, tents, abandoned buildings and isolated sites that may provide a place for an unhoused person to lay their head. The early start was by design, with the counting concluded by about 10am.

“Morning hours are typically when individuals are likely to be in their usual spot,” said Nikolas Brady, senior program coordinator with the Marin County Homelessness & Coordinated Care Division, which is conducting the “point-in-time” or “PIT” count. “The PIT is an imperfect system, but doing it during that time is a more accurate way of counting folks—non-duplicated.”

Required by the U.S. Department of Housing and Urban Development, communities conduct the point-in-time count every two years, and the federal government bases local funding decisions on the results. California also uses the statistics to allocate funds for homelessness services.

In the coming weeks, an in-depth survey will take place to gather more data about Marin’s homeless residents, incorporating questions about demographics and qualitative information, including how a person became homeless, place of residence prior to homelessness and employment status. The county will combine the survey with the point-in-time count to generate a comprehensive report on homelessness.

Marin officials rely on the data to understand homelessness in the county and develop effective strategies to reduce it, said Gary Naja-Riese, the Homelessness & Coordinated Care Division director. The results from count to count help determine trends.

For the first time, Marin embedded a reporter into one of its teams to help demystify the point-in-time count process for the public. I was invited to join two Corte Madera city council members to chronicle their morning activities and later review the operation with the county organizers, Naja-Riese and Brady.

Armed with a map and a phone app to enter data, Corte Madera Vice Mayor Fred Casissa and Councilmember Eli Beckman, with me in tow, traversed three census tracts encompassing large swaths of Corte Madera and Larkspur. Casissa and Beckman had both volunteered for the 2024 point-in-time count and were familiar with the territory. They had also contacted the Central Marin Police Department for a list of areas where homeless people might be staying.

With Beckman at the wheel, Casissa navigated. Driving slowly on residential streets and in commercial areas, they scanned each parked car for foggy or covered windows. The pair had learned in training that condensation from a person’s breath could cloud the windows, while coverings might indicate someone wanting privacy.

Drizzly weather made it difficult to determine if anyone was sleeping in the hundreds of vehicles we passed in Corte Madera. Crossing into Larkspur, we left the car to explore areas under the 101 overpass.

We found no one. Ditto for a commercial area in Larkspur.

Next, we combed the marsh behind Trader Joe’s and Cost Plus. A maze of trails and overflowing brush offer seclusion, while the proximity to a grocery store and public transit deliver convenience. However, large puddles took over the trails, and the shore was mucky, making it inhospitable for habitation.

“We had the floods three weeks ago,” Casissa said. “The levee out here breached.”

As dawn broke, we drove back to Corte Madera and stopped in a neighborhood. Beckman climbed a steep hill behind the library to scan an isolated trail. Although he found a deteriorated tarp and tent, it was clear that people weren’t currently camping at the site.

Two-and-a-half hours later, the council members had traveled through all the assigned areas, yet they did not observe anyone experiencing homelessness. The 2024 point-in-time count had documented three people in Corte Madera and four in Larkspur.

According to Naja-Riese, our outcome wasn’t unusual. Other teams, too, had zero sightings. However, it doesn’t mean that Corte Madera and Larkspur are without a homeless population. The weather could have skewed results. Or volunteers in adjacent tracts with portions of Corte Madera and Larkspur may have counted people.

A San Rafael participant, Ben Stein, encountered a much different scenario. Each of the six teams he coordinated for the point-in-time count saw unhoused folks.

“Every team except one had about 12 to 15 people counted,” Stein said. “There was one team that counted, I believe, 40 people.”

Most of the individuals they observed were in parking lots behind businesses and commercial office buildings, predominantly near Highway 101. That’s why Stein wasn’t surprised when I told him about my experience in Central Marin.

“It’s less of an industrial area,” he said. “I think that people stand out a little bit more, and they get run off.”

But Stein also had the advantage of knowing where to look for folks experiencing homelessness. He oversees the case management team at the Ritter Center, a nonprofit serving homeless people in Marin, and he regularly performs community outreach. 

The county recruited staff from its nonprofit partners because of their expertise. It’s also why the teams were composed of people who were formerly homeless, county workers, and officials and staff from Marin’s cities and towns. Each of these people is knowledgeable about their neck of the woods.

“That’s what partially helps us to assure that we are looking comprehensively and in the right places,” said Brady of the county’s homelessness division.

Still, critics of the count maintain that the methodology significantly undercounts the homeless population.

“Point-in-time counts fail to account for the transitory nature of homelessness and thus present a misleading picture of the crisis,” the National Law Center on Homelessness & Poverty stated in a 2017 report.

Agreeing that undercounting occurs, Naja-Riese says it’s not just in Marin but in jurisdictions nationwide. The county states it every time they use the point-in-time data in a report or presentation, he explained.

“It is just designed as a one-day snapshot,” Brady said. The benefit of looking at the analysis historically, though, is it is consistent. The methodology is the same.”

Brady noted the undercounting discrepancy in the point-in-time numbers when comparing them to the actual number of homeless people who move through the county’s coordinated entry system. However, the trends identified through the biennial counts are essential to developing effective county programs and services addressing homelessness.

For example, in the past several years, Marin has greatly reduced the number of homeless veterans. Naja-Riese believes they can soon approach zero. Now, the county is using the same approach with homeless families, hoping to repeat the success it had with reducing veteran homelessness.

Preliminary results from the point-in-time count will be available in spring, with the full report out in the fall.

Editor’s note: This article has been revised to reflect that funds are not being redirected from homeless veterans to homeless families.

Poetry Is for Real: Found Poets Live at Big Easy

In a culture increasingly mediated by social feeds and mass narratives, Found Poets offers something stubbornly analog: real voices from real people in a real place. Found Poets makes a persuasive case that poetry is not only alive but urgent—and perhaps best experienced in-person.

For Michael Giotis, the upcoming edition of Found Poets, on Feb. 7 at Petaluma’s The Big Easy, feels like a hinge moment. Fresh off a strong ensemble showing at the Petaluma Poetry Walk, he senses a shift in how people are responding—not just to poetry as text, but poetry as performance. 

“I think people appreciate the unique value of poetry when performed,” he notes. “And that’s our specialty.”

That distinction matters. In an era saturated with content, poetry can easily get flattened into something passive or ornamental. Found Poets pushes in the opposite direction, framing spoken word as a live, communal act—entertainment of the spirit, yes, but also a shared reckoning with the era in which we live. This is where showing up becomes the point. “It’s the kind of thing you want to be putting your money into,” Giotis explains. “And your time is rewarded with a powerful show at a great venue and an experience of community.”

That sense of intention carries through the lineup. Headlining the February show is AJ Houston, appearing in Petaluma for the first time. Houston is an author, poet and creative writing educator often described as a “slam godfather,” with a long track record of shaping both performers and audiences. He is the founder of the Psychology of Writing Institute and the author of multiple books, including The Black Book of Black and Makin It: Life Poetry and Everything Else, works that braid lived experience, reflection and craft.

Giotis doesn’t hesitate when describing Houston’s stature. “AJ is like the godfather of the whole thing,” he says.

What sets Houston apart, in Giotis’ telling, is his attentiveness to language.

“So much of what he does happens in the magic of the page,” he notes. Even in performance, Houston’s poems remain aware of the borders of paper, of what form can and cannot contain. 

The unsaid, Giotis adds, is often as present as the spoken word.

That sensitivity extends beyond Houston’s own work. “He’s a great listener,” Giotis says, “and in that way is a great giver to other poets.” Houston’s reputation as someone who actively supports and uplifts fellow writers, including Giotis himself, makes him an especially resonant fit for a series built around mutual investment rather than star turns alone.

The rest of the bill reflects that ethos. Alongside Houston, the afternoon features Bay Area favorites Jamie DeWolf and Audio Angel, as well as Sonoma County’s own N’Game’ Gray, whose work bridges vulnerability and urgency. Hosting duties fall to Josh Windmiller and Giotis himself, grounding the show in the community that has sustained it.

“We really tried to be as Sonoma County poet–focused as we can with our lineup,” Giotis explains, “and then bring in headliners from outside of the area, out of state like AJ.” When Bay Area poets return to perform in Petaluma, it’s not treated as a booking coup so much as a shared celebration. “Everyone should be stoked,” he says. “Come see them.”

Doors open at 3:30pm for the Found Poets performance at 4pm, Saturday, Feb. 7 at The Big Easy, 128 American Alley, Petaluma. $15.

Women & War: Musical Celebrates Unsung Women in Service in WWI 

Women have always been on the battlefield, from the (estimated) 400-750 who fought in the American Revolutionary War to the 74,000+ currently serving. 

However, officially, women were not allowed on the front lines until 2017 … but for a small group in World War I whose service is generally forgotten. The Hello Girls is a fictionalized musical telling of their story. Ross Valley Players is presenting it at the Barn in the Marin Art and Garden Center through March 1.

Grace Barker (Monica Rose Slater) is a Bell Telephone operator in New York, yearning to make a difference. After General Pershing (Joseph Walters) gets frustrated with the male operators and orders the establishment of a women’s signal corps, Grace gets her chance. 

She and five other women under her command—sassy Suzanne Prevot (Grace Margaret Craig), spirited Louise LeBreton (Jacqueline Lee), sweet Helen Hill (Malia Abayon) and level-headed Bertha Hunt (Abigail Wissink)—are shipped off to France. Answering directly to the requisite handsome but misogynistic officer in charge, Lt. Riser (Nelson Brown), Grace and her crew finally find themselves in the fight of their lives.

Barker is a competent actor with a good voice who handles the complex ingénue part with ease. Lee, Abayon and Wissink all have good voices, but it is Craig who shines. To be fair, Suzanne is written to be a standout role, but it’s unusual to find an actor with the combination of strong acting, strong voice, and who plays the cello beautifully. Craig may be the charismatic core of the ensemble; however, almost all members pull triple duty as actors, dancers and musicians. Landers Markwick’s enthusiastic drumming is notable.

Costuming by Valera Coble was commendable. The costumes were well researched and well constructed, especially the uniforms. Unfortunately, the set by Ron Krempetz, while an interesting concept, did not feel fully realized. It might have been the color scheme, but the abstract telephone lines and call lights ended up looking like something out of a 1990s music video. The excessive use of a smoke machine didn’t help dispel that resemblance. 

It’s also important to note that while this show explores themes of war and equity on the battlefield, it is also intensely patriotic. That is a bit of a hard sell in our current political climate. 

However, the work of the diverse cast and tight ensemble makes it worth that occasional awkwardness.

‘The Hello Girls’ runs through March 1 at the Barn Theatre in the Marin Art and Garden Center, 30 Sir Francis Drake Blvd., Ross. Thurs.–Sat., 7:30pm; Sun., 2pm. $30–$45. 415.456.9555. rossvalleyplayers.com.

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