Taking the Plunge: A Song of Ice and Fire

Robert Frost famously wrote, “Some say the world will end in fire, some say in ice … ” But for Jim McAlpine, founder of Fire + Ice Therapy Spa in Novato, fire and ice are where his world began again.

After a spinal injury left McAlpine’s body in chronic pain, he found relief in cold plunge physical therapy. For those unfamiliar with the practice, cold plunging is the rather self-explanatory act of submerging the body in cold water, usually between 32 and 50 degrees Fahrenheit, as a way to jumpstart the circulatory system. Cold plunge therapy is also said to speed up metabolism, reduce inflammation and even elevate mood.

Through this chilly form of physical therapy, McAlpine discovered benefits so undeniable and profound that he opened his own business, Fire + Ice. Oh, and if that’s not convincing enough commitment to the cause, he also cold plunges every single morning. If a strong coffee and an ice bath won’t wake a person up, nothing will.

But before diving headfirst into the tale—or an ice-filled tub—let’s take a step back and warm up to the idea by hearing more from the devoted cold plunger himself:

“I’m 55, and I lived a pretty hard life and bashed my body up pretty good and have to figure out how to fix it,” McAlpine said. “My dad died a few years back, and he lived the opposite life that I live now. He wasn’t doing the things he needed to do, and he left a lot of good years on the table because of it.

“I was badly injured in 2023,” McAlpine continued. “I fractured my L2 vertebrae, broke my ankle and was subsequently diagnosed with severe spinal stenosis in my neck as well. It’s been debilitating and left me unable to work, as I have a lot of pain associated with both sitting and standing. The only way I can really be out of pain is if I am lying down. Ice baths have been really my only way to keep my body out of pain for a small amount of time. This was one of the biggest reasons I decided to open Fire + Ice.”

Throughout his life, McAlpine gravitated toward a wide range of physical pursuits, with a love of sports, adrenaline-fueled hobbies and otherwise intensive, embodied activities. Some, like working in the ski industry in Tahoe, were all about the rush: the thrill, the endorphins, the sheer fun of it. Others, like his time in the cannabis industry, became less of a side quest and more of a main mission, guiding him toward his discovery of the real power of “alternative” health and wellness culture.

“[Ice baths] are where the real magic happens—it just sucks the inflammation out of my body, soaks it away and gives back so many endorphins,” McAlpine said. “I became addicted to it; it was my medicine. That was about two years ago. And ever since then, I’ve done an ice bath with my coffee daily, and it wakes me up and makes me feel better.

“At our spa, we have infrared sauna and cold plunge contrast therapy rooms, and that’s where Fire + Ice comes from,” he added. “When you combine the two, the heat kinda loosens the muscles and constricts, and that really brings some pliability to your insides, and they both amplify each other to bring more benefits.”

Now, McAlpine has poured all that passion, along with years of experience and a deeply personal understanding of body-mind-spirit balance, into the heart of Novato with the recent opening of Fire + Ice Therapy Spa. There, not only can those who are ready for the challenge take a plunge into an ice bath, but they can also enjoy other routes to wellness. 

The infrared saunas, for instance, pair fantastically with the cold plunge baths. Plus, Fire + Ice offers access to float tanks, compression therapy and mobile services with massage, stretching and other practices for combating bodily aches, pains, inflammation and more.

“Most people don’t understand that inflammation is the root of all disease,” McAlpine said. “And like a whole lot of other people, I just got resigned to chronic inflammation and pain and just got used to it. But there are these alternatives we can’t ignore.”

Speaking of chronic inflammation, it would be remiss of me to conclude this story without sharing my own experience at Fire + Ice. That’s right; I cold-plunged for the sake of investigative journalistic integrity, submerging myself in frigid water for a grand total of six minutes for you, dear readers. So, here’s the subsequent gonzo-style report from a person who had never cold plunged before visiting Fire + Ice:

I came into Fire + Ice slightly nervous for my first-ever cold plunge. Despite the incredibly friendly staff and the hype train driven by McAlpine himself, my nerves only grew as I entered my private infrared sauna and ice bath room. But nervous or not, I was resolved to do the thing and make myself, McAlpine and my readers proud. 

Sitting in the sauna was comfortable and easy enough, the cool shower after a little less so … but by the time I found myself standing in front of the ice bath, staring down the rubber ducks floating with mocking ease atop 50-degree waters, I was straight up not having a good time. I’ll admit, I considered chickening out for a split second and told myself nobody would know if I’d gone in or not. But that wasn’t true, because I’d know, and I wasn’t about to live with the knowledge that I was bested by a bit of cold water. 

So, I blasted a pump-up song and turned off my brain just long enough to dissociate and get my body in that tub alongside the ducks. And duck; it was ducking cold. 

Teeth chattering, I did the breathing exercises McAlpine recommended earlier, possibly cursing my editor under each inhale and exhale in a less-than-mindful and not-so-zen manner. Ten seconds passed, then 30, and before I knew it, I’d spent a full two minutes in the frigid bath. Then, I got out and did the whole thing twice more for a total of three sauna/shower/cold plunge rotations.

After all that, I went home feeling really good. Not only had I bested a bathtub in a battle of will, but my body also felt … better. Inflammation I didn’t know I had was fading fast. The cold that startled me before and during now seeped pleasantly past my skin and muscles and deep into my bones. In the days after, my mood was consistently great, my body didn’t ache or randomly puff up and I was energized in a way I can’t find the words to describe.

Long story short, I’ll be back to cold plunge at Fire + Ice very soon—and I highly recommend the whole experience to the rest of the community too. Let’s take the plunge together, one chilly local at a time.

“The thing I’ve felt here is that we’re building a community and a family, and we’re seeking a better path together,” McAlpine said. “I feel that palpable shift toward this embracing of health, and it’s a great time to be a part of this culture. We’ve been fed a lot of lies about wellness and our bodies, and we can and will do better.”

Fire + Ice Therapy Spa is located in the Downtown Novato Center at 1769 ‘B’ Grant Ave. To learn more, visit fireandice.co.

Mill Valley Music Fest Begins

Saturday, May 10 and Sunday, May 11 is the 3rd Annual Mill Valley Music Festival at Friends Field in, you guessed it, Mill Valley.

The festival has become a popular family event featuring an impressive music lineup, a marketplace featuring local handmade crafts, clothing, jewelry and more plus a killer lineup of all kinds of food and drink including wine and beer.

Some of the bigger musical acts include Gary Clark Jr., Chic featuring Rock and Roll Hall of Famer Nile Rodgers, Monophonics, Sister Nancy and The Crosby Collective which boasts multi-instrumentalist virtuoso Jason Crosby and an array of impressive jam band musicians.

However the festival is also great about celebrating local artists. We wanted to talk to a few of them about the upcoming gig.Singer/guitarist Rose Paradise grew up just over Mt. Tam in Stinson Beach.

With a folky sound new album, cheekily titled “Over the Hill” (she’s under 25 years old), which she says “is largely a tribute to West Marin, leaving home and the experience of coming back.”

When asked about her experience with bigger shows, she says “I’ve been playing a bunch the last few years back and forth between New York and the Bay Area. The biggest shows were at venues like Bowery Ballroom in NYC and The Independent in SF. Mill Valley Music Festival is however my first festival! I’m super excited to be playing it in my hometown along with so many incredible artists.”

Her set is from 5:00-5:45 on Saturday. Mill Valley’s own Matt Jaffe has been steadily building a buzz around the Bay Area and has also been named host of the popular Open Mic Night at Sweetwater which incidentally is sponsoring the stage where both he and Paradise will be performing with Jaffe there Sunday from 2:15-2:45 pm.

As for big crowds, Jaffe says he’s done the National Anthem twice at Golden State Warriors games as well as once at Oracle Park before a Giants game but not as many festivals. He says he likes how the fest combines new as well as establish acts adding “they’ve done a fantastic job of remaining true to the foundational music of Mill Valley (i.e. a significant jam band contingent) while introducing acts that cater to a broader audience.

”Another popular Marin performer is Elliott Peck of the band Midnight North which she co-founded with Grahame Lesh who needs no introduction. An old hat to the festival circuit, Peck has played all over including at the famed Newport Folk Fest. Says Peck of that experience, “That day I had the chance to play with a star studded Phil Lesh & Friends lineup, which included the incredible Sheryl Crow! Truly one of my favorite, all time experiences playing music.”

Peck kicks off the fest on Saturday from 12:30-1:00pm so get there early.With a fan base that comes out to see them as well as new ears hoping to find a new fave, Jaffe says for a shorter festival set “sticking to tried and true tunes is usually a reliable recipe. Comedians have their “tight ten” for when they have a slim window to make ’em laugh, and we have a strong half hour that is down to muscle memory.”

Peck agrees adding “I tend to choose songs I believe will draw in new listeners, songs with my strongest melodies & a bit tighter arrangements.”

Paradise’s aim is to be “playing a lot of the songs off the album. Now that these songs are out in the world, it will be fun to see how the audience engages and whether they know the songs. I probably will sneak some new stuff in too that I’m excited about!”If you’re able to check these locals out live it’s always great to support them after the fact. Jaffe says he has a new single out called “Girl in the Moon House” while Peck has a new EP called “In the Pines” which is available now.

More information about these musicians and the Mill Valley Music Fest can be found at millvalleymusicfest.com. The day is open to all ages and a wide variety of ticket options are available now.

Culture Crush, May 7

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Point Reyes

Indigenous Art

Gallery Route One invites art and culture lovers out to West Marin to experience Maakon/Yowa: Grounded in Coast Miwok, a vibrant art exhibition featuring a collection of contemporary works by 13 Indigenous Californian artists. Curated by Meyokeeskow Marrufo, the show centers on the theme of land and showcases the various artists’ paintings, basketry, regalia and more. The celebration continues with the Maakon Yowa Art Festival, a lively outdoor gathering with traditional dancing, artist vendors, acorn processing, basket weaving, food and plenty of community connection and cultural appreciation. The exhibition runs through May 11 at Gallery Route One, located at 11101 Highway One in Point Reyes Station.

The gallery is open Thursday through Monday from 11am to 5pm. The Maakon Yowa Art Festival will take place on Saturday, May 10, from 11am to 4pm on The Green in Point Reyes. For more information, visit galleryrouteone.org.

Glen Ellen

Acoustic Sunsets

Sonoma Botanical Garden’s Acoustic Sunsets outdoor music series is back at it again with immaculate summertime vibes, live tunes and a weekly Wednesday night wine ’n’ dine invite that’s simply divine. Guests of the garden can come on out and enjoy live performances in the outdoor amphitheater, with its lovely view perfect for unwinding with family and friends (and furry loved ones, too, since well-behaved, leashed dogs are welcome). Expect a rotating lineup of local artists spanning genres like pop, rock, folk and Americana, along with the addition of some special events one may not want to miss. Think concert series meets community experience with more than a splash of wine and endless celebration of local Sonoma culture and tradition to match.

The series runs every Wednesday from 5 to 8pm starting May 7 and running until Oct. 29. Admission is included with general entry and is free for Sonoma Botanical Garden members. The garden is located at 12841 Hwy. 12 in Glen Ellen. For more information, visit sonomabg.org.

Santa Rosa

Blues, Brews, BBQ

Every Wednesday this summer, one new Santa Rosa restaurant, Downtown Barbecue, is settin’ up to transform into the city’s central honky-tonk hub—not with bull riding or rodeo clowns (unless someone gets ambitious), but with the welcomed addition of Downtown Barbecue’s upcoming Summer Concert Series. Hosted on a spacious outdoor patio conveniently located across from Courthouse Square, Downtown Barbecue’s Summer Concert Series pairs live country and blues music with breweries on tap each and every week. The best part? It’s free. The second-best part? It syncs up perfectly with the Wednesday Night Market, so one may two-step their way through town square tacos and small-batch IPAs before posting up for a patio show under the stars.

The Country Blues and Brews Downtown Barbecue is free to attend and will take place from 4:30 to 8:30pm every Wednesday in May, June and July at 610 3rd St. in Santa Rosa. Visit downtownbarbecue.co to learn more.

Tiburon

AAPI Festival

May is Asian American and Pacific Islander (AAPI) Heritage Month, a time to honor the rich histories, diverse cultures and significant contributions of AAPI communities across the United States. At 1pm on Saturday, May 17, Zelinsky Park in Tiburon will host the Tiburon AAPI Heritage Festival 2025. This free event features a rich lineup of performances, including Qi Gong, Tai Chi, Kung Fu, lion dances, stilt walkers and hula. Emcees Felicia Lowe and Albert Yu will guide attendees through the festivities. Local organizations such as the Marin Chinese Cultural Association and the Asian American Curriculum Project will have exhibits, and food vendors like Mama Yali’s Dumplings and Bai Cha Boba Thai will offer culinary delights.

For more information, contact the Tiburon Diversity Inclusion Task Force at di******@************er.org or visit Tiburon Chamber of Commerce.

Your Letters, May 7

Bias Bait

A task force helmed by Attorney General Pam Bondi and focused on “eradicating” anti-Christian bias in the government held its first meeting recently.

While Donald Trump’s government is retreating from any effort by the federal government to pursue racial justice, it is leaning hard into ending what it sees as anti-Christian bias.

So, anti-Jew, anti-Hindi, anti-Muslim, etc. What were these groups thinking if any of them voted for this charlatan?

Gary Sciford
Santa Rosa

Dept. of Art, Creative Sonoma’s Tara Thomson

There’s a pattern—most every town and county in the North Bay has an “arts council”—a non-profit art agency-advocate. 

These plucky non-profits are typically represented by a downtown office and arts-space displaying local art. Typically, they are woefully underfunded for their mission—in the pattern of nonprofits. When, 10-plus years ago, Sonoma’s struggling all-county arts council finally heaved up and broke apart, local arts activists took the problem before their board of supervisors. 

This put in train a creative solution: Make their county’s “art council” part of the government. Thus began Creative Sonoma. The new all-county arts council would have closer relations with the granters of government largesse and a guaranteed budget of $1 million annually. The downside could be a governmental remove from the community as the “council” was swallowed up by the bureaucracy.

We are now 10 years into this experiment. To learn more about Creative Sonoma, I solicited an interview with artist Tara Thomson, who is settling into her second year as the director of its staff of three government employees. In our conversation, I found her highly competent, transparent and circumspect.

Cincinnatus Hibbard: Tara, on your Creative Sonoma website, your general strategy is laid out as [more] public art, [more] early arts education, [more] professional development for artists and [more] money for public artists and arts organizations in the form of grants. Key to all this is your definition of “good” public art—as that would be the art that wins your grants.

Tara Thomson: I would not say that public art is “good” or “bad” but more or less meaningful to a community. The key word in public art is public. It is meant for the community to experience and enjoy. In my opinion, the community should be involved in the generation of the idea, its type, its location and the section of the artist. 

I think what a lot of people think of when they think of government public art is that the government is deciding what art goes where and just puts it there. Community involvement creates ownership of public art. It creates identification, mutual understanding and social cohesion. And I think that’s what’s needed here. And not necessarily a sculpture or a mural. What the community might need is a pop-up event or a series of musical performances in their public spaces.

For examples of this definition, I see in your pipeline that the supervisors have tasked you with a Tubbs Fire Memorial. Also that Supervisor (Lynda) Hopkins has allocated for your direction public art grants for public art in unincorporated West Sonoma County this summer. Tara, I don’t know that Creative Sonoma is a household name yet—even in the arts community. But probably you are best known for your money grants to local artists.

Yes. We have just announced the recipients of our 2025 arts impact grants. This is 4K for art or general operating expenses for each of 45 artists and art—or cultural organizations. 

Tara, you told me that in your short tenure you have worked to better realize the potential of being a part of government and its resources. What are you currently working on in this vein?

I am working on a new public art plan to put art in all local government buildings.

Another effort to approach other county agencies—such as parks or HR— to involve

local artists in their efforts to fulfill their own missions. Artists have a way of synthesizing information and communicating with people that typical government outreach lacks.

For artist resources, visit linktr.ee/creativesonomaLINKS.

All Fun and Games (and Beer) at Pixels Arcade Taproom in Downtown San Rafael

Pixels Arcade Taproom in downtown San Rafael isn’t just a bar—it’s an adult playground where beer, Pac-Man and pizza collide in a jolt of pure retro nostalgia.

San Rafael is Marin’s unofficial nightlife city, and its downtown strip offers enough bars and taprooms to turn any evening out on the town into a bar crawl marathon. But for those who are looking for less of a crawl and more of a linger and enjoy experience, Pixels Arcade Taproom is the place to be.

Pixels lures passersby inside with a red carpet rolled out on the sidewalk; this terrific theatrical touch leads people from the street and straight into the high-energy arcade taproom (aka barcade) that’s packed with color, music and an immaculate decor scheme, full of personality and lit up in flashing neon.

After walking the VIP red carpet inside, guests then check in at the front desk, receive a techy wristband and are set loose like kids in … well, an arcade. That wristband? It’s the metaphorical golden ticket to not only the games, but to the tap and tab too. After all, gaming is thirsty work. And Pixels doesn’t just provide drinks. In fact, it has a fantastic novel method for getting libations to its guests.

Instead of a full bar, bartender and wait time to match, Pixels has an entire self-pour beverage bar, where anyone with a wristband can simply swipe a wrist, pick a beverage and pour as much as they’d like with the payment already on tab. The beverage selection includes both classic and local beers from Pond Farm, Henhouse, Cooperage, Original Pattern, Mare Island and more, along with some top-notch ciders from Golden State and Humboldt Cider Co.

Exciting, right? Well, the owner and operator of Pixels, Rob Simmons, certainly thinks so. And his enthusiasm and love for the arcade taproom can be felt throughout the entire establishment. From the trendy, aesthetically pleasing indoor decor (courtesy of Simmons’ days working in the graphic design industry) to the curated playlist blaring only the best, most retro radio hits, it’s safe to say that Pixels is the most pleasantly nostalgic fever dream of an arcade one could hope to find here in Marin.

According to Simmons, the inside of Pixels is a whole lot like what it’s like being inside his mind. As he said this, the eye naturally takes in the decor, noting once more the multi-colored lights, trendy decals and street sign reading, “road to nowhere” up above, while neon signs of Mario and Luigi flash in the background. Yup, checks out.

“I wanted to create a place where people could actually interact with each other and do something fun, beyond the nightlife options that are currently available,” said Simmons. “A place where you could be transported back to a simpler time, through the many pop culture visual cues here, a time that many of us have sadly forgotten in our busy workaday lives.”

Pixels opened last year and has since catered to the nerds, geeks and otherwise fun and games-minded adults who want to go out and do more than sit, drink and repeat. At this barcade, however, guests can sit, drink and repeat while playing fantastically entertaining and nostalgic games such as: Pinball, Pac-Man, Mortal Kombat, Tempest, Street Fighters, Metal Slug, Crystal Castles, Frogger, Teenage Mutant Ninja Turtles, Robocop and so, so much more. Plus, those who want something a little more modern can plop themselves down in the console gaming lounge area, complete with a Nintendo Switch, Xbox One and PlayStation 4.

And if all that isn’t already enough, Pixels is also absolutely brimming with tabletop games like Exploding Kittens and Unstable Unicorns, plus classics like Scrabble and Yahtzee for those who are more traditional than the more recent trend of exploding, unstable animals. Cards Against Humanity and Crabs Adjust Humidity, anyone? There are even games like Mind the Gap, a curated trivia game for multi-generational players to compete on an equal playing field and duke it out as peers.

“Finally, a place that offers something for everyone—and every age range—be it pinball, classic arcade games or our gaming lounge outfitted with Nintendo Switch, Xbox and PlayStation gaming consoles,” said Simmons. “There was nothing like this available in Marin County, so that was my goal when creating Pixels.”

On top of the ever-titillating DIY tap (my personal favorite game in the establishment— one wins every time they play), Pixels offers a menu stacked with delicious bites that perfectly match the vibe inside. Thanks to the collaborative spirit of downtown San Rafael’s bars and restaurants, Pixels can offer guests hot plates of nachos, burgers and buffalo wings. Oh yeah … that’s the stuff. 

Plus, Pixels has made the best possible deal with State Room to bring the restaurant’s top-notch wood-fired pizzas, offering the opportunity for nearly endless pizza parties to Pixels and its guests. The classic combination of pizza and arcade games really sparks those old synapses, tapping into dopamine stores sitting pristine and untouched deep in the back of the brain since the simple days of childhood. Pizza and arcade games unlock that, for sure.

Please note that Pixels is for big kids, age 21 and up. So, one should just be sure to bring an ID to show to the front desk in order to gain access to the premises, its beer and a chance to kick back and indulge in pure, unsupervised adult fun ’n’ games. Just like the old days, eh?

To play games, eat, drink and make general merry at Pixels, one only has to pay a small general admission fee of $14 Monday through Thursday and $18 Friday through Sunday. Early birds, who arrive in the first or last hour, pay only $12 Monday through Thursday and $14 Friday through Sunday. But those who want to swing by for a drink, a bite and a board game can come in and enjoy the atmosphere (and/or a big game on the TV) for no admission fee whatsoever.

Plus, each week offers select events, curated specifically to add even more engagement, entertainment and positive vibes for Pixels patrons. These include Pixels’ Magic Mondays, Ladies Nights on Wednesdays, discounted drinks on Thirsty Thursdays, as well as more events like comedy nights and karaoke.

Pixels Arcade Taproom is open six days a week, from 4 to 10pm Tuesday through Thursday, from 1 to 11pm on Friday and Saturday and from 1 to 10pm on Sundays. Pixels (plus all the fun, games, beer and delicious bites) is located in downtown San Rafael at 1137 Fourth St. To learn more, visit pixelsarcadetaproom.com.

Role Play, ‘She Kills Monsters’ at College of Marin

Boasting an impressive list of mid-’90s music and plenty of geek culture nostalgia, Qui Nguyen’s She Kills Monsters (directed by Lisa Morse, playing at the College of Marin through May 18) is a warm-hearted romp through grief and acceptance.

The story follows Agnes (Paige Flaming), trying to find a connection to her deceased sister, Tilly (Arya Safavi), through a custom Dungeons & Dragons campaign written by Tilly. Agnes is guided through the campaign by her sister’s dungeon master friend, Chuck, aka DM Biggs (Karim Al-Jamal). Reality and fantasy start to blur as she learns more about her sister’s world, threatening Agnes’ real-world relationships. 

Set and props (both by Huda Al-Jamal) are colorfully spectacular, especially for being in the small studio theater. Particularly impressive are the puppets, which come into their own during the final scene.

The cast is at its strongest when in the fantasy world. Safavi portrays Tilly with an earnest fierceness that immediately engages the audience. Flaming comes off as a little one-note. But considering that the character is written as “the most normal person ever,” it would be hard to add range to the character. Jonathan Lazzerini’s Steve is a scene stealer who does a very believable job switching between an inept sorcerer and the awkward teenager. However, the standout performance is Al-Jamal’s Chuck. 

Being the only character that is never a part of the D&D fantasy, Al-Jamal captures the big silliness necessary. Yet, of all the actors, he remains the most grounded in his character and delivers some of the most impactful moments in the play.

Yes, some moments of depth are glossed over, the momentum isn’t consistent and some special vocal effects are hard to understand (though a very cool idea). Still, the show is beautifully fun, and the artists are obviously engaged in the story. In the end, it would be almost impossible to leave this show without a smile. It’s a shame that even in the studio theater, there were empty seats. 

These young artists are putting on a solid show with great tech, impressive production values and committed actors, and the tickets are free. One doesn’t even need to understand D&D to enjoy this show. 

What’s important is a love for stories because, as Tilly tells us, we are all “just a collection of stories.”

‘She Kills Monsters’ runs through May 18 at the Studio Theatre at the College of Marin, 835 College Ave., Kentfield. Friday-Saturday, 7:30pm; Sunday, 2pm. Free. Donations welcome. 415.485.9385. pa.marin.edu.

Open Mic: The New Math, Saving Democracy By the Numbers

Think resisting authoritarianism is too big of a lift? Think again. This spring, while the U.S. resistance movement may not be in full bloom, it is blossoming.

The “3.5% rule”—identified by political scientist Erica Chenoweth—should be on the lips of every American anxious about the Trump administration’s headlong drive to replace our democracy with authoritarianism. After studying more than 300 nonviolent resistance campaigns, Chenoweth and colleagues’ research revealed a startling truth: When just 3.5% of a population engages in sustained, strategic civil resistance, authoritarian regimes fall.

Think about it. Not 50%. Not 30%. Just 3.5%. The message is clear: When enough people turn out—repeatedly and nonviolently—democracy wins.

When people commit to showing up—demonstrating creatively and persistently—history is on our side. Nonviolence trainer, activist and writer Rivera Sun, whose YA novels address peace-building, highlights the “imagination” side of movements—that we must not only resist but also build the world we want to live in. 

That dual work of resisting and reimagining democracy is already happening across America. Still unsure? Go on YouTube and watch Republican congressmembers’ disastrous town halls. Then, check out Sen. Bernie Sanders and Cong. Alexandria Ocasio-Cortez’s wildly popular rallies in red districts.

The implications for the nation are profound. We’re a country of 330 million, so 3.5% equals 11.5 million people. That’s the number we need to side with democracy over authoritarianism. That’s not fantasy. It’s strategy. In many, many communities—well beyond western Massachusetts—it’s growing. Person by person, town by town.

What’s needed now is not despair, but determination. Not hand-wringing, but hand-raising. Where I live, it’s one in every 28 standing up consistently and courageously as agents of change, transforming darkness into light. What is it where you live?

We’re growing our numbers. We’re refining our strategy. We’re exercising our moral imagination.

History is calling. Let’s answer.

Rob Okun is editor emeritus of Voice Male magazine.

Sign of the Tunes: The Happys, North Bay’s Best Marketed Band

In the fall of 2020, during the reign of deep Covid, I worked in-person as a frontline behavioral healthcare counselor at a residential facility for adults with serious mental illness. 

It was a strange time to be a commuter. And as I drove from my apartment in Rohnert Park to the facility in Santa Rosa on the deserted 101, it was hard not to imagine that the world had ended right under my nose. 

I fell into a sort of paranoid solipsism on these drives, lost in an anxious dream that people would never leave their houses again, that we had been placed in a continuous stasis from which there was no escape. That is, until I started noticing the strange evidence of other people along the highway, proof that I was not alone in the world.

Bedsheets and torn cardboard canvases, affixed with twine to chain-link fences, began appearing at freeway onramps and along frontage roads. All of them bearing the same hastily scrawled or spray-painted message: “Listen To The Happys.”

Nick Petty came up with the idea to start a band in 2012 while living in a halfway house in San Francisco. He had recently been released from jail and was doing his best to envision life free of the OxyContin and heroin habit that had been following him for years. While discussing potential names with a friend, he landed on The Happys as a tongue-in-cheek description of the music he wanted to make and the conditions he currently found himself in. 

Now, in 2025, sitting in the attic of a barn on the property of the San Rafael Elks Club, The Happys’ current rehearsal space, Petty tells me, “Writing is what kept, and keeps, me sane.” As he tells it, he has been clean from opiates since that stint.

The current lineup of The Happys comprises Brett Brazil (bass/vocals), Alejandro Sanchez (lead guitar/vocals), Elijah Smetzer (drums) and Petty (songwriter/lead vocals). The band prides itself on having a wide range of influences and a somewhat chameleonic sound. 

During the interview, they cite Kurt Cobain, Eliot Smith and Sublime as influences, and their most popular songs on Spotify tilt from surf-rock to post-punk to arena-rock anthems. It is hard to pin down their specific genre within the vague boundaries of “rock.” This amorphousness works, though, as it is undergirded by excessive energy and dedication from every member of the band. “All of us are all in on this,” Sanchez tells me. “We are in it for the long run.”

In 2019, Petty’s father passed away, and he was pushed into a bit of an existential crisis. “I just started thinking about the time I have left and what I wanted to do with it,” Petty notes. He decided to channel this angst into The Happys, a project that had already ferried him through one crisis years earlier. Starting around this time, The Happys crew started putting up makeshift signs around the North Bay, encouraging anyone and everyone to listen to them. 

“The signs were inspired by graffiti,” Petty says. “And garage sale signs,” Brazil adds. The idea was guerrilla and anti-algorithm. In an age where musicians are encouraged to have an online presence and market themselves to specific demographics, The Happys decided to aggressively market themselves to literally whomever happened to be driving down the freeway that day. 

After an especially long overnight shift back in 2020, I drove by another sign that read, “Listen to The Happys,” and finally caved. I loaded up their music on the spot and started listening. Several months later, as the world began coming back into focus, I saw a flyer advertising a live performance by The Happys in front of George’s Nightclub in San Rafael as a part of the Dine Under the Lights event series. Dear reader, I went and saw The Happys live. I bought a bumper sticker that says, “Listen to The Happys,” and it is still on my car. If anyone has ever wondered if this sort of marketing works, it at the very least did on me.

Sanchez claims that over the past five years, any time there is a Happys show in or around the Bay Area, they are approached by people who claim they came because of all the signs. “People come up to us and are like, ‘I’ve been waiting to meet you guys,’” he says with a nervous chuckle. He is also quick to qualify that he doesn’t think the signs are solely, or mainly, responsible for the growing success they’ve been experiencing over the past half-decade. “What helps us is that we are down to play a show anywhere and everywhere,” he states. 

“I don’t think people understand how hard we work at this,” Petty adds. Outside of traditional venues, The Happys have played shows at Petaluma High School, non-profit organizations and substance use facilities. When Jack White played a pop-up show at the Phoenix in Petaluma in October 2024, The Happys played a pop-up show outside it for people waiting to get into the show. 

At this point in the interview, I ask Petty if he feels like he might have some obsessive tendencies about the band. He responds by nodding and offering me a fist-bump.

It didn’t feel right to just interview the band about the signs. Obviously, they were going to have a positive pitch. I wanted to hear a counter opinion, a voice from the community on how they feel about the presence of so much DIY marketing. So I turned to the only reliable source of information gathering I could think of: Reddit. Creating a burner account, I posted on the Sonoma and Marin County subreddits asking what people thought of the signs. 

CRITIQUE Not all North Bay residents are fans of The Happys’ marketing efforts. Screengrab from instagram.com/thehappys.

As it stands at the time of writing this, the threads have a combined total of more than 200 comments. Some commenters hate the signs and think they are just litter; others respect the hustle but aren’t a fan of the music. Others still love the signs and encourage everyone to see The Happys live, promising an excellent show. One commenter in particular observed that a real journalist wouldn’t lazily poll Reddit for opinions. Ouch. 

Judgments aside, one thing is irrefutable: People know who The Happys are and feel passionate one way or the other about their presence in the North Bay.

Petty is quick to address the litter question when I ask about it. “We take trash that is already there and make signs out of it. I’ve also hauled a bunch of litter off the highway to try and clean it up,” he states. The signs, then, are part of a green mindset: Reduce, Reuse, Recycle. As far as the people who hate the signs and call them a nuisance, he says quite matter-of-factly, “Some people hate to see other people following their dreams.”

Speaking of following dreams, in the past five years, The Happys have released a full-length album, sold out Sweetwater Music Hall in Mill Valley and have performed as openers for The Mad Caddies, Hobo Johnson and Sublime with Rome. They are currently preparing for an East Coast tour, which will be the first part of a nationwide tour, and will be releasing a new album in the coming months, titled Listen to The Happys

When I ask the members about their long-term plans for the band, Sanchez and Brazil tell me they value the possibility of longevity. Smetzer says he wants to reach as wide an audience as he can. When I ask Petty the same question, he smiles for a second and then says, “Biggest band in the world.”

More info at thehappysofficial.com.

Vines & Vision, Dry Creek Vineyard’s Kim Stare Wallace

Kim Stare Wallace was born into the wine business, but when in college, first pursued fashion.

Her design expertise led to creating Dry Creek Vineyard’s iconic nautical labels when she joined as marketing director. Now president and second-generation owner, she serves on multiple Sonoma County boards, including Sonoma County Vintners and Santa Rosa Junior College Shone Farm Foundation.

Amber Turpin: How did you get into this work?

Kim Stare Wallace: I was literally raised among the vines in the Dry Creek Valley. My childhood was filled with watching my dad, David Stare, pioneer Dry Creek Vineyard as the first new winery to be built in the region following Prohibition. I worked when I was a teenager in the office, the cellar and on the bottling line …

Did you ever have an “aha” moment with a certain beverage? If so, tell us about it.

Growing up in the wine industry, I was lucky to be exposed to some amazing wines at a young age. But one of the most memorable was a 1937 Saviennières from Domaine Baumard that I tasted in the Loire Valley with Jean Baumard, who was a dear friend of my father. 

We were visiting their home, tasting a bunch of wines at the dining room table, while Jean told stories of how his father hid their wines from the Nazis during WWII. 

Hearing this story, while tasting a white wine (chenin blanc, no less) that had aged so beautifully made me fall in love with not only that varietal, but the power that wine has to capture moments in time, preserve history and communicate stories. That is one of the reasons I decided to join the family business.

What is your favorite thing to drink at home?

This is very hard to answer, but the wines I tend to drink the most of are either our Fumé Blanc or Dry Creek Valley Sauvignon Blanc, or our Heritage Vines Zinfandel. When I’m not drinking wine, I’m usually sipping tea.

Where do you like to go out for a drink?

For a glass of wine or a cold beer, the Bar at the Dry Creek General Store can’t be beat. I love that I still run into people that I rode the school bus with, growers, old friends, etc. And, if I’m really feeling festive, Barn Diva has a Champagne cocktail called “Bitches of the Seizième” that reminds me of Paris, one of my favorite cities.

If you were stuck on a desert island, what would you want to be drinking (besides fresh water)?

Absolutely no question: a really good, expressive sauvignon blanc.Dry Creek Vineyard, 3770 Lambert Bridge Rd., Healdsburg, 707.433.1000. drycreekvineyard.com.

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