Legacy & Purpose, Sarah Citron Blends Wine and Advocacy

Sarah Citron co-founded Bricoleur Vineyards with her parents after a career in the New York fashion industry. 

As COO, she leads hospitality and operations while continuing her great-great-grandfather Pietro Carlo Rossi’s winemaking legacy. He was the original oenologist in the 19th century for Sonoma’s Italian Swiss Colony. Following her Stage 3 breast cancer diagnosis at age 32, Citron has become an advocate for cancer research, establishing the Sip With Purpose campaign which raises money for cancer research funded by the V Foundation.

Amber Turpin: How did you get into this work?

Sarah Citron: I grew up surrounded by the world of wine, with deep family roots in Sonoma County’s winemaking history. But my path to Bricoleur Vineyards wasn’t a straight line. I started my career working in digital commerce for Tory Burch and Theory. Those years gave me invaluable experience in branding, customer experience and high-end hospitality, all of which I’ve carried into my work at Bricoleur. When my family decided to create a winery that blended exceptional wines with a warm, multigenerational hospitality experience, it felt like the perfect opportunity to come back home and build something meaningful. 

Did you ever have an ‘aha’ moment with a certain beverage? If so, tell us about it.

My ‘aha’ moment came with our Isla Rose Brut Rosé. This wine is incredibly personal to me. It’s named after my daughter, Isla Rose, and has become a symbol of both joy and resilience. It was already a special wine for our family, but after my breast cancer diagnosis, it took on even deeper meaning. 

What is your favorite thing to drink at home?

My go-to is always a great glass of Pinot Noir. It’s such a versatile wine: elegant yet approachable, with layers of depth that make every sip interesting. I love how it evolves in the glass, whether I’m enjoying it with dinner or just unwinding at the end of the day. 

Where do you like to go out for a drink?

Nick’s Cove is one of my favorite spots to grab a drink. There’s something about sipping a great glass of wine or a cocktail while overlooking the water that just feels like pure relaxation. The atmosphere is casual and cozy, and the seafood is always incredible. 

If you were stuck on a desert island, what would you want to be drinking—besides fresh water?

I’d want to be sipping on a crisp, refreshing rosé or a perfectly balanced spicy margarita. Rosé is light, versatile and perfect for warm, beachy weather, while a spicy margarita would add just the right kick to keep things interesting.

Bricoleur Vineyards, 7394 Starr Rd., Windsor. 707.857.5700. bricoleurvineyards.com

Free Will Astrology: June 4-10

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ARIES (March 21-April 19): You have had resemblances to cactuses in recent days. It hasn’t always been pleasant and cheerful, but you have become pretty skilled at surviving, even thriving, despite an insufficiency of juicy experiences. Fortunately, the emotional fuel you had previously stored up has sustained you, keeping you resilient and reasonably fluid. However, this situation will soon change. More succulence is on its way. Scarcity will end, and you will be blessed with an enhanced flow of lush feelings.

TAURUS (April 20-May 20): I foresee abundance emerging from modest sources. I predict breakthroughs arising out of your loving attention to the details of the routine. So please don’t get distracted by poignant meditations on what you feel is missing from your life. Don’t fantasize about what you wish you could be doing instead of what you are actually doing. Your real wealth lies in the small tasks that are right in front of you—even though they may not yet have revealed their full meaning or richness. I invite you and encourage you to be alert for grandeur in seemingly mundane intimate moments.

GEMINI (May 21-June 20): It’s time for your Uncle Rob to offer you some fundamental advice for living. These tips are always worthy of your contemplation, but especially now. Ready? Being poised amidst uncertainty is a superpower. You may attract wonders and blessings if you can function well while dealing with contradictory feelings, unclear situations and incomplete answers. Don’t rush to artificial closure when patience with the unfinished state will serve you better. Be willing to address just part of a problem rather than trying to insist on total resolution. There’s no need to be worried or frustrated if some enigmas cannot yet be explained and resolved. Enjoy the mystery!

CANCER (June 21-July 22): Acclaimed Cancerian poet Lucille Clifton published 14 books and mothered six children. That heroism seems almost impossible. Having helped raise one child myself, I know how consuming it is to be a parent. Where did she find the time and energy to generate so much great literature? Judging from the astrological omens, I suspect you now have access to high levels of productivity comparable to Clifton’s. Like her, you will also be able to gracefully juggle competing demands and navigate adeptly through different domains. Here’s my favorite part: Your stellar efficiency will stem not from stressfully trying too hard but rather from good timing and a nimble touch.

LEO (July 23-Aug. 22): One of the seven wonders of the ancient world was the Colossus of Rhodes, located on a Greek island. Symbolizing power and triumph, it was a towering statue dedicated to the sun god Helios. The immediate motivation for its construction was the local people’s defeat of an invading army. I hereby authorize you to acquire or create your own personal version of an inspiring icon like the Colossus, Leo. It will symbolize the fact that the coming months will stimulate lavish expressions of your leonine power. It will help inspire you to showcase your talents and make bold moves. P.S.: Be alert for chances to mobilize others with your leadership. Your natural brilliance will be a beacon.

VIRGO (Aug. 23-Sept. 22): The Great Barrier Reef is the world’s biggest structure built by living things. Lying beneath the Coral Sea off the east coast of Australia, it’s made by billions of small organisms, coral polyps, all working together to create a magnificent home for a vast diversity of life forms. Let’s make the Great Barrier Reef your symbol of power for the next 10 months, Virgo. I hope it inspires you to manage and harness the many details that together will generate a robust source of vitality for your tribe, family and community.

LIBRA (Sept. 23-Oct. 22): One of my favorite poets, Arthur Rimbaud, wrote all of his brilliant work before he became an adult. I suspect that no matter what your age is, many of you Libras are now in an ultra-precocious phase with some resemblances to Rimbaud from age 16 to 21. The downside of this situation is that you may be too advanced for people to thoroughly understand you. You could be ahead of your time and too cool for even the trendsetters. I urge you to trust your farseeing visions and forward-looking intuitions even if others can’t appreciate them yet. What you bring to us from the future will benefit us all.

SCORPIO (Oct. 23-Nov. 21): Blacksmiths still exist. They were more common in the past, but there are many 21st-century practitioners. It’s a demanding art, requiring intense heat to soften hard slabs of metal so they can be forged into intricate new shapes. The process requires both fire and finesse. I think you are currently in a phase when blacksmithing is an apt metaphor. You will need to artfully interweave passion and precision. Fiery ambition or intense feelings may arise, offering you raw energy for transformation. To harness it effectively, you must temper your approach with patience, restraint and detail-oriented focus.

SAGITTARIUS (Nov. 22-Dec. 21): Jean-Paul Sartre and Simon de Beauvoir were two feisty, independent, strong-minded French writers. Beauvoir was a trailblazing feminist, and Sartre was a Nobel Laureate. Though they never officially married, they were a couple for 51 years. Aside from their great solo accomplishments, they also gave us this gift: They proved that romantic love and intellectual equality could coexist, even thrive together, with the help of creative negotiation. I propose we make them your inspirational role models for now. The coming months will be a favorable time to deepen and refine your devotion to crafting satisfying, interesting intimate relationships.

CAPRICORN (Dec. 22-Jan. 19): Over 2,600 years ago, ancient Babylonian astronomers figured out the highly complex cycle that governs the recurrence of lunar and solar eclipses. It unfolds over a period of 18 years and 11 days. To analyze its full scope required many generations of researchers to carry out meticulous record-keeping with extreme patience. Let’s make those Babylonian researchers your role models, Capricorn. In the coming months, I hope they inspire you to engage in careful observation and persistent investigation as you discover meaningful patterns. May they excite your quest to discern deep cycles and hidden rhythms.

AQUARIUS (Jan. 20-Feb. 18): I invite you to try this visualization exercise, Aquarius: Picture a rosebud inside your body. It’s located in your solar plexus. Imagine it’s steadily and gently opening, filling your body with a sweet, blissful warmth, like a slow-motion orgasm that lasts and lasts. Feel the velvet red petals unfolding; inhale the soft radiance of succulent fragrance. As the rose fully blooms, you become aware of a gold ring at its center. Imagine yourself reaching inside and taking the ring with your right hand. Slip the ring onto your left ring finger and tell yourself, “I pledge to devote all my passionate intelligence to my own well-being. I promise to forever treat myself with tender loving respect. I vow to seek out high-quality beauty and truth as I fulfill my life’s mission.”

PISCES (Feb. 19-March 20): I foresee the arrival of a living fossil, Pisces. An influence you thought was gone may soon reappear. Aspects of your past could prove relevant to your current situation. These might be neglected skills, seemingly defunct connections or dormant dreams. I hope you have fun integrating rediscovered resources and earmarking them for use in the future. PS: Here’s a lesson worth treasuring: While the world has changed, a certain fundamental truth remains true and valuable to you.

Homework: What is the best surprise gift you could give yourself right now? Newsletter.FreeWillAstrology.com

Naked Truth: Burlesque-Themed Film Helps Heal

The Smith-Rafael Film Center will host a screening and Q&A for the award-winning documentary Learning To Be Naked – Healing Through Burlesque. The title is fairly self-explanatory, but—as the film’s performers, often adorned in pasties, sparkles and tassels, reveal—there’s more to this story than meets the eye. For those willing to strip away a few metaphorical layers, what lies beneath is something powerful.

At its core, Learning To Be Naked presents the inspiring healing journeys of three individuals who share how burlesque transformed their lives. One featured performer is an amputee and breast cancer survivor who describes how burlesque helped her embrace her scars, her prosthesis and herself. Another woman recounts finding renewed power in the wake of a stroke that left her in a wheelchair. Rounding out the trio is a trailblazer of plus-size, Black and nonbinary burlesque who advocates fiercely for BIPOC and LGBTQIA+ artists to take the stage unapologetically.

For these performers, burlesque isn’t just a pastime—it’s a safe space for healing, a stage where they shed shame and emerge as the most fearless versions of themselves.

“I would describe burlesque as a performance art that is primarily performed by women and femme-presenting individuals, primarily done for women and for the queer community,” said director and producer Susan Wolf. “It’s an art form that’s very personal … and can be funny, satirical, edgy, classy—whatever you want. But that element of personal expression always comes through.”

Wolf conceived the project while working on a different film about Mata Hari, the World War I-era dancer and courtesan-turned-spy.

“I became absolutely fascinated by Mata Hari,” Wolf said. “She’s an interesting character and, in a way, she was an early burlesque dancer. She had a lot of lovers and just lived that independent, free lifestyle in a time when not a lot of women could do that.

“What interested me in modern burlesque was finding the common thread among the performers,” Wolf continued. “That thread became the focus of the film. We honed in on the transformational power of the art form—and the healing experience of burlesque. I admire the performers so much for getting up on the stage. It takes a lot of courage to be that vulnerable.”

Learning To Be Naked has already received several accolades, including best documentary at both the La Femme Film Festival and the California Women’s Film Festival. With another year of touring ahead, more awards may be in its future.

Still, Wolf acknowledges that burlesque remains a polarizing topic. For some, it’s an empowering art form. For others, it’s seen through the lens of titillation and the male gaze. But from Mata Hari to modern-day icons, women have long reclaimed their power—sometimes by literally getting naked.

“The desire to control women, their bodies and their sexuality is very old,” Wolf said.

From Eve in the Garden of Eden to Lady Godiva riding through town clothed only in her hair to the goddess Inanna descending through seven gates and relinquishing her power piece by piece, history is rich with women who reclaimed strength through shedding—not just their clothes, but societal constraints.

So what connects these mythic women with those in Learning To Be Naked? The core message: When a woman learns to be powerful and confident wearing nothing, she can be powerful and confident doing anything.

“The inspiration for the title came from Viola Panik, one of the performers who will actually be at the screening,” Wolf said. “She’s the one whose motto is ‘learn to be naked and then get dressed.’ And I think that encapsulates burlesque. It’s not about taking off your clothes—it’s about taking off the masks we wear and exposing yourself mentally, physically and emotionally.

“One thing about burlesque is that you have to have done the internal work to be able to get onstage and connect with the audience,” Wolf added. “You can feel when the performer is really present. I’ve also seen people get onstage who aren’t connected, and it’s clear—they’re not putting it all out there.”

That sense of presence isn’t just performance polish. It’s the product of deep personal evolution, and that authenticity, Wolf believes, is what gives burlesque its transformative power—for both performer and audience.

“I would hope the film helps people who are on their own journeys to find self-love and acceptance of themselves, complete with all their ‘flaws,’” Wolf said. “Especially in our current society, with its high standards and stereotypes, to love and accept oneself on a deep level is incredibly powerful. Every performer in this film has done that work—and you can see it onstage.”

The special screening and Q&A with the director and performers for ‘Learning To Be Naked – Healing Through Burlesque’ will take place at 1pm Saturday, June 15, at the Smith-Rafael Film Center, 1118 Fourth St., San Rafael. For tickets and details, visit learningtobenaked.com.

‘Pride’ Series Dazzles with LGBTQIA+ Films & Conversations at Rafael

The California Film Institute has been on a roll lately, and its upcoming CAFILM Pride series keeps that streak alive with five LGBTQIA+ films and conversations spread across the weekend of Friday, June 13, through Sunday, June 15.

Now in its third year, the festival is presented in collaboration with San Francisco’s venerable Frameline Film Festival, which recently celebrated its 49th year. This year’s selection of films was curated via Frameline. All screenings take place at the Rafael Theater in downtown San Rafael.

The timeliness and importance of this year’s festival were summed up by João Federici, who curated the CAFILM Pride program: “At a time when LGBTQIA+ rights are increasingly challenged, CAFILM Pride affirms the power of cinema to foster visibility, uniting and empowering our community, and celebrate its resilience.”

As basic human rights continue to be challenged daily, showing up and hearing the stories of the LGBTQIA+ community is one of the most impactful ways to demonstrate solidarity. Those stories take many forms—music, writing, art—but gathering in a safe, inclusive space to experience queer stories through cinema is more vital than ever. Bonus: This year’s lineup has a little something for everyone.

CAFILM Pride kicks off at 7pm Friday, June 13, with Outerlands, the feature debut of local filmmaker Elena Oxman, who will be in attendance. Described as “a tender feature debut,” the film is “a poignant love letter to San Francisco and the resilient, vibrant communities that often go unseen on the screen.”

The film stars Asia Kate Dillon (Orange Is the New Black, John Wick: Chapter 3 – Parabellum) as Cass, a quiet, nonbinary gig worker navigating life in the big city. Things take a turn when Cass is asked to babysit a coworker’s 11-year-old daughter (Ridley Asha Bateman). Initial tension gives way to an unexpected and powerful bond. The film explores themes of chosen family, economic struggle and quiet resilience with poetic realism and deep compassion—all set against a scenic San Francisco backdrop.

Oxman, born in Greenwich, Connecticut, and raised in New York City, fell in love with film via her father’s 8mm camera and a formative exposure to the 1956 classic The Bad Seed.

While an undergrad at Yale, she made documentaries about New Haven and lo-fi short films. After receiving an Emerging Artist Fellowship at Yale’s Digital Media Center for the Arts, she co-founded the documentary collective American Beat with Elihu Rubin, which focused on “films about the American landscape.”

During her graduate studies in film theory at UNC–Chapel Hill, Oxman explored the cinematic philosophies of André Bazin, Roland Barthes and Gilles Deleuze. Her creative spark reignited while making a short film about Kmart, prompting her return to filmmaking. After moving to San Francisco in 2011, she wrote and directed Lit, a short that screened at Outfest, Frameline and festivals nationwide. In 2018, she was selected for the SFFILM FilmHouse Residency to develop Outerlands, which premiered in the narrative competition at South by Southwest in 2025.

On Saturday, June 14, the program features The Nature of Invisible Things at 5pm, with filmmaker Rafaela Camelo in attendance. The story follows 10-year-old Gloria, who is spending her summer in the hospital alongside her mother, a nurse. While wandering the halls, she meets Sofia, a girl who believes her great-grandmother’s declining health is tied to the hospital. The two girls bond through a shared longing to escape. Eventually, they and their mothers retreat to the countryside to savor the final days of a transformative summer.

Next, Joy Gharoro-Akpojotor’s Dreamers screens at 7:30pm Saturday, June 14. It follows Isio (Ronke Adekoluejo), an undocumented immigrant in the U.K. held at the Hatchworth Removal Centre awaiting possible deportation. She hopes for a fair asylum hearing and believes compliance with the rules will secure her release—despite her roommate Farah’s warning to the contrary. Complicating matters further, Isio falls for Farah. When her asylum is denied, Farah plots their escape. In today’s climate, it’s unlikely to be easy.

Sunday, June 15 screenings begin at 3pm with Four Mothers, a comedy from Irish filmmaker Darren Thornton. Edward (James McArdle, Andor) is a novelist caring for his elderly mother while on the verge of literary success. Things spiral when he’s unexpectedly saddled with looking after three of his friends’ eccentric and combative mothers as well.

The festival concludes with two films by legendary documentarians Frances Reid, Elizabeth Stevens and Cathy Zheutlin, whose seminal collective, the Iris Film Collective, helped shape queer cinema.

At 5:30pm Sunday, June 15, their 1977 documentary In the Best Interests of Children screens, profiling eight lesbian mothers and their children as they navigate the legal and emotional minefields of custody battles amid rampant homophobia and misogyny.

That is followed by a 2025 short video essay by Samuel Topiary and Molly Skonieczny which examines the personal and political legacy of the original film. The documentary short features retired filmmaker Reid and her “stepdaughter,” Julie Stevens, as they revisit archival footage and reflect on the making of the film and their relationship.

More information about CAFILM Pride, including ticket pricing and featured guests, is available at rafaelfilm.cafilm.org.

Lord’s Work with Sister Sparkle Plenty of The Sisters of Perpetual Indulgence

For the “expiation of stigmatic guilt”—these solemn words, spoken as a vow, are repeated each time a sister of Perpetual Indulgence dons her veil. 

Their clicking heels and pancake makeup and profuse glitter masks a deep purpose. “Perpetual indulgence” can mean “endless debauchery.” But within a liturgical or church context, “indulgence” means the forgiveness of sins. The Sisters are an order dedicated to endless forgiveness and compassion—for the guilty and innocent alike.

There is much guilt and shame to expiate. Notwithstanding the succession of two “liberal popes,” the modern Catholic church still regards homosexuality and transsexuality as a sins. Sins kindred to fraud, violence, usury and the sexual abuse of children.

The world Catholic communion stands at 1.5 billion members. Around the world, many hundreds of millions of LGBTQ + folk are persecuted, prosecuted, shamed and closeted for their love.

They are persecuted and closeted here in America. Now with a renewed and emboldened bigotry. 

The Sisters of Perpetual Indulgence first formed in the 1980s out of spontaneous drag counterprotests to traveling preachers (of all denominations) who had come to preach fire and damnation on the streets of the Castro District—the modern “Sodom.” 

The local River Sisters chapter formed in Guerneville in 2001. I caught co-founder Sister Sparkle Plenty outside one of our local chapters’ locally famous charity Bingo nights. 

Sisters keep the gaming action hot by layering multi-card Bingo with rounds of scratchers, raffles, random giveaways and sharp-tongued comic crowd work with the many regulars. At each monthly Bingo event, a different local nonprofit or cause-of-the-moment is supported. This month was Boy Scout uniforms. The Sisters’ ministry has expanded from the protection of their community to the support of all vulnerable communities. Such is their abundant love.

Cincinnatus Hibbard: Sister Sparkle, could you share with us the full vow that binds your order?

Sister Sparkle Plenty: It would be my pleasure … “I hereby promise, cross my heart and hope to die, that I will forever uphold the love and spirit of The Sisters of Perpetual Indulgence. I will dedicate myself to the promulgation of universal joy and the expiation of stigmatic guilt. I will be considerate of how my words and actions affect others. I will strive diligently to have a sense of humor and to never ever take myself so seriously that I forget to have fun. Amen, a women and everybody else.”

It must be beautiful to recite your purpose so beautifully every day. I would invite our readers to do the same. Sister … I noticed there wasn’t a vow of chastity in that. …

No. (archly) It is suspiciously lacking isn’t it? …

(Laughs) Speaking of  the “promulgation of universal joy,” I understand that you now count over 100 independent chapters all over the world.

Some call it global domination. (laughs) We’ve grown quite a bit—especially in the last 10 years. Growth has been surprisingly strong in the South.

A lot of guilt and shame to expiate there.

And a lot of fun to be had.

Although it isn’t in the oath, there is an implied vow of poverty because The Sisters give away every penny that you fundraise—nothing for overhead.

100%. We are all volunteers. … we are from time to time showered with personal gifts from our many admirers … which we never refuse, (winks)

(Laughs nervously) How much have you raised as an independent chapter?

Over $4 million for over 200 local charities and causes.

Lordy.

Learn more: A full calendar of events is available at rrsisters.org.

Greek to Me, Charles Bililies of Souvla

If one has never been to Souvla, the fast-fine Greek restaurant with six locations scattered about the Bay Area, they should run to one right now. 

And one should definitely order the Greek fries, if nothing else. Lucky for those of us across the bridge, the most recent location opened at the Marin Country Mart in Larkspur, being the first Souvla to launch outside of San Francisco city proper. 

Founder and CEO, Charles Bililies, moved to California in 2006 and started Souvla more as a passion project to honor his Greek-American heritage. The idea speedily evolved into the highly regarded brand that it is today. Bililies has become an authority on the intersection of food and tech and the innovation behind the casual-meets-high quality combo he has created at Souvla, often speaking on panels and in the press about all of it. He spends his down time at home in Sonoma County. 

Amber Turpin: How did you get into this work?

Charles Bililies: I’ve been on a long and windy road with restaurants and hospitality for more than half my life now. From delis, to line cooking in chain restaurants, hotels to 3-Michelin Star restaurants, from the fry station to dining rooms and the back office, to owning and operating Souvla for the last 11 years.

Did you ever have an “aha” moment with a certain beverage? If so, tell us about it.

I proposed to my wife over a 16-year-old bottle of Assyrtiko from Hatzidakis while perched on our balcony in Oia, on the caldera of Santorini, while the sun set over the Mediterranean Sea. The wine was unlike anything I’d had previously, and the moment was simply perfect.

What is your favorite thing to drink at home?

It should come as no surprise we drink a fair amount of Assyrtiko, the mineral-driven, crisp white wine native to Santorini but now grown throughout Greece. We planted a small vineyard of Assyrtiko in our Sonoma backyard. To our knowledge, it’s the only planting of the varietal in all of Sonoma County. We’ll let you know how it is in about three-four years.

Where do you like to go out for a drink?

We’re big fans of Buc’s in Sonoma. Either a negroni or a bottle of Malvasia with some wings or a slice.

If you were stuck on a desert island, what would you want to be drinking (besides fresh water)?

Sigalas Assyrtiko from Santorini. No doubt.

Souvla at Marin Country Mart, 1805 Larkspur Landing Cir., Suite 14, Larkspur, 415.660.9500. souvla.com/location/marin-country-mart.

Your Letters, May 28

Tradition

When you think about it, Donald Trump fits right in. 

The practice of widespread public lying as standard U.S. government practice goes back at least to the Civil War, accelerated around the Spanish-American War, rekindled in the HUAC-Joe McCarthy period, ramped up to an art form in Vietnam, coalesced with Watergate, reared up with Ronald Reagan and Iran-Contra, made history in Iraq, and fed the “stolen” election in 2020 and the pandemic. 

American institutions and their leaders lie. This is the great lesson we can all count on. Trump is simply carrying the torch. It’s the perfect job for him.

Craig J. Corsini
San Rafael

F/Elon

Thank you, Miriam Ginden, for speaking out about billionaire robber baron Elon Musk (“Open Mic: The Tesla Chainsaw Massacre,” by Miriam Ginden, May 13, 2025), in league with the other oligarchs. The more we know, and act on that knowledge, the greater our chances to defeat them. Power to the people.

Christina White
Sonoma County

Open Mic: Historic Moment. How Will We Respond Today?

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A person escapes slave labor, torture, rape and murder, and illegally crosses a border to a land where such crimes are outlawed, to a land where people have the right to work for wages and are protected by the law. 

Anyone in this “free land” who harbors or aides such an escapee is subject to federal prosecution, fines and imprisonment. This was the United States in 1850 when Congress passed the Fugitive Slave Law, legislation requiring that all escaped slaves be returned to the slave-owner and that officials and citizens in free states must cooperate.

Americans in 1850 had to decide where they stood, with the newly passed federal law or with their conscience. The risk was great, for both the runaway slaves and those Americans who might help them.

Today, the Republican Party, the very party which grew from the outrage over the wickedness of the Fugitive Slave Act, now seeks to criminalize every aspect of helping a person who has fled a life of torture, violence and suffering. The Fugitive Slave Act of 1850 has been updated and amended for the fleeing refugees of 2025. 

We are only four months into Donald Trump’s Second Term of Cruelty. Where will we be a year from now? Two years from now? How draconian will the laws be then? 

So often, we wish to be part of a moment of great historical importance, a moment when we have to take a risk to save another, to take a stand when others wouldn’t. We feel certain we would know the right thing to do. If only such a moment would come our way.

Today, that moment comes not in whether to provide shelter and safety to a refugee fleeing violence in their home country, a person illegally in the United States.

How will we respond this time? In this century? In this historic moment?

That question is as potent, and as dangerous, today as it was then. For us, and for the victims in the breach.

Brad Wolf is a former prosecutor and co-coordinates the Merchants of Death War Crimes Tribunal.

Playing Chicken, Reporting from the Field

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As Bob Dylan might’ve observed about Petaluma this past weekend, “The sun’s not yellow; it’s chicken,” when a poultry-hued sunbeam shone brightly on the quaint burg (once heralded as the “egg basket of the world”). For this, we can thank a potent admixture of arts, advertising and activism.

Friday saw the premiere of Mercury Theater’s The Resurrection of Freddy Chickan, a wild retrospective of nine unforgettable works by performance legend Fred Curchack. Featuring music, puppets, shadow-play, movement and mind-bending visuals—a fever dream of a show that showcases Curchack’s limitless imagination and virtuosic performance chops—the must-see show continues this weekend and is a fundraiser for Mercury Theater (more at mercurytheater.org).

Somehow, in the midst of celebrating Curchack’s onstage victory, we neglected to acknowledge that it was also International Drinking with Chickens Day. This came courtesy of the promotional genius of author Kate E. Richards, who’s pushing her book, Drinking with CHICKENS: Free-range Cocktails for the Happiest Hour, across the bar. Incidentally, Cuchack is Polish for “chicken,” so close enough. Saturday, however, a parade of protestors entreated Petaluma City Council, to “Help The Chickens” (their campaign name and call-to-action) at a local poultry plant (more at helpthechickens.com).

In other matters, studies suggest playing Mozart’s music to plants has a positive effect on their growth. At Petaluma’s Lagunitas Brewing Company, they’re playing music to beer.

Albeit, their approach is different, and the outcome sought has little to do with the brewing process, but the effect on the vibe has proved fundamental to the Lagunitas experience. Such was the case this past Memorial Day, when the local institution hosted “‘Live at Lagunitas’ Kicks Off with BottleRock Hangover Show.” 

The band in question, the three-piece was The Los Angeles League of Musicians—more popularly known in their abbreviated form as La LOM. The genre-blurring instrumental trio channeled the full spectrum of Los Angeles’ musical DNA into the brewery’s tank room (and later on the main stage).

The experience was part of a Live at Lagunitas’ VIP package, which included a “pre-show hang” in the brewery’s legendary loft (think: a private club meets one’s favorite uncle’s garage with national touring acts signing swag), an intimate set with the band (in the aforementioned tank room, in this case) and reserved space for the main show (meaning one gets to plant their butt on the lawn before the masses plant theirs).

We found playwright and Argus-Courier community editor David Templeton in the lounge and spent the next several hours swaying to the music but perhaps swaying more from the beer. Five out of five (IPAs). Would do it again.

Tragedy + Time: Aaron Foster Humorously Explores Mental Health

It’s said that comedy is tragedy plus time. In Aaron Foster’s case, it’s also depression, anxiety, grief, two restaurants, a defunct sports nutrition brand and a stint as an HGTV host—all seasoned with gallows humor and served under the banner Mostly Jokes.

The show, which lands at Sebastopol’s Main Street Theater on June 5, is a one-man dive into the deep end of mental health with nothing but a mic as a flotation device. Foster, who returned to stand-up after a 15-year hiatus, has crafted an autobiographical act that confronts—with harrowing hilarity—his family trauma, career detours and the garden-variety existential dread that festers behind curated Instagram smiles.

“The first time I told a joke about my brother committing suicide, it did not go well, to say the least,” he told me. “But, one person (one) found me after the show and said their brother had done the same thing and that it was the funniest joke they’d ever heard. That was enough reason to stick with it.”

Dark? Yep. But ultimately cathartic (for both the performer and the audience) and, above all, funny. 

“I don’t think there is such a thing as ‘too dark,’ but there is definitely such a thing as ‘not funny,’ and that’s the ultimate measuring stick,” Foster said. “When you’re starting out and audiences don’t know you, it’s not always ideal to open with five (or 15) minutes about clinical depression, so you’d better figure out a way to make that stuff really funny and relatable.”

Foster does. And he’s earned his black belt in emotional jujitsu, flipping pain into punchlines with finesse honed over years—years of therapy.

“My life is pretty fantastic on paper. Unfortunately, in my head, it’s a whole different thing,” he said, candid about his ongoing bouts with imposter syndrome and a tendency to catastrophize. “An hour on stage in front of 100 strangers is more comfortable to me than 10 minutes at a cocktail party.”

Comedy is where chaos and control share a safe-word. And Foster’s set is a masterclass in owning the narrative. From strained family dynamics (a bipolar father, a schizophrenic brother, among other issues) to the psychic wounds of the career complexifier known as Hollywood.

“Turning a breakdown into material might be easier than turning it into a breakthrough, unfortunately. Unless turning a breakdown into material is the breakthrough?” he noted. 

It might be. At least it’s honest. And in a culture over-attuned to performative vulnerability on TikTok and Instagram, the real deal is damn near revolutionary. That said, Foster is not deluded about the odds. Hollywood loves a comeback story—but it’s hard to get it to notice.

“Sure, it’s late in the game, but it ain’t over ’til you’re dead and buried, so you might as well keep swinging,” he said. “It’s probably as long a shot as doing it the other way, maybe longer, but at least it’s mine.”

‘Mostly Jokes’ plays at 8pm, Thursday, June 5, Main Street Theater, 104 N. Main St., Sebastopol. Tickets at mostlyjokes.com.

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