Midterm Exam

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For years, the policy window for privatizing public schools has been wide open, and what was once considered an extreme or at least rare idea—such as outsourcing public schools to private contractors with few strings attached, or giving parents public tax money to subsidize their children’s private school tuitions—has become widespread, as charter schools are now legal in all but a handful of states, and voucher programs have proliferated in many forms across the country.

Politicians of all stripes have been extremely reluctant, especially at the national level, to lean into a real discussion of the negative consequences of redirecting public education funds to private operators, with little to no regulation on how the money is being spent. Candidates have instead stuck to a “safe boilerplate” of education being “good” and essential to “the workforce” without much regard to who provides it.

But policy windows can be fleeting and multiple factors can rejigger the public’s views. Indeed, in campaigns that candidates waged in the midterm elections, one can see the policy window on school privatization gradually shifting back to support for public schools and increasing skepticism about doling out cash to private-education entrepreneurs.

‘Vulture Schools’

It is the wave of new progressive candidates who appear to be the ones who are shifting the policy window on school privatization.

Take the campaign of progressive superstar Randy Bryce, in his run for the congressional seat Paul Ryan held in Wisconsin. The Badger State recently expanded statewide a voucher program that was confined to Milwaukee and Racine, and charter schools have expanded significantly under the leadership of Republican Gov. Scott Walker.

On his website, Bryce provides the usual bromides about “every child deserves a quality education” and “charter, private and traditional public schools can all thrive,” but he then adds the curious statement that “no student should see money taken from their classroom in order to serve another.” What does that mean?

Click through the “Learn More” prompt and you’ll watch a video in which he makes a much stronger statement about the problems of privatizing public schools. “We can’t afford two school systems, a public one and a private one,” he elaborates, and he blasts “vulture schools that don’t have the same accountability and don’t have the same rules.”

The example of the school he brings up that closed after head count day and whose owners “moved to Florida” is a real school run by a husband-and-wife team who abruptly closed their Milwaukee private school after taking more than $2.3 million of state voucher money, and moved to Florida to start another one.

These sorts of scandals have become nearly daily occurrences in the privately operated school industry.

Schools for Scandals

The latest scandal breaks from Arizona, where the state auditor found that parents who used the state’s voucher-like education savings program spent more than $700,000 on cosmetics, music, movies, clothing, sports apparel and other personal items. Some even tried to withdraw cash with the state-issued debit cards. The state has not recovered any of the money. But the state legislature recently passed a bill to expand the voucher program, which was challenged by a recall effort in this election.

In California, a recent audit of a charter school found the married couple who ran the school made almost $850,000 in less than two years and secretly hired people and created positions without approval from the school’s board. (There are some 1,200 charter schools in California, and Sonoma County dominates the North Bay with nearly 60 charters currently operational; Napa has three and Marin has four charter schools.)

Of course, financial scandals happen in public schools too. That’s why they’re heavily regulated. But the notion that “parent choice” can keep charter schools and private voucher schools clean and honest is disproven nearly every day. A recent analysis of states with the most charter schools and the most charter closures finds the federal government dumps millions into these schools but provides little oversight and guidance for what to do when these schools close, leaving millions of dollars in taxpayer money at risk to scamming.

The endless revelations of corruptions in the charter school and school voucher racket are now what’s driving policy. Of course, some progressives stick to the old script of “investing in schools” with little regard to who runs them, and a few still cling to the school privatization cause. But the trend that made privatizing public schools an acceptable if not preferential policy has at least stalled, if not completely been thrown into reverse.

This article was produced by the Independent Media Institute. Jeff Bryant is director of the Education Opportunity Network, a partnership effort of the Institute for America’s Future and the Opportunity to Learn Campaign. He has written extensively about public education policy. Source: Alternet.

Staying Power

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The year 2008 feels like a long time ago to songwriter Eric Earley, frontman of Portland, Ore., folk-rock group Blitzen Trapper—though it was a monumental one for the band. It was the year they released their acclaimed breakout fourth LP, Furr, via Sub Pop and gained an international fan base.

“I remember being pretty consumed by music at that time, writing and recording it. There wasn’t a whole lot else,” says Earley. Having fronted Blitzen Trapper for nearly a decade already at that time, Earley was living in inner city Portland, and capturing slices of life in the city, both the good and the bad, through narrative songs that resonated with audiences then and now.

This year, Furr gets the deluxe treatment in an expanded 10-year-anniversary reissue that contains all 13 original tracks as well as 10 bonus songs recorded around the same time, and two live tracks.

To celebrate the reissue, Blitzen Trapper are on a major U.S. and Canadian tour performing the album in its entirety. The band storms into the North Bay to play the HopMonk Taverns in Novato and Sebastopol on Nov. 10 and 11, respectively.

While Furr depicted a Portland that has certainly changed in the last decade, Earley’s songwriting has remained true. “I’ve cycled through different ways of writing, but ultimately I’m still writing a lot of story-songs, folk songs,” he says. “I still like to dabble in other genres here and there, and that’s the cool thing about playing Furr live—the record touches on a lot of different things, different genres. It remains interesting for us to play every night.”

In the last decade, Blitzen Trapper have released eclectic records and experimented with the art form on such records as 2017’s stage-play-turned album Wild & Reckless, which Earley describes as a companion piece to Furr.

“I was going back to certain themes in the show,” says Earley. “For me, it’s kind of the same head space and the same stories retold.”

Currently deep on the tour, Earley has heard from longtime fans how Furr touched their lives. “Some of those songs seemed to have helped people through difficult times, which is pretty great,” he says.

“As a writer of songs, I wouldn’t necessarily think about them in that way, but to hear people’s stories on it and about their lives is pretty amazing.”

Blitzen Trapper play at 9pm on Saturday, Nov. 10, at HopMonk Tavern, 224 Vintage Way, Novato (415.892.6200) and at 8pm on Sunday, Nov. 11, at HopMonk Tavern, 230 Petaluma Ave., Sebastopol (707.829.7300). $15–$18.

Letters

Catholic Unblock

I appreciated very much Tom Gogola’s article about the law firm Jeff Anderson & Associates releasing the names of the Catholic clergymen with sexual-abuse histories (“Roster of Abuse,” Oct. 31). Usually, the names are not mentioned unless an archbishop or cardinal is involved. The sickening switching around of abusers from school to school and parish to parish has kept the names out of the news. Kudos to the law firm and to the Pacific Sun.

Ann Woodward

Greenbrae

Poultry Effort

What the author fails to mention in his article concerning chickens at McCoy Poultry Services (“Cage Match,” Oct. 24) is the condition of the 10 chickens rescued from the facility. Their injuries were so severe that they had to be euthanized. Instead of holding a conference on how to “prepare and manage activists,” why doesn’t the Sonoma County Farm Bureau do the right thing and tell farmers they have to treat their chickens humanely?

E. McGaugh

Santa Rosa

Advice Goddess

Q: My husband and I started having problems when I found an email he sent to his ex-girlfriend saying, “You’re the most beautiful woman I’ve ever met. I want to spend the rest of my life with you.” He’s never complimented me during our five years together. He revealed that he and his ex used to have sex for hours, while the most we ever spent making love was 45 minutes—only once, when we were first dating. I think I should leave, but we have a one-year-old child. We are good together caring for the baby, but it’s terrible to be with a man who lacks love, respect and desire for you.—Tormented

A: Parents today are in fierce competition for whose kid achieves things first: “Little Euripides graduated Phi Beta Kappa from Harvard while still in the womb!” Best not to be the parents whose child has the dark side nailed, reflected in Instagram brag shots like “Baby’s First Rehab!”

A good deal of research suggests that the healthiest home environment for a kid is an “intact family”—as opposed to the “Uncle” of the Month Club. Couples wanting what’s best for their children are motivated to de-uglify their relationship, and can often work out what I call “process-oriented” problems (counterproductive ways of interacting that lead to nasty fights or just seething resentment). This is essential because even if nobody’s screaming and hurling casserole dishes, the underlying tone of a relationship is reflected in interactions as mundane as “Can ya pass the salt?” since, ideally, your tone suggests some affection for your partner.

You, however, are in a relationship with a man who is deeply passionate about another woman and appears to see sex with you as a household chore. Your resentment from feeling unwanted are sure to seep into your daily life. So staying together under these circumstances would most likely be damaging for your child—but chances are, so would splitting up. To understand why an intact family seems important for kids’ well-being, it helps to understand a few things from an area of evolutionary research called “life history theory,” which explores how the environment we grows up in calibrates our psychology and behavior.

This calibration is basically a form of human mental economics, a subconscious calculation of how stable or risky a person’s childhood environment is and whether they’d be better off allocating their energy and efforts toward the now or the future. A stable, predictable environment—like growing up with middle-class parents who remain married, live in a peaceful neighborhood and always provide enough food to eat—tends to lead to a more future-oriented approach (like being able to save money). Conversely, growing up in a dangerous neighborhood, having divorced parents with unpredictable finances and getting moved around a lot is likely to lead to a more now-oriented approach (spendorama!).

The good news is, you two may be able to break up without it breaking your kid. My friend Wendy Paris and her former husband split up as a couple while staying together as parents of their young son. Wendy writes in her book Splitopia: Dispatches from Today’s Good Divorce and How to Part Well that they even relocated together from New York to Los Angeles, moving to separate places a few blocks apart. They hang out and do activities as a family. Her ex often comes over to make breakfast for her son and coffee for her. He even takes out the trash!

It’s difficult to set up an arrangement like Wendy’s if you’re, say, preoccupied with wishing your husband’s penis would wither and fall off like a skin tag under a dermatologist’s liquid nitro. In a situation like yours, where resentment is high, a mediator could be helpful. (Look for a marital specialist at Mediate.com.) A mediator is not a judge and won’t tell you what to do. He or she is a neutral third party, de-escalating conflict and creating a safe, productive psychological environment. This makes it possible for people with disputes to work out a mutually acceptable agreement for how they’ll go forward.

Now, mediation doesn’t work for everyone. However, it’s probably your best bet for “having it all”—acting in your child’s best interest and eventually having a man in your life who sees you as more than ballast to keep the mattress down in case there’s a tornado.

Hero Zero

Heroes

Hundreds of students from Venetia Valley Elementary School delivered cards, drawings and flowers to the Rodef Sholom campus in San Rafael last week. The gifts, shared in the aftermath of the Pittsburgh synagogue massacre, carried comfort to the campus. The notes contained the sentiments “We Are with You” and “Kindness Is Everything.” Rodef Sholom said the visit from the Venetia Valley students was a true act of neighborliness and brought hope for their shared future.

The annual Homeless Outreach event, hosted by the Sausalito Police Department, provides the anchor-out and homeless communities with a variety of free services and supplies, including medical and dental care, lunch and clothing. Marin Mobile Care, a nonprofit operation, offers the use of a mobile shower trailer at the event. The police say the relaxed atmosphere helps foster communication between officers and attendees. Homeless Outreach takes place on Tuesday, Nov. 13, from 1:00pm to 3:30pm, at Marinship Park in Sausalito.

Zero

Erika Bodo submitted a zero about “people who sit in their cars with the engine running, burning fossil fuels and condemning us all to an earlier death.” While sitting in the parking lot outside Starbucks in Marin City last weekend, we watched a truck idle for 25 minutes. We wanted to call out the driver, but chickened out. But Erika did knock on the window of a guy sleeping in his car with his motor running, and asked why he was emitting CO2 without the benefit of motion. He said he was keeping the temperature inside the car at a comfortable level. It was 62 degrees outside. “I’m afraid there are people out there who don’t have enough of a science education to know that running a car is contributing to global warming,” says Erika. That’s optimistic. We’re afraid people just don’t care.

Got a Hero or a Zero? Please send submissions to ni***************@***oo.com. Toss roses, hurl stones with more Heroes and Zeroes at pacificsun.com.

Debt or Alive

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Conversations about debt and loan repayment are an all-too-familiar discussion when it comes to college—and especially for those who attend four-year universities these days. I graduated from the UC Santa Barbara this year, and now I’m living at home. My recently graduated friends have a game we play where we compare our ages when we’ll be debt-free.

With a little bit of luck, I will be 33 when I finish paying off my college loans, in 10 years. This is a rough estimate: I added two years to account for interest, and I calculated the pay-off in hopes I can continue to make payments above the minimum required—and this is on the condition I never defer a payment. Using my peers as a comparison, I will be the first to pay off my loans. It’s cold comfort.

A new analysis by the Federal Reserve Bank of New York found that college graduates borrow, on average, $34,000 by the time they get out of school. The report also found that the total amount of student loans has risen from $300 billion to $1.1 trillion in the past decade. Students accept the debt because it comes with the promise of higher paying jobs and increased quality of life after graduating.

This promise is an empty shell of what was true for older generations.

Tuition rises and the cost of housing rises, but entry-level positions are still compensated with measly wages, and there are few resources to help graduates pay back debt.

The loans I’d taken out during my first years of school began to materialize this year in the form of $20,000 in debt. That’s why, in the months leading up to my graduation, I felt an imperative to make a career move. I considered my options. I wanted to go to graduate school, but taking a break from college to chisel away at my debt seemed more responsible than heaping another $30,000 a year onto it.

So I did what college graduates do: I scoured the internet for jobs, attended job fairs and spoke with advisors. Despite my internships and experience, I found no entry-level jobs that paid more than $15 an hour.

I expanded the search to include any and all jobs I was equipped to work, from public relations to accounting. Even when my experience made me a qualified candidate, the compensation was never enough to live on while also repaying my loans. The pressure to decide what to do with my future—and quickly!—felt like a suction cup slowly narrowing and collapsing in on itself.

Decisions about where and how to live plague me and my friends. Some are lucky enough to have parents who can supplement their incomes, and are able to pursue jobs within their desired field, despite the low wages (or, in some cases, nonexistent wages—looking at you, unpaid internships). Most of my friends take customer-service jobs in order to make the rent, and a handful have moved home.

I took a hit to my pride and decided the most financially sensible decision was to move home, and dutifully assumed my status as the broke college graduate.

I work as a waitress in Sebastopol, where I make three times what I make writing for my internship. Despite (because of?) a degree in political science, my previous experience writing for the local newspaper in Santa Barbara and my position as editor at my school magazine, finding a career that paid enough to sustain myself turned out to be an impossible assignment.

Perhaps this speaks to the particular field I would like to go into—writing—but the phenomenon is relevant to nearly all graduates outside of engineering and computer-science majors. I cite close friends as evidence. They have degrees ranging from accounting to environmental science to sociology. None has a job in their chosen field.

I’m not complaining. But I am trying to understand the value of higher education, and I’m trying to reconcile my definition of its value with society’s definition. Apparently, they’re not the same.

I love learning. I thrive on discussions that stretch my perspectives. I collect facts as a hobby. Education, to me, has intrinsic value. Yet society puts a value on that education at $34,000 a year—with the implied promise of a high-paying job in the future.

This is totally at odds with my experience job hunting. I’ve found that many employers use a college degree as a prerequisite for any job, often regard degrees as insufficient, and then pay the bare minimum. The dynamic is compounded regionally by the lack of affordable housing and those looming loan repayments that come due just as graduates are entering a very tight job market.

It’s unsustainable. More people have college degrees now than at any time in history, but the crippling reality increasingly lends credence to the idea that education as a means to achieve financial stability is a fool’s errand.

Aiyana Moya is a paid intern at the ‘Pacific Sun.’

Horoscope

ARIES (March 21–April 19) In 1994, Aries pop diva Mariah Carey collaborated with an associate to write the song “All I Want for Christmas Is You.” It took them 15 minutes to finish it. Since then it has generated $60 million in royalties. I wish I could unconditionally predict that you, too, will efficiently spawn a valuable creation sometime soon. Current planetary alignments do indeed suggest that such a development is more possible than usual. But because I tend to be conservative in my prophecies, I won’t guarantee anything close to the $60 million figure. In fact, your reward may be more spiritual in nature than financial.

TAURUS (April 20–May 20) An interactive post at Reddit.com asked readers to write about “the most underrated feeling of all time.” One person said, “When you change the sheets on your bed.” Another extolled “the feeling that comes when you pay all your bills and you’ve still got money in the bank.” Others said, “dancing under the rain,” “physical contact like a pat on the back when you’re really touch-starved” and “listening to a song for the first time and it’s so good you just can’t stop smiling.” I bring this to your attention, Taurus, because I suspect that the next two weeks will bring you a flood of these pleasurable underrated feelings.

GEMINI (May 21–June 20) “Beer makes you feel the way you ought to feel without beer,” wrote Gemini author Henry Lawson. Do you have any methods for making yourself feel like you’ve drunk a few beers that don’t involve drinking a few beers? If not, I highly recommend that you find at least one. It will be especially important in the coming weeks for you to have a way to alter, expand or purify your consciousness without relying on literal intoxicants or drugs. The goal: to leave your groove before it devolves into a rut.

CANCER (June 21–July 22) Study the following five failed predictions. 1. “There is no likelihood man can ever tap the power of the atom.”—Robert Miliham, Nobel laureate in physics, 1923. 2. “This ‘telephone’ has too many shortcomings to be seriously considered as a means of communication. The device is inherently of no value to us.”—Western Union internal memo, 1876. 3. “Rail travel at high speeds is not possible because passengers, unable to breathe, would die of asphyxia.”—Dionysius Lardner, scientist, 1830. 4. “There is no reason anyone would want a computer in their home.”—Ken Olson, president of Digital Equipment Corporation, 1977. 5. “Most Cancerians will never overcome their tendencies toward hypersensitivity, procrastination and fear of success.”—Lanira Kentsler, astrologer, 2018. (P.S.: What you do in the next 12 months could go a long way toward permanently refuting the last prediction.)

LEO (July 23–August 22) German scientists have created cochlear implants for gerbils that have been genetically modified, enabling the creatures to “listen” to light. The researchers’ work is ultimately dedicated to finding ways to improve the lives of people with hearing impairments. What might be the equivalent of you gaining the power to “hear light”? I understand that you might resist thinking this way. “That makes no sense,” you may protest, or “There’s no practical value in fantasizing about such an impossibility.” But I hope you’ll make the effort anyway. In my view, stretching your imagination past its limits is the healing you need most right now. I also think that doing so will turn out to be unexpectedly practical.

VIRGO (August 23–September 22) Here’s useful wisdom from the poet Rumi. “Our defects are the ways that glory gets manifested,” he said. “Keep looking at the bandaged place. That’s where the light enters you.” Playwright Harrison David Rivers interprets Rumi’s words to mean, “Don’t look away from your pain, don’t disengage from it, because that pain is the source of your power.” I think these perspectives are just what you need to meditate on, Virgo. To promote even more healing in you, I’ll add a further clue from poet Anna Kamienska: “Where your pain is, there your heart lies also.” (Rumi is translated by Coleman Barks; Kamienska by Clare Cavanagh.)

LIBRA (September 23–October 22) Artist David Hockney is proud of how undemanding he is toward his friends and associates. “People tell me they open my e-mails first,” he says, “because they aren’t demands and you don’t need to reply. They’re simply for pleasure.” He also enjoys giving regular small gifts. “I draw flowers every day and send them to my friends so they get fresh blooms.” Hockney seems to share the perspective expressed by author Gail Godwin, who writes, “How easy it was to make people happy, when you didn’t want or need anything from them.” In accordance with astrological omens, Libra, I suggest you have fun employing these approaches in the coming weeks.

SCORPIO (October 23–November 21) I am not currently a wanderer or voyager or entrepreneur or swashbuckler. But at other times in my life, I have had extensive experience with those roles. So I know secrets about how and why to be a wanderer and voyager and entrepreneur and swashbuckler. And it’s clear to me that in the coming weeks you could benefit in unforeseen ways from researching and embodying the roles of curious wanderer and brave voyager and savvy entrepreneur and prudent swashbuckler.

SAGITTARIUS (November 22–December 21) “The best thing one can do when it is raining is let it rain.” That brilliant formulation came from poet Henry Wadsworth Longfellow. Does it seem so obvious as to not need mentioning? Bear with me while I draw further meaning from it, and suggest you use it as an inspiring metaphor in the coming weeks. When it rains, Sagittarius, let it rain; don’t waste time and emotional energy complaining about the rain. Don’t indulge in fruitless fantasizing about how you might stop the rain and how you’d love to stop the rain. In fact, please refrain from defining the rain as a negative event, because after all, it is perfectly natural, and is in fact crucial for making the crops grow and replenishing our water supply. (P.S.: Your metaphorical “rain” will be equally useful.)

CAPRICORN (December 22–January 19) “Every true love and friendship is a story of unexpected transformation,” writes activist and author Elif Shafak. “If we are the same person before and after we loved, that means we haven’t loved enough.” I bring this to your attention because you’re in a phase when your close alliances should be activating healing changes in your life. If for some reason your alliances are not yet awash in the exciting emotions of redemption and reinvention, get started on instigating experimental acts of intimacy.

AQUARIUS (January 20–February 18) I suspect you will be an especially arousing influence in the coming weeks. You may also be inspiring and disorienting, with unpredictable results. How many transformations will you unleash? How many expectations will you dismantle? How many creative disruptions will you induce in the midst of the daily grind? I hesitate to underestimate the messy beauty you’ll stir up or the rambunctious gossip you’ll provoke. In any case, I plan to be richly amused by your exploits, and I hope everyone else will be, as well. For best results, I will pray to the Goddess of Productive Fun, begging Her to ensure that the commotions and uproars you catalyze will be in service to love and kindness.

PISCES (February 19–March 20) Gonzo journalist Hunter S. Thompson wasn’t always a wild and crazy writer. Early in his career he made an effort to compose respectable, measured prose. When he finally gave up on that project and decided he could “get away with” a more uninhibited style, he described it as being “like falling down an elevator shaft and landing in a pool full of mermaids.” I foresee a metaphorically comparable development in your future, Pisces.

Lights, Camera, Napa!

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Two movements have dominated discussions in 2018: gender equality and action over outrage, topics that reign at the Napa Valley Film Festival, running Nov. 7–11.

The NVFF, now in its eighth year, takes a stand with the #ArtInspiringAction initiative, where provocative, issue-based films amp up theatergoers to take action in support of themes explored in the films. One such documentary, This Changes Everything, features an army of A-list actresses who speak out on gender disparity in the entertainment industry. Actor, activist and producer Geena Davis (the main subject of the film), will be presented with the Visionary Award on Friday, following the screening. Davis will be honored for her work to further women’s rights and gender equality; as special envoy for the U.N.’s International Telecommunications Union, and through her nonprofit, the Geena Davis Institute.

On Saturday, a panel, Women in Film: Shattering the Glass Lens, will further extend the conversation around equality with a lineup of female filmmakers who will discuss their careers and ways we can band together to effect change in the industry.

Other #ArtInspiringAction programming includes Afghan Cycles, about a tribe of Afghan women who, despite cultural barriers, oppression and death threats, rally against the patriarchal hold of the Taliban for the freedom to ride a bicycle. Soufra follows the journey of Mariam al-Shaar, a generational refugee, who spent her whole life in a refugee camp in Lebanon. Over the course of the film, Shaar changes her fate when she builds a catering company and food truck with the help of fellow refugee women.

Ask for Jane tells the story of a group of college women who developed an underground abortion network to help over 11,000 women get illegal abortions in Chicago between 1969 and 1973. The film is based on the real-life activist group, the Janes, who operated a spy network to assist with abortions before they were arrested in 1972.

A bevy of Bay Area films hit the screen, including Uncrushable, directed by celebrity chef Tyler Florence. The film documents last year’s wildfires through the eyes of some of those most affected, including victims who lost homes or businesses, first responders, chefs and winemakers. Tails are sure to wag at the #ArtInspiringAction screening of Pick of the Litter, as theatergoers see a litter of puppies scrap it out on a quest to become guide dogs for the blind. The movie is directed by Bay Area filmmakers Don Hardy and Dana Nachman, and also screens in Stinson Beach this week.

With all the drama on and off screen, festival-goers can laugh it off at a sneak peek of the National Geographic miniseries Valley of the Boom (premiering January 2019). The two-episode screening explores the detonation and disruption of the tech boom and browser wars of the ’90s, weaving scripted dialogue and real-life segments. Bradley Whitford and Steve Zahn star.

Funny bones are sure to be flexed at Friday’s special tribute honoring the legendary Groundlings theater group, which launched comedic wunderkinds like Will Ferrell, Lisa Kudrow and Melissa McCarthy. Ferrell said this about his experience at last year’s fest, “I was just happy to be a part of the festival and do a little Q&A but to be honored as well,” Ferrell said about last year’s festival. “It’s great because in the comedy world, we don’t get a lot of awards. It’s nice to have your work recognized.” One of Groundlings’ founding members, Laraine Newman, is expected to attend alongside alums Cheri Oteri, Taran Killam, Stephanie Courtney and Julia Sweeney.

At Thursday’s Celebrity Tribute, actor, producer and director Laurence Fishburne will receive the Legendary Actor award, alongside Maverick Award recipient Billy Bob Thornton. Saturday’s Rising Star Showcase will honor up-and-coming talents, including Camila Mendes (Riverdale), Billy Magnussen (Game Night), Rosa Salazar (American Horror Story), Alexandra Shipp (X-Men: Apocalypse), Tye Sheridan (Tree of Life) and Taissa Farmiga (The Nun; What They Had).

Two new venues make their debut at this year’s NVFF. In Calistoga, theatergoers can get rolling at the drive-in theater at the Calistoga Fairgrounds, which will screen a daily double feature and sport 50 parking spots for cars and bleacher seating for 100, with enough throwback snacks to cure even the meanest case of the munchies.

The new Feast It Forward studio in Napa will host the Wednesday-night kick-off party and serve as the down valley hub, with a diverse programing and party scene that includes culinary demos, film inspired wine and food pairings, a filmmaker lounge and live music, all set within a happening indoor-outdoor space.—Christina Julian

Visit nvff.org for the full lineup.

Old School

Orson Welles’ Other Side of the Wind is likely the most famous unfinished film ever, blighted with feuding producers and heirs, and shoots that continued over the course of some seven years. After paying off the participants (including the Shah of Iran’s brother) and satisfying all the parties who had a piece of it, and with money raised from everyone from producer Frank Marshall to a $1 million crowdfunding campaign, The Other Side of the Wind is now available from Netflix, in what the streaming service deems “an attempt to honor and complete [Welles’] vision.”

Director Jake Hannaford (John Huston as Welles’ alter ego) is found dead in a car crash the night after his wild birthday party in a desert mansion—a party crowded with old-time filmmakers, film-school poindexters and young flat-voiced groupies.

Hannaford was making a film within a film, which the studio was ready to pull the plug on. When we visit the set, with its bevy of topless hippie chicks, the shoot looks like crassness itself. But in the screenings, velvety images form, suffused with L.A. beachfront smog. Welles’ mistress (and co-writer), the dark, impassive Oja Kodar, reflects zero emotion as she strides around nude in this blue gloaming.

Welles being Welles, he gets into the spirit of the then-modish stuff he was satirizing in a bravura psychedelic orgy scene, all wet silk and ice cubes and violent carnival lights. Here’s what an Orson Welles soft-core porn film would have looked like—better than Radley Metzger or Russ Meyer.

Welles’ terminal vision of the studio era was contemporary with titles like The Last Picture Show and The Last Movie, whose directors, Peter Bogdanovich and Dennis Hopper, show up here for Hannaford’s last party.

The twilight of the Hollywood gods is embodied by Kodar, solitary, striped with shadows from the laths of ruined, wobbling backlot movie sets. In this evocative satirical drama, Welles demonstrates a last magic act. He was still ahead of his time even at the end of his career.

‘The Other Side of the Wind’ is now streaming on Netflix.

Ennui the People

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I don’t know anyone who attends theater to reinforce a belief that life is simply a series of travails to be endured until the sweet release of death, but if you’re out there, have I got show for you. Birdbath Theatres is presenting Anton Chekhov’s Uncle Vanya in a new adaptation by Jesse Brownstein, directed by David Abrams.

Vanya (Rob Garcia) and his niece, Sonya (Winona Wagner), manage the small estate of his late sister where they live with the family matriarch, Mariya (Molly Noble), an old family nurse (Shirley Nilsen Hall) and a guitar-playing family friend (Andrew Byars). The estate’s meager proceeds have gone to support his late sister’s husband Professor Serebryakov (Ray Martin) and his new trophy wife, Yelena (Claire Champommier).

A perpetually infirmed Serebryakov, after spending the summer at the estate, has come to a decision: he wishes to sell the estate to come up with enough money to purchase a nice retirement cottage in Finland for himself and his wife. What of the others who live there? Well, those details can be worked out later.

This infuriates Vanya, who’s already ticked off because Yelena, for whom he secretly pines, has shown affection for country doctor Astrov (Jesse Lumb), who has also caught the eye of the perpetually sad Sonya, who bemoans her looks. After two and a half hours, no one ends up with anyone, nothing is sold, and life drones on.

Abrams takes a minimalist approach to Chekhov’s look at the miserable lives of a turn-of-the-20th-century Russian family. There’s no set to speak of, and the action (I use that term loosely) often takes place at opposites sides of the small space, leaving many in the audience watching the play is if it were a tennis match.

It’s a well-acted production, however, with Garcia’s Vanya a cauldron of self-loathing who, after finally boiling over, returns to a state of eternal simmering. Lumb’s Dr. Astrov is the least dreary of the lot who, while filled with remorse about his life decisions, provides a welcome spark to the often-lethargic proceedings.

The play’s bleak tone is reinforced with some fine cello accompaniment by Diego Martínez Mendiola. Is there any sadder sound produced than that of the bowed chordophone?

Regret is the overriding theme of Uncle Vanya—the regret that comes when revisiting the decisions that define a life. I don’t regret the time I spent with the dispiriting Voinitsky family, but I don’t see the need to revisit them anytime soon.

 

‘Uncle Vanya’ runs Friday–Saturdays through Nov. 18 at the Belrose, 1415 Fifth Ave., San Rafael. Friday–Saturday, 7:30pm; Sunday, 2pm. $20–$28. 415.426.0269. birdbaththeatres.com.

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