With glimpses of spring upon us—seasonal veggies hitting the farmers’ markets, new garden blooms—it’s time to shake off winter and venture out. Here are a few of my favorite spring events that should not be missed.
Due to its extreme popularity, the California Artisan Cheese Festival has outgrown its Petaluma Sheraton Hotel location. Now in its 12th year, the tasty celebration of all things cheese will take place in Santa Rosa at the Sonoma County Fairgrounds and Event Center, March 23-25. The marathon festival includes seminars, tours and tastings. I strongly recommend the Artisan Cheese Tasting and Marketplace from 12-4pm on Sunday, March 25. artisancheesefestival.com.
For folks who like to wine and dine, there’s a special opportunity on Thursday, Mar. 29 at 7:30pm. Dr. Champagne, aka Jerry Horn, has organized a Field Trip Dinner at El Paseo in Mill Valley. Executive Chef Todd Shoberg will prepare a special spring prix-fixe menu, and Dr. Champagne will provide the wine pairings, which will feature varietals from around the world. Call Jerry Horn at 415/497-7693 to reserve a spot, or visit Tiburon Wine at 84 Main Street in Tiburon for ticket info.
Hard cider lovers take note: The fifth annual Cider Summit SF will take place in the Presidio on April 14 from 1-5pm. Featuring nearly 200 ciders from around the world, the event will include favorite local producers Ace Cider, Golden State Cider, Tilted Shed Ciderworks, Sonoma Cider and Two Rivers.cidersummitnw.com.
Now in its fourth year, the Lexus Culinary Classic at Cavallo Point is a three-day culinary extravaganza that includes cooking classes, a farmers’ market field trip and a multi-course menu. A Grand Tasting takes place on Sunday, April 15 and features 12 notable chefs who create delicious pairings with premier wines from leading California winemakers. 12-3pm. lexusculinaryclassic.com.
State Senator Mike McGuire convened the 45th annual Zeke Grader Fisheries Forum last week in Sacramento, bringing together a dozen-odd anglers and experts for an afternoon of testimony about the state of California’s aquatic life. Grader was a legendary commercial fisherman in the state, who died a few years ago.
As McGuire noted, the fisheries meeting this year had special significance, occurring as it did against the backdrop of a reinvigorated offshore gas- and oil-drilling push from Washington, which pretty much nobody in California is supporting.
The meetings occurred against an additional backdrop which has seen sardine populations collapsing across the state and where, in Marin County, state health officials moved to shut down the coastal shell-fishery there two weeks ago because of high levels of a potentially fatal poison found in mussels and oysters at Point Reyes National Seashore.
Warmer-than-usual ocean temperatures are the suspected culprit, an increasingly common theme in state waters that have only recently come through a devastating and demoralizing outbreak of domoic acid poisoning in Dungeness crabs. In short, the poisoning occurs via algae blooms that occur in warm water.
“Climate change is no longer a theory,” says McGuire. “It’s here in California’s environment and [the state] is paying the price,” regardless of climate denialism in Washington and a ruthless push to drill, baby, drill.
There’s lots of bad news and some good news coming out of the fisheries meeting, which featured panelists from government, the commercial fishing industry, the environmental community and recreational anglers.
The bad news is that the waters are warming, the drought is making a comeback, President Trump would build oil rigs in the Gulf of the Farallones if he could get away with it—and none of that is good news for fish, especially spawning fish. The further bad news is that despite some positive signs of a coho comeback in local creeks, the state’s salmon fishery is on the ropes.
McGuire noted that as much as 80 percent of the state’s salmon population is worse off than it was a decade ago. Within the century it is expected that half to all California salmon may be extinct without radical and ongoing efforts to save them.
Charlton Bonham, the director of the California Department of Fish and Wildlife (CDFW), gave a fairly grim presentation that zeroed in on the good news-bad news dynamic, with an unfortunate emphasis on the bad: In the positive column, he noted that the forecast for the fall salmon run in the Sacramento River is almost identical to last year, when some 230,000 adults returned to their spawning grounds.
At the same time, the winter chinook run in the Central Valley was a total bust last year, with some 1,500 fish returning to spawn. They’ve been eliminated from and cannot access any of their historical habitat. “Frankly if we had another year of drought, that fish could be gone,” reported Dr. Robert Lusardi, a research ecologist and salmon expert with UC Davis.
The bad news is that the sardine fishery continues its precipitous decline and will be shut down to commercial fishing for the fourth consecutive year. Bonham says that the sardine biomass of 52 metric tons is below catch limits that were historically set at 100 metric tons.
The Grader forum was held as the Pacific Fishery Management Council was also meeting last week, and this week, in Rohnert Park to set management measures for 2019.
Meanwhile, the National Marine Fisheries Service has also reported recently that since 2006, the California sardine fishery has collapsed by 97 percent. Red abalone is closed because of a fisheries collapse in that lucrative market (Bonham cited the loss of kelp forests and changing ocean conditions as the main drivers). Sea urchins are similarly on the ropes, and Bonham told attendees that the Dungeness crab, salmon, sea urchin and sardine fisheries should all qualify as federal disasters.
Because of domoic acid poisoning, the Dungeness fishery was declared a disaster two years ago, which ultimately led to a $30 million kick-in from Congress to help affected fishermen and the industry.
New salmon, sardine and sea urchin disasters, Bonham says, “await the feds—await Congressional funding.”
The good news is that better habitat awaits coho salmon and steelhead trout in two North Bay creeks that have been the recipient of funds designed to help re-establish floodplains.
Those funds continue to be accessible, says Bonham, who reported that thanks to grants made available under the Proposition 1 water bond, the state had doled out $115 million for 112 different fish-enhancing projects, with just shy of half of the effort going to the benefit of salmon and steelhead.
He says CDFW is doing a spring solicitation for “shovel-ready projects” to help the fish, with a special emphasis on Central Valley fish projects and a focus on salmon waterways that may have been affected by the 2017 wildfires. He cited the Mark West Creek in Santa Rosa, which spills into the Russian River, as an area where the agency would focus on a nexus point of wildfire and fish recovery.
“The key to restoring steelhead trout and salmon is promoting the habitats,” Lusardi said.
He identified numerous areas where California could work to ensure that the state’s salmon population isn’t totally wiped out within 50 years, as he emphasized, for example, a critical need to re-establish floodplains along the Yolo River.
Similar projects in the North Bay have appeared to bear some good results.
In Sonoma County, the Gold Ridge Resource Conservation District worked with the Thomas Creek Ranch Homeowners Association to restore lower Green Valley and Thomas creeks in Forestville as a winter coho salmon wetland habitat several years ago. Only recently, in the aftermath of the last drought, have those efforts borne fruit.
In Marin County, meanwhile, officials are cheering the performance of newly restored floodplains on Lagunitas Creek, one of the most productive coho salmon creeks in the state.
The Forestville project began in 2014 when the conservation district constructed a 220-foot side channel and wetland along Green Valley Creek, and realigned a section of Thomas Creek to create a deep backwater “alcove” for fish. The drought made it difficult to tell if the construction was making a difference in the coho salmon population, due to the sluggish winter flow.
Called an “off-channel winter refuge habitat enhancement for salmonids,” the project is aimed at giving young salmon refuge from high flows in wintertime that otherwise could sweep them away. Green Valley Creek used to provide habitat, but residential developments along the creek, plus a demand for the water by farmers, have greatly reduced the coho salmon and aquatic insects that lived and bred in the calm waters of the channels.
“Our whole community is thrilled with the project and glad that we were able to provide the space to make it happen,” says association member Alan Siegel.
Siegel, an environmentalist since his high school days, came up with the idea to help restore the creek’s natural habitat when he took his daughter, Katie, to a salmon fishery about 10 years ago. He convinced his fellow association members to dedicate land along the creek to the conservation district.
“It took many, many years to figure out what kind of project [they] wanted to do,” he says, “and then once that was nailed down, it took many more years to get all the funding. Grants and funding for the $550,000 projects came from the National Oceanic and Atmospheric Administration’s Fisheries Restoration Grant Program, the California Department of Fish and Wildlife, the California Coastal Conservancy and the Sonoma County Water Agency.
With salmon thriving in the creeks, Siegel says the district is now looking to collaborate with more landowners on similar projects. “One of the things they really want to show is that they can work together with private landowners in a cooperative way that benefits the fishery and the landowner,” he says.
Meanwhile in Marin County, coho salmon and steelhead trout, a federally threatened species, are returning to Lagunitas Creek thanks to a similar floodplain-restoration project undertaken by the Marin Municipal Water District (MMWD).
Last fall, water district fisheries program manager Gregory Andrew was hoping for a season of average rainfall. Too much rain, he said, could scour away sediment and wash out newly created wooden structures designed to help re-animate legacy floodplains on Lagunitas Creek.
Too little rain, on the other hand, wouldn’t see enough water in the creek to spill over into the newly created floodplains, which are designed to attract spawning coho salmon and steelhead.
With the key drought arbiter, the Sierra snowpack, coming in at a dismal 70 percent below normal this year, the drought is back. But Andrew says the restoration project performed remarkably well this winter as he notes that a big rainstorm that blew through on January 8-9 this year raised the flows in the Lagunitas Creek to levels sufficient to inundate the floodplain channel. The coho apparently took notice.
Fish are monitored at every life stage by surveyors, says Andrew, who cautions that there is a lot of variability from year to year, “and also lots of variability from one life phase to another.” For example, he says, this year the adult coho spawning numbers are below average. Yet last year fish surveyors marveled at juvenile smolts headed to the sea for the first time, “in numbers we never saw before,” he says.
More good news is that the fish stocks are generally headed in the right direction after the low point of 2008-09. “With the smolt numbers,” Andrew says, “there is some indication that there is increased winter survival and that may be related to the habitat enhancement work that we’ve already done.”
Project monitors have utilized time-lapse video of the creek this winter to monitor the restoration and the weather’s impact on the work done so far. During the January storm, he says, water flows on the creek got close to 1,000 cubic feet of water per second (the summertime standard is about 8 lazy cubic feet per second). Planners had hoped that those channels would become engaged by the flow when the water was flowing at between 100 and 300 cubic feet per second. The fact that the channels were “engaged” at the low end of their expectation was an encouraging sign to Andrew. The Phase I part of the project at Platform Ridge Road and the Sir Francis Drake Highway, he says, “behaved beautifully and the floodplain channel engaged at 100 cubic feet per second.”
This time of year, the typical flow in the Lagunitas runs up to 2,000 cubic feet per second, Andrew says. The drought-busting winter of 2016-17 saw days where the creek was ripping along at 5,000 CFPS, which could have been perilous to the work undertaken this past summer.
“I’m glad that our structures weren’t newly constructed last fall,” Andrew says, invoking the year the drought broke.
The successful rollout of this $1.2 million, two-year project occurs in a year which sounds like a pretty good one at least for North Bay salmon fisheries.
Andrew says the year has been “unusual for salmon,” given that, for example, a pink salmon showed up in the Lagunitas “and we have not seen them for many years.” He says there was a good run of Chinook and chum salmon on the creek, too. “Over the years we’ve seen chinook come and go and have seen a relatively small number of chum salmon. This year, we had them all in early. Then the coho came in, and they tend to do their thing in January and February.”
“Their thing” is to spawn. The coho are all gone now, Andrew says, and now it’s the steelhead trout’s time to breed—“they’re the only species that’s in there now.”
The steelhead numbers, too, are “looking pretty good,” Andrew reports. He’d gotten a report recently about a big school of the fish hanging out under a bridge in Pt. Reyes Station, near where the Lagunitas spills out into Tomales Bay, and ready to head upstream into their new floodplain.
Back in Sacramento, the discussion throughout the afternoon last week continued to turn back to big-ticket items on the federal agenda, and their potential impacts on California.
Dave Bitts, president of the Pacific Coast Federation of Fishermen’s Associations, told McGuire and the panel that offshore drilling “would be disastrous for salmon fisheries,” and anyone who makes a living as a commercial fisherman. He was similarly dismissive of Gov. Jerry Brown’s “twin tunnel” planfor the Sacramento River Delta.
“We believe the twin tunnels would be catastrophic for all fish and wildlife that uses the estuary. You can’t restore it by diverting the water.”
Yet Brown was also given high marks by John Laird, secretary of the state Natural Resources Agency, when he told McGuire that the governor wouldn’t let the Trump administration rig the California economy with new offshore drilling permits. “[Interior Secretary Ryan] Zinke decided to come to the capital on Oceans Day,” says Laird. “The governor pressed him in person, he was relentless in his interpersonal push on this, so just trust us, we are working on it.”
Alex T. Randolph contributed reporting to this story.
This week in the Pacific Sun, our cover story ‘On the Road with Jared’ is about a car ride conversation—covering guns, school shootings and more—with Congressman Jared Huffman. On top of that, we’ve got a Spotlight on San Anselmo & Fairfax that profiles Bird of Flight, Muse and MarketBrand. We also review Ross Valley Players’ production of ‘Dead Man’s Cell Phone,’ and check in with songwriter Paige Clem about her debut album. All that and more on stands and online today!
Hero: The number of reported cases of Lyme disease continues to grow in Marin each year and there’s no vaccine available. You don’t have to be an avid outdoors-person to contract it either. A Northern California study found ticks carrying the bacteria causing Lyme disease “in nearly every park that we looked—and not just in wooded areas.” So far, this is sounding like a Zero, right? Enter the Bay Area Lyme Foundation, an organization working to make Lyme disease easy to diagnose and simple to cure. To learn more, attend their upcoming free event, Preventing and Treating Lyme in Marin—Keeping Your Family Safe from Tick-Borne Diseases, on Thursday, March 15, from 6-8pm, at Dominican University in San Rafael. RSVP by emailing sp***********@ba*********.org.
Zero: The taxman cometh and the scammers flourish. The San Rafael Police Department is warning about creative schemes trying to separate us from our cash. In addition to the garden-variety swindle where someone calls claiming to be from the IRS and asks for personal info, there’s the ploy where the conman demands immediate payment of past taxes in order to avoid a fine or arrest. Even accountants and tax preparers are targeted with phishing emails seeking taxpayer data. You may think that you’re too smart to fall for it, but there are more complicated scams out there. Remember, the IRS will never call and ask for your social security or bank account number, nor will they demand instant payment or threaten arrest. In doubt? Hang up.
ARIES (March 21-April 19): The men who work on offshore oil rigs perform demanding, dangerous tasks on a regular basis. If they make mistakes, they may get injured or befoul the sea with petroleum. As you might guess, the culture on these rigs has traditionally been macho, stoic and hard-driving. But in recent years, that has changed at one company. Shell Oil’s workers in the U.S. were trained by Holocaust survivor Claire Nuer to talk about their feelings, be willing to admit errors and soften their attitudes. As a result, the company’s safety record has improved dramatically. If macho dudes toiling on oil rigs can become more vulnerable, open and tenderly expressive, so can you, Aries. And now would be a propitious time to do it.
TAURUS (April 20-May 20): How will you celebrate your upcoming climax and culmination, Taurus? With a howl of triumph, a fist pump and three cartwheels? With a humble speech thanking everyone who helped you along the way? With a bottle of champagne, a gourmet feast and spectacular sex? However you choose to mark this transition from one chapter of your life story to the next chapter, I suggest that you include an action that will help the next chapter get off to a rousing start. In your ritual of completion, plant seeds for the future.
GEMINI (May 21-June 20): On April 23, 1516, the Germanic duchy of Bavaria issued a decree. From that day forward, all beer produced had to use just three ingredients: Water, barley and hops. Ever since then, for the last 500-plus years, this edict has had an enduring influence on how German beer is manufactured. In accordance with astrological factors, I suggest that you proclaim three equally potent and systemic directives of your own. It’s an opportune time to be clear and forceful about how you want your story to unfold in the coming years.
CANCER (June 21-July 22): What’s your most frustrating flaw? During the next seven weeks, you will have enhanced power to diminish its grip on you. It’s even possible that you will partially correct it or outgrow it. To take maximum advantage of this opportunity, rise above any covert tendency you might have to cling to your familiar pain. Rebel against the attitude described by novelist Stephen King: “It’s hard to let go. Even when what you’re holding onto is full of thorns, it’s hard to let go. Maybe especially then.”
LEO (July 23-Aug. 22): In his book Whistling in the Dark, author Frederick Buechner writes that the ancient Druids took “a special interest in in-between things like mistletoe, which is neither quite a plant nor quite a tree, and mist, which is neither quite rain nor quite air, and dreams, which are neither quite waking nor quite sleep.” According to my reading of the astrological omens, in-between phenomena will be your specialty in the coming weeks. You will also thrive in relationship to anything that lives in two worlds or that has paradoxical qualities. I hope you’ll exult in the educational delights that come from your willingness to be teased and mystified.
VIRGO (Aug. 23-Sept. 22): The English word ‘velleity’ refers to an empty wish that has no power behind it. If you feel a longing to make a pilgrimage to a holy site, but can’t summon the motivation to actually do so, you are under the spell of velleity. Your fantasy of communicating with more flair and candor is a velleity if you never initiate the practical steps to accomplish that goal. Most of us suffer from this weakness at one time or another. But the good news, Virgo, is that you are primed to overcome your version of it during the next six weeks. Life will conspire to assist you if you resolve to turn your wishy-washy wishes into potent action plans—and then actually carry out those plans.
LIBRA (Sept. 23-Oct. 22): In the 2002 film Spider-Man, there’s a scene where the character Mary Jane slips on a spilled drink as she carries a tray full of food through a cafeteria. Spider-Man, disguised as his alter ego Peter Parker, makes a miraculous save. He jumps up from his chair and catches Mary Jane before she falls. Meanwhile, he grabs her tray and uses it to gracefully capture her apple, sandwich, carton of milk and bowl of jello before they hit the floor. The filmmakers say that they didn’t use CGI to render this scene. The lead actor, Tobey Maguire, allegedly accomplished it in real life—although it took 156 takes before he finally mastered it. I hope you have that level of patient determination in the coming weeks, Libra. You, too, can perform a small miracle if you do.
SCORPIO (Oct. 23-Nov. 21): Scorpio mathematician Benoît Mandelbrot was a connoisseur of “the art of roughness” and “the uncontrolled element in life.” He liked to locate and study the hidden order in seemingly chaotic and messy things. “My life seemed to be a series of events and accidents,” he said. “Yet when I look back I see a pattern.” I bring his perspective to your attention, Scorpio, because you are entering a phase when the hidden order and secret meanings of your life will emerge into view. Be alert for surprising hints of coherence.
SAGITTARIUS (Nov. 22-Dec. 21): I suspect that in July and August you will be invited to commune with rousing opportunities and exciting escapades. But right now I’m advising you to channel your intelligence into well-contained opportunities and sensible adventures. In fact, my projections suggest that your ability to capitalize fully on the future’s rousing opportunities and exciting escapades will depend on how well you master the current crop of well-contained opportunities and sensible adventures. Making the most of today’s small pleasures will qualify you to harvest bigger pleasures later.
CAPRICORN (Dec. 22-Jan. 19): If you saw the animated film The Lion King, you may have been impressed with the authenticity of the lions’ roars and snarls. Did the producers place microphones in the vicinity of actual lions? No. Voice actor Frank Welker produced the sounds by growling and yelling into a metal garbage can. I propose this as a useful metaphor for you in the coming days. First, I hope it inspires you to generate a compelling and creative illusion of your own—an illusion that serves a good purpose. Second, I hope it alerts you to the possibility that other people will be offering you compelling and creative illusions—illusions that you should engage with only if they serve a good purpose.
AQUARIUS (Jan. 20-Feb. 18): I do a lot of self-editing before I publish what I write. My horoscopes go through at least three drafts before I unleash them on the world. While polishing the manuscript of my first novel, I threw away more than 1,000 pages of stuff that I had worked on very hard. In contrast to my approach, science-fiction writer Harlan Ellison dashed off one of his award-winning stories in a single night, and published it without making any changes to the first draft. As you work in your own chosen field, Aquarius, I suspect that for the next three weeks you will produce the best results by being more like me than Ellison. Beginning around three weeks from now, an Ellison-style strategy might be more warranted.
PISCES (Feb. 19-March 20): According to my assessment of the astrological omens, you’re in a favorable phase to gain more power over your fears. You can reduce your susceptibility to chronic anxieties. You can draw on the help and insight necessary to dissipate insidious doubts that are rooted in habit but not based on objective evidence. I don’t want to sound too melodramatic, my dear Pisces, but THIS IS AN AMAZING OPPORTUNITY! YOU ARE POTENTIALLY ON THE VERGE OF AN UNPRECEDENTED BREAKTHROUGH! In my opinion, nothing is more important for you to accomplish in the coming weeks than this inner conquest.
Homework: What would the people who love you best say is the most important thing for you to learn? Testify at Freewillastrology.com.
Q: A guy I know through mutual friends finally asked for my number, claiming he’d like to see more of me. I was elated, but he never called. After a month, I gave up hope, feeling puzzled and, honestly, kind of hurt. Why do men get your number if they’re never going to call or text?—Uncontacted
A: Men can experience a sort of temporary amnesia in the moment, leading them to ask you for your number. Shortly afterward, their memory returns: “Oh, wait—I have a girlfriend.”
Of course, it isn’t just men who are prone to ride the “seemed like a good idea at the time” seesaw. It’s anyone with a human brain. This asking-for-your-number-and-then-never-actually-dialing-it thing appears to be an example of our brain’s two systems at work—our quick-to-react emotional system and our slower-to-come-around reasoning system, which I wrote about in a recent column, per the research of psychologist Daniel Kahneman.
Again, the fast emotional system responds immediately—and automatically: “Yeah, baby! There’s a woman whose clothes I’d like to see in a pile on my bedroom rug.” Or, if the lust is for a little head-busting: “BAR FIGHT!” The rational system comes around later, often for a little rethink about whatever the emotional system got the person into.
In other words, it helps to view any request for your number as a moment of flattery—nothing more. Don’t expect a guy to call. In fact, expect most not to call. If they don’t call, you’ll be right. If they do, you’ll be pleasantly surprised, like getting that winning lottery scratcher that allows you to buy that Lamborghini you’ve been eyeing—the whole car, not just the logo-adorned leather key ring to attach to the keys for your 3,000-year-old Honda.
Q: I have a very good friend—a friend who shows up for me in big ways when the chips are down. However, she is very judgmental and offers her opinion on everything from how I should groom my cat to why I shouldn’t get Botox. I wouldn’t presume to tell her how to cut her hair or treat her dogs—unless she asked. Her comments often hurt my feelings. How do I gently get her to stop acting like my vet, my beautician, etc.?—Annoyed
A: It must be tempting to ask her, “Hey, wanna come over on Thursday night? I’ll do a stir-fry, and we can watch Netflix … or you can do an hour on why my new haircut was a tragic mistake and how (for the fourth time!) the couch should be against the other wall.”
Friendly advice is not always as, uh, other-serving as it’s made out to be. Communications researcher Matthew M. Martin emphasizes that “people communicate to satisfy personal needs.” He notes that previous research identified six basic “interaction motives”: Pleasure, affection, inclusion, relaxation, control and escape (like ditching your own problems to fixate on what a hot mess your friend is).
Research by social psychologist Sonja Lyubomirsky, among others, suggests that it’s in our self-interest to be helpful. Helping feels good in the moment (the “pleasure” motive). Also, the sort of happiness with staying power comes from extending ourselves for others rather than, say, shoving ’em out of the way and chasing happiness for ourselves (like by amassing more shoes).
Of course, if it is the pleasure motive driving your friend, it may come from a darker place—like a desire to show off and act superior—which may dovetail with “the control motive,” which, Martin explains, “involves the need to influence others and to be viewed by others as competent.”
Regardless, you don’t owe anyone your attention—not even a compulsively helpful “very good friend.” Wait until a moment when you aren’t ducking flying tips. Tell her that you love that she’s trying to look out for you but that her values aren’t necessarily your values. Accordingly, you have a new policy: No more unsolicited advice, except in emergencies. Qualifying situations call for brief, life-preserving warnings—such as “Watch out” or “Duck!”—not the longer-winded constructive tips offered in so-called “fashion emergencies”: “Have you seen yourself from behind? You’d best rethink those pants, doll.”
Some praise ex-CIA agent Jason Matthews’ novel Red Sparrow and call it a return to the days of John le Carré and Ian Fleming. Does appropriating the plot of From Russia With Love, while adding an enhanced layer of violence, give evidence of a new le Carré among us? Director Francis Lawrence, of the Hunger Games franchise, makes his adaptation of Red Sparrow heavier in gore than it is in fun.
Bolshoi ballerina Dominika Egorova (Jennifer Lawrence) got her leg ruined during a spoiled pas de deux, and—in consideration of what comes next—it’s surprising that they don’t just shoot her like an injured racehorse. Now that the State has no more use for her, she faces poverty. Her wicked uncle Vanya (Mads Mikkelsen cos-player Matthias Schoenaerts) recruits Dominika into the “Sparrow” program. It’s apparently the same place they taught the Avengers’ Black Widow everything she knows. Groomed to become ultimate courtesans, the students will seduce and gather information from targets. After graduating, Dominika encounters soulful American agent Nash (Joel Edgerton). He’s kind to her—the first man she’s met who doesn’t just order her to take off her clothes. Considering a new career as a double agent, Dominika helps Nash seek a mole deep in the Soviet, I mean Russian, government.
The premise is that nothing has changed since the Soviet days, hence the “red.” Dominika’s mother is trapped as if behind the Iron Curtain, unable to get the medical care she needs. The settings are pure Eastern Bloc, brutal architecture, eternally cold and tinted ice blue. J-Law is physically strapping, and her accent is appalling. Lawrence can’t play what’s not here, and she has even less backstory than Tatiana had in From Russia With Love.
Several actors aboard are too good for their archetypes, including Charlotte Rampling as the movie’s Rosa Klebb and Jeremy Irons as a humane Russian amid all the bloodrinkers. The latter category includes the ever-scowling Ciarán Hinds, who may be Irish but has a face made for the Politburo.
San Francisco songwriter Paige Clem describes herself as a free spirit, which is what led her to move from her hometown in Alabama to the Bay Area nearly 20 years ago. Yet, Clem still shows her roots every time she performs her old-school Americana music.
After 20 years of playing locally, Clem recently assembled her songs into a debut album, Firefly, which gets a massive release show on Friday, March 9, at Terrapin Crossroads in San Rafael.
“It’s funny—there’s a song on the record called ‘Long Time Coming,’ and it’s not about me, but it does speak to the record for sure,” Clem says. “I have an actual bucket list of all the things I want to do, and I’ve always wanted to make an album.”
Clem played piano as a child, wrote poetry in high school and melded the two in college when she got her first guitar. “I gravitated more towards creating things—making music versus learning it,” she says.
Clem established her name in the Bay Area by performing often, hosting residencies at local venues and organizing songwriter-in-the-round events. “I had all this material, but there was this big hurdle in my mind between performing and recording,” she says. “A lot of it was just not knowing what the process was like.”
Clem says that the support of the community allowed her to finally complete her album. “I feel like it’s very much a collaborative thing.”
Throughout Firefly, Clem hints at influences like jazz, blues, gospel and more, though the album is a straightforward collection of confessional, reflective country-folk songs.
For the album-release show, Clem is gathering all of the friends and musicians who’ve helped her on her way. “We’re going to have a lot of folks up on the stage,” she says. “It feels like a good way to celebrate the project.”
Paige Clem, Friday, March 9, Terrapin Crossroads, 100 Yacht Club Dr., San Rafael; 8pm; $15-$18; 415/524-2773.
As the fourth production of their 88th season—an incredible achievement for a local community theater—the Ross Valley Players (RVP) is offering Sarah Ruhl’s Dead Man’s Cell Phone. This comes just four years after the company presented the same author’s The Clean House, whose mostly enthusiastic reception from critics and ticket-buyers may have influenced the current choice.
Ruhl’s résumé is extraordinarily impressive. She learned her craft under Paula Vogel (How I Learned to Drive) at Brown University, whose drama department is one of the country’s leading germinators of playwrights. She also has been recognized with a MacArthur Genius Fellowship (2006), the Steinberg Distinguished Playwright, Lilly, PEN Center, Whiting and Feminist Press awards. To top it off, she was a finalist for the 2005 and 2010 Pulitzer Prize.
Despite all of this, however, having now seen and reviewed five of Ruhl’s plays in credible Bay Area productions that include (along with RVP’s two) Eurydice and In the Next Room: The Vibrator Play at Berkeley Rep and Stage Kiss at San Francisco Playhouse, I’ve concluded that there is something about her writing that has a distancing effect: Too quirky, too disjointed, too deliberately precious, too laden with ideological baggage.
Dead Man’s Cell Phone is a perfect example. Billed as a comedy, but containing very little that is really funny, the play’s central theme is that we are living during a time when humans, who are by nature social animals, are finding it hard to connect with one another. To bridge the widening gap, technology offers the cell phone as a substitute for personal interaction. What could be more useful in a fractured world than a device that offers instant contact 24/7 with anyone within range of a signal tower?
Unfortunately, however, according to Ruhl (and a multitude of others), it hasn’t worked out that way. Here’s the setup: In the play’s opening scene, Jean (Deborah Murphy), her insouciant young protagonist, is sitting alone at a café table enjoying a bowl of lobster bisque when she notices that the man seated at a table nearby doesn’t seem to be eating his lentil soup. In fact, he isn’t moving at all, even to answer his continuously ringing cell phone. Overcome by curiosity and ever anxious to be helpful, she approaches him and discovers that he is dead. Startled, she calls 911, but decides to keep the phone so she can inform callers of his demise.
This seemingly altruistic act is followed by others that inexorably draw her into a web of relatives, friends and business associates, with the spider being Gordon Gottlieb (Steve Price), the dead man, who is ultimately revealed to be an illegal trafficker in human body parts. There’s Gordon’s irascible mother (Christine Macomber), his long-suffering wife (Marilyn Hughes), his exhibitionistic mistress (Nan Ayers), a vicious body-parts merchant in South Africa (also played by Ms. Ayers) and a “lost soul” brother (Peter Warden) who yearns to find his true love, or, if she isn’t available, anybody who will pay him attention.
That’s quite an assemblage. Ruhl seems to suggest that it is Jean’s decision to respond to the constant ringing of the dead man’s cell phone that truncates her relations with each of them, but actually it is more the author’s well-known fondness for using her characters as mouthpieces for her own views that makes meaningful relationships next to impossible. Thus, in the series of monologues and duologues that pepper the play, she expounds on marriage, mortality, the practice of selling body parts, romantic love, sex, the afterlife, vegetarianism, modern technology, memory and other subjects that I’m afraid I’ve already forgotten.
Under Chloe Bronzan’s creative direction and with Deborah Murphy and Steve Price heading a proficient acting ensemble, RVP’s production strives to bring this dead man to life, but at the end there’s nobody to care about. What does linger is that devilish cell phone ringing to announce yet another change of topic. You find yourself silently begging Jean, “Enough already! Don’t answer.”
NOW PLAYING: Dead Man’s Cell Phone runs through March 25 at the Barn Theatre, Marin Art & Garden Center, Ross; 415/456-9555; rossvalleyplayers.com.
With a thriving gig economy, a seemingly endless stream of tech start-ups flooding the market and millennials taking over the workplace, for many, work looks very different than it did just 10 years ago.
Eric and Deborah Read, who moved to Fairfax in 2006, have decades of creative ad agency work between them. Eric owned the Sausalito-based Brand Engine and managed 40 employees for almost 15 years, and Deb has worked with multiple consumer brands in large agencies. Last January, the husband-and-wife team opened their own shop in their house, converting their master bedroom into a light-filled, spacious, modern workspace that they refer to as their “home studio.”
MarketBrand is the name of the couple’s business, and they focus almost exclusively on food and beverage products. They have helped local businesses including Iron Springs Pub & Brewery, Mighty Leaf Tea, Clover and Organicgirl with their brand strategies and positioning. Along the way the two have discovered a particular affinity for working with smaller brands.
“With a couple of decades of experience in this business, it’s nice to start working with start-ups and entrepreneurs,” says Eric, who can’t say enough about both his clients and community in Fairfax. “We go out of our way to hire local designers and freelancers from the agency world—many are based here in Fairfax and San Anselmo.”
Deb appreciates the proximity to their children’s schools, activities and more. “I feel like this iteration is really where it’s at—it fits our lifestyle,” she says. The duo also notes that their clients enjoy meeting with them in their quiet, comfortable space that’s conducive to the kind of creative and collaborative work they do.
“We have really gone back to our roots,” Eric says.
With glimpses of spring upon us—seasonal veggies hitting the farmers’ markets, new garden blooms—it’s time to shake off winter and venture out. Here are a few of my favorite spring events that should not be missed.
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San Francisco songwriter Paige Clem describes herself as a free spirit, which is what led her to move from her hometown in Alabama to the Bay Area nearly 20 years ago. Yet, Clem still shows her roots every time she performs her old-school Americana music.
After 20 years of playing locally, Clem recently assembled her songs into a debut album,...
As the fourth production of their 88th season—an incredible achievement for a local community theater—the Ross Valley Players (RVP) is offering Sarah Ruhl’s Dead Man’s Cell Phone. This comes just four years after the company presented the same author’s The Clean House, whose mostly enthusiastic reception from critics and ticket-buyers may have influenced the current choice.
Ruhl’s résumé is extraordinarily...
With a thriving gig economy, a seemingly endless stream of tech start-ups flooding the market and millennials taking over the workplace, for many, work looks very different than it did just 10 years ago.
Eric and Deborah Read, who moved to Fairfax in 2006, have decades of creative ad agency work between them. Eric owned the Sausalito-based Brand Engine and...