Art Works: How Dialogue Changed My Mind

I used to think it was preaching to the choir. But the truth is the choir needs to be preached to—and, as importantly, grown. 

That’s what recent letters to (and from the editor) of this publication have reminded me. In the back-and-forth of voices, I saw that art is not a luxury, not a distraction from the so-called “real” world, but one of the few tools we have to resist the slow creep of tyranny.

Thanks to those exchanges, I was reminded that art is one way we commune and, by extension, build community. It’s not just pretty pictures but a way to start conversations (like this one) and, ultimately, understanding. A painting, a song, a play—all can become catalysts for dialogue that continues long after the curtain falls.

The beauty of this process is its unpredictability. No two people are alike, and yet art creates connective tissue between us. One can start with someone on the far left, and through the links of human connection, eventually reach the hearts and minds of people on the right. It’s a chain reaction, set off by creativity, that transcends ideological lines.

To that end, as much as fascism is a slow, creeping bacteria, art and the progressive values that buoy it inoculate us from its ill effects. I know, in a post-pandemic age, these aren’t the most tasteful metaphors—but authoritarianism is a contagion. Left unchecked, it spreads.

Art, then, is not just entertainment; it’s an immunity builder. It protects one’s ability to think freely, to imagine otherwise, to hold contradictory emotions without fear. It makes people experience a range of feelings and, just as often, compels them to share those feelings. That sharing is the soil where empathy grows. And empathy, inconvenient as it may be for regimes that thrive on cruelty and division, is the beating heart of democracy.

So yes, I concede the point. Art is not fiddling while Rome burns. It’s the fire brigade, the bucket line, the living proof that even as the flames rise, human beings can and will carry each other to safety.

Micah D. Mercer lives and loves in the North Bay.

Potion Notion: Seaguth Elixirs’ Geoff Broll

Sonoma-based Seaguth Elixirs was launched just three months ago by founder and CEO Geoff Broll, who experienced a revelation when learning about adaptogens. 

As an Ironman athlete, Broll used his own intense training routine to test the benefits of this newfound adaptogenic lifestyle and discovered that his performance improved, further motivating him to push forward his new business idea. 

Today, the Seaguth portfolio consists of two ready to drink adaptogenic oat milk lattes that are gaining recognition for their delicious, health-boosting benefits. So much so, Broll received an exclusive invitation to participate in the upcoming Edible Garden event on Sept. 14, hosted by the Marin Art and Garden Center, featuring some of the most well respected local Marin and Sonoma food and drink vendors and restaurants.

Amber Turpin: How did you get into this work?

Geoff Broll: I was introduced to adaptogens while studying at the California School of Herbal Studies in Forestville. While working with medicinal plant specimens in Emerald Valley with master teacher Leslie Gardner, I had an epiphany. The plants communicated with me in the most profound manner. 

I finally realized how I was meant to contribute to the greater common good. I wanted to formulate and commercialize a delicious canned beverage featuring adaptogens … I knew how well adaptogens had served and supported my health, stamina and focus that I wanted to share them with the masses. 

Did you ever have an ‘aha’ moment with a certain beverage? If so, tell us about it.

My ‘aha’ moment came when I was performing a sampling demo at Mill Valley Market in late June of 2025… A group of ladies approached the sampling table with some curiosity. One lady in the group introduced herself as Audrey Shapiro, director of events and programs at Marin Art and Garden Center (MAGC)… Since moving to Ross Valley in 2004, I had always regarded MAGC to be the centerpiece, a peaceful sanctuary, a secret garden for all to seek solace and respite in the backdrop of nature. 

What is your favorite thing to drink at home?

In the morning, after a long challenging trail run in the hills, I thoroughly enjoy an ice cold caramel oat milk latte with reishi and maca as the ultimate recovery and restorative beverage… It is the perfect velvety creamy sensory journey to draw the curtains on an invigorating run.

Where do you like to go out for a drink?

I like to check out new independent coffee bars. And specifically, I like trying newly created beverages featuring innovative ingredients and flavor profiles.

If you were stuck on a desert island, what would you want to be drinking (besides fresh water)?

A very strong homemade cold brew coffee with extra ice and a thimble of oat milk to color the coffee… It would rejuvenate the body, mind and spirit for another day alone on an island at sea.

For more info on Seaguth Elixirs, go to seaguth.com.

Culture Crush, Sept. 3

Mill Valley

Sound Summit Turns 10

CAKE returns to the Mountain Theater to headline the 10th anniversary of Sound Summit on Saturday, Sept. 13. The daylong benefit festival also features Canadian alt-pop favorites Alvvays in their only California show this year, Real Estate and “Cosmic Mountain Music” makers Wolf Jett. A special highlight: Stand!—a Bay Area all-star tribute to Sly & The Family Stone with Taj Mahal, Narada Michael Walden, Martin Luther McCoy, Vicki Randle, Rustee Allen and more. Staged in the 4,000-seat natural stone amphitheater atop Mount Tamalpais, the annual gathering raises funds for the state park, generating more than $300,000 for restoration and conservation projects in its first decade. 11am–7pm, Saturday, Sept. 13, Mountain Theater, Mt. Tamalpais State Park. Tickets $120 adults/$60 youth at soundsummit.net.

Sausalito

Cornershop Opens

The Sausalito Center for the Arts Cornershop opens its fall season Sept. 3 with two solo shows exploring the humor, grief and tenderness embedded in clay. East Bay artist Paige Valentine leads off with Odds & Ends (Sept. 3–Oct. 5), showcasing intricately built, small-scale ceramics that merge painting and sculpture into whimsical, poignant forms. Annie Duncan follows with Jewelry Box (Oct. 16–Nov. 16), presenting larger-than-life ceramic works and paintings that riff on still-life traditions, cartoons and consumer culture. An opening reception celebrating both artists takes place from 2 to 5pm, Saturday, Sept. 7; on view Sept. 3–Nov. 16 at Cornershop Sausalito, Sausalito Center for the Arts, 750 Bridgeway. sausalitocenterforthearts.org/corner-shop.

Sebastopol

LowDown in Seb

Chicago’s LowDown Brass Band brings its genre-bending brass explosion to HopMonk Sebastopol on Thursday, Sept. 11. Known for fusing horns with hip-hop, funk, reggae and Latin grooves, the nine-piece ensemble has lit up stages from Montreal Jazz Fest to Aspen Jazz Fest and is fresh off their album, $itizens of the World, and new singles like “In the Kitchen.” With a reputation for high-energy live shows and millions of streams across platforms, LowDown is poised to turn the beer garden into a brass-fueled dance party. 8pm, Thursday, Sept. 11, HopMonk Tavern Sebastopol, 230 Petaluma Ave. Tickets at hopmonk.com/sebastopol.

Sonoma County

Daiquiri Crush

Hawai‘i’s Kō Hana Rum is bringing a splash of aloha to harvest season with its Daiquiri Crush 2025 campaign, running now through Oct. 31 across Sonoma County. The effort celebrates the shared labor of farmers in Hawai‘i and Sonoma by spotlighting Kō Hana daiquiris at local bars, restaurants and retailers. The campaign kicks off with a Tiki launch party on Wednesday, Sept. 3 at Lo & Behold in Healdsburg, where proceeds will benefit Corazón Healdsburg’s work supporting local ag workers and their families. Throughout the season, residents can “Buy a Daiquiri for a Farmer” at venues including Lo & Behold, Geyserville Gun Club, Fern Bar and Catelli’s. Wednesday, Sept. 3, Lo & Behold, 214 Healdsburg Ave., Healdsburg. More at kohanarum.com.

Petaluma’s Art Haven, Ani and Bonnie Bonani of Slough City

Klaxons whirled and fizzed in my brain as I read a twice forwarded message (off the grapevine): “Slough City might not make rent this month.” 

“Ugggh,” I sputtered, “not another one…” If this cool summer season has been bad for venues generally, it has been terrible for queer-led art spaces, from the closure of local Strange Constellation to the pending closure of immortal Oasis in San Francisco. Blame the Trump chill; this is terrible news for those who love the weird and the wonderful.

It’s time to activate. Message received, I hopped on my steed (Prius) and tooted over to Petaluma to inquire why this art space might be worthy of fresh drafts of support. What I found there, next to Pinky’s Pizza, were wide open doors (symbolism alert). Barn doors, flanked by a progress pride flag on the right and a smirking image of “Sloughcy,” tentacled guardian of the slough and the right, on the left. 

Passing through open doors, one enters the gallery space, which is divided in two down the center line. One half is chock a block with the art and craft retail of 50 local artists. The other half is spare, hung and mounted with the current art show (at time of our interview, Dyllan Hersey). Through a second set of open doors is a common work table and the Slough City studios—a set of eight small art studios (one is open).

As I entered, Bonnie and Ani Bonani waved from the common table, and their elderly small dog barked. The two were piecing together rainbow shards of mirror glass (symbolism alert) for an infinity room for another artist’s Burning Man installation. The whole looked like a rocket ship or a virus (symbolism alert?). Random drop-ins like myself were welcome to help or not or to buy a  fundraising T-shirt Bonnie Bonani had made to pitch in. Fun cheesy dance music played as we chatted.

Cincinnatus Hibbard: How would you describe the Slough City art space?

Bonnie Bonani: DIY at its finest.

What are some of the media practiced in the Slough City studio spaces?

Bonnie Bonani: By the slough crew?

Ani Bonani: I do drawing and printmaking and painting and collage…

Bonnie Bonani: Ani just won first place at the Sonoma County Fair.

Ani Bonani: Blue ribbon, baby. Lucas is a photographer and mixed media painter. Bird is a fashion designer and organizer—she organized our ‘Rats in Hell’ fashion show. Gabe is a painter. Paris makes festival wear, works leather, makes prints and paints. She makes all sorts of stuff for the Wasteland Festival in Death Valley.

Ah, the ‘Mad Max’ festival; fun. What a rich community you have. You could do anything together…

Ani Bonani: And collaboration happens naturally through sharing the space. We want local artists to know that we have free supplies to make art with. People donate lots of supplies.

Tell me about your curation of the gallery and retail space ?

Bonnie Bonani: We don’t say no—to anyone. It’s art. And all art is important.

Did you combine your first names to create your last name?

Bonnie Bonani: Yes.

Learn more. Peep their Instagram gallery and showcase at @sloughcitystudios. Help them with rent at sloughcity.com. Check out their Queer Collage drop-in Fridays or their Community Craft Circle, Saturdays. One is encouraged to bring old, half-finished projects. Bonnie Bonani recommends toddling over for some slow time after a heavy brunch at Sax’s Joint Restaurant, saying: ‘There’s new art every month. You don’t have to give us your money; just get art in your eyeballs.’

Best of Marin 2025 Party Photos

Photography by Jon Lohne

Best of 2025 Winners’ Photo Gallery

Check out our online gallery featuring several winners of our “Best of Marin 2025” as decided by readers in Marin County.

Your Letters, Aug. 27

Spell Media Without AI

Your recent article, “AI Costs Far More Than Money,” (Aug. 20) captures what’s too often missing from the breathless coverage of artificial intelligence—the real costs borne not in headlines about innovation, but in water tables, power grids and public health.

AI may be the shiny new frontier, but the infrastructure beneath it is decidedly 19th century. Think coal and diesel, not to mention the pipelines of personal data flowing without our consent. What’s most troubling is how little this reality penetrates the public conversation. The press, stripped of resources and often dazzled by tech’s self-mythologizing, has been slow to treat these harms with the urgency they deserve. 

If democracy relies on an informed citizenry, then ignoring the ecological and civic consequences of Big Tech’s expansion is not just negligence, it’s complicity. As members of the media, I implore you to please do more.

Micah D. Mercer
North Bay

Bag Rag

A carpetbagger is a person who is perceived as an unscrupulous opportunist. All readers who are a bit tired of receiving ridiculous texts from Gov. Gavin Newsom, please raise your hands, feet and any other extremities that are available at this time. Thank you. 

Craig J. Corsini
San Rafael 

The Secret

I rubbed my magic lamp three times and asked the Genie, “What does Craig Corsini have to do to get his letters published in virtually every edition of the Pacific Sun?” Haven’t heard back as yet, but maybe the editor will provide the magic answer.

Rex Allen
Via PacificSun.com 

The Editor Answers: Dear Rex — Corsini writes to le*****@********un.com instead of merely posting in the comments of pacificsun.com. It works; try it (see above). — Daedalus Howell, Editor

Authenticity Versus AI, Can’t Beat the Real Thing

0

On Thursday, Aug. 14, more than 200 people joined us at Sausalito’s The Spinnaker to celebrate the 2025 Best of Marin winners as pelicans, historic yachts and rowing clubs traversed the waterscape.

It was great to be in a room with a real chiropractor and a real fireplace guy, and I’d much rather not have a robot adjust my spine or learn about radiant heat inserts from a YouTube video. I spoke briefly—the winners were not there for speeches—about being a real newspaper, written by real people in a post-truth era, and it seemed to resonate.

The Pacific Sun carries the weight of authenticity because for six decades our writers have eaten at the same restaurants as our readers, driven the same freeways and shopped at the same grocery stores. We take our kids to local playgrounds and schools and dentists. Algorithms don’t do that. They read, summarize and distill what our writers produce.

AI services don’t pay to crawl, analyze and, yes, steal our work product, then store it in their big power-sucking data centers to do with as they please. I know this because when I research subjects, the results contain authoritative links to our own publications.

We send reporters to events and places. Then, search engines generate summaries based on those first-hand reports, which reduces the frequency of link clicks to the service that collected the information. A year after Google introduced their AI Overviews, the San Mateo data analysis firm Brightedge found a 30% reduction in click-throughs to publisher sites.

“Big Tech’s dirty secret is that the success of its AI tools has been almost entirely built on theft,” Danielle Coffey, president and chief executive officer of News/Media Alliance, an organization of news publishers, wrote in a May New York Post opinion piece.

The uncompensated use of publishers’ information, produced by employees paid under California’s wage and hour laws, is not, however, in the long-term interest of the AI giants. As traffic to source material slips, revenue to publishers further declines and the reservoir of fresh, independent knowledge shrinks. AI’s language learning models will have to train on material that is not professionally vetted or is contaminated with undisclosed pay-to-play bias.

According to Muckrack, the ratio of journalists to population has dropped nearly 80% since 2002. In California, there are 6.1 local journalist positions per 100,000 population, and our state ranks in the bottom fifth nationally.

The crisis in American journalism has real world effects. The decline in objective facts and evidence will fuel further disinvestments in universities, science and medicine—and less scrutiny of poorly performing institutions. We hope that self-driving cars will apply brakes for pedestrians looking down at their phones in crosswalks, watching deepfake videos of crocodiles rescuing pandas.

Cedars in the Garden, Nonprofits Collaborate on Art Exhibit

Marin’s creative spirit is deeply rooted in and inspired by the stunning local landscape, which invites art and nature to naturally intertwine. This spirit is in full bloom this summer with Cedars in the Garden, a new art exhibition born from a collaboration between two beloved local nonprofits: Cedars and the Marin Art and Garden Center.

Ideal for anyone who delights in strolling through vibrant gardens, lingering over blooms and fountains or discovering new perspectives in local artwork, this late-summer exhibition offers all of that and more. Visitors can immerse themselves in the Marin Art and Garden Center while engaging with the imaginative creations of Cedars’ artists, whose work celebrates place and community.

Supporting a heartwarming collaboration between two, Cedars in the Garden is as much an opportunity to connect with arts and nature as it is to experience the joy of community in action. One can consider this their official invitation to come see the garden and art show for themself.

But before hopping into the car for a spontaneous garden and art adventure, one may take a moment to learn some of the story behind the show. Cedars in the Garden celebrates not only the garden center’s 80th anniversary but also the talent of Cedars’ artists, who drew inspiration directly from the gardens to create works that capture their beauty through multiple artistic perspectives. 

Founded in 1919, Cedars has served Marin for more than a century, providing essential support to adults with developmental disabilities. Today, the organization serves nearly 200 individuals daily through programs that foster creativity, independence and community engagement.

“At Cedars, we believe that art has the power to connect people with nature, with one another and with themselves,” said Cedars co-executive director Chuck Greene.

Cedars’ artists work in multiple disciplines, and many of their creations are available for purchase at the nonprofit’s one-site location: Artist Within – A Cedars Gallery, located in downtown San Anselmo. Through the gallery and other such programs, Cedars is able to continue its century-long mission of helping create avenues that pave the way for their members to live full, productive lives rich in the creative spirit while also contributing to Marin’s cultural landscape.

One such cultural landscape just so happens to be the Marin Art and Garden Center, where a truly heartwarming community collaboration is taking place between the historic garden and Cedars’ community of artists. To mark the center’s 80th anniversary, Cedars participants were invited onto the grounds for plein air painting sessions, drawing inspiration from the vibrant plantings, winding pathways and natural beauty of the 11-acre site. The resulting works (alongside paintings, sculptures and mixed-media pieces created in Cedars’ studios) comprise the pieces being shared in the joint exhibition, with works split between galleries at Cedars and at the garden center.

To mark the center’s 80th anniversary, Cedars participants were invited onto the grounds for plein air painting sessions, drawing inspiration from the vibrant plantings, winding pathways and natural beauty of the 11-acre site. The resulting works (alongside paintings, sculptures and mixed-media pieces created in Cedars’ studios) comprise the pieces being shared in the joint exhibition, with works split between galleries at Cedars and at the garden center.

“We are honored to collaborate with Cedars and to see our gardens become a source of inspiration for such heartfelt and imaginative work,” said executive director of the Marin Art and Garden Center, Iris Lax. “This partnership beautifully reflects the power of art and nature to nurture creativity and connection within our community. Supporting local artists and other nonprofits has been a legacy of Marin Art and Garden Center for more than 80 years. We’re very proud of this legacy, and we hope that these initiatives serve as a model to other organizations in the community.”

Through this collaboration, our artists not only captured the beauty of the Marin Art and Garden Center but also reflected the joy and creativity that blossoms when our community comes together,” added Greene. “We are proud to share their vision and to celebrate both the garden’s history and the artistry of the Cedars community.”

Wandering through Marin Art and Garden Center, it’s easy to see how Cedars artists found their inspiration. In fact, it’s rather difficult to visit the garden center without finding a muse or two tucked between sprawling lawns and gardens, the fairy-tale-esque fountain and such a stunning rose garden. 

And the poetic resonance of walking through those same landscapes depicted within the gallery itself … well, it just adds to the experience. After all, the entire experience is just one long walk through the gardens. The Cedars in the Garden exhibition extends those landscapes further, showing the gardens through the eyes of the artists. Beauty is in the eye of the beholder, and those who visit the exhibit can experience the unique pleasure of beholding the same place with double the beauty.

“Our artists captured the beauty of the garden while showing how creativity blossoms when community comes together,” said Greene. “We’re proud to share their vision and celebrate both Marin Art and Garden Center’s history and the artistry of Cedars.”

“This was not the first time the two organizations have collaborated. But this year, much of the work was created to capture the beauty of Marin Art and Garden,” said Cedars co-executive director Cheryl White. “Our missions are so well aligned, it’s a pleasure celebrating the beauty and artistic talent of our community and sharing it with our neighbors in Marin.”

It’s no secret that Marin residents have long cherished the garden center as a place to gather, reflect and celebrate the arts. And the Cedars in the Garden exhibition offers yet another fantastic reason to reserve some time to stop and smell the roses, literally and in a more metaphorical sense as well.

Whether one is tempted to come on out for a summer stroll among the blooms, to take in the vibrant artworks on display or simply indulge in a healthy blend of both, Cedars in the Garden offers a chance to truly appreciate the community’s creativity in its full, late-summer bloom. So one may not want to miss the opportunity to experience the gardens twice over: once beneath the redwoods and roses, and again through the works of Cedars’ artists in the gallery.

“We are thrilled that with our long histories in the community, our two organizations have collaborated to create this show as our historic campus celebrates its 80th year,” said Lax. “We were thrilled to welcome Cedars artists to our campus, and to see the gardens through their eyes, and to share their work with our visitors.”

So, one may want to take some inspiration from the bumblebee and get busy buzzing on over to this sweet art show while it’s still in full bloom. An absolutely lovely late summer day of art and gardens awaits those who do.

The ‘Cedars in the Garden’ art exhibition opens to the public from 11am to 4pm on Friday, Saturday and Sunday in the Studio Gallery at Marin Art and Garden Center. The show will be on display from now until Sept. 13. On Sept. 14, the exhibition will close with an exclusive viewing during the garden center’s annual Edible Garden fundraiser. To learn more, visit maringarden.org. Or visit cedarslife.org for more information about Cedars, its artists and art shows.

Culture Crush, Aug. 27

0

Petaluma

Pins & Needles

Labor Day weekend marks the launch of the Mercury Theater inaugural season with Pins and Needles, the Depression-era labor revue that became a Broadway sensation in 1937. First staged by members of the International Ladies Garment Workers Union, the show’s satirical songs—like “Doin’ the Reactionary” and “Call It Unamerican”—still hit with uncanny resonance today. Presented without updates, the production preserves its original humor and bite, while adding Spanish translations by former San Francisco poet laureate Alejandro Murguía to honor today’s diverse labor movement. Runs Aug. 30–Sept. 14 at Mercury Theater (Cinnabar Theater building), 3333 Petaluma Blvd. N., Petaluma. Tickets $20–$35. Labor Day special: $10 for union members. More at mercurytheater.org.

Calistoga

Logic & Light 

Sofie Contemporary Arts unveils Between Logic and Light: Material and Meaning in Abstraction, a group show exploring the intersection of form, process and perception. Guest-curated by Ray Beldner of Startup Arts, the exhibition features works in stone, sculpture, painting and collage by Arminee Chahbazian, Delbar Azari, Jamie Bruson, Fernando Carnauba, Cynthia Sumner and Beldner himself. On view through Nov. 2, the show invites viewers into a contemplative encounter with abstraction’s power to shape thought and memory. Now through Nov. 2 at Sofie Contemporary Arts, 1407 Lincoln Ave., Calistoga. Open Thurs–Sun, 12–6pm. More at sofiegallery.com.

San Rafael

Bat Stats  

Fresh from winning the Audience Choice Award at DocLands, Bay Area filmmaker Kristin Tièche brings her feature documentary, The Invisible Mammal, to the Smith Rafael Film Center on Thursday, Sept. 4. The film follows a team of women scientists, including Dr. Winifred Frick and Corky Quirk, as they fight to save North America’s bats from white-nose syndrome, a deadly fungal disease pushing species like the little brown bat toward extinction. The screening will be followed by a live Q&A with Tièche and cast member Quirk, diving deeper into the science, the urgency and the surprising connections between bats and global health. 7pm, Thursday, Sept. 4, Smith Rafael Film Center, 1118 Fourth St., San Rafael. Details and tickets at rafaelfilm.cafilm.org.

Larkspur

Film Noir

Fatal attraction, double-crosses and shadows limned with cigarette smoke; Lark Theater rolls out a weekend of film noir classics Aug. 29–30. On screen: Double Indemnity, The Postman Always Rings Twice, The Maltese Falcon, The Big Sleep, Laura, Strangers on a Train, The Hitch-Hiker, The Big Heat and The Bad and the Beautiful. It’s a chance to see Hollywood’s darkest gems as they were meant to be seen—on the big screen. Showtimes 4 and 6:30pm, Friday, Aug. 29, and 4 and 6:30pm, Saturday, Aug. 30, at Lark Theater, 549 Magnolia Ave., Larkspur. Tickets $10–$15. More at larktheater.net.

Art Works: How Dialogue Changed My Mind

Opinion
I used to think it was preaching to the choir. But the truth is the choir needs to be preached to—and, as importantly, grown.  That’s what recent letters to (and from the editor) of this publication have reminded me. In the back-and-forth of voices, I saw that art is not a luxury, not a distraction from the so-called “real” world,...

Potion Notion: Seaguth Elixirs’ Geoff Broll

Seaguth Elixirs’ Geoff Broll
Sonoma-based Seaguth Elixirs was launched just three months ago by founder and CEO Geoff Broll, who experienced a revelation when learning about adaptogens.  As an Ironman athlete, Broll used his own intense training routine to test the benefits of this newfound adaptogenic lifestyle and discovered that his performance improved, further motivating him to push forward his new business idea.  Today, the...

Culture Crush, Sept. 3

Chicago's LowDown Brass Band
Mill Valley Sound Summit Turns 10 CAKE returns to the Mountain Theater to headline the 10th anniversary of Sound Summit on Saturday, Sept. 13. The daylong benefit festival also features Canadian alt-pop favorites Alvvays in their only California show this year, Real Estate and “Cosmic Mountain Music” makers Wolf Jett. A special highlight: Stand!—a Bay Area all-star tribute to Sly &...

Petaluma’s Art Haven, Ani and Bonnie Bonani of Slough City

Bonnie and Ani Bonani of Slough City Gallery and Studios
Klaxons whirled and fizzed in my brain as I read a twice forwarded message (off the grapevine): “Slough City might not make rent this month.”  “Ugggh,” I sputtered, “not another one…” If this cool summer season has been bad for venues generally, it has been terrible for queer-led art spaces, from the closure of local Strange Constellation to the pending...

Best of Marin 2025 Party Photos

best of marin party 2025
View our online photo gallery from the 2025 Best of Marin party.

Best of 2025 Winners’ Photo Gallery

best of marin 2025 logo
Check out our online gallery featuring several winners of our “Best of Marin 2025” as decided by readers in Marin County.

Your Letters, Aug. 27

Spell Media Without AI Your recent article, “AI Costs Far More Than Money,” (Aug. 20) captures what’s too often missing from the breathless coverage of artificial intelligence—the real costs borne not in headlines about innovation, but in water tables, power grids and public health. AI may be the shiny new frontier, but the infrastructure beneath it is decidedly 19th century. Think...

Authenticity Versus AI, Can’t Beat the Real Thing

Opinion
On Thursday, Aug. 14, more than 200 people joined us at Sausalito’s The Spinnaker to celebrate the 2025 Best of Marin winners as pelicans, historic yachts and rowing clubs traversed the waterscape. It was great to be in a room with a real chiropractor and a real fireplace guy, and I’d much rather not have a robot adjust my spine...

Cedars in the Garden, Nonprofits Collaborate on Art Exhibit

Cedars and the Marin Art and Garden Center collaborate on art exhibition.
Marin’s creative spirit is deeply rooted in and inspired by the stunning local landscape, which invites art and nature to naturally intertwine. This spirit is in full bloom this summer with Cedars in the Garden, a new art exhibition born from a collaboration between two beloved local nonprofits: Cedars and the Marin Art and Garden Center. Ideal for anyone...

Culture Crush, Aug. 27

Culture Crush features the classic film, 'The Postman Always Rings Twice"
Petaluma Pins & Needles Labor Day weekend marks the launch of the Mercury Theater inaugural season with Pins and Needles, the Depression-era labor revue that became a Broadway sensation in 1937. First staged by members of the International Ladies Garment Workers Union, the show’s satirical songs—like “Doin’ the Reactionary” and “Call It Unamerican”—still hit with uncanny resonance today. Presented without updates,...
3,002FansLike
3,850FollowersFollow