Pianist Larry Vuckovich & Vocalist Jackie Ryan Collaborating Again

Musicians Larry Vuckovich and Jackie Ryan are bringing their 30-plus years of musical collaboration to the stage one more time for a celebratory performance later this month.

Ryan is a legendary local vocalist who was born in the Bay Area, though her voice is heavily influenced by her family’s Mexican, Irish, French and Spanish roots. She will sing accompanied by Vuckovich on the piano.

Now 88 years old, Vuckovich absolutely cannot wait to get his hands back on the piano for yet another performance of the countless amount of pieces amassed in his lifetime. Vuckovich brings with him nearly nine decades of experience listening to and playing alongside some of the greatest jazz musicians of history. He plans to regale his audience and pour all that experience—and his heart and soul—out onto those black and white keys.

“I learned from the great masters…and whenever you play, you have to play back to masters,” said Vuckovich. “I’m happy that, in my 88th year, the concerts I play let me acknowledge what the masters gave us because without them we wouldn’t be here.

“Vince Guaraldi, for instance,” continued Vuckovich. “Well, everyone could tell that he was tuned in to the real kinds of music: Brazilian, Afro-Cuban, blues, everything…whenever I play, I also mix the music from a diverse program, but always with blues and American masters in mind.”

Guaraldi was a famous American jazz musician best known for composing the music for the Charlie Brown holiday specials. Vuckovich fondly recalls Guaraldi calling on him to become his piano partner, which was a rarely bestowed honor in the world of old San Franciscan jazz.

Now, those decades of musical experience are making their way from San Francisco circa the 1950s to the Mill Valley of today. 

“What’s interesting about Mill Valley is that my mentor, who is mainly known for Charlie Brown music, lived in Mill Valley,” said Vuckovick. “And Jackie Ryan, the great singer I’m performing with, she lives in Mill Valley, too.”

“The venue is in a wonderful setting called the Mill Valley Community Church,” Vuckovick added. “The acoustics are really good there, and I’d like to thank the pastor [Rev.] Dr. Carol Manahan, who believes in this music. We are very happy that she supports these programs.”

The Mill Valley Community Church is conveniently located downtown, right next to plenty of restaurants, parking and (of course) the Throckmorton.

“The important thing is that people keep the music going and keep the feeling with the right emotion,” said Vuckovich. “When you leave a concert, the music should stay with you because it’s deep in your soul.”

The Vuckovich and Ryan performance will take place from 4 to 6pm on Sunday, Oct. 20. Donations of $25 from those who attend the performance are appreciated. The Community Church of Mill Valley is located at 8 Olive St. To learn more, visit the website at communitychurchmillvalley.com or call 415.388.5540.

Foreign Spending to Influence US Elections

On September 4, the Department of Justice seized 32 internet domains alleged to be part of a Russian government “covert operation to interfere in and influence the outcome of” US elections. That same day, the DOJ unveiled an indictment of two employees of RT, a Russian state-controlled media outlet, for money laundering and spending $10 million to co-opt online US commentators in an effort to distribute “pro-Russian propaganda and disinformation” to American audiences.

Stories about Russian attempts to influence American elections are, of course, nothing new. After all, during the four years of Trump’s presidency, the big commercial news media devoted hours of programming and countless column-inches of coverage to  “Russiagate,” the now-largely-debunked theory that Donald Trump or his campaign actively colluded with Russia to sway the 2016 presidential election. While there is no question that Russian intelligence operatives attempted to spread misinformation and purchased digital ads designed to impact the 2016 election, claims by news outlets, such as the New York Timesthat these operatives were responsible for “the most effective foreign interference in an American election in history” are almost certainly overblown and exaggerated.

The fact is that the minions of Vladimir Putin are not the only foreign nationals scheming to influence our politics. Ongoing under-the-radar efforts by foreign-influenced companies and lobbyists for other countries designed to shape US elections and policy-making may not get the headlines that Russian propaganda operations do, but may ultimately be more effective and potentially even more damaging to our democracy.

Ignoring Dark Money Meddling by Foreign-Influenced Companies

Federal law prohibits contributions or expenditures made directly or indirectly by foreign nationals intended to influence US elections.

The first things that come to most people’s minds when they think about foreign meddling in US politics are cases in which American politicians or campaign operatives knowingly accept illegal contributions from foreign donors. Such cases do occur. For instance, New York City Mayor Eric Adams was recently indicted for knowingly accepting campaign donations from Turkish businessmen over a number of years. Last year, Republican campaign strategist Jessie Benton was sentenced to eighteen months in prison for soliciting an illegal contribution from a Russian businessman to Donald Trump’s presidential campaign.

But far more common and far more troubling are cases in which foreign-influenced companies make use of what are, in the United States, perfectly legal campaign finance mechanisms to obscure independent expenditures aimed at influencing the outcome of elections in ways that are not coordinated with a particular candidate or party.

In a pair of 2010 cases, Citizens United v. FEC and SpeechNow.org v. FEC, the Supreme Court held that legal restrictions on independent political expenditures by corporations, unions, and nonprofits violate the First Amendment and that organizations may raise and spend unlimited amounts of money on elections as long as they do not coordinate their spending with candidates, parties, and campaigns. Much of the independent money spent on elections is funneled into two sorts of organizations—super PACs, independent political action committees that can spend unlimited amounts on political messaging and campaign ads but must disclose their donors, and tax-exempt 501(c)4 “social welfare” organizations, which cannot spend the majority of their budgets on political activity but do not have to disclose their donors. Moreover, 501(c)4 organizations can, in turn, donate funds to super PACS, thereby rendering anonymous or “dark” expenditures by corporations and other deep-pocket donors intended to sway voters. Since 2010, the watchdog organization Open Secrets has tracked more than $2.8 billion in “dark money”—political expenditures from undisclosed sources—that has flooded into our elections.

The same legal loopholes that allow all wealthy corporations and individuals to spend millions in “dark money” to shape the political process also permit US corporations that are subsidiaries of foreign companies, or that have significant foreign ownership, to pour untraceable money into US elections. According to one estimate, 40 percent of US corporate equity is owned by foreign investors. A recent Open Secrets study of political expenditures by foreign-influenced corporations—corporations with more than 5 percent aggregate foreign ownership or individual foreign ownership of more than one percent—in state elections in Colorado, Michigan, Minnesota, Montana, New York, and Washington found that such companies were responsible for $163 million in contributions from 2018 to 2022. Meanwhile, foreign-connected company PACs spent nearly $20 million on federal elections in 2022 alone.

And just like domestic dark money funders, foreign-connected corporations often funnel their political spending through various “shell” and “front” organizations that make their spending exceedingly difficult to trace. For example, oil and gas giants BP and Shell are both wholly owned subsidiaries of foreign corporations. They are also both members of the US Chamber of Commerce, which is a major front of dark money spending, shelling out millions each year on “electioneering communication” in support of candidates it favors. The Chamber refuses to disclose its members or how much they each contribute to the funding of the organization’s vast lobbying and political influence operations. As a result, there is no way of knowing how much of the dark money the group disperses originates with foreign-connected companies.

The issue of dark money spending by foreign-influenced companies, like dark money spending in general, has been largely ignored by the corporate media. Two years ago, the Federal Election Commission fined Canadian billionaire steel magnate Barry Zekelman’s businesses nearly a million dollars for making $1.75 million in illegal campaign contributions to American First Action, a pro-Trump political action committee, in 2018. The fine was so unusual—and so large—that it received coverage in the New York Times and Newsweek. But, sadly, the FEC’s actions received more coverage in Zekelman’s home country of Canada than it did in the country whose election laws he violated.

Scant Coverage of Donations from Lobbyists for Foreign Powers

Another channel of foreign influence on our elections is campaign contributions made by foreign lobbyists.

Under the Foreign Agents Registration Act (FARA), individuals or entities engaged in lobbying or advocacy for foreign interests in the United States must register with the Department of Justice, report their activities, and disclose the pay they receive. According to Open Secrets, registered foreign agents “during the 2020 election cycle made at least $8.5 million in political contributions. Another $25 million in 2020 political contributions came from lobbyists representing foreign clients, including US subsidiaries owned or controlled by foreign parent companies, registered under the Lobbying Disclosure Act.” In July, Ben Freeman and Nick Cleveland-Stout of the Quincy Institute for Responsible Statecraft released a brief, “Foreign Lobbying in the US,” in which they report that “in 2022 and 2023, FARA registrants reported $14.3 million in political contributions.” Even more concerning, their research shows that “authoritarian regimes represent a majority of the most active countries—including Saudi Arabia and the UAE, which placed first and fourth, respectively, among the countries most engaged in political activities under FARA from 2022–23.”

Consider, for example, the political fundraising and lavish campaign spending orchestrated by Norm Coleman, former Republican Senator for Minnesota and a registered foreign agent representing the interests of the Kingdom of Saudi Arabia. As Responsible Statecraft reported in 2022, Coleman and his colleagues at the law firm of Hogan Lovells have a $175,000 per month lobbying contract with Saudi Arabia. Coleman is also the founder and chairman of the Congressional Leadership Fund (CLF), a super PAC that raised and spent some $165 million to elect Republicans to the House of Representatives in 2019–2020. So far, in the 2023–2024 cycle, the super PAC has raised approximately $131 million.

Coleman also chairs the dark money group American Action Network (AAN), a 501(c)4 “social welfare” organization that can devote some of its budget to electioneering but is not required to disclose the names of its donors. The organization describes the CLF as its “sister super PAC.” According to Responsible Statecraft, AAN—helmed by a foreign agent for Saudi Arabia—contributed some $30 million to the CLF’s pool of funds for the 2020 campaign cycle. Because AAN is not required to disclose its donors, there is no way of knowing whether some of the dark money it funneled to the CLF originated from non-US sources or not. At the very least, the arrangement is enough to arouse suspicion.

Over the past eight years, the establishment press has run perhaps a dozen articles on Saudi lobbying that contain brief allusions to Coleman’s post-Congress career as a shill for the Kingdom. He was name-checked in passing as Hogan Lovells’s “point person for Saudi work” in an October 11, 2018, New York Times article on the PR fallout from the murder of Saudi journalist Jamal Khashoggi. Coleman’s use of his “Hill contacts” to work on the Saudi’s behalf was referenced in a 2021 Washington Post report about the firms that dictators hire to clean up their images. Stunningly, however, only one of these articles, an October 21, 2018, Washington Post article on “the Saudi’s Washington influence machine,” bothered to mention that Coleman “also founded a super PAC,” but even then failed to identify the Congressional Leadership Fund by name or to mention the tens of millions it spends on electioneering. The New York Times has run a few articles discussing Coleman’s role as chair of AAN and/or the CLF. Amazingly, though, no establishment news outlet connected Coleman’s vigorous fundraising for the CLF and AAN with his advocacy work for the Saudis.

Where is the Reporting on Legislation to Limit the Influence of Foreign Money on Our Politics?

Not surprisingly, the corporate media have also consistently ignored efforts by citizens and elected officials to limit the influence of foreign money on our politics.

On April 13, 2023, the governor of Minnesota, Tim Walz, signed into law the Democracy for the People Act that, among other things, prohibits “any company that is five percent or more owned by multiple foreign owners, or one percent or more owned by a single foreign owner, from spending money in Minnesota state or local elections or donating money to a super PAC or other entity to spend.” The law had been pushed by a coalition of unions and civic groups called Expanding Democracy. Shortly after Walz signed the law, the Minnesota Chamber of Commerce sued to invalidate the prohibition on campaign spending by foreign-influenced corporations. US District Court Judge Eric Tostrud granted a preliminary injunction preventing the law from going into effect while the Chamber of Commerce lawsuit wends its way through the courts.

Despite this, Minnesota’s law has become a model for other states. Over the summer, the Pennsylvania House passed identical legislation, and supporters of the bill marched thirty-five miles to the state capitol in Harrisburg to urge the Pennsylvania Senate to ratify the bill. In July, Ohio passed a bill that banned spending by foreign-influenced businesses and green-card holders on ballot initiative campaigns (which was subsequently blocked by a judge’s order). At the federal level, Democratic legislators in both the Senate and the House introduced the Get Foreign Money Out of US Elections Act, which would “ban firms with either 5% of foreign ownership in aggregate or 1% ownership by a single foreign entity from electoral spending.” Opinion polling suggests that strong, bipartisan majorities of voters want to prevent foreign-controlled corporations from influencing our politics.

Yet, the establishment media have, to date, not reported on legislative initiatives to limit foreign influence on US elections. Most reporting on bills like the Democracy for the People Act has come from independentnot-for-profit, and local media. If the issue of foreign dark money corrupting our elections received even a fraction of the attention that Russiagate or Trump’s bogus claims about undocumented immigrants voting illegally have, Congress and state legislatures would have no choice but to act.

Provided by Project Censored.

Remote Resident

From words to reality 

I consider myself a Bay Area aficionado…never having lived here. Wearing a Bear Republic baseball hat and known to work California hours, I speak with a different accent. 

In the afternoons and evenings, I read about Napa and Sonoma wineries and the best places in Marin to eat oysters. Yet, my mornings are often spent walking on boardwalks along the Atlantic Ocean. And I can think of nothing I love more than sharing a bucket of steamers.

Over the past decade, I have visited Napa, Sonoma and Marin counties a couple of times, feeling like a typical tourist. However, a recent trip to the area was a different experience altogether—this time, I felt as if I were living out an episode of The Twilight Zone.

I remember this feeling was at its most eerie on our second night when we went out to dinner with friends. As we got out of the car, I stopped to read a political campaign sign, casually noting how interesting it was that the particular candidate was running again. Then, as we passed a theater, I remarked how exciting it was that the film fest would soon be held there. Our friends looked at me, puzzled. It was then that I knew that they couldn’t possibly understand.

A few days later, I had breakfast with my favorite North Bay author-auteur, whom I had never met but who I somehow knew so well. Afterward, I asked him for directions to a place I was very familiar with but had never actually been. Seeing signs for a few restaurants, I realized I knew the names of their owners. Passing others on the street, I wondered if they also read the publications I read every word of.

In the subsequent days, I tried a raw oyster for the first time and had my fair share of wine, developing a newfound taste for pinot noir. I hiked among the redwoods and biked along the Russian River, smiling all the while as I continued to be engulfed by a strong sense of familiarity. I pointed out the name of the highest mountain and where to get the best cheese. But what stopped me in my tracks time after time was seeing so many hummingbirds and butterflies. This phenomenon blew me away, as it was the one thing I hadn’t read about or anticipated. 

As soon as I can, I plan to return to take in all those hummingbirds, butterflies, and more again. But in the meantime, I’ll continue to read up on all the local happenings from where I sit while working on perfecting my California accent. 

A voracious reader, Suzanne Michel is the copy editor of the North Bay Bohemian and Pacific Sun.

Your Letters, 10/9

Noodle Notion

It occurs to me, as the election closes in upon us, that Donald Trump’s outrageous claims, increasing in variety almost daily, are akin to this common advertising adage: “Let’s just throw it at the wall and see if it sticks!” 

I think this recent Trump Spaghetti, while likely not very tasty, simply shows how desperate he is for just one more vote on Nov. 5th. Not being a huge spaghetti fan, of course I’m voting Harris/Walz in 2024.

Keith Rhinehart

Santa Rosa

Aye, There’s the Rubbish

J.D. Moore’s letter (“Faux Show,” 9/25/2024) is delusional in claiming that the attempted assassination of Donald Trump was staged, fake. Two people were killed in the incident. The Pacific Sun/Bohemian disappoints by printing such hallucinatory rubbish. What’s happened to common sense?

Christopher Emley

San Rafael

Editor’s Note: Mr. Emley — Your note succinctly accomplished our intention. Case closed.

‘Fools’ Paradise (Lost?)’ at MVFF and More

Mill Valley

Wild Love

Catch the world premiere of documentary feature Fools’ Paradise (Lost?), from Sebastopol filmmaker Alexandra Lexton, at 5pm, Oct. 12 at Sequoia Cinema, 25 Throckmorton Ave., Mill Valley. Part of the 47th Mill Valley Film Festival, this powerful film—billed as “a love letter to our wild”—explores the healing potential of reconnecting with nature in the face of climate change and environmental degradation.The film delves into scientific inquiry, sustainable business practices and nature therapies, illustrating how personal reconnection to the natural world can lead to both individual and planetary healing. Featuring stories from a nature photographer, a science writer, an Indigenous scholar and Marin’s own “Planetwalker,” Dr. John Francis, Fools’ Paradise (Lost?) offers a message of hope and possibility. Following the screening, Lexton will be present for a Q&A to discuss the film’s journey and its deep exploration of sustainable living and personal action. Tickets are $16 for MVFF members and $18.50 for the general public. For more info and to purchase tickets, visit mvff.com/program/fools-paradise-lost.

Santa Rosa

Beagle Scouts

Snoopy and his loyal Beagle Scouts will be celebrating 50 years at the Charles M. Schulz Museum’s latest exhibition, Here Come the Beagle Scouts!, running now through March 12, 2025. This nostalgic tribute to the Beagle Scouts’ adventures features original Peanuts comic strip art, vintage collectibles, animation clips and plenty of surprises—no compass needed. The exhibition highlights the Beagle Scouts’ June 9, 1974 debut, with over 160 appearances in Peanuts, and showcases their lasting influence, including inspiration for the new AppleTV+ show Camp Snoopy. Visitors can explore rare memorabilia, including figurines, Colorforms and a collection of Scout-themed embroidered patches. Archival photos of Schulz, from his military service and outdoor trips, provide insight into his personal inspirations. Interactive features include a “Beagle Scout Certification” station and a campfire photo op with Snoopy. It’s possible to take a photo, get a memento stamped and immerse oneself in the spirit of these iconic characters. Charles M. Schulz Museum is located at 2301 Hardies La., Santa Rosa. Admission is $12 adults, $8 seniors, $5 children (ages 4-18), free for children under 4 and museum members. schulzmuseum.org.

Fairfax

Hernan Diaz Live

On Wednesday, Oct. 16, at 7pm, Pulitzer Prize-winning author Hernan Diaz will celebrate the release of a special hardcover edition of his novel, In the Distance, at the Fairfax Pavilion, 142 Bolinas Rd. A perennial bestseller and finalist for the Pulitzer Prize, In the Distance is a tale of a young Swedish boy, separated from his brother, who becomes a legendary outlaw as he journeys across America. Set against the backdrop of 19th-century America, the novel follows the boy as he travels eastward, encountering criminals, naturalists and lawmen while defying the conventional boundaries of historical fiction. Diaz’s storytelling challenges stereotypes and examines the extremes of the human condition. Tickets are $5, and registration is required for this event, held in collaboration with Point Reyes Books and Fairfax Recreation. ptreyesbooks.com.

Healdsburg

Ghosted

What’s more intriguing than a ghost? Four of them. Ghost Quartet, Dave Malloy’s haunting and imaginative ghost-story-musical, comes to THE 222 in H’Burg, live (well, in a spiritual sense), with an opening night on Friday, Oct. 25. Programmed by Aldo Billingslea, this life-affirming piece is a  “song cycle about love, death and whiskey,” weaving an intricate tale spanning seven centuries. The story includes a murderous sister, a treehouse astronomer, a bear, a subway and the ghost of Thelonious Monk. Featuring a wide variety of musical genres—from gospel to folk ballads and jazz—the show incorporates an eclectic mix of instruments, including the cello, dulcimer, Celtic harp and more. Grammy-nominated violist/cellist Keith Lawrence and Rinde Eckert bring this haunting performance to life. Ghost Quartet performances are 7pm, Friday, Oct. 25 and 26; and 2pm, Sunday, Oct. 27, at THE 222, 222 Healdsburg Ave., Healdsburg. For ticket information, visit the222.org.

No Mountain Play for 2025

After several ‘financially challenging’ years, the beloved theatrical event will take a one-year hiatus

“After six financially challenging seasons due to weather, COVID, increased expenses and an industry-wide decrease in the theater-going public,” begins a statement distributed a few days ago to donors, sponsors, past participants and volunteers, and the press, “the Mountain Play has decided to take a season off from its signature event on Mount Tamalpais to both raise funds and plan for a sustainable future.”

Along with this announcement came a request for community support in deciding upon a “future direction” for the Marin County nonprofit that has been staging elaborate musicals at the Cushing Memorial Amphitheatre on Mt. Tamalpais for over 100 years. 

“Like many nonprofit organizations, and nearly all performing arts organizations in the country, Mountain Play Association took a huge hit from the pandemic closure of two back-to-back seasons in 2020 and 2021,” the media release explained. “After two dark years with government support, the organization was still alive in fall 2021, but returning to Mount Tamalpais has proven to be a much bigger challenge than anyone could have anticipated.”

Citing significantly lower audience numbers at its 2022, 2023, and 2024 shows (“Hello Dolly,” “Into the Woods” and “Kinky Boots,” in order), the organization’s Executive director and Artistic Producer Eileen Grady said the theater industry at large is facing rapidly rising post-pandemic production, labor and material expenses. 

“It’s time to take a breather,” Grady said. “This isn’t the end or anything. We fully intend to be back in 2026. And we plan to have a number of smaller events throughout the year, throughout Marin County.”

During the coming hiatus, Grady said her team will examine several ways to proceed sustainably, perhaps reimagining the Mountain Play for a changing world. What that means will, in part, be up to the theatergoing public itself. 

“The Mountain Play looks forward to including our community in the planning conversations through surveys, focus groups, and special events”, Grady. “While saddened to not have our signature event this season, we are excited to begin this process and share our plans for the future with you.”

Meanwhile, the organization is moving full steam ahead with its annual fundraising event at the Corinthian Yacht Club in Tiburon. Titled “Funding the Future
a Musical Celebration to Benefit the Mountain Play,” the rousing evening, including a three-course dinner and live entertainment, will take place Saturday, November 9, at 5 p.m.

For additional information, tickets to the gala fundraiser, or to find out how to participate in planning the future of The Mountain Play, visit Mountainplay.org.

Marin Theatre’s ‘Yaga’ conjures an ancient female magic

A U.S. premiere, the comedy-mystery embraces the positive feminist power of the witch archetype.

Behind a rickety fence gilded with human skulls, she lives in a ramshackle, ever-spinning cottage propped up on enormous arching chicken legs. She wields immense power over animals, the elements, and time itself, flying through the air with the aid of a giant mortar and pestle.

She is the Baba Yaga, a Slavic mythological figure once described as a hideous, child-eating witch but revered by some as a guardian of nature, forests, lost adventurers, and women.

This week, The Baba Yaga’s magic will descend on Mill Valley’s Marin Theatre, kicking off its eclectic 2024/2025 season with Canadian playwright Kat Sandler’s “Yaga,” running Oct. 10 through Nov. 3. Described as a dark comedic fairytale presented as a true crime mystery, the play—which debuted in Toronto in early 2020—features a cop (Rachel Clausen) and a detective (Adam KuveNiemann) methodically investigating the disappearance of a 20-something yogurt dynasty heir. The director of the show is Barbara Damashek, a 1985 Tony nominee for the writing and direction on the Broadway musical ‘Quilters.”

“I think the audience is going to find this show really enjoyable, watching three actors play a total of 14 characters,” says actor Julie McNeal, who plays six of those characters – including Baba Yaga herself. “To play Yaga,” she teases, “I have to tap into a little bit of her magic, her ancient conjuring power – so that’s been very exciting.”

After weeks of work—on the first day of run-throughs of the play’s elaborate light, sound, lighting-fast costume changes and other technical details—McNeal admits her voice is sounding a bit rougher than normal, after long hours of rehearsal in the previous days. Displaying exceptional caution in talking about “Yaga,” McNeal is careful not to reveal too much about what promises to be a twisty, surprise-packed play, and one she feels has loads of meaning and emotional depth.

“For research, we all got into this book of short stories, called ‘Into the Forest,’ with a bunch of female writers and horror writers, and there’s a lot of Baba Yaga in those stories,” she said. “The first story in the book, “Last Tour into the Hungering Moonlight” by Gwendolyn Kiste, really raises the feel of the play for me, which is this fact that deep magic is present all the time, no matter where we are. We are busy with buying gas, or getting our kids to school, while some part of us knows that there is some deep magic available just down the way, just down the path. This play invites us into that fact, for sure.

“And,” she adds, “it’s also just incredibly clever and funny. ‘Yaga’ is a mystery, after all, all about witty banter and following clues. There might be ancient justice driving the plot, but the playwright is brilliantly smart. There is so much for the audience to be engaged with. It’s a beautifully written play.”

Lance Gardner, Marin Theatre’s Artistic Director since October of 2023, shares McNeal’s enthusiasm for “Yaga.”

“I’m excited to share something new and unknown to our audiences,” he says, noting that the production marks the play’s U.S. premiere.

“This is a show by a Canadian playwright that’s been produced twice in Canada, but never in the United States, until now,” Gardner says. “When I was planning the season, looking for plays that are new to me and new to the Bay Area – but not necessarily a brand-new play—I thought that, probably, very few people were looking at Canada. A lot of great art and culture comes out of Canada.”

The first time he read “Yaga,” he says, he was so impressed that he decided, by the time he reached the final page, to add the show to this year’s season, his first full season as AD.

Asked if putting the 2024/2025 season was about finding five plays that fit together in some way, or work to tell a larger story or celebrate the visions of a particular category of playwright, Gardner says that for him, it’s all about just finding five great plays.

“If that means they have no apparent relationship to each other, that’s all right,” he says, “but I do pay attention to themes and balance.” The plays he was drawn to while planning this season just happened to have in common with the power or disempowerment of women.

“They either had a feminist edge,” he says, “or told an important female story that we all felt was important for our time and place.”

The other shows in the season begin in the new year with Harley Granville-Barker’s sprawling 1907 political drama “Waste,” banned in Edwardian England for its themes of religious hypocrisy, sex, abortion, suicide and political corruption (February 6 – March 2, 2025). It will be followed by “Mrs. Krishnan’s Party” (March 19-30), by Jacob Rajan and Justin Lewis.

Designed as an interactive theatrical experience, the play—about the South Indian proprietor of a New Zealand convenience store where an elaborate harvest festival party is about to take place—was created by the New Zealand theater company India Ink. Audience members will choose from four different seating arrangements, according to how involved they want to be in the party.

From April 16-May 4, Marin Theatre will present Billy Barrett and Ellice Stevens’ “It’s True, It’s True, It’s True,” another U.S. premiere. Based on a historical courtroom drama from 1612 Renaissance Rome, the play examines the sensational sexual assault accusation of 17-year-old painter Artemisia Genteleschi against Italian seascape painter Agostino Tassi.

The season will conclude with the Bay Area premiere of Mara Nelson-Greenberg’s “Do You Feel Anger” (June 5-29), described as a “hilarious dark comedy about modern workplace culture,” following a newly hired “empathy coach” named Sofia at a dysfunctional debt collection agency.

“I don’t think anyone expected the plays I chose to bring this season,” Gardner says. “And I think they will be delighted.”

As for “Yaga,” Gardner recognizes that the play fits neatly into the fascinating current cultural interest in witches, as powerful and potentially dangerous, but ultimately wronged, figures whose magic is inseparable from their existence as women. From “Wicked” to “Agatha All Along,” witches are suddenly a thing again, and generally a positive thing.

“I think that the character of the witch has been wielded against women for so long that we’ve reached a point in the history of feminism,” he says, “that it’s time for women to claim that archetype for themselves and turn the table on the story. Much in the same way that queer communities, and Black communities and other groups of people who’ve been undermined and oppressed have reclaimed language and stereotypes about them, it’s clearly time for women to reclaim the archetype of the witch. Kat Sandler’s “Yaga” does exactly that, in a beautiful and entertaining and extremely exciting way.

The sense that a reclaimed feminine power is calling the shots in this play is an idea that McNeal has come to embrace wholly. As written, KuveNiemann, a man, embodies two of the play’s 14 characters, leaving McNeal and Clausen to divvy up the rest.

“We each play characters in service of framing the stages of being a woman – the maiden, the mother, the crone,” she says. “But this play holds that in a much larger context. It’s not just how our society might view those three roles of women. But we all play different roles in our lives.”

This brings her back to the excitement of playing so many characters in a single show.

“I think the audience gets a kind of titillating experience,” she says, “knowing more than the characters do in each new scene, recognizing that the same person that just played someone else is now playing this new character.”

All of those character switches, while a huge challenge for a performer, are not a test of acting ability alone, McNeal points out. The backstage folks who assist with the show’s many quick changes are a big part of making all that magic possible. To honor their contributions, McNeal says, they will come out with the actors to take the final curtain call at the end of the play.

“It’s just the right thing to do,” she says. “Without them, we could not do this, for real. They are part of the magic as much as the rest of us. The magic in this show is a group effort because, let’s face it, the best, most powerful magic is always a group effort.”

Marin Theatre’s “Yaga” opens for previews on Thursday, Oct. 10, will premiere on Tuesday, October 15, and will run through Sunday, November 3. For showtimes, prices, and special events, visit MarinTheatre.org.

‘Simply Said’ Series at The Lark Features Improv Storytellers

They say the pen is mightier than the sword, but what about spoken word? 

Well…starting this October at The Lark in Larkspur, local storytellers, lovers and listeners can attend and possibly even perform their own stories in the new improvisational storytelling series aptly dubbed “Simply Said.”

“Simply Said” aims to entertain and delight audiences through the power of spoken word. The Lark is set to hold one new “Simply Said” event on the third Tuesday of each month. October’s opening night is already sold out. But next month and all those following offer guests the unique opportunity to not only hear the tales of amateur and professional storytellers but also to participate.

Corey Rosen, an iconic celebrity storyteller based in the Bay Area, hosts “Simply Said.” Many may recognize Rosen as the host of The Moth StorySlams and GrandSlams, though Rosen has also appeared on The Moth Radio Hour, Alice Radio’s The Sarah and Vinnie Show and KFOG’s podcast, The Finch Files.

“What I enjoyed most about [performing improv] is that it gives an opportunity to get on stage and be creative, but the format of it takes away some of the burden of an actor’s life and preparation,” Rosen explained. “…all the rehearsals and intensive memorization processes are absent, and I always enjoyed the true spontaneity of an improvisational performance.”

Rosen lauded The Lark’s evolution in recent years.

“The Lark Theater is an incredible space,” said Rosen. “Knowing they went through this evolution and renovation to revamp their content…since the pandemic is inspiring. Paige Rodgers had been pitching this idea to Ellie [Mednik, executive director] at the Lark Theater. She was delighted to tell me something was happening.”

“I credit The Lark and Paige for having this vision and saying, ‘Let’s do it ourselves,’” he continued. “My hope with [‘Simply Said’] is not to mimic what we do at The Moth, but to find our own show and spirit of the local community and to bring out and draw out all the different, diverse voices of all ages and all life experiences to really discover and learn about each other.”

No prerequisites are required to qualify to tell a story at “Simply Said.” Professional, semi-professional or completely unprofessional storytellers are equally welcome to attend and regale the audience with true, hopefully mostly unscripted, stories. Being selected to spin one’s yarn onstage is as easy as putting one’s name into a hat and letting chance (i.e., a random drawing of names from hats) handle the rest. Those who do not wish to tell stories and simply want to come out and listen are just as welcome to “Simply Said” as those who are chomping at the bit to tell their tale.

All one has to do to participate in “Simply Said” is follow a few simple rules, best explained by Rosen himself:

“The first is going to sound obvious, but it should be a story you tell,” began Rosen. “By story, I mean that something has changed, something incited some exploration or adventure or whatever it is, and the teller was in some way different or changed on the other side, which is different from an anecdote…since a story involves some kind of change or reflection. We really want to believe your story is true, so be vulnerable and candid. Don’t just say what happened; say how it affected you emotionally and how you were processing it.” 

Also, no notes are allowed.

“We want you to tell your story, not memorize it. It happens often enough where somebody has prepared their story ahead of time, and they’re sitting reading a printout in the audience like they’re preparing for a test,” said Rosen. “Then they get onstage, and they kill the first paragraph, but then their eyes just go huge, and you sense that they’re frozen because they forgot their notes and what comes next…almost every time this happens, the audience starts to clap without being told, and they encourage [the storyteller] to go on.”

According to Rosen, the beauty of improvisational storytelling is in the imperfection of each person’s presentation. After all, connection and intimacy aren’t based on perfection but on a shared sense of community and understanding of the peaks and pitfalls of the human condition.

“My hope for ‘Simply Said’ is that you hear people tell stories that are vulnerable and real and that people are inspired to tell their stories and share in their lives,” Rosen noted. “I feel like in the modern era and age, there’s every different kind of telling stories extreme short-form like on social media…and long-form like writing…but there still is no substitute for in-person storytelling; it’s the proverbial campfire for passing on our learnings, survival, histories that really connects us.”

“The [Simply Said] show hasn’t even started yet, and…it’s already sold out for our opening night (Oct. 15),” said Rosen. “There’s been so much heat and interest in this kind of thing, which validates what I’ve been feeling this whole time—that communities want this sort of outlet to connect. And the best way to connect communities is through stories, both telling and listening.”

“This is storytelling, its humanity, spontaneity, being in the moment, and my hope is that people come out and listen and connect,” Rosen concluded. “I know people are going to have come prepared, but I want people to come out and relax and enjoy it. If you’re only worried about how you’re going to tell your story, then you’ll miss out on eight other great stories.”

The next ‘Simply Said’ will occur on Tuesday, Nov. 19. General admission is $25, though members of The Lark may attend for $20. The Lark is located at 549 Magnolia Ave. in Larkspur. To learn more, visit the website at larktheater.net or call 415.924.5111.

Young Tiburon Entrepreneur Runs Holistic Retreat Center

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Athena Koh Goldstein runs a holistic private retreat center for families up in Tiburon. Oh, and she’s still in high school.

What do you do?  

I’m the co-founder of JAR Farms. My brother, Jack, manages the facilities while I own the hospitality end of the farm. I’m also the beekeeper at the farm, and I’m a senior at Redwood High School.

Where do you live?  

Tiburon, just past downtown.

How long have you lived in Marin?   

My whole life! 

Where can we find you when you’re not at work? 

You might find me thrifting at places like the Alameda Flea Market or the French Antique Market in San Rafael. You’ll also see me with my friends at Stinson Beach, the Tiburon Library and hiking Ring Mountain.

If you had to convince someone how awesome Marin is, where would you take them? 

JAR Farms! After that, we’d visit Sol Food for dinner and then the Marin Headlands or Bo Ridge during sunset. 

What’s one thing Marin is missing? 

Korean food.

What’s one bit of advice you’d share with your fellow Marinites? 

We need to learn how to care. Apathy is the real pandemic.

If you could ask anyone to join you at dinner, who would you invite? 

Ruth Bader Ginsburg. I would ask lots of questions—-so many questions.

What’s some advice you wish you knew 20 years ago? 

Well, 20 years ago, I was negative three, but I wish I had known earlier how much fun it is to give first to the community—no questions asked—and see the magic happen. We set up an honor bar at the farm last year, and dozens of cyclists go by each day, leaving us notes of appreciation for the snacks. From the donations, we were able to buy a high-quality bike repair station, which we’ll be dedicating to the community

What’s something that 20 years from now will seem cringeworthy? 

Cancel culture.

Big question. What’s one thing you’d do to change the world? 

I think it’s easy to feel hopeless and insignificant today. If I could, I’d convince everyone that they as one individual can do something to make a difference. My generation laments how older generations have destroyed the planet, but we’re huge consumers of fast fashion and fast furniture. If each of us made an effort to upcycle just one thing every single day, we could move the needle. 

Keep Jan. 25, 2025 open: JAR Farms will host a fundraiser to showcase upcycled furniture rehabbed by local art students. Learn more at jarfarms.com.
To see what Nish Nadaraja is up to, check out @IveGotNissues on Instagram.

Free Will Astrology: Week of Oct. 9

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ARIES (March 21-April 19): In the coming weeks, you may be tempted to spar and argue more than usual. You could get sucked into the fantasy that it would make sense to wrangle, feud and bicker. But I hope you sublimate those tendencies. The same hot energy that might lead to excessive skirmishing could just as well become a driving force to create robust harmony and resilient unity. If you simply dig further into your psyche’s resourceful depths, you will discover the inspiration to bargain, mediate and negotiate with élan. Here’s a bold prediction: Healing compromises hammered out now could last a long time.

TAURUS (April 20-May 20): Question #1: “What subjects do you talk about to enchant and uplift a person who’s important to you?” Answer #1: “You talk about the feelings and yearnings of the person you hope to enchant and uplift.” Question #2: “How do you express your love with maximum intelligence?” Answer #2: “Before you ask your allies to alter themselves to enhance your relationship, you ask yourself how you might alter yourself to enhance your relationship.” Question #3: “What skill are you destined to master, even though it’s challenging for you to learn?” Answer #3: “Understanding the difference between supple passion and manic obsession.”

GEMINI (May 21-June 20): In 1819, Gemini entrepreneur Francois-Louis Cailler became the first chocolatier to manufacture chocolate bars. His innovation didn’t save any lives, cure any diseas or fix any injustice. But it was a wonderful addition to humanity’s supply of delights. It enhanced our collective joy and pleasure. In the coming months, dear Gemini, I invite you to seek a comparable addition to your own personal world. What novel blessing might you generate or discover? What splendid resource can you add to your repertoire?

CANCER (June 21-July 22): Ayurnamat is a word used by the Inuit people. It refers to when you long for the relaxed tranquility that comes from not worrying about what can’t be changed. You wish you could accept or even welcome the truth about provocative situations with equanimity. Now here’s some very good news, Cancerian. In the coming weeks, you will not just yearn for this state of calm, but will also have a heightened ability to achieve it. Congratulations! It’s a liberating, saint-like accomplishment.

LEO (July 23-Aug. 22): Healing will be more available to you than usual. You’re extra likely to attract the help and insight you need to revive and restore your mind, soul and body. To get started, identify two wounds or discomforts you would love to alleviate. Then consider the following actions: 1. Ruminate about what helpers and professionals might be best able to assist you. Make appointments with them. 2. Perform a ritual in which you seek blessings from your liveliest spirit guides and sympathetic ancestors. 3. Make a list of three actions you will take to make yourself feel better. 4. Treat this process not as a somber struggle, but as a celebration of your mounting vitality.

VIRGO (Aug. 23-Sept. 22): The Beatles were the best-selling band of all time and among the most influential, too. Their fame and fortune were well-earned. Many of the 186 songs they composed and recorded were beautiful, interesting and entertaining. Yet none of the four members of the band could read music. Their brilliance was intuitive and instinctual. Is there a comparable situation in your life, Virgo? A task or skill that you do well despite not being formally trained? If so, the coming months will be a good time to get better grounded. I invite you to fill in the gaps in your education.

LIBRA (Sept. 23-Oct. 22): In 2010, Edurne Pasaban became the first woman to climb the world’s tallest 14 mountains, reaching the top of Shishapangma in China. In 2018, Taylor Demonbreun arrived in Toronto, Canada, completing a quest in which she visited every sovereign nation on the planet in 18 months. In 1924, explorer Alexandra David-Néel pulled off the seemingly impossible feat of visiting Lhasa, Tibet, when that place was still forbidden to foreigners. Be inspired by these heroes as you ruminate about what frontier adventures you will dare to enjoy during the next six months. Design a plan to get all the educational and experimental fun you need.

SCORPIO (Oct. 23-Nov. 21): Alnwick Garden is an unusual network of formal gardens in northeast England. Among its many entertaining features is the Poison Garden, which hosts 100 species of toxic and harmful plants like hemlock, strychnine and deadly nightshade. It’s the most popular feature by far. Visitors enjoy finding out and investigating what’s not good for them. In accordance with astrological omens, Scorpio, I invite you to use this as an inspirational metaphor as you take inventory of influences that are not good for you. Every now and then, it’s healthy to acknowledge what you don’t need and shouldn’t engage with.

SAGITTARIUS (Nov. 22-Dec. 21): Sagittarian Tom Rath is an inspirational author who at age 49 has managed to stay alive even though he has wrangled with a rare disease since he was 16. He writes, “This is what I believe we should all aim for: to make contributions to others’ lives that will grow infinitely in our absence. A great commonality we all share is that we only have today to invest in what could outlive us.” That’s always good advice for everyone, but it’s especially rich counsel for you Sagittarians in the coming months. I believe you will have a special capacity to dispense your best gifts to those who need and want them.

CAPRICORN (Dec. 22-Jan. 19): Capricorn writer Susan Sontag was a public intellectual. She was an academic with a scholarly focus and an entertaining commentator on the gritty hubbub of popular culture. One of my favorite quotes by her is this one: “I like to feel dumb. That’s how I know there’s more in the world than me.” In other words, she made sure her curiosity and open-mindedness flourished by always assuming she had much more to learn. I especially recommend this perspective to you in the coming weeks.

AQUARIUS (Jan. 20-Feb. 18): The Salem Witch Trials took place in Massachusetts from 1692 to 1693. They were ignorant, superstitious prosecutions of people accused of practicing witchcraft. The modern holiday known as Freethought Day happens every October 12, the anniversary of the last witch trial. The purpose of this jubilee is to encourage us to treasure objective facts, to love using logic and reason, and to honor the value of critical thinking. It’s only observed in America now, but I propose we make it a global festival. You Aquarians are my choice to host this year’s revelries in celebration of Freethought Day. You are at the peak of your ability to generate clear, astute, liberating thoughts. Show us what it looks like to be a lucid, unbiased observer of reality.

PISCES (Feb. 19-March 20): A YouTube presenter named Andy George decided to make a chicken sandwich. But he didn’t buy the ingredients in a store. He wanted to make the sandwich from scratch. Over the next six months, he grew wheat, ground it into flour and used it to bake bread. He milked a cow to make cheese and butter. He got sea salt from ocean water and grew a garden of lettuce, cucumber, tomato and dill for toppings. Finally, he went to a farm, bought a chicken, and did all that was necessary to turn the live bird into meat for the sandwich. In describing his process, I’m not suggesting you do something similar. Rather, I’m encouraging you to be thorough as you solidify your foundations in the coming months. Gather resources you will need for long-term projects. Be a connoisseur of the raw materials that will assure future success in whatever way you define success.

Homework: What have you denied yourself even though it would be good for you? Write a note giving yourself permission. Newsletter.FreeWillAstrology.com

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Free Will Astrology: Week of Oct. 9

Free Will Astrology: Week of Oct. 9
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