The Entrepreneurial Impact of Corte Madera’s Zachary Kushel

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As a semi-retired startup guy myself, I was immediately drawn to what Zachary Kushel and his team are up to at Marin Sonoma Impact Ventures, a local social enterprise that builds community for Marin and Sonoma entrepreneurs.

What do you do?  I lead MSIV, our community’s first regional venture capital fund. We provide local startup founders the support they need to build the next great North Bay companies.

Where do you live? Corte Madera.

Where can we find you when you’re not at work? Chasing around my two little boys—five-year-old Noah and seven-year-old Nat. When I have a few moments, I try to steal a quick hike up the Dawn Falls Trail in Larkspur.

How long have you lived in Marin? I grew up in New Jersey, and I moved with my wife to Marin from San Francisco in 2016.

If you had to convince someone how awesome Marin is, where would you take them?

Start in the Marin Headlands and head out to the Muir Beach Overlook, hoping for a clear day. Go north up the 1 to Tomales Bay, stopping in Point Reyes Station for a coffee and snack and continuing up to Nick’s Cove for lunch. If you’ve made it that far, you’ve already won the day.

What’s one thing Marin is missing?

Marin is a desert for ice rinks for figure skating and hockey—central Marin is 45 minutes to the closest one in each direction.

What’s one bit of advice you’d share with your fellow Marinites?

Robust local job creation is key to combating many of our challenges—let’s prioritize economic opportunity right here at home.

If you could ask anyone to join you at dinner, whom would you invite? 

My wife, Valerie—between kids and work, we don’t get nearly as many date nights as we used to.

What’s some advice you wish you knew 20 years ago? 

Personal success can only be defined by you, not by society, your peers or your family. 

What’s something that 20 years from now will seem cringeworthy? 

Our two-party system. We wouldn’t stand for two private entities having a complete duopoly on any industry, yet we let it hover over our democracy.

Big question. What’s one thing you’d do to change the world? 

Elect leaders who put country over personal ambition and party—we need a healthy America to have any shot at a peaceful world.

Keep up with Kushel and his work at msivfund.com.

Nish Nadaraja was on the founding team at Yelp and posts random stuff at @IveGotNissues.

Terry Gross ignited by improvised jams

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Terry Gross just released Huge Improvement, an album of tunes based around their improvised jams. The band is a trio—bass player Donny Newenhouse, guitarist Phil Manley and drummer Phil Becker—of longtime veterans of the Bay Area music scene. They own and operate San Francisco’s El Studio, where they produce albums and record dozens of local bands, including their own.

“I got interested in recording in high school, after having an experience recording at someone’s home studio,” Newenhouse said. “The results were less than ideal. I thought, ‘Hey, I could do better than this.’ Plus, I was always fascinated with gear—the knobs, mics, tape machines; all of it.”

Manley said, “I’ve played in bands since junior high school. Production was just a natural byproduct of making music.” He hooked up with Newenhouse and started El Studio.

As Becker’s career progressed, he began recording the bands he was in. His interest in production snowballed from there. He joined El Studio in 2014, and the trio started jamming to test out their equipment. The band happened spontaneously.

“Our songwriting process is to jam, then arrange,” Newenhouse said. “The only jam on Huge Improvement, in its original form, is ‘Full Disclosure.’ The rest are compositions born from improvisations, ‘produced’ in the editing process, then added to, reworked and re-recorded. We leave room for the lyrics/melodies as the song evolves, but thematically, that has usually come later.”

The tunes on Huge Improvement pack a lot of musical expression. “Sheepskin City” protests the ongoing gentrification of San Francisco. It’s propelled by Manley’s shimmering guitar, crashing chords and a relentless pulse, driven by the rhythm section of Newenhouse and Becker. The lyrics are full of historical, political and sci-fi references. Manley and Newenhouse add a taste of country to their close harmonies. “I grew up listening to the Carter Family,” Manley said. “Those harmonies come naturally.”

“Full Disclosure” is an unedited slow jam, a showcase for Manley’s guitar, with melodies drifting in and out of phase-shifted chords, buzzing overtones and a hook played by Newenhouse’s bass, accented by Becker’s sizzling cymbals.

The lyrics of “Effective Control” describe life on Earth, from its beginnings to its current struggle with technology and possible extinction. A stuttering guitar pulse and measured beat offset verses that sound like a dystopian hit from the ’80s. Manley’s guitar is full of hissing echoes that slowly shift to short staccato chords, then come to a crashing end.

Before they formed Terry Gross, the partners played in other bands. Becker grew up in Rib Lake, Wisconsin. “There was always music playing in our house,” he said. “It was often a sister practicing piano. I had a drum kit made of pillows for a long time.

“When I was 12 or so, the high school band director let me take a snare drum home, but almost everything came from playing along to my favorite albums,” he added. “It was a slow, gradual, enjoyable grind. In Terry Gross, I play aggressive rock with experimental and noise influences, presented as a soundtrack to your evening commute.”

Manley grew up in Washington, DC. “My mom had a classical guitar hanging on the wall at home,” he said. “I picked it up and started figuring out Rolling Stones and CCR songs. I played in cover bands in high school. Eventually, it became more inspiring to write my own music.” After coming to San Francisco, he began learning production. “I consider guitar my main instrument, but I also play bass and keys,” he said.

Newenhouse grew up in Santa Cruz. “I played drums on my bed, with magic markers or pencils. I was adopted from birth. My parents weren’t musical, but I met my biological family in my early 20s; they all are musicians or artists,” he said.

“Going to see punk/thrash bands at Santa Cruz Vets Hall was formative,” he continued. “I kept playing in bands after moving to San Francisco and eventually started El Studio with Phil [Manley]. Phil Becker and I played in a band that was winding down. Since we were all buddies, we thought, ‘Well hey, maybe we should jam a bit?’ That was pretty much it.”

When Terry Gross plays live, they leave a lot of space to explore what’s happening in the moment. “Songs like ‘Full Disclosure’ are pretty open-ended,” Manley said. “Even the more composed songs have spaces which are open improvisation.”

Terry Gross will play their last show of 2024 on Saturday, Dec. 7, at 7pm at the Ivy Room, 860 San Pablo Ave., Berkeley. 510.526.5888.

Free Will Astrology: Week of Dec. 4

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ARIES (March 21-April 19): Blaming others for our problems is rarely helpful. If we expend emotional energy focusing on how people have offended and hurt us, we diminish our motivation to heal ourselves. We may also get distracted from changing the behavior that ushered us into the mess. So yes, it’s wise to accept responsibility for the part we have played in propagating predicaments. However, I believe it’s also counterproductive to be relentlessly serious about this or any other psychological principle. We all benefit from having mischievous fun as we rebel against tendencies we have to be dogmatic and fanatical. That’s why I am authorizing you to celebrate a good-humored Complaint Fest. For a limited time only, feel free to unleash fantasies in which you uninhibitedly and hilariously castigate everyone who has done you wrong.

TAURUS (April 20-May 20): What you are experiencing may not be a major, earthshaking rite of passage. But it’s sufficiently challenging and potentially rewarding to qualify as a pivotal breakthrough and turning point. And I’m pleased to say that any suffering you’re enduring will be constructive and educational. You may look back at this transition as a liberating initiation. You will feel deep gratification that you have clambered up to a higher level of mastery through the power of your intelligent love and feisty integrity.

GEMINI (May 21-June 20): You are now about halfway between your last birthday and next birthday. In the prophecy industry, we call this your Unbirthday Season. It is usually a time when you receive an abundance of feedback—whether you want it or not. I encourage you to want it! Solicit it. Even pay for it. Not all of it will be true or useful, of course, but the part that is true and useful will be very much so. You could gather a wealth of information that will help you fine-tune your drive for success and joy in the months to come.

CANCER (June 21-July 22): Legend tells us that the Buddha achieved enlightenment while meditating beneath the Bodhi Tree in Bihar, India. He was there for many weeks. At one point, a huge storm came and pelted the sacred spot with heavy rain. Just in time, the King of Serpents arrived, a giant cobra with a massive hood. He shielded the Buddha from the onslaught for the duration. Now I am predicting that you, too, will receive an unexpected form of protection and nurturing in the coming weeks. Be ready to open your mind about what help looks and feels like. It may not be entirely familiar.

LEO (July 23-Aug. 22): In written form, the Japanese term oubaitori is comprised of four kanji, or characters. They denote four fruit trees that bloom in the spring: cherry, plum, peach and apricot. Each tree’s flowers blossom in their own sweet time, exactly when they are ready, neither early nor late. The poetic meaning of oubaitori is that we humans do the same: We grow and ripen at our own unique pace. That’s why it’s senseless to compare our rate of unfoldment to anyone else’s. We each have our own timing, our own rhythm. These ideas are especially apropos for you right now, Leo.

VIRGO (Aug. 23-Sept. 22): I hope you will hunker down in your bunker. I hope you will junk all defunct versions of your spunky funkiness and seek out fresh forms of spunky funkiness. In other words, Virgo, I believe it’s crucial for you to get as relaxed and grounded as possible. You have a mandate to explore ultimate versions of stability and solidity. Shore up your foundations, please. Grow deeper roots. Dig down as deep as you can to strengthen and tone your relationship with the core of your being.

LIBRA (Sept. 23-Oct. 22): Every one of us is a hypocrite at least some of the time. Now and then, we all ignore or outrightly violate our own high standards. We may even engage in behavior that we criticize in others. But here’s the good news for you, Libra. In the coming weeks and months, you may be as unhypocritical as you have ever been. According to my analysis of the astrological omens, you are likely to be consistently faithful to your ideals. Your actual effects on people will closely match your intended effects. The American idiom is, “Do you practice what you preach?” I expect the answer to that question will be yes as it pertains to you.

SCORPIO (Oct. 23-Nov. 21): Author George Orwell advised us that if we don’t analyze and understand the past, we are likely to repeat the mistakes of the past. Alas, few people take heed. Their knowledge of our collective history is meager, as is their grasp of recurring trends in their personal lives. But now here’s the good news, dear Scorpio: In the coming months, you will have exceptional power to avoid replicating past ignorance and errors—IF you meditate regularly on the lessons available through a close study of your life story.

SAGITTARIUS (Nov. 22-Dec. 21): In his song “Voodoo Child,” Sagittarian musician Jimi Hendrix brags, “Well, I stand up next to a mountain / And I chop it down with the edge of my hand.” I encourage you to unleash fantasies like that in the coming days, Sagittarius. Can you shoot lightning bolts from your eyes? Sure you can. Can you change water into wine? Fly to the moon and back in a magic boat? Win the Nobel Prize for Being Yourself? In your imagination, yes you can. And these exercises will prime you for an array of more realistic escapades, like smashing a mental block, torching an outmoded fear and demolishing an unnecessary inhibition or taboo. To supercharge your practical power, intensify your imagination’s audacity.

CAPRICORN (Dec. 22-Jan. 19): The name of my column is “Free Will Astrology” because I aspire to nurture, inspire and liberate your free will. A key component in that effort is to help you build your skills as a critical thinker. That’s why I encourage you to question everything I tell you. Don’t just assume that my counsel is always right and true for you. Likewise, I hope you are discerning in your dealings with all teachers, experts and leaders—especially in the coming weeks and months. You are in a phase of your cycle when it’s even more crucial than usual to be a good-natured skeptic who poses exuberant, penetrating questions. To serve your soul’s health, refine your practice of the art of creative rebellion.

AQUARIUS (Jan. 20-Feb. 18): Be like a beautifully made fountain that people love to visit, Aquarius. Not like a metaphorical geyser or stream or waterfall out in the natural world, but a three-tiered marble fountain. What does that entail? Here are hints. The water of the fountain cascades upward, but not too high or hard, and then it showers down gently into a pool. Its flow is steady and unflagging. Its sound is mellifluous and relaxing. The endless dance of the bubbles and currents is invigorating and calming, exuberant and rejuvenating. Be like a fountain.

PISCES (Feb. 19-March 20): Around this time of year, persimmon trees in my neighborhood have shed their leaves but are teeming with dazzling orange fruits. Pomegranate trees are similar. Their leaves have fallen off but their red fruits are ready to eat. I love how these rebels offer their sweet, ripe gifts as our winter season approaches. They remind me of the current state of your destiny, Pisces. Your gorgeous fertility is waxing. The blessings you have to offer are at a peak. I invite you to be extra generous as you share your gifts with those who are worthy of them—and maybe even a few who aren’t entirely worthy.

Homework: What can you make or do in 2025 that you have never made or done before? Start dreaming. Newsletter.FreeWillAstrology.com

No Strings Attached: Marin Theatre gets puppetry

Last August, when Jackie Katz took on the role of director of education for Marin Theatre, she came to the position with loads of creative ideas. One of them did not take long to put into action.

Puppets.

“I love puppets,” Katz confirmed. “I knew I wanted to create something here at Marin Theatre where kids and families got to experience the beauty and excitement of puppetry as an art form.”

Katz, whose official bio refers to her as a “radical educator, human rights activist and social practice artist,” has spent the last several years teaching private and public school classes in San Francisco. She’s also taught college-level theater courses in San Quentin Prison. She is the founder Teatro Almas Libres, a group formed to promote and improve the rights and financial situations of LatinX women, domestic workers, farmworkers and artists in Sonoma County.  

Beginning this month, under Katz’s guidance, the Marin Theatre education program is launching its new “Saturday Series,” a monthly lineup of puppet-focused theatrical events for young people, families and puppet-loving adults.

“I was a drama teacher for 15 years, and I taught political puppetry,” Katz said shortly after announcing the first three shows in the new program. (Each employs a different form of puppetry, with all three events paired with a hands-on puppetry workshop designed for the whole family.) “It’s my favorite form that theater takes. I knew that I wanted to engage local puppet artists and connect them with Marin audiences.”

The first show in the series, taking place on Saturday, Dec. 7, is titled Agents of Change. It is presented by Possibly Puppets Handmade Theatre Company and directed by Berkeley-based puppeteer Risa Lenore. Agents of Change features articulated anthropomorphic puppets in the form of carrots.

“Yes,” Katz said, unable to suppress a delighted giggle. “The subtitle is ‘Lizards, Carrots, Noodles, OH! MY!’ Lenore, the puppeteer, is absolutely brilliant. I’ve known her for years. She’s a tremendous performer, writer and teacher. I think that a lot of her skills as a teacher and a storyteller come out in the show. And the puppets themselves, all made out of recycled materials, are incredibly beautiful.”

Agents of Change includes the contribution of a live musician, something that sets it apart from the average Punch & Judy show. The performance, held in Marin Theatre’s 99-seat black box space, will be followed by a 90-minute family puppet-making workshop. 

“The workshop, just like the puppets that everyone will have seen in the show, will be using only recycled and reclaimed materials,” Katz said. “As a teacher, I understand how powerful it can be to make a shadow puppet with a manila folder and a pair of scissors and a stick, the wonder and awe that can happen when you say to young people, ‘Look how easy it is to make a character come to life.’”

She pointed out that each show in the series is paired with a hands-on workshop afterward. 

“It can be so transformative for young people to see and know what it’s like to do this work themselves,” Katz noted. 

For the second show in the series, a free event at the Mill Valley Library on Jan. 11, Vallejo’s Michael and Valerie Nelson of Magical Moonshine Puppets will present Puppylocks and The Three Bears. Using traditional Bohemian-style marionettes, the hour-long show is a clever reimagining of the classic tale. Goldilocks, now a playful puppy, causes a series of hilarious mishaps in the home of three teddy bears, who are off at the Teddybear Circus.

“It’s really about finding new meaning in old stories,” Katz said, succinctly summarizing the subtext of the play. “It’s a celebration and encouragement of the imagination, which can inspire a belief that we can make changes in the world. I personally think that when young people are given access to creativity and imagination, they can use that as a tool to build change.”

The third show in the series, returning to Marin Theatre and taking place on Feb. 15, is titled The Endless End, performed by Lydia Greer, founder of the artist collective Facing West Shadows. Using found footage film clips, shadow puppetry, stop motion animation and a complex musical soundscape, the story—if that’s the right word for something taking place in segments happening all around the audience at once—explores themes of interconnectedness in nature, and humanity’s role “as prey, predator, caretaker and destroyer.” 

“It’s really neat, and sort of STEM-based,” Katz explained. “It’s really an exploration of extinction, putting the audience into the middle of this experience, showing how and why certain animals and insects are becoming extinct, all done through a lens of shadow puppetry.”

Though so far only these three shows have been announced, Katz feels positive that the series will prove popular among Marin County families. She’s already working on expanding it into a monthly program that will last year-round and believes she will have no trouble finding a wide variety of puppet artists to bring to Marin Theatre.

 “I’m really excited about using the puppetry talent and energy that lives right here in the Bay Area,” Katz stated. “There are a lot of new artists, just beginning their careers, and plenty others that have been practicing their craft for decades. I look forward to eventually extending the reach to other companies outside of the area, possibly bringing in artists like Boxcutter Collective and others.”

As much fun as she expects the puppet shows themselves to be, Katz believes the most important element of the series is the workshops. The optional activity, beginning at 1:30pm—giving everyone a chance to grab some lunch after the show—will cost an additional $15, and will be 90 minutes long.

“It’s so exciting, given how much young people are interacting with digital forms of art and creativity, to be able to showcase the absolutely awe-striking nature of simple, 2-D art, of paper and pencil art, and to give families an opportunity to experience something together in which they can be inspired by an artistic presentation and then sit down and make work like that side-by-side,” she said. 

Katz’s hope is that the audience leaves the post-show workshop with their new puppet inspired to tell stories themselves. As she observed, “The great thing about puppetry is how easy it is to believe and see how we can do that ourselves, to some degree, with just a sock puppet and an idea of a story.”

For information on Marin Theatre’s Saturday Series and to reserve tickets, visit MartinTheatre.org.

Congrats, Trumpers: What hath you wrought?

Dear Trump supporters—Congrats; your dreams came true. He’s back. You must be filled with MAGA pride when you read these recent headlines from The Washington Post: “Trump Team Weighs Pentagon Pick After Sexual Assault Allegation Surfaces;” “Global Health Experts Sound Alarm Over JFK, Jr., Citing Samoa Outbreak.”

Oops, I forgot, you don’t read the “fake news.” Facts are just so woke, aren’t they? 

Next year, because of your anger, the best people will soon be in charge of your health, your environment, your wives’ and daughters’ bodies, your libraries and your schools. 

Fluoride in your water? Gone. Contraception? Illegal. Books on the Civil Rights movement or any novel by Margaret Atwood or Kurt Vonnegut? Burn, baby, burn. Required Bible studies in public schools? Why not, as long as they are Trump’s “God Bless the USA Bible.” Attention to climate change? Drill, drill, drill. And if those libtard, tree-hugger, DEI crackpots dare take to the streets to protest? This time the U.S. military is standing by to bash in their heads.

So when the international tariffs take effect and the cost of your iPhones skyrocket, when the veggies and fruits are rotting in the fields because all the farmworkers are locked up in Stephen Miller’s concentration camps, and prices on your groceries spike, when all those unwanted babies born to underaged girls apply for welfare that doesn’t exist…

And when you become ill from fouled air and poisoned water, when your family doctor and your neighborhood librarian are arrested, when you see the bloated profits Trump and Elon will rake in during the next four years (or longer) as they plunder the U.S. Treasury, I do not want to hear any of your complaints or gripes. Just remind yourself that whatever happens, thank God you didn’t elect that damned woman of color.

Stephen J. Lyons commentaries have appeared in the Wall Street Journal, Chicago Tribune, Newsweek, Washington Post, USA Today and more.

Jesse Brewster gets ‘Confessional’ at Sweetwater

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Mill Valley

Jesse Brewster is throwing a party to celebrate 20 years of music at Sweetwater Music Hall in Mill Valley on Dec. 11, and the public is invited. The night marks the anniversary of his debut album, Confessional, which first dropped at Sweetwater Saloon back in 2004. Brewster, known for his work with the Jesse Brewster Band, Illeagles and more, will be joined by a killer lineup of guest artists, including Brad Brooks (MC5), Angeline Saris (Narada Michael Walden), James Nash (The Waybacks), Uriah Duffy (Whitesnake) and more. This celebratory evening will be jam-packed with everything from folk to rock to R&B. Plus, there’s a promise of a rotating rhythm section that’ll keep the crowd grooving all night long. With 20 years in the game, Brewster’s got enough musical talent to fill a stadium—or at least Sweetwater Music Hall—but he’s not showing off. (OK, maybe just a little.) The show is appropriate for all ages, so feel free to bring along some friends, family and maybe even grandma if she’s into rockin’ tunes. Doors open at 7pm, with the music kicking off at 8pm. Tickets are available now at sweetwatermusichall.com.

Petaluma

Over the River & Through the Art Show

Those who love art, history and local culture won’t want to miss out on the new IceHouse Gallery exhibition, “The Petaluma River,” which runs now through Dec. 2. This celebration of Sonoma’s art and artists features pieces pulled straight from The Petaluma River, a Sketch Journal & Brief Historical Overview, a collaboration between artist Alan Butler and historian Katherine J. Rinehart. Through Butler’s delicate sketches, watercolors and photographs, guests may see the very same river that runs through Petaluma today, captured with the eye of an architect and the heart of an artist. But this isn’t just a visual journey; it’s a walk through time. Rinehart’s historical insights weave together stories from early Indigenous settlements to the modern-day significance of this local riverside treasure. The book is available for purchase, with all proceeds supporting the Petaluma River Park and Friends of the Petaluma River. This exhibition is free to visit. The gallery is open daily from 11am to 5pm at 405 East D St. in Petaluma.

Occidental

One Grass, Two Grass, Redgrass, Bluegrass

It’s time to get those instruments tuned and prepare to tap those toes along to the beat at Bluegrass Jam Night at Occidental Center for the Arts, at 7pm on Tuesday, Dec. 3. Seasoned instrumentalists are just as welcome to join as beginners still learning how to strum their first chords at this local monthly jam session led by multi-instrumentalist David Pascoe. Participants may grab whatever instrument plucks their heartstrings, be it a fiddle, banjo, guitar or triangle, and join in as everyone takes turns picking songs and making music together. The Bluegrass Jam Night is the perfect way to connect with fellow music lovers in and around the vibrant musical community of Sonoma. A $5 donation is requested to help keep the good vibes going and the music flowing. Note that the event is accessible to mobility-challenged patrons, so everyone can join in on the musical magic. The Occidental Center for the Arts Bluegrass Jam Night is open-invite and is held on the first Tuesday of every month in the OCA classroom, located at 3850 Doris Murphy Ct. 

San Rafael

Some Like It Hot

Dec. 15 is the date to swing by the open house of none other than San Rafael’s Fire Station 51. This red-hot celebration will last from 10am to 1pm. Locals are invited to join the San Rafael Fire Department as they celebrate 150 years of keeping Marin’s citizens safe from California’s infamous fire season. Those attending the celebration can meet local heroes, take in some cool historical fire memorabilia and snap a few photos with the big red trucks while they’re at it. Guests will also get a chance to get a behind-the-scenes look at what it takes to fight fires and save the day. This open house fire station event is open to all ages, so the whole family can come out for a community-forward event to pepper into that holiday calendar. Chances are, attendees will walk away with some community spirit, a lesson in Marin’s history and serious respect for the firefighters behind the hoses. So, it’s almost that time to come on out and raise a hose to San Rafael’s historical Station 51 as they celebrate 150 years of community, courage and, of course, keeping Marin a safe and fire-free county. The event is free and will be held at 1375 Fifth Ave. in San Rafael.

Your Letters, 11/26

Root of All Imbeciles

Lots of post-mortem essays appear in various “news” sources these days. I’m going to go ahead and blame global capital for the mess that has driven Americans to unprecedented levels of national stupidity. 

Global capital is rootless. Rootless capital uproots people and communities, particularly in single-industry communities in red states.

Uprooted people do stupid things, like turn over the car keys to degenerate imbeciles, crackpots and oligarchs. 

So, there it is. Fix that one, Chuck Norris.

Craig J. Corsini

San Rafael

Shakespearean Tragedy

Before the inevitable palace intrigues commence and the media begins comparing the soon-to-be backstabbing Trump administration to Shakespearean tragedy, please realize that Trump’s cruel and dangerous outrageousness could not, even by Shakespeare (who is deft at turning swine into pearls), be fashioned into anything noble, wise, eloquent or courageous.

Please just call Trump what he is: a greedy, white-collar hooligan who has initiated, for his own profit, the tragedy of democracy’s demise.

Rob Loughran

Windsor

Rock Local, Heal Global at Benefit Concert Featuring Joan Osborne

In the heart of Mill Valley, the Sweetwater Music Hall’s stage is set for more than just a concert—it’s a celebration of resilience, community and the transformative power of music. 

On Monday, Dec. 9, Music Heals International (MHI) will host its annual benefit concert, Women Rock, Music Heals!, featuring multi-platinum artist Joan Osborne and a star-studded lineup of musicians.

While the event promises an unforgettable night of music, its true purpose is far more profound: raising funds and awareness for MHI’s mission to bring free music education to children in Haiti, India and Venezuela.

MHI was founded by Sara Wasserman, a singer-songwriter, recording artist and producer whose first forays into performing started with RatDog with her father, Grammy-winning bassist Rob Wasserman, and the Grateful Dead’s Bob Weir.

The organization is rooted in the belief that music is a universal language capable of healing and inspiring. 

“Music gives people a sense of meaning and belonging, which is a big form of healing as well,” Wasserman shared. Since its inception, MHI has used music to bridge divides and empower children living in extreme poverty, recovering from natural disasters or living with disabilities.

This year’s benefit carries extra weight, serving as both a tribute to the late Grateful Dead bassist Phil Lesh, who was a notable Marin presence, and a celebration of MHI’s growing legacy. As Wasserman put it, “We really wanted to do something to celebrate him. It ties so many musicians together who’ve supported MHI over the years. It’s an extended part of our community.”

The Healing Power of Music

For Osborne, the concert’s headliner, the theme of Music Heals resonates deeply. “The notion that music heals is something I’ve based my entire life on,” she explained. “It’s one of those magic things in this world that has so much power.”

Osborne, known for her soulful voice and hit single, “One of Us,” brings decades of experience to the stage and a personal connection to MHI’s work. While reflecting on her new album, which explores themes of personal loss and resilience, Osborne spoke about the cathartic power of music: “I thought I could either wall it off and make music that’s an escape, or I could use it as something that the music can deal with, reach across the divide. Maybe other people are dealing with the same things, too.”

Her involvement in this year’s concert feels serendipitous, not only because of her past collaborations with Lesh but also because of the synchronicity between her own artistic journey and MHI’s mission. 

Osborne, who worked with Lesh and the Grateful Dead during her time as a guest vocalist for The Dead in 2003, reflected on his profound impact. “Phil’s passing is sad, but he readily admitted that his liver transplant decades ago gave him more years than he ever expected. And he made the most of it,” she shared.

The benefit concert evening will include a performance by members of the Grateful Dead family, including David Nelson, Melvin Seals and Barry Sless, among others. Wasserman described how the spontaneity of these performances often creates magical moments. “We can plan and plan, but the shows kind of take on a life of their own. That’s the beauty of it,” she noted.

Local Roots, Global Impact

From its home base in Mill Valley, MHI has extended its reach to some of the world’s most vulnerable communities. “In Haiti, for example, we’ve worked with a community in Port-au-Prince for over a decade,” Wasserman said. “The program has brought the community together—families come out to support the children’s concerts.”

These programs do more than teach music. They foster teamwork, goal-setting and emotional resilience, all while promoting creativity. By focusing on these life skills, MHI helps children build the confidence they need to face life’s challenges. “We’ve seen the impact firsthand,” Wasserman emphasized. “Music has the ability to unify and create community instantly.”

The organization also supports young women in music—a theme reflected in this year’s benefit concert. The debut of the MHI Female All Stars, featuring musicians like Holly Bowling, Angeline Saris and Daria Johnson, underscores MHI’s commitment to empowering musicians in the communities it serves.

Perfect Venue

The Sweetwater Music Hall is a fitting venue for this celebration, given its history and connection to the Bay Area music scene. “It’s such an iconic space,” Wasserman said. “Every year, this concert feels like a homecoming.”

In addition to the performances, the evening will feature a VIP reception with early entry, an artist meet-and-greet and exclusive memorabilia. Proceeds from the event will directly support MHI’s programs, furthering its mission to bring music education to children in need.

For Wasserman, MHI’s work is deeply personal. “When my dad passed away, this work became an anchor for me,” she shared. “It made me want to work harder to continue the legacy he left and make sure his work lived on.”

This sense of legacy is also reflected in the children who’ve grown up in MHI’s programs. “We have students who started with us 10 years ago and are now teaching,” Wasserman said. “It gives them a sense of meaning and belonging, which is such a big part of healing.”

Osborne, too, sees music as a way to create connection and tell stories. Beyond her performance at the benefit, she’s been busy with a new album, a book proposal for a memoir and an upcoming live album from her Dylanology tour. “I feel privileged to be able to make music for a living,” she said. “Events like this remind me of how powerful music can be—not just for the performer, but for everyone involved.”

Despite her busy schedule, Osborne remains dedicated to using her platform for good. “I’ve always tried to get involved in giving back, whether through benefit concerts or other initiatives,” she said.

To that end, Wasserman is stoked.

“I’m so excited that Joan is coming. I love her personally as a musician, and I watched her on stage. She opened for Further all those years ago when my dad was with Weir,” she recalled.  “My dad and I would watch her during their set break. She’s amazing. I’m just really excited that she’s up for it.”

For tickets and more information, visit bit.ly/mhi-sweetwater.

‘Hall’ of Fame, San Anselmo’s Marc Quinones

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Marc Quinones is the co-owner of Kientz Hall in downtown San Anselmo. It’s one of my wife’s favorite restaurants in Marin, and we are there all too much, but not enough. Look for us on the roof deck, sharing the mezze plate and a lamb burger with crispy smashed potatoes on the side.

What do you do?  

I’m a girl dad, a husband, a son and a brother—so, I’m in the business of caring for people all the time. For me, hospitality and caring are one and the same—it’s all about making people feel welcome, whether at home or at the restaurant.

Where do you live?  

I live in San Anselmo—I love this town.

How long have you lived in Marin?   

We moved here 11 years ago, between our daughter’s kindergarten and 1st grade. She’s a senior now.

Where can we find you when you’re not at work? 

I enjoy walking downtown San Anselmo and through the flats. That said, enjoying the view from the hills is very much signature Marin.

If you had to convince someone how awesome Marin is, where would you take them? 

I’d take them and their dog to Limantour Beach, then oysters and a beer at Tony’s Seafood. 

What’s one thing Marin is missing? 

I think we could use more (OK, any) late-night dining spots. There’s something magical about a great meal after hours. But we’re a sleepy place, and I know it’s a pipe dream.

What’s one bit of advice you’d share with your fellow Marinites? 

Support your local businesses—it’s a use-it-or-lose-it proposition. And be kind to the young people who work there; they are learning to be like you.

If you could ask anyone to join you at dinner, whom would you invite? 

Probably my father. He passed long before I married, started a family or a business. What a trip that would be for both of us.

What’s some advice you wish you knew 20 years ago? 

Take risks sooner. Sometimes playing it safe is risky.  

What’s something that 20 years from now will seem cringeworthy? Workplace jargon like: “circling back,” “low-hanging fruit” and “synergy” might sound hilariously outdated. 

Big question. What’s one thing you’d do to change the world? 

Have families put down their phones and have dinner around the table together to connect IRL over a meal.  

Keep up with Quinones and Kientz Hall on Instagram at @kientzhall.

Nish Nadaraja was on the founding team at Yelp and posts random stuff at @IveGotNissues.

‘Maakon Yomi’ Exhibit Features Indigenous Art

Visitors can take a journey through the rich historical and cultural landscape of the North Bay’s Indigenous Coast Miwok and Southern Pomo when they view the “Maakon Yomi: Our Homelands of the Coast Miwok” exhibition happening right here in Marin. 

The exhibition features a diverse array of works, including intricate beadwork, basketry, paintings and clothing items, too. By displaying these pieces together in one place, the aim is to showcase the artistry of local Indigenous creators. 

Artists on display include Gloria Armstrong, Joseph Byron, Henry Frank, Silver Galleto, Nicole Jones, Robin Meely, Michelle Napoli and many others. Each piece reflects the artist’s unique connection to the land and the traditions of the Coast Miwok and Southern Pomo tribes, in the hope of offering a glimpse into the beauty, complexity and resilience of Indigenous cultures that have thrived in this region for centuries.

Curated by Eastern Pomo artist Meyo Marrufo, the “Maakon Yomi” exhibition brings together the work of various artists in order to carry forward the knowledge and traditions passed down by their ancestors. Marrufo’s own digital artwork explores themes of cultural preservation and features traditional basket patterns, ceremonial dances and more, all drawn from her personal connection to California’s own Yurok, Hupa, Maidu and Miwok peoples and their culture.

The exhibition is being hosted in the Bartolini Gallery of the Marin County Civic Center, a building that was actually constructed upon the ancestral lands of the Coast Miwok. More than just an art show, it is also a tribute to the history, resilience and ongoing contributions of Indigenous peoples local to the North Bay. 

By showcasing the work of more contemporary artists, “Maakon Yomi” hopes to offer a powerful reminder of the enduring connection between the land, the art and the Indigenous people who continue to shape and share Marin’s cultural heritage in the modern sphere (while still staying true to traditions of the past).

This educational exhibition is open to the public through the Bartolini Gallery up until Jan. 23 of next year. So, one should not miss out on the opportunity to take in this curated collection of contemporary Indigenous art that honors the rich legacy and ongoing presence of these local Native communities, whose roots run deep in the landscape of the North Bay.

The ‘Maakon Yomi: Our Homelands of the Coast Miwok’ exhibition is open 10am to 4pm Monday through Friday at the Bartolini Gallery, located at 10 Avenue of the Flags in San Rafael. Admission is free, and the gallery is fully accessible. For more details, visit MarinCenter.org.

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‘Hall’ of Fame, San Anselmo’s Marc Quinones

Marc Quinones is the co-owner of Kientz Hall in downtown San Anselmo. It’s one of my wife’s favorite restaurants in Marin, and we are there all too much, but not enough. Look for us on the roof deck, sharing the mezze plate and a lamb burger with crispy smashed potatoes on the side. What do you do?   I’m a girl...

‘Maakon Yomi’ Exhibit Features Indigenous Art

Visitors can take a journey through the rich historical and cultural landscape of the North Bay’s Indigenous Coast Miwok and Southern Pomo when they view the “Maakon Yomi: Our Homelands of the Coast Miwok” exhibition happening right here in Marin.  The exhibition features a diverse array of works, including intricate beadwork, basketry, paintings and clothing items, too. By displaying these...
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