Best of Marin 2025—Cast Your Votes

The Pacific Sun Best of Marin 2025 Readers Poll

For more than 60 years, the Pacific Sun has been Marin’s hype machine—spotlighting the tastemakers, scene-stealers, do-gooders and divine oddballs who make this place what it is. And now? It’s your turn to return the favor.

This year’s Best of Marin is rolling out in two acts:

Nominations open Monday, March 31 and run through Sunday, April 27—your chance to shout out your favorites and help get them on the ballot. Voters who submit at least 20 nominations will be entered in a sweepstakes to win $100 from Good Earth Natural Foods.

Then, final voting begins Monday, May 12, when the real showdown begins.

From Arts & Culture to Beer, Wine & Spirits; Cannabis to Families & Pets; Health & Beauty to Restaurants, Services and Shopping—we’ve got the county covered. The winners will be crowned in our biggest issue of the year, hitting stands August 14.

Nominate. Vote. Repeat. Let’s celebrate the best of Marin, as only Marin can.

VOTING GUIDELINES: We salute businesses with roots in our coverage area. Ballot stuffers, slate voters and businesses from elsewhere will be disqualified. Only one vote per person and one nomination per category. When voting for businesses with more than one location, you MUST name the location you are voting for, or your vote will be discarded. Only one nomination per category. Nominations end Sunday, April 27 at midnight.

Click Here to Get Started

Dinner Party: ‘Mrs. Krishnan’s’ in Mill Valley

There’s a balloon in the backseat of my car. It’s not my balloon; mine was lost during the group picture. It’s my friend’s balloon that I stole. 

We got the balloons when Mrs. Krishnan (Kalyani Nagarajan), the titular character of Mrs. Krishnan’s Party, was “upstairs” changing and James (Justin Rogers) was out “dealing with the shop.” Considering that the production currently playing on the Boyer stage (literally) at Marin Theatre through March 30 is a two-person play, one may have some questions. 

The first answer is no. No stagehands gave us balloons, and they weren’t under our seats. Like the scarves and garlands we all wore, the balloons were handed out by fellow party-goers or, in more traditional parlance, the audience. To be fair, we were all warned that depending on where we sat, there would be varying levels of audience interaction; after all, this is an Onam party.

James (a college student boarding with Mrs. Krishnan) is throwing the Onam party to celebrate the harvest festival and try out his DJ skills on a hundred or so paying guests. The problem is that he hasn’t told Mrs. Krishnan that he has cleared out her stock room and invited 100 strangers into her home a mere half hour before her precious son’s arrival and right after she has decided to sell the store. 

Inevitably, chaos ensues, wherein we discover the strength of an immigrant single mother, how necessary community can be, and most importantly, to label one’s identical-looking canisters. Both actors are stellar at embodying these characters and in audience management. 

The play was originally written and produced by Jacob Rajan and Justin Lewis (founders of New Zealand’s Indian Ink theater company). Directed by Lewis, it has been touring the U.S. for about five years now with the same two actors who originated the roles in New Zealand. It’s safe to say that they are ready for anything in the ensuing zaniness. 

Often, doing one role for that length of time can become stale both for the actor and the audience. However, Nagarajan and Rogers are a joy to watch. Their enthusiasm allows them to tell a compelling and truthful story while allaying any unease about being at an interactive theater piece.

Put those worries about audience interaction aside and join the party; there are a lot of laughs, good food and great performances. But hold on to that balloon so new friends don’t steal it.

‘Mrs. Krishnan’s Party’ runs through March 30 at Marin Theatre, 397 Miller Ave., Mill Valley. Tues-Sat, 7:30pm; Sat & Sun, 2pm. $10-$97. 415.388.5208. marintheatre.org.

Commentary: Mariner on Trial for Pepper-Spraying Harbormaster

The harbormaster’s boat approached silently and pulled up alongside the young woman’s sailboat anchored in Richardson Bay. She wasn’t expecting him, and he deliberately didn’t announce himself. 

Sneaking up on a woman alone, especially one isolated from other people during a worldwide pandemic, seems fraught with risk. Other dynamics also came into play on that sunny morning almost five years ago, all building to an unfortunate crescendo.

Kimberly Slater is currently on trial for three felony charges as a result of the July 7, 2020 incident with Curtis Havel, then-harbormaster of the Richardson Bay Regional Agency (RBRA). 

The Marin County District Attorney’s Office seems to have thrown the proverbial book at Slater for allegedly pepper-spraying Havel. Count 1—obstruct/resist an executive officer. Count 2—assault with force likely to produce great bodily injury. Count 3—assault throwing acid/etc.

I spent three days last week in Marin County Superior Court Judge Kevin Murphy’s courtroom watching jury selection in Slater’s trial, listening to opening arguments from the prosecutor and defense attorney, viewing videos and hearing the testimony of the first three prosecution witnesses, including Havel’s. 

Although simply a spectator, I have found the entire process riveting. During voir dire, the process where the judge and attorneys question potential jurors to determine whether they could be fair and impartial, a fascinating cross-section of Marinites discussed their backgrounds and biases. Many topics were addressed, including the weighty responsibility of jury service.

A man who had strong feelings about physical violence didn’t seem comforted when Murphy advised that a self-defense theory might involve a level of violence.

“Some people feel violence is OK in certain circumstances,” the potential juror said. “I’m not sure I do.”

One by one, the citizens answered questions, and several asked a few of their own. From where I sat, they appeared serious, thoughtful and honest. 

The judge excused a man who claimed to be a former Black Ops agent and a woman who admitted bias toward law enforcement because her son is a police officer. Others were let go to keep a doctor’s appointment, attend a work meeting, care for a spouse and grieve the recent loss of a family member.

Next up, prosecutor Matthew Jacobs and defense attorney Charles Dresow exercised peremptory challenges—excusing potential jurors without explanation. Jacobs ousted a woman who had expressed concern about someone receiving punishment because of her decision. Dresow also released a woman from service, although I don’t have an inkling about the reason.

The man with strong feelings about violence passed muster and took his seat in the jury box. Ditto for a young woman who had bought and tested pepper spray. It took about a day and half to approve a jury of three women and nine men. Two alternates, a man and woman, were also selected.

Jacobs then made his opening statement. He identified Havel as an executive officer who was directed by a legitimate agency. Slater resisted him by force or fear, using an entire can of bear spray.

In Dresow’s opening, he asserted that the video evidence is very different from what Jacobs described. He maintained Havel was not an executive officer, and his lack of training put him on a collision course with Slater.

The prosecutor called his first witness, and the evidentiary portion of The People versus Kimberly Slater began.

Frankly, I’m now baffled by the charges. Video evidence and Havel’s testimony demonstrated that he went to Slater’s boat intending to avoid detection, with the goal of tossing important information from the RBRA into her cockpit.

But how could Slater have known Havel’s plan? When he stepped across his boat and leaned forward, just inches from her boat, without saying a word, did this appear to be a goodwill gesture?

And Havel and Slater had history. Although never elaborated upon, the attorneys, judge and Havel spoke of a previous unpleasant interaction between the two.

Not to mention that the RBRA, a coalition of local municipalities, developed a “transition plan” to clear all vessels from the bay, with Havel brought in as the enforcer. In fact, the paperwork he delivered contained info on the topic.

From the video, a reasonable person could believe that in a single stride, he would be boarding Slater’s sailboat. At precisely that moment, a spraying sound is heard. Slater cursed; Havel said his eyes hurt.

Full disclosure: I know Havel and Slater through years of reporting on the “anchor-outs,” a community of mariners living aboard vessels on Richardson Bay, just off the Sausalito coastline. I also have interviewed Slater’s defense attorney, Charles Dresow, about other cases. 

Slater, 34, has lived aboard her boat in Richardson Bay since 2013. A San Francisco State University student at the time, her home offered solitude as she worked toward a music degree. 

Havel, 54, served as the RBRA harbormaster from 2019 to 2021. Prior to joining the RBRA, he spent about 19 years as a county planner, reviewing plans for homes. 

The extent of his RBRA training, according to his testimony, included one week of overlap with the former harbormaster—who had never been tasked with enforcing a plan to clear the bay of boats.

It seems the RBRA threw Havel into a mess. About 190 boats were on Richardson Bay when he took over, he said. A policy limiting boats to 72 hours on the anchorage had not been consistently enforced—if at all. 

Tensions were often high when mariners caught sight of the new harbormaster in his patrol boat. Havel’s duties included citing, seizing and destroying boats.

On July 7, 2020, just before 11am, Havel was bringing information about the transition plan to Slater. Based on his trial testimony, Marin County Sheriff’s deputies had accompanied him on previous days to deliver the information packets to other mariners. 

Havel claimed the deputies were unavailable that morning; however, he proceeded to Slater’s live-aboard, anchored hundreds of yards away from the closest neighbor. The decision seemed imprudent. 

Furthermore, the next trial witness, Roy Olson, a deputy on marine patrol at the time, could not confirm that Havel asked for assistance before heading out that day. He said the deputies tried to accompany the harbormaster when they received a request.

A video entered into evidence shows Slater’s skiff, a small boat used to travel back and forth to shore, tied to her boat when Havel arrived. Experienced mariners know it as a sign that someone is likely aboard the main vessel.

While Havel said he didn’t know whether Slater was home, his goal was to deliver the papers without any contact. Obviously, his plan went awry. 

Comparing the effects of the pepper spray to the “worst sunburn,” Havel declined medical treatment and chose to drive himself home—approximately 20 miles—to rinse off using water and baby shampoo.

“It hurt a lot, like when you get jalapeno pepper on your finger and touch your eye,” Havel said. “On my skin, a slow burn lasted 12 to 16 hours.”

Upon questioning by the prosecutor, the former harbormaster used stronger language, saying he’d never been assaulted like that before, and he was in shock. 

Even the judge jumped in.

“Was this a significant injury to you?” Murphy asked.

“Yes,” Havel replied.

I’m not downplaying Havel’s temporary discomfort and pain. Still, it seemed that he was coaxed from his initial description of the “worst sunburn” to calling it an assault causing “significant injury.” Fortunately, he was clad in sunglasses, a baseball cap, long sleeves, a vest and long pants.

For the record, the deputy testified that Slater used bear spray, which contains a higher concentration of oleoresin capsicum (OC), the active ingredient in pepper spray and bear spray. OC actually comes from pepper plants; hence the name. 

Yet when is spraying OC considered akin to “throwing acid?” That charge has not yet been explained. 

It’s clear from Dresow’s opening statement that Slater will claim self-defense when he presents her case. The videos entered into evidence have swayed me already. 

The jurors, well, they have pretty good poker faces.

Trial testimony continues on Wednesday, March 26. Stay tuned. 

Locally-Filmed Flicks and Where to Watch Them Right Now

The North Bay isn’t just a wine and foodie paradise—it’s a filmmaker’s dream too. From Hollywood classics to indie cult hits, this region has been a backdrop for cinematic magic for decades. And the best part? They may all be streamed from the comfort of one’s own living room.

Let’s start with the legend: American Graffiti (1973), George Lucas’ ode to teenage cruising culture, turned downtown Petaluma and San Rafael into a neon-lit nostalgia trip. The city still celebrates its cinematic history with an annual Graffiti Night, where classic cars roll down the same streets Richard Dreyfuss and Ron Howard did. One can stream this classic on Amazon Prime or Apple TV.

Francis Ford Coppola returned to Petaluma for Peggy Sue Got Married (1986), starring Kathleen Turner as a woman reliving her high school days in the town’s perfectly preserved mid-century scenery. This is available on Prime Video for a trip back in time.

In Inventing the Abbotts (1997), Petaluma (again) plays host to a tale of class divides and youthful romance starring Liv Tyler and Joaquin Phoenix. This under-the-radar drama captures small-town America in all its 1950s glory. It’s streaming on Paramount+ or Apple TV.

Hitchcock put Sonoma County on the map with The Birds (1963), turning Bodega Bay into a nightmare landscape of pecking, screeching terror. The town still draws fans retracing Tippi Hedren’s doomed visit—just mind the seagulls. One may watch it on Peacock or Prime Video.

On the horror front, Scream (1996) immortalized Healdsburg and the Sonoma Community Center as elements of the fictional town of Woodsboro (after Santa Rosa gave the production the boot due to its content). Wes Craven’s slasher classic reinvented the genre, proving Wine Country has a dark side. Scream is streaming now on Paramount+ and Max.

And speaking of things that go bump in the night, let’s talk Werewolf Serenade (2024)—Sonoma County’s latest indie feature, filmed entirely in Petaluma by our own editor, Daedalus Howell. This dark comedy follows a washed-up college professor who finds himself dealing with an unexpected case of lycanthropy. One may sink those teeth into it now on Amazon Prime and Tubi.

For something with a little less bite, Bottle Shock (2008) tells the true story of how California wine shocked the world in the 1976 Judgment of Paris. Shot in Glen Ellen and Sonoma, it captures both the beauty and the struggle of the wine business. It’s recommended that one pour a glass and stream it on Hulu or Prime.

And for some serious cinematic gravitas, look to The Godfather (1972). Francis Ford Coppola’s Academy Award-winning masterpiece may be set on the East Coast during a pivotal moment, but the emotional reconciliation between Michael Corleone and Kay Adams (Al Pacino and Diane Keaton) was actually filmed in Ross. Quite the stunning backdrop for such a heavy scene. It can be streamed on Paramount+.

Marin County also lent its waterfront charm to Clint Eastwood’s Dirty Harry (1971), which filmed key scenes in Sausalito. The Marin Headlands provided a Cold War atmosphere for The Killer Elite (1975), starring James Caan and Robert Duvall. And in Gattaca (1997), Ethan Hawke and Uma Thurman met on set at Marin’s iconic Frank Lloyd Wright-designed Civic Center. With a cast that also includes Jude Law, this sleek sci-fi gem earned an Oscar nomination for Best Art Direction. All can be streamed on Amazon Prime Video.

From werewolves to wine and mobsters to mid-century modern sci-fi, the North Bay’s film legacy is as rich and varied as its landscapes. So it’s time to queue up a streaming marathon and take a cinematic tour of our backyard.

Life by Design: ‘Everything is an Event’ Author Marinda Freeman

Anyone who has planned an event, be it a small birthday or a huge wedding, knows that creating such a thing from scratch is no small feat. And nobody knows this better than Marin County local and event designer Marinda Freeman.

For 40 years, Freeman has honed her passion and natural eye for event design into an artform. And recently, she condensed her decades of experience, insight and wisdom into a book entitled Everything is an Event; A Step-by-Step Guide Creating Memorable Occasions for Today’s Lifestyle with 15 Principles Revealed. 

Everything is an Event is an essential guide providing easy-to-follow advice when it comes to hosting…well, anything. To celebrate the occasion of Freeman’s new book release, Corte Madera’s Book Passage is holding a free-to-attend meet and greet with the author herself at 1pm, Saturday, March 29.

During her Book Passage appearance, she will talk about what led her to become an authority in the realm of event design, how she turns parties into art and, most importantly, how anyone can do the same (with the right tools and mindset, that is). Those who attend her talk will experience one of the best ways to glean wisdom, when women pass down their knowledge to others.

“My mother, my grandmother and my aunts were all incredible cooks, seamstresses, entertainers and decorators, so it came as osmosis to me,” said Freeman. “When you’re in an environment with beautifully set tables and delicious dinners, you grow up thinking that’s how everybody operates.”

“When I started my own business, it was so easy for me since I’m very organized and creative, and all of this was very natural—it took me years to articulate what it is I do since it is so inherent,” she continued. “Later [in my career], I started looking at the principles of event planning…to clarify and quantify the focus and principles that I use to operate, and then observing the results that happen because of that.”

In her four decades of experience, Freeman has explored the full spectrum of professional event design and planned—or helped to plan—too many events to count. She has made waves in the industry as an entrepreneur of event design and during her tenure as executive director at Martha Stewart Catering. In writing her book, she condensed her plethora of experience into just 15 fundamental principles to event plan (and possibly live by).

“One of my principles is that when you have fun and create community, the fun, memories and buzz will follow,” she said. “…it doesn’t matter what kind of event it is; the principles remain the same.”

“Most people start planning events about four steps behind when they should,” explained Freeman. “But you have to ask, ‘Why are you doing this? What is the environment you want the guests to walk into? What is the experience you want them to have?’ Anticipating and planning with clarity that allows the event you envision to unfold.”

Freeman’s experience has led her to host a plethora of events, ranging from non-profit galas to weddings to outdoor festivals, with no small amount of product launches and anniversary celebrations in between. Her event design experience spans so extensively that it would be more efficient to list what she hasn’t planned, to be entirely honest. And her wealth of knowledge is invaluable for those who wish to host an event of their own—and the wisdom bound together in Everything is an Event is a resource worth its weight in gold.

“Think of a fun party or event you attended recently,” said Freeman. “Did you know it was fun because there was a sign at the entrance that said ‘Fun Party,’ or did you just know from experiencing it?”

“Fun is the energy of attraction,” she added. “The atmosphere you walk into can be designed. Design what you want the guests to experience. What are the qualities of that experience? Love, fun, connection, community…? A wedding, for instance, can be elegant, casual, connection-based. Start with establishing that, as it’s a foundation for the event. Design what you want them to say when they walk in and when they depart, and do all of that before you start doing the things.”

Twenty-five years ago, Freeman decided to not only host and plan events, but to teach others how to do so as well. By becoming an event consultant, she began sharing her inherent wisdom and lived experience with clientele, helping spread the scope of her know-how for hosting unforgettable events to others.

“I teach my clients to time travel to the date, place and time of their event so they can walk through the space,” she explained. “What does it feel like? What’s the environment, and is it easy to move through? Experience what the guests will experience so you can take care of them.”

“We don’t talk about gravity, but it’s operating all the time,” Freeman continued. “The principle I teach my clients is that event planning is a lot like gravity, and if you know and work with it, you can enjoy the process of planning and enjoy the end result.”

An entire section of Everything is an Event is dedicated to this time travel exercise, which she calls “looking through the eyes of the guest.” By putting oneself into the shoes of the guest instead of the host, one can gain a more objective viewpoint and better anticipate what guests will see, need and experience. This is one of many useful tools Freeman hopes to teach others through publishing her principles in Everything is an Event.

“My event principles are not just for events, but guidelines on how to live your life and think differently too,” concluded Freeman. “Create an environment for the human beings that are in the event to actually be inspired or be relaxed or be welcomed or comfortable being there—that’s what all of us need.”

Life is full of reasons to celebrate, between weddings, anniversaries, going away and welcome home parties, quinceaneras and sweet 16s and all the other occasions that bring people together. So one may want to come on out to Book Passage and learn how to host unforgettable events from the master of event design herself—it’s sure to be a stellar gathering if she has anything to say about it.

To learn more about Freeman’s event planning principles, visit her website at marindafreeman.com

Your Letters, March 26

Bad DOGE

As an elder, I’ve lived through many political crises in this country—but I have never seen an attack on our democracy like this. In the past, there was bipartisan opposition to lawlessness. Today, the guardrails are being dismantled before our eyes, and we must sound the alarm.

What happened to the checks and balances with three areas of government all in support of the Constitution? None of them are currently following the rule of law. The elected representatives and senators should be acting to stop the lawless havoc being done by the president and his unelected buyer. What kind of security do we have to protect our data? Our services? Our safety? None of DOGE have been vetted. 

Janet Duncan
San Anselmo

Name Games

Donald Trump should be called Morty Trump, as he mortifies Americans every time he opens his mouth. And Tesla should be referred to as the Nazimobile in honor of its fascist company owner. Spread the word.

Bob Canning
Petaluma

We appreciate your letters to the editor—send them to le*****@******an.com and le*****@********un.com. Letters may be edited for clarity and space.

Next Up on the Menu, Mijo’s Chef Jared Rogers

Chef Jared Rogers is one of those people who knows what they want to be when they grow up, from the very beginning. 

His dream has always been to be a chef, and that desire for cooking was ignited amidst the scenic Blue Ridge Mountains, mentored by chef Richard Perry. There, Rogers discovered the magic of respecting exceptional ingredients. 

Driven to refine his skills, he ventured to the Bay Area, working alongside chef Bruce Hill at Bix and later achieving acclaim as executive chef at Picco in Larkspur. His talents earned him a three-star review from the San Francisco Chronicle and accolades as a Zagat 30 Under 30 Rising Star. 

After a brief return to his Southern roots, Rogers rejoined the Bay Area culinary scene in 2017 at The Brass Rabbit in Healdsburg. A year later, he and former Picco colleague Dustin Sullivan launched Guesthouse in Kentfield, swiftly achieving immediate acclaim for their seasonally-driven, California comfort food. 

An ever-changing weekly specials menu illustrates Rogers’ ethos, and means one could get Low Country fried chicken with smashed potatoes and black truffle gravy on a Sunday, or slow smoked baby back ribs with fries and coleslaw on a Wednesday. But no matter what day of the week, a killer cocktail list and abundant menu of “drinking snacks,” salads, soups and often wood-grilled large plates will not disappoint. 

Rogers and Sullivan’s latest project, Mijo, opened on March 3 in the Marketplace development on Tamal Vista Boulevard in Corte Madera. The concept is to be a contemporary Spanish-inspired bar and restaurant, a testament to Rogers’ immersive culinary education in Madrid and San Sebastian, Spain. 

Expect a relaxed vibe, with local ingredient-driven dishes that highlight the similarities between the landscapes of Spain and California, which hope to pay tribute to the hardworking farmers and winemakers from both regions.

Amber Turpin: What’s your job?

Jared Rogers: Culinary director at Mijo restaurant in Corte Madera.

How did you get into that work?

I started at age 15 doing an externship at Chateau Morrisette in Floyd, Virginia. I  always wanted to cook.

Did you ever have an “aha” moment with a certain beverage? If so, tell us about it.

The Negroni. I had never had anything like it. It was at Cigar Bar in San Francisco.

What is your favorite thing to drink at home?

Protein shakes

Where do you like to go out for a drink?

Corner Bar in Mill Valley.

If you were stuck on a desert island, what would you want to be drinking (besides fresh water)?

Coconut water.

Mijo is located at Tamal Vista Blvd., Corte Madera. Visit mijomarin.com.

Art Provocateur Brett Roncelli Tends the Fire

For cool people under the age of 40, what I am about to say will seem untrue. Not just untrue but violently false. … San Francisco … was once cool. 

And not just cool. Perhaps the coolest, most vibrant art scene in the world before it was destroyed by real estate gentrification. As a later day cool and an anthropologist of the scene, I have observed that fragments of this cool—like the ejecta of a great explosion—are scattered around. 

Burning Man, The Edwardian Ball, Art Cars, The Cardboard Institute of Technology, the comedy of Robin Williams and Bobcat Goldthwait, The Crucible, Camp Tipsy, Bay to Breakers, Scott Lavkov, Santa Con, The Sisters of Perpetual Indulgence, How Weird, Litquake, Folsom Street Fair and San Francisco Pride were all established within a 15-year period from the late ’70s to the early ’90s and represent the rare survivors of an art scene that was once 100-fold in its brilliance.

The San Francisco art scene was inventive, ingenious, literate, theatrical, political, irreverent, liberated, sexy, edgy and at times literally dangerous in its pursuit of modern adventure—as with the Suicide Club, The Cacophany Society and the flame-throwing battle bots of Survival Research Laboratories. Please, please look up these references.

These energies are badly needed at this time. Which is why I am so pleased to introduce Brett Roncelli, a displaced survivor of that halcyon scene, a living lore master tending the fire at his “cosmic love dome.”

Cincinnatus Hibbard: Your twisted performance personas are prolific, Brett. What are some of the many names that you play under?

Brett Roncelli: “Skanky the Clown,” “Triple T,” “Mustapha Mond” and “Seňor City Zen.”

Tell me about “Skanky.”

A friend put on a party and wanted everyone to come as a clown persona, so I became “Skanky the Clown.” And after that party, Skanky would not leave me. He proliferated. For example, at Christmas, he became “Skanky Claus.” We do a Christmas “scare-oling” bar hop—I have a song book with 35 Christmas carols we have rewritten—such as “Come All Ye Drinkers!”

Tell about the gallery you had in The Haight-Ashbury neighborhood, one of a thousand legal and illegal venues lost to The City.

Yes, Art Attack Gallery. It was a space for local emerging artists. We threw a lot of parties too (grins). When I moved to SF in ’89, you could get a retail space for next to 

nothing, and artists were living in beautiful old Victorians throughout The Haight. There were all sorts of weird living situations. I had a buddy that built a shack on the 13th floor roof of a bank in The Mission. Nobody knew it was up there, and we would have weird events on that roof (laughs).

What were some of the art shows you threw? 

Well, we had the “upside down show”—where we had constructed a device to turn people upside down to view the upside down art. We had a mobile gallery art bus that we would park opposite the expensive galleries and have art adoptions where we would give away free art.

We had “The In The Dark Show,” where the space was pitch black. Some of the art was meant to be felt blindly, or glow in the dark; you could carry a candle.

That’s very Dada but very populist too—in a good way—anyone would enjoy those shows without educational or price barriers. A fine corrective to the high tone snooze-fests we have in Wine Country.

Learn more. Meet Roncelli and possibly Skanky at ‘Freaky Final Fridays’ at The Forestville Club. forestvilleclub.com.

Culture Crush, March 26

San Rafael

What’s Up, ‘Buttercup?’

Marin Shakespeare Company is mounting Buttercup, a new play by J.D. Murphy, inspired by Guy de Maupassant’s 1880 short story, Boule de Suif. This irreverent and absurd reimagining follows Buttercup, a runaway nun-turned-courtesan, as she navigates a caravan of refugees during the Franco-Prussian War. Mixing satire and heart, the play explores class tensions with humor and humanity. Performances run April 3-13 at Marin Shakespeare Company’s indoor venue in downtown San Rafael. A post-show discussion follows select performances.
7:30pm, Thursday-Saturday; 2pm, Sundays, April 3-13, at Marin Shakespeare Company, 514 Fourth St., San Rafael. Tickets $35; $20 for ages under 25. More at buttercupstage.com.

Sebastopol

Parkinson’s Play

The Parkinson’s Support Group of Sonoma County presents What I Didn’t Say: A Journey Through Parkinson’s on Sunday, April 13, at Sebastopol Community Cultural Center. This 50-minute play, performed by Matthew Moore and Krista Stauffer, offers a poignant and intimate portrayal of one couple’s experience with Parkinson’s disease. Following the performance, a Q&A invites further reflection and connection. Seating is first-come, first-served. Donations and ticket proceeds directly benefit the Parkinson’s Support Group of Sonoma County through Zeffy’s no-fee fundraising platform. 2:15pm, Sunday, April 13, at Sebastopol Community Cultural Center, 390 Morris St. Reservations and details at bit.ly/parkinsons-play.

Sebastopol

Showstoppers in SebTown

A new community gallery opens its doors in Sebastopol on April Fool’s Day with the launch of Showstoppers Artist Collective. Founded by local filmmaker and artist C.M. Conway, the space inside Co-Create will feature handcrafted art, workshops, open studio time and a welcoming crafts table for all ages. Visitors in playful attire or with a good joke on April 1 will receive a whimsical souvenir in the spirit of the day. The official Grand Opening event follows on Saturday, April 5, with interactive activities, games and opportunities to meet local artists. The collective includes Susan Bradford, Sige Weisman, Elizabeth Gomes and more, with new artists invited to apply. 11am-5pm, Saturday, April 5, at Showstoppers Artist Collective, 186 N. Main St., Ste. 110, Sebastopol. Details at supershowstoppers.com.

St. Helena

Cabernet Cookoff

Now in its 16th year, the Cabernet Cookoff returns Saturday, April 12, to HALL St. Helena. This food and wine pairing competition features 15 culinary teams crafting dishes to pair with HALL’s Jack’s Masterpiece Cabernet Sauvignon, with all proceeds supporting nonprofit organizations chosen by the chefs. Guests can vote for People’s Choice winners while a panel of judges selects Judges’ Choice awards. The event also marks the release of the 2022 vintage of Jack’s Masterpiece. Two ticket options are available: VIP ($300) includes a vertical tasting from 11am-12pm, VIP Lounge access and entry to the main event; general admission ($150) includes event access from 12-2:30pm, Saturday, April 12, at HALL St. Helena, 401 St. Helena Hwy. S. Tickets at hallwines.com/cabernetcookoff.

Open Mic: Driven & Riven, When a Car Drives Hate

It’s not every day one sees a Tesla surrounded by hand-painted placards reading “Deport Elon” or “F/Elon,” but that’s the tableau unfolding at Tesla dealerships in Marin and Sonoma. 

These protests—part political outcry, part identity crisis—aren’t just symbolic acts of resistance. They’re reflections of a deeper rupture in the soul of green-tech progressivism.

The catalyst? Elon Musk himself, who recently stirred fresh outrage with a stiff-armed pose that bore an uncanny resemblance to a Nazi salute during a public appearance. Whether a sick joke, misguided irony or something more sinister, the image was enough to fracture any remaining détente between Musk and the communities that once saw him as a green visionary. When protest signs start referring to Teslas as “swasticars,” it’s clear the spell has broken.

But what does this mean for the many people who bought Teslas not as status symbols but as their personal means of combating climate change? The discomfort is real and justified. Being tailgated by one’s own values is one thing; being called complicit in fascism because of one’s car is another. The fallout is personal, not theoretical. These are folks who might support every cause represented by the protesters and still find themselves under the magnifying glass.

So, who’s really being hurt here? Musk’s bottom line will recover. His reputation? Never. But the local dealership workers, the early adopters trying to reconcile their ethics with their purchases, and yes, the protesters themselves—these are the people caught in the combustion.

That said, the protest energy is far from misguided. It’s just mis-aimed. Musk doesn’t live in Santa Rosa or Corte Madera. But policymakers do. So do school boards and city councils. Direct action matters—but precision matters more. The target shouldn’t be a parked Tesla (defacing one with a hate symbol is a hate crime, regardless of who’s driving). It should be the pipeline that allows tech celebrities to convert wealth into unchecked political influence.

Because if we’re going to burn rubber, let it be on the road to somewhere better.

Michah D. Mercer lives and loves in the North Bay.

Best of Marin 2025—Cast Your Votes

best of marin 2025
The Pacific Sun Best of Marin 2025 Readers Poll For more than 60 years, the Pacific Sun has been Marin’s hype machine—spotlighting the tastemakers, scene-stealers, do-gooders and divine oddballs who make this place what it is. And now? It’s your turn to return the favor. This year’s Best of Marin is rolling out in two acts: Nominations open Monday, March 31 and...

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Culture Crush, March 26

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Open Mic: Driven & Riven, When a Car Drives Hate

It’s not every day one sees a Tesla surrounded by hand-painted placards reading “Deport Elon” or “F/Elon,” but that’s the tableau unfolding at Tesla dealerships in Marin and Sonoma.  These protests—part political outcry, part identity crisis—aren’t just symbolic acts of resistance. They’re reflections of a deeper rupture in the soul of green-tech progressivism. The catalyst? Elon Musk himself, who recently stirred...
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