Marin City Pioneers, Unsung Heroes Helped Win WWII

The first Black people arrived in Marin City 83 years ago, on Aug. 13, 1942, recruited from across the country to fill jobs at a new Sausalito shipyard building World War II cargo ships.

They hopped into automobiles and boarded buses and trains, some traveling for days, to reach the small town on Richardson Bay. The patriots were eager to help the American war effort and to earn a competitive wage.

These unsung heroes helped the United States win the war.

On Aug. 13, the Marin City Historical & Preservation Society will honor the contributions of the Black men and women who came to build ships for the war effort and also ended up building an enduring diverse community. The celebration includes the unveiling of legacy banners featuring some of the Black workers, interviews with their descendants and a walking tour. A 1945 Greyhound bus and World War II Jeeps will also be on display.

“Primarily we’re telling the story of the Black migration to California in the 1940s,” said Felecia Gaston, director of the Marin City Historical Society. “Many people were living in harsh conditions, working in cotton fields or factories in the South.”

Although Black workers came from other parts of the country too, those from the South were fleeing the dangers of an active Ku Klux Klan and escaping the racist Jim Crow laws, created to segregate Black people. But no matter where their journey West started from, each carried a single suitcase to begin their new life.

“Imagine it,” Gaston said. “What am I going to bring in that one suitcase? They’re going to bring their Bible, a photo of their family and essential clothing. Maybe a guitar or banjo, you know? And they always carried shoebox lunches because Blacks often couldn’t buy food on the train or at bus stops.”

The catalyst of the Black migration to the West Coast was when the Japanese bombed Pearl Harbor on Dec. 7, 1941. The United States officially entered World War II after the attack, and six emergency shipyards sprang up almost overnight in the Bay Area to produce desperately needed ships. One of those shipyards, Marinship, opened on the north end of Sausalito.

In the three and a half years that Marinship operated, it had 75,000 employees. During its peak period, 20,000 people worked around the clock to produce 15 Liberty ships and 78 tankers, all cargo ships to transport supplies and sometimes troops.

The large influx of workers and their families created a problem for Marin County—a housing crisis. Temporary housing was hastily constructed in Marin City, just a stone’s throw from the shipyard. About 6,000 people resided in racially integrated Marin City, with Black and white people living side-by-side, just as they worked shoulder-to-shoulder at Marinship.

Moses Beard, a welder, had a family and was fortunate enough to get a two-bedroom apartment in Marin City soon after he arrived. A Black man from Oklahoma, Beard lived in Denver when the war broke out, according to his oral history recorded by the Sausalito Historical Society. Trained as a welder in a Denver plant, initially Beard planned to go to Marinship with one friend. By the time they left for Sausalito, there were six of them packed into the 1939 Ford.

Describing the dangers of welding, Beard said that burns from sparks were a risk. Although he never suffered a serious burn, Beard and other workers developed temporary vision problems by absorbing radiation from the bright light.

“One of the things we learned to take—just plain potato peels, and put them over your eyes and it draws that burn out,” Beard said.

While Richard Fowler didn’t record an oral history, his daughter, Jackie Fowler Dedrick, spoke to the Pacific Sun to share her memories of growing up in Marin City, where she owns a home today. Her father, from Lake Providence, Louisiana, worked at Marinship as a burner—a specially skilled welder who cut steel plates using a torch.

After moving to Marin City, her mother, Shirley Ann Fowler, originally from Helena, Arkansas, worked as a housekeeper for a Greenbrae family. Neither of Dedrick’s parents liked talking about the past, preferring to leave the difficulties of the Deep South behind them.

“They were bad to Black people in the South,” Dedrick said. “When Black people came out here, it was for a better living. They never mentioned going back.”

Dedrick recalls moving up and down the hill in Marin City, from one home to another as their family grew. The wartime housing went from the flats, where the Marin Gateway Shopping Center is located today, up to the top of Donahue, near the water tower.

“My parents were good, hard-working people,” Dedrick said. “They did amazing work raising six children back in the day of so much racism.”

Leroy Barrow remembers his late father, Elven Barrow, worked at Marinship as a chipper, grinding metal. His father came first, and when Marin City housing was developed, he sent for his family.

Elven Barrow moved from New Orleans to Marin City in 1942 to work at Marinship as a chipper.

Like Dedrick, Leroy Barrow said that his family moved up and down the hill in Marin City, living in five different houses.

“In this community, you knew every family,” Leroy Barrow said. “Nobody locked the doors. During the war period, it was a more diverse population than it was after. In the beginning, white, Black and Filipino. After the war, Marin City became a predominantly Black community.”

Indeed, Marin City’s housing integration ended when the wartime shipyard closed in 1946. Most white people left Marin City with money in their pockets from their well-paying jobs at Marinship. Black people had money, too, but they stayed in Marin City because of redlining, the discriminatory practice of preventing them from buying homes in other areas of the county. Renting outside of Marin City was also next to impossible.

The wartime housing was taken down in the ’50s and ’60s. Golden Gate Village, a federal housing project, and other housing were built for the remaining shipyard workers and their families.

In 1963, Elven Barrow bought a pole house, a home raised high on stilts, in Marin City. His grandson still owns the property today, although he tore down the original house and built a larger one for his family.

Certainly, these courageous men and women improved their standard of living by taking a risk and moving West. And they provided a better life for the next generations.

Today, Marin City is once again a diverse community. The population of about 3,100 is 35% white, 26% Black, 13% Asian and 17% Latinx, according to 2020 data from the United States Census Bureau.

The Marin City Historical & Preservation Society will host an unveiling of Legacy Banners celebrating the Marinship Workers from 1 to 6pm, Wednesday, Aug. 13, on Donahue Street (near the main bus stop), in Marin City. The event is free and open to the public. For more information, visit preservemarincitylegacy.org.

Marin Jazz Takes Wing at The Lark, August Shows Beckon

Don’t bother to hold the applause, because The Lark Theater is proudly presenting its new nonprofit partner, Marin Jazz, to the stage. 

Starting this summer, the Marin art deco theater will present a lineup of musicians that’s designed to move audiences’ hearts and souls and have them tapping their toes.

Marin Jazz will show at The Lark twice this August and then once per month for the remainder of the year. Although the first show, set for 7:30pm on Saturday, Aug. 16, is nearly sold out, there are still tickets available for Marin Jazz’s second Lark Theater show, featuring Broadway Night with Brian Justin Crum, at 7:30pm on Thursday, Aug. 28.

“Marin Jazz is a nonprofit, and they teach school kids about the performance arts,” said executive director of The Lark Theater, Ellie Mednick. “Their goal is to raise money for Future Stars. [The Lark] has a youth program too, and I’m always trying to raise money for youth programs, scholarships … we have lots in common. So, we started talking about a partnership. I said, ‘Let’s take a look at your lineup.’ And then I said, ‘Would you like to call The Lark your new home?’”

“When I met Ellie … we instantly just fell in love,” said Todd Ghanizadeh, CEO of Marin Jazz. “She said, yeah, ‘You should move your program here; I’ll help you with marketing and co-present, and hopefully that’ll help.’ So, we mixed ideas together, and voilà—now we have a whole season of Marin Jazz to present at The Lark. The first event is almost sold out.”

Alongside keeping the soul of jazz alive and well through organizing performances intended to be stellar, Marin Jazz is committed to teaching children in the arts and supporting them in their creative expressions. These expressions include everything from dancing to singing to screenplay writing to performing to knowing the simple joy of growing up supported enough to comfortably explore their identity and sense of self-expression through creativity—under the guidance of those they consider the best teachers, of course.

“My parents grew up during World War II, so I grew up with swing and classic jazz in the house,” explained Ghanizadeh. “Being a dancer, I would swing dance to those tunes, and my mom would teach me to swing dance with a doorknob … my love for it comes from there.”

What began as a family culture of swing dancing with doorknobs has, with no small amount of twists and turns, culminated in Marin Jazz’s grand opening show at The Lark. First in this jazz music series lineup are vocal powerhouses Tia Carroll, Terrie Odabi and Lady Bianca in Three Ladies Sing the Blues.

“Blues for me is synonymous with women—they really sing the songs about the blues,” said Ghanizadeh. “If I were to give you a perfect sample of that, it would be Three Ladies Sing the Blues. When I interviewed them, I was so surprised by their stories.” 

One such surprising story told to Ghanizadeh by a lady who sings the blues depicted a true slice of life tale, the kind one can’t make up. It all began when said blues lady was grocery shopping in Safeway, and she overheard a man on the phone with his wife. He was swearing up and down that he was in Los Angeles (note: the grocery store was not located there). In the same breath, he also swore to his wife that he was not cheating, which was also probably a fib, considering his creative take on geography. Naturally, the eavesdropping blues singer decided then and there to write a song about the encounter.

“I love how it mimics life—the blues,” said Ghanizadeh. “You can sing about cheating, social injustice, slavery, guys being no-good down and dirty and shamed, about love—you sing about anything within that genre, and that’s part of its power.”

“I love music in general,” remarked director of education at Marin Jazz, Sonia Perozzi. “I’m a vocalist, so music is my first love. But the music of jazz specifically is just so beautiful and complex. The artists are amazing. It is like Todd said; it’s hard not to love the storytelling and history of it. 

“I’ve been singing, acting and dancing ever since I was four years old. I studied vocal performance, film and theater, locally and in LA. I would always gravitate toward working with children, too. The performing arts industry can be pretty brutal to kids and adults. My ultimate goal is really to nurture the arts and give the children I work with a safe space to be creative … I like to give them a safe space, basically teach and support them and let them grow,” Perozzi continued.

“So far, it’s been Sonia and I, and it’s hard to keep funding it ourselves,” noted Ghanizadeh. “Our kids need scholarships, and we wanted to put on these shows to get the community to want to help us and sponsor us so these kids can continue to grow.”

To give local kids more chances to create, grow and gather in the name of art and all that jazz, the organization is always looking for partners, sponsors, donors and art lovers who want to help the cause. And The Lark Theater is one such partner whose interest in the arts and artistic youths intersects perfectly with Marin Jazz’s mission.

“We’re very happy working with Todd and Sonia, and they’re lovely, very pleasant and so cooperative,” Mednick said. “They’re most amenable and wonderful human beings, so we’re delighted to work with them. We’re doing seven shows with them, and the first show has just about sold out. There are a total of two Marin Jazz shows in August, and about one a month lined up going forward.”

“I love what I’m doing, and I love that The Lark can give a really wide variety of entertainment now,” continued Mednick. “Some [Lark patrons] say they don’t need to go to the city anymore because we have everything they could want right here, and it’s world-class. Some even say they don’t need to go to London or New York for shows anymore. Live entertainment onstage at The Lark is working, we’re happy to say.”

To learn more about The Lark Theater and programs like Marin Jazz, visit the website at larktheater.net.

Tom Areton, Co-Founder of The Museum of International Propaganda

The word “museum” has a must and a dust, and a strong connotation of things past. But this local museum has a burning contemporary relevance. 

For if, as pundits say, we are in a “post truth” era, then we are entering a new red age of propaganda. And propaganda is the sole topic and study of this niche museum.

In its small space, The Museum of International Propaganda is divided into permanent and touring halves. The permanent collection is divided again into seven themes and aims common to propaganda, with examples from more than 25 past and present dictatorships.

The museum is maintained at considerable personal expense as a free resource by its co-founders, Lilka and Tom Areton—who personally collected the pieces through extensive global touring. Along with their historic context, each piece has a personal story attached of how it was gifted, bought, brokered or smuggled out by the Aretons.

On my visit, only Tom Areton was available for an interview. I found him an imposing figure and a master story-teller. I sat, rapt, as he sat, backed and paralleled by a large state portrait of Russian Vladimir Ilyich Ulyanov Lenin—“father of 20 revolutions.” It’s an irony that amuses Areton.

Parenthetically, the painting was bought in a back alley Polish flea market for Soviet rubble.

A settled American now, Areton was once a Czechoslovakian refugee from the Warsaw Pact.

Just a month before Soviet Russian tanks crushed the youth-led “Prague Spring” democracy movement, he escaped on a student visa to Paris.

In the U.S., Tom Areton met Lilka, with whom he bonded, in part, over a shared love of travel and a shared fascination with agitprop and the many methods of disinformation.

Cincinnatus Hibbard: Tom, could you name the seven themes which group the political propaganda in your permanent collection?

Tom Areton: Yes, there is propaganda that “idealizes the leader of the state,” that which conveys the “threat of fear and intimation,” that which “glorifies the nation” under the leader, propaganda which “promotes the average or common people” as the true heroes, that which “vilifies” the real or imaged enemies of the state and that which “venerates the military,” the wars past and the wars to come.

And in that you see a complete propaganda campaign. Tom, I understand you and your wife chose to limit yourself to political propaganda of the last century. What types of propaganda did you exclude?

Religious propaganda, health-issue propaganda, contemporary-issue propaganda, electoral propaganda and advertising.

You would consider advertising propaganda?

Yes. Edward Bernays, a double nephew of Sigmund Freud, is “the father of spin.” He worked for governments and for corporations; he wrote two great books—Propaganda in 1928 and Public Relations in 1945.

That’s chilling—“Public Relations,” written as the sequel to “Propaganda.”

Bernays believed that for democracy to work in a smooth, enthused way, you had to have a mass agreement between people. So he used the psychology of propaganda to get people to agree. He thought propaganda could be a good thing. Propaganda was not always considered a bad thing. It is complicated. But I would hope that people that come to the museum will leave with a better sense of how they are being manipulated by the propaganda all around them.

Learn more. The Museum of International Propaganda is open without charge, Thursday and Friday from 3:30 to 6:30pm, and Saturday from 11:30am to 5pm. It is located in San Rafael. The museum invites individuals and school groups (by appointment). In addition to its permanent and special exhibit library, the museum hosts speakers, debates and a library on propaganda. Donations are welcome. Learn even more by going to museumofpropaganda.org.

Culture Crush, Aug. 6

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Sebastopol

How ’Bout Them Apples?

The 52nd Annual Gravenstein Apple Fair returns Saturday and Sunday, Aug. 9-10, bringing its signature blend of homegrown charm, community spirit and orchard-to-festival activities to Ragle Ranch Regional Park. With award-winning local food, live music, craft beverages, and, of course, heirloom apples galore, this bash celebrates Sonoma County’s agricultural roots in full bloom. Produced by Sonoma County Farm Trails, the fair is a fundraiser, a feast and a fan favorite (voted Best Festival in Sonoma County three years running). Expect interactive farm experiences, kids’ activities, cooking demos and a deep core of eco-conscious vibes—it’s also a Zero Waste event. 10am to 6pm, Saturday and Sunday, Aug. 9-10, Ragle Ranch Regional Park, 500 Ragle Rd., Sebastopol. Advance tickets and full lineup at GravensteinAppleFair.com.

Santa Rosa

Arts Ed Mixer at Food Park

Supporters of arts education may start here: On Wednesday, Aug. 20, the Arts Education Alliance is hosting a casual, no-agenda networking mixer at Mitote Food Park in Santa Rosa. Whether one is an educator, artist, administrator or just curious about what’s happening in the arts education world, they may bring their ideas, business cards and a friend for an evening of connection, tacos and inspiration. 5:30-7:30pm, Wednesday, Aug. 20, at Mitote Food Park, 100 Sebastopol Rd., Santa Rosa. RSVP at bit.ly/sococreative-mixer.

Point Reyes Station

Think Inside the Box

The West Marin tradition returns: The Box Show™ is back at Gallery Route One from Aug. 16 to Sept. 13. This annual auction transforms 150 identical wooden boxes—crafted this year by Tomales High woodshop students—into wildly inventive artworks by local creatives. The result? A riot of whimsy, beauty and surprise that fuels a fundraiser for arts education and community programming. Opening reception from 3-5pm, Saturday, Aug. 16 at Gallery Route One, 11101 Highway 1, Point Reyes Station. Admission is free. Bidding runs through Sept. 13 at auctria.events/BoxShow2025. Full details and virtual tour at galleryrouteone.org.

Fairfax

The Devil You Know

As the Grateful Dead’s 60th anniversary swells with fanfare and Aug. 9 marks three decades since Jerry Garcia’s passing, Fairfax plays host to a uniquely personal tribute. This Friday, Aug. 8, filmmaker and author Len Dell’Amico—longtime creative collaborator and friend of Garcia—comes to the Fairfax Pavilion to discuss his new memoir, Friend of the Devil: My Life with Jerry Garcia and the Grateful Dead. Presented by Point Reyes & Wayfinder Books, this rare appearance offers behind-the-scenes insight into the band’s most electric era, from a director who helped shape the visual legacy of the Dead from 1980 to 1995. One may come for the stories, stay for the spirit. 6pm, Friday, Aug. 8, Fairfax Pavilion, 142 Bolinas Rd. More info at bit.ly/deadbook-fairfax.

Your Letters, Aug. 6

Costs Up and Wages Down

When does our government expect the average American worker to be able to afford to survive in today’s high priced society?

The prices of food have skyrocketed. I definitely think about what to eat—and where to spend—before I buy.

Those living on less than $2,000 a month are getting a rude awakening. They now are getting their Social Security benefits cut in order to pay for part B of Medicaid.

The cost of gas rises and changes daily. Grocery prices climb higher every week. Insurance companies are charging their customers premiums that most can not afford. I’ve met people who have three to five different jobs just to survive in today’s economy. 

Companies need to pay workers what they’re worth in order to survive in today’s society. The American consumer, who is just barely surviving, will be getting kicked back down even further. Our retired veterans are getting their benefits slashed in half.

I’ve met people still getting up to work graveyard shifts at gas stations just to have a job at retirement age. This is no way to live at 65.

When stores like the new Dollar Store in Windsor captivate the American consumer, that makes a bold statement on the status quo about those who are the “one percent” and those one step from homelessness.

Nicole Sartain
Ukiah

We appreciate your letters to the editor—send them to le*****@******an.com and le*****@********un.com. Letters may be edited for clarity and space.

Of Science, Art and Ag, Joe Nielsen’s Winemaking

Joe Nielsen became director of winemaking at Ram’s Gate Winery in 2018, implementing holistic farming and sustainable practices that reduced water use by 33%, earned California Certified Organic Farmers (CCOF) organic certification and resulted in being set to become Regenerative Organic Certified (ROC) this year. 

This big move is hugely important as we face the effects of a changing climate. Nielsen moved from Michigan to California in 2008 and now lives in Santa Rosa with his wife and two kids.

Amber Turpin: How did you get into this work?

Joe Nielsen: I began college on the pre-med track, envisioning a future in medicine—until a close friend surprised me with an unexpected suggestion: ‘You’d make a great winemaker.’ At the time, the idea felt completely out of left field. I wasn’t from a region where wine played a role in daily life, so the thought had never even crossed my mind. But the seed was planted. 

Over time, I found myself drawn to the blend of science, art and agriculture that winemaking offers. I eventually shifted my studies to focus on viticulture and enology—grape growing and winemaking—and never looked back.

Did you ever have an ‘aha’ moment with a certain beverage? If so, tell us about it.

Not at first—I fell in love with grape growing before I truly appreciated winemaking. There was something captivating about how a vineyard fits so naturally into the landscape, each one uniquely shaped by its environment. The idea of guiding a plant to produce a beautiful, expressive beverage, rooted in history and time, completely drew me in.

Early on, I was especially inspired by Sauternes and German rieslings. Their elegance, complexity and age-worthiness opened my eyes to what wine could be—and they still hold a special place in my heart.

What is your favorite thing to drink at home?

Depending on the season, scotch is high on my list. Bruichladdich is one of my favorites. It is light enough for summer, yet complex enough for winter.

Where do you like to go out for a drink?

One of my favorite spots in Sonoma to stop in for a glass of wine is the girl & the fig. The restaurant has an incredible wine list focused on Rhône varieties—a category that I happen to love and also produce at Ram’s Gate. Another spot I love in Sonoma is Layla at MacArthur Place. The hotel is beautiful, with incredible farm-to-table dishes, and the wine list highlights many local producers. The selection of cocktails is also thoughtfully made with fresh, seasonal ingredients.

If you were stuck on a desert island, what would you want to be drinking (besides fresh water)?

Likely Chablis or Meursault—a crisp, mineral-driven white wine is the perfect pairing with island sunsets and ocean breezes.Ram’s Gate, 28700 Arnold Dr., Sonoma, 707.721.8700. ramsgatewinery.com.

Free Will Astrology: Aug. 6-12

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ARIES (March 21-April 19): The Tagalog word gigil refers to the urge to squeeze or pinch something adorable. It’s an ecstatic tension that verges on overflowing the container of decorum. In the coming weeks, you Aries could feel gigil for the whole world. Everything may seem almost too vivid, too raw, too marvelous and altogether too much. I advise you to welcome these surges and allow them to enhance your perceptions. Laugh hard. Cry freely. Invite goosebumps. Please note: But don’t actually squeeze anyone without their permission.

TAURUS (April 20-May 20): In Japan’s Snow Country, artisans practice yuki-sarashi. It involves laying woven cloth on snow under sunlight to bleach, brighten, purify and soften the fibers through the effects of snow, sunlight, cold and ozone. Because this process doesn’t require harsh chemicals, it helps maintain the fabric’s strength and prevents it from yellowing over time. I propose you make yuki-sarashi a useful metaphor, Taurus. Something fragile and fine is ready to emerge, but it needs your gentle touch and natural methods. You are often grounded in the adept manipulation of raw material—what works, what holds, what can be relied on. But this burgeoning treasure needs maximum nuance and the blessings of sensitive care.

GEMINI (May 21-June 20): When African American dancer Josephine Baker arrived in Paris in 1925 at age 19, she was seeking refuge from her home country’s racism. Her electrifying performances soon made her a celebrity. Author Ernest Hemingway said she was “the most sensational woman anyone ever saw.” As she grew wealthy, she donated generously to French charities, hospitals and schools. Her compassionate works evolved further, too. During World War II, she worked as a spy for the French Resistance against the Nazi occupation. Later, she became a civil rights activist in the U.S. Can you guess the astrological sign of this multi-faceted star? Gemini. I hope you will be inspired by her in the coming weeks. May you, too, use your natural gifts and stylish flair to serve the greater good. Look for opportunities to mentor, encourage and advocate for those lacking your advantages.

CANCER (June 21-July 22): When a glacier moves, it doesn’t rush. It presses forward incrementally, reshaping mountains, carving valleys and transporting boulders. In a metaphorical sense, Cancerian, you are now in glacier time. A slow, relentless and ultimately magnificent process is afoot in your life. Others may not yet see the forward momentum. Even you may doubt it. But the shift is real and permanent. Trust the deep, inexorable push. Your soul is hauling whole landscapes into new configurations. 

LEO (July 23-Aug. 22): In the Arctic, the sun shines for 24 hours a day during midsummer. There is no night, only the surreal glow of prolonged gold. The human body, confused by the unending day, may be confused about when to sleep. For some, this creates disorientation, and for others, a strange euphoria. In my astrological opinion, Leo, you have entered a metaphorical version of this solar dreamscape. Your creative powers are beaming like a relentless sun. There may be little darkness in sight. So how will you rest? How will you replenish under the glow of fervent possibility? Be wisely discerning with your energy. Don’t mistake illumination for invincibility. Bask in the light, yes, but protect your rhythms. 

VIRGO (Aug. 23-Sept. 22): Now is an excellent time for you to swear sacred oaths. I suggest you get less comfortable with transitory arrangements and short-term promises. The near future will also be a ripe phase to make brave commitments that require you to go farther and deeper than you’ve dared to before. I recommend you forgo the cheap thrills of skipping along from one random moment to the next. Embrace a game plan. Finally, I urge you to cast magic spells on yourself that will release your unconscious mind from old fixations that subtly drain your power to fulfill your dreams. Please, please, please surrender trivial obsessions that distract you from your life’s key goals.

LIBRA (Sept. 23-Oct. 22): In West African traditions, griots are key figures in their communities. They serve as storytellers, oral historians, poets, genealogists and advisors. Their presence is often central to events like weddings, funerals and ceremonies. In the coming weeks, Libra, I hope that you will embrace a role that resembles the griot. Your ability to enhance and nurture your network is at a peak. You have extra power to weave together threads that have become frayed or unraveled. Given your potential potency as a social glue, I advise you to avoid gossip and instead favor wise, kind words that foster connection.

SCORPIO (Oct. 23-Nov. 21): The phrase “elegant sufficiency” is an old English expression meaning “just enough” or “a sufficient amount in a refined or tasteful way.” I am expanding it to also mean “the simplest solution that solves a problem completely without unnecessary complexity.” It’s your power phrase, Scorpio. What you need is not intricate perfection, but elegant sufficiency: enoughness. I suggest you welcome this gift with enthusiasm—not in a resigned way, but with a quiet triumph. Maybe your plan doesn’t need more bullet points. Maybe the relationship doesn’t require further analysis. Maybe your offering is already thorough. Allow yourself the sweet satisfaction of having just the right amount. What you have created may be more organically whole than you realize.

SAGITTARIUS (Nov. 22-Dec. 21): How do you become a maestro of desire? What must you do to honor your beautiful yearnings and cull your mediocre ones? What’s the magic that will help you fulfill your life’s purpose by trusting your deepest cravings? Here are some tips. First, jettison your inessential desires and cherish the precious yearnings that are crucial. Second, dispose of outmoded goals so you can make expansive space for robust goals that steer you away from the past and guide you toward the future. These are challenging tasks. The very good news is that the coming weeks can be a turning point in your quest to claim this birthright.

CAPRICORN (Dec. 22-Jan. 19): I’m writing a fairy tale about an ancient land whose queen regards poetry as essential to the public good. She often invites poets to perform for her and her court. When they finish a stirring passage, they bow—not to the queen or other observers, but to the silence they mined to access their inspiration, to the pregnant chaos from which the poem was born. The pause is a gesture of gratitude and acknowledgment. I invite you to partake in similar acts of appreciation, Capricorn. Bow toward the mysteries from which your blessings flow. Honor the quiet sources that keep you fertile. Praise the treasures in the dark that fuel your intense activities.

AQUARIUS (Jan. 20-Feb. 18): When I advise you to get naked,  I’m not necessarily suggesting that you doff your clothes. What I primarily mean is the following: Shed the armor around your heart; strip off your defense mechanisms; discard knee pads you wear while kissing butt or paying excessive homage; recycle shoes, jackets, pants and opinions that don’t fit you; and discard pride-spawned obstacles that impede your communions with those you love.

PISCES (Feb. 19-March 20): The Finnish word sisu describes a radical, unglamorous persistence. Those who possess sisu can summon extraordinary determination, tenacity and resilience in the face of confusion or difficulty. It’s not about bravado or flair, but about soulful gutsiness. I suspect it’s time for you to draw on your sisu, Pisces. It will empower you to tap into reserves of strength that have previously been unavailable. You will activate potentials that have been half-dormant.

Open Mic: Inept Reps, Reflecting on Whom We Elected

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It might be fun, just for a sec, to talk about what we U.S. citizens should expect from the people we elect to represent us in local, state and federal offices. 

Because we voters have made so many dreadful mistakes in this regard over the past 70 years or so, one might look around today and ask, how in the hell did so many unqualified people get elected in this country?

Putting aside for a moment that the professionals in the two major parties have conspired to create a system, on purpose, that lacks accountability, innovation and choice, and that minority rule is the rule—and not the exception—that favors both parties, even those facts cannot erase the mistakes or excuse voters for being this stupid. 

We are talking crack-smoking stupid here. These people are so many hundreds of miles from being the best and the brightest of American life that all we can do now is laugh, were it not so painful.

So, what should we want in our representatives? Education? Experience? Commitment to democratic ideals, which would include involving people of a wide variety of political philosophies in decision making? That would be a start. 

Basic knowledge about the global economy and about making the taxpayer dollar go as far as it can? Sure. Ability to work together to solve our most challenging problems, large scale and small? Of course. Also, honest, hard-working, intelligent, ethical, trustworthy and selfless.

We could go on. The problem is that almost no one, particularly in Congress and The White House, has a single one of these qualities. Think about that. No one with minimum standard qualifications. We’re talking about 100 senators; more than 400 members of the House, including our beloved speaker; the entire executive branch; and the Supreme Court. 

There isn’t a single person we can trust that I know of. All are bought and paid for by one interest group or another. This is Politics, Incorporated. If this is an exaggeration, it ain’t much of an exaggeration.

Rather than worry about how we got here, I think it might be time to decide what we do next as a society, because this crap is going to get much worse before it gets better.

Craig Corsini lives and writes in San Rafael.

Ocean Views: Bolinas Museum’s Summer Series

This summer, the Bolinas Museum is inviting the ocean inside and hanging the impossible depths of the world’s waters on its walls for all to see.

In the museum’s main gallery is an exhibition entitled Hold Fast, which will be on display until the final day of summer on Sept. 21. This multi-artist group show features the works of Charlie Callahan, Kristiana Chan 莊礼恩, Tanja Geis and Aubrey Trinnaman, all of whom work to connect their art and its audience with the ocean’s vast expanses of water.

Hold Fast is the first showcase in an ongoing series centered around earth, wind, fire, water, consciousness, perception and emptiness—the current and upcoming exhibitions in this series explore and engage with these globally-recognized terrestrial and spiritual elements.

“The works presented in Hold Fast explore the material and emotional power of water and its fundamental role as both a nurturing, generative force and as an agent of destruction, growth and change,” said Jessica Shaefer, executive director of the Bolinas Museum. “Working across mediums, participating artists … invite the viewer to consider ideas around oceanic biodiversity, ecological stewardship, resource extraction and the potential for a deeper understanding of the ineluctable interdependence of human and nonhuman beings.”

“Each artist has a unique personal relationship with local coastal life,” Shaefer continued. “Charlie and Aubrey are both based in Bolinas, and their respective creative practices reflect their deep commitment to exploring marine ecology; Tanja holds a master’s in marine management along with a master’s in fine art, and her process begins with extensive research and time spent physically engaging with a place or species; and Kristiana’s work engages with the political, historical and environmental heritage of the landscape and its material elements.”

Trinnaman is a Bolinas local and multi-media artist; her work reflects her curiosity and a deep, abiding respect for the environment and its inhabitants (both human and non-human). 

“My style/creative process always starts with a question and ends up with questions too,” she explained. “I really like to collaborate with the elements and other creatures I am sharing place with. Creating feels perfectly imperfect, intentional and open to dialoguing with the material and will of entities outside of myself.”

“I feel thrilled to share the Bolinas Museum space with artists I admire and the artists who have curated and set up this exhibition,” Trinnaman continued. “The collection of works and artists included in this exhibition embody a really nice conversation and balance. There seems to be an overarching thread of empathy, admiration and concern for biodiversity.”

Another local-to-Bolinas artist featured in the Hold Fast exhibition is Charlie Callahan, who reportedly came to Marin to be closer to the coast in a very on-brand move.

“My style as an artist has been informed from oceanic subjects that display circular fractals patterns, whether that happens to be in sculptures or paintings,” said Callahan. “I am also influenced by artists that play with illusion, surrealism and poetry.”

Tanja Geis takes a research-based approach to their artwork, combining real-life experience and hands-on interaction with the artistic subject matter and source of inspiration. This allows them to uncover patterns that emerge, retreat and transform endlessly in the natural world.

“I create immersive, site-responsive drawings, installations and sculptures that emerge from deep research and intimate encounters with edge ecosystems and species disrupted by human activity,” explained Geis. “My work explores how queering, drawing close to and engaging with the overlooked or intentionally obscured impacts of humans on the liveliness of non-humans might foster empathy and transform our perception of our place in, and responsibility toward, the ecological web. The unseen ocean and the coast as threshold consistently recur as potent spaces for this inquiry.”

The final artist showcased in the Bolinas Museum’s Hold Fast collection is Kristiana Chan, who describes herself as a materials-driven multimedia artist. Chan considers the ocean a huge source of creative inspiration.

“My work is largely inspired by the intertidal zone and trans Pacific coastal histories of ecology and migration—I’d describe my style as distinctly aquatic with a touch of sci-fi,” said Chan. “I’m thrilled to get to show alongside two of my favorite artists and water people, Shao-Feng and Tanja. I’ve always admired how their relationships to the sea are woven into their artistic practices, and it’s really fun for our work to be in conversation with each other.”

Also open until the final day of summer is the Bolinas Museum’s photography gallery, currently hosting a compelling show called From Below by Shao-Feng Hsu. From Below features two parallel bodies of work from Hsu, whose photography utilizes both analog and digital methodology to capture oceanic images and the emotions and experiences they evoke.

“I use photography to reflect on embodied experiences with aquatic environments, currently focusing on the California coastline,” said Hsu. “I really appreciated the [Bolinas Museum’s] proximity to water. I could smell the salt in the air—it’s the perfect setting for the work. Seeing people walk into the museum with sand in their flip-flops, wearing beach ponchos or wetsuits, gave me an immediate sense of ease and belonging. It’s a place where people maintain a close, intimate relationship with the water—a relationship shaped by familiarity and lived rhythm.”

The works featured at the Bolinas Museum this summer include a wide variety of mediums and artistic styles, including an immersive video installation, multi-media sculptures, intricate charcoal drawings and monoprint photographs. Just like the ocean itself, those who would venture into the depths of this collection are invited to delve as deeply into the exhibition as their heart desires. 

Guests are invited to engage with the aesthetic beauty and wonder of the works like awestruck snorkelers in a great coral reef, if they wish. Or, for a more adventurous deep dive that explores the intersectional depths of artistry and oceanography, one can sink into each work as though embarking on a submarine expedition into the Mariana Trench of artistic interpretation.

Hold Fast and From Below showcase a variety artistic practices that are deeply engaged with the natural world, and the works presented invite viewers to consider their own personal connections with the natural environment,” concluded Shaefer. “Art can be a powerful access point for delving into complex topics like ecological stewardship and ocean conservation, and can help cultivate a deeper understanding of and empathy with the more-than-human world, upon which we are so dependent for our own species’ ability to survive and thrive on this planet.”

The Bolinas Museum is open from 1 to 5pm on Fridays and from noon to 5pm on Saturdays and Sundays. Admission to the museum is always free. To learn more about the museum and its exhibitions, visit bolinasmuseum.org.

Culture Crush, July 30

Novato

Bob Mould at HopMonk

From Hüsker Dü to Sugar and beyond, Bob Mould’s influence on guitar-driven rock is hard to overstate. With 15 solo albums under his belt—including his landmark 1989 debut, Workbook—the punk pioneer brings his decades-spanning discography and unmistakable sound to HopMonk Novato for one night only. Whether one’s a longtime fan or new to the legend, expect a set that spans the raw, the melodic and the fiercely personal. 6pm, Saturday, Aug. 16, at HopMonk Tavern, 224 Vintage Way, Novato. hopmonk.com/novato.

Santa Rosa

Sovereign Beauty

BIPOC brilliance takes center stage at Sovereign Beauty, a free fashion and music bash celebrating style, expression and community joy. This vibrant evening at Santa Rosa’s California Theatre invites guests to show up stunning—bold, expressive and fashion-forward—for a runway showcase featuring BIPOC designers, local musicians and an after-party that keeps the vibes flowing. Produced by Nélida Samara through the Kimzin Creative BIPOC Producers Lab in partnership with Creative Sonoma, the event champions creativity as resistance and joy as collective power. Doors 6:30pm, Friday, Aug. 1, California Theatre, 528 7th St., Santa Rosa. Free with RSVP. Details at creativesonoma.org.

North Bay

Farm Fresh Festivities

In honor of National Farmers’ Market Week (Aug. 4-10), the folks at Farmers Market Life are going big—with a month-long celebration across Marin and Sonoma counties. Expect live music, kids’ activities, giveaways and vendor spotlights highlighting the unsung heroes behind every heirloom tomato and handmade jam. The campaign aims to showcase how farmers’ markets connect not just food to table, but people to place. All August at local markets. #FarmersMarketLife #LoveYourMarket.

Sonoma Valley

The Breakfast Group Legacy

As part of “Nancy Genn: The Nature of Being,” a retrospective spotlighting the pioneering Berkeley-based artist’s contributions to post-war abstraction, Sonoma Valley Museum of Art hosts an illuminating panel with Genn, Jan Wurm and Joseph Slusky. Together, they reflect on the enduring legacy of the Berkeley Breakfast Group, the storied artists’ circle founded in the 1940s by UC Berkeley faculty. Expect insights on art, friendship and the creative pulse of the East Bay. 3-4:30pm, Saturday, Aug. 9, at SVMA, 551 Broadway, Sonoma. $25-$30. Registration required at svma.org.

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Culture Crush, Aug. 6

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Free Will Astrology: Aug. 6-12

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Ocean Views: Bolinas Museum’s Summer Series

'Hold Fast’ exhibit at Bolinas Museum
This summer, the Bolinas Museum is inviting the ocean inside and hanging the impossible depths of the world’s waters on its walls for all to see. In the museum’s main gallery is an exhibition entitled Hold Fast, which will be on display until the final day of summer on Sept. 21. This multi-artist group show features the works of...

Culture Crush, July 30

Culture Crush, July 30, 2025
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