Theater: Clinical Trial

Two attractive young people have been selected to take part in a clinical trial of a new (and unnamed) anti-depressant drug developed by a fictitious pharmaceutical company. Connie Hall has signed on because she’s curious about the process and has had mild episodes of depression in the past. Tristan Fray is there because the pay is enough to cover expenses on a vacation trip he is planning. Dr. Lorna James is the project manager who administers the drug and reports results to her supervisor, Dr. Toby Sealy. The trial is double blind, meaning that neither the participants nor the staff know who is given the drug and who gets a placebo. Its purpose is to test its efficacy prior to seeking governmental approval for manufacture and distribution.

That, in a nutshell, is the setup for Lucy Prebble’s The Effect, currently receiving its West Coast premiere at the San Francisco Playhouse.

From the description, one might expect that the play would be about drug-testing and the spread of medications for just about every ailment in today’s world, with maybe a dash of romance between the young volunteers who spend so much isolated time together. Turns out that Prebble has much more—or less, depending on your point of view—in mind.

Let’s begin with the scientific content. Very little about either Prebble’s script or the Playhouse’s production conforms with what we know actually takes place during human drug trials, which (in the United States) are closely regulated by the Food and Drug Administration. Nina Ball’s sleek scenic design, starkly lit by Kurt Landisman with a ceiling chain of overhead LEDs, suggests a corporate meeting room rather than a testing lab, and sound designer Theodore J.H. Hulsker’s electronic blasts of sound between scenes contribute to the sense of unreality.

Then there is the issue of a two-person “trial.” What could possibly be learned from observing only two individuals, neither of whom has a history of clinical depression? Why would they be left alone with each other for such lengthy periods? Is it appropriate for the trial manager to interact with them on a personal basis, even sharing information about who is getting the placebo? And, finally, are the catastrophic events near the end of the play credible? (A statement included in the Playhouse press kit from Mavi Walther, recruitment and screening manager at the U.K.’s Hammersmith Medicines Research, says she’s never seen anything like the events on the stage in her 12 years on the job.)

Questions, questions.

OK, I get it. Theater is theater, not reality. You’re supposed to suspend your disbelief. Once I do that, things for Prebble and the Playhouse become distinctly sunnier. Under Bill English’s sensitive direction, the romance between Connie (Ayelet Firstenberg) and Tristan (Joe Estlack) develops gradually, allowing us to appreciate their divergent personalities and to care about them when disaster strikes. He’s an impulsive vagabond who’s quick to fall in love; she’s more reticent, but when she makes up her mind, watch out! Both actors handle these roles superbly.

The relationship between the two doctors, Lorna (Susi Damilano) and Toby (Robert Parsons) is more problematic. It seems that they once had an affair and now are finding that the embers have not yet been extinguished. That makes the atmosphere rather tense as they are called upon to reconcile their divergent views as to how the trial should be conducted. Here the script becomes a bit melodramatic, especially at its abrupt conclusion, but Damilano and Parsons—both talented theatrical veterans—manage to generate considerable sympathy for what appears to be a lost cause.

Looking over reviews of other productions of The Effect, I found that the critics almost universally ignored questions about its scientific accuracy, preferring instead to concentrate on whether what we call love is an emotional response that can be manipulated by brain-altering drugs. It’s an interesting and sexy issue—one that Aldous Huxley dealt with beautifully in his novel Brave New World. I’d say we’re at least halfway there and running hard.

NOW PLAYING: The Effect runs through April 28 at the San Francisco Playhouse, 450 Post St., San Francisco; 415/677-9596; sfplayhouse.org.  

Food & Drink: PB Pride

One of my favorite foods is peanut butter. I have been chided over the years for continuing to eat the crunchy, salty spread long into my adult life—some (foolishly) think that peanut butter & jelly sandwiches are a childhood indulgence better left to the preschool and kindergarten set.

Fortunately, Alan Turner likes the nutty goodness as much as I do—maybe more. While he was an Environmental Studies major at the University of California, Santa Barbara, he was eating a lot of peanut butter. In 2013 he started making his own and launched his business, Handsome Carver’s, with a tagline of Healthy. Tasty. Handsome. For those unfamiliar with peanut butter’s evolution, George Washington Carver is the name that’s most frequently associated with the beloved spread, despite the fact that he did not invent it.

Turner sells his line of nut butters at the Marin Farmers’ Market at the Civic Center in San Rafael and the Point Reyes Farmers’ Market in 9-ounce jars that sport labels of a mustachioed gentleman. He’s up to 10 different flavors that include versions of cashew, almond, hazelnut and six different peanut creations. Turner sources almonds from the Central Valley, but his peanuts come from the peanut capital, Georgia.

“If I were just making these for myself, I’d probably have a lot more crazy flavors,” says Turner, who prefers savory notes over sweet. Turner, who lives in Sonoma County, rents a commercial kitchen in San Rafael and produces the butters, labels them, packs them and makes all of the deliveries. Driver’s Market in Sausalito and Toby’s Feed Barn in Point Reyes Station also carry Turner’s products, but online is where many of his customers find the inventive spreads. Turner plans to offer an online model much like wineries offer wine club memberships; for members, he’ll create special flavors that will only be available to them.

Handsome Carver’s; handsomecarver.com.

Upfront: The Race

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Unlike the current occupant of the office, each of the three candidates for Marin County District Attorney this year supports a push to proactively expunge old misdemeanor pot laws—with some small degrees of shading.

The issue was raised in the North Bay when, in December, San Francisco District Attorney George Gascon said that his office was moving to expunge thousands of cases in that city.

At the time, Sonoma County District Attorney Jill Ravitch initially said that she wouldn’t be following Gascon’s lead, but then reversed herself shortly thereafter and said her office would be doing so. She is up for reelection this year in a county which has seen a balky rollout of Proposition 64 despite vast interest in cashing in on legalization.  

In Marin County, which has not embraced legalization, outgoing District Attorney Ed Berberian is under no such political pressure and said last month that he didn’t have the staff or the resources to take on the expunging of cases the way Gascon said he would.

Gascon, in making his announcement, said that he would look at pot charges going all the way back to 1975, the year California reclassified cannabis possession of up to an ounce as a simple misdemeanor.

Proposition 64 grants judicial latitude to expunge pot cases if the underlying rime that gave rise to the original charge is no longer a crime.

The process allows for persons to file a petition to have the charge removed from their record. According to the Judicial Branch portal, 2,700 citizens around the state had filed petitions from November 2016 to December 2017. Marin had fielded 19 of the requests over that time.

Here’s what the three candidates had to say about it to the Pacific Sun:  

Anna Pletcher views the expungement issue through the lens of a failed war on drugs. She says that she would move to expunge misdemeanor pot cases and take the extra step of bringing the process out into the community—specifically, the community of Marin City. “This is a racial justice issue in my view,” says Pletcher, a former law professor at Berkeley who used to work for the Department of Justice.

Pletcher stressed that job number one of the district attorney is to protect the public, as she said she would head to Marin City and set up a table with the public defender’s office. Around 40 percent of Marin City’s population is African-American. “The purpose in proactively expunging the cases is this: To undo the damage done by the war on drugs.”

Candidate Lori Frugoli has worked for the Marin County District Attorney’s office for 27 years, and the deputy district attorney says that she, too, favors proactively taking a whack at prior cannabis convictions in the county. “Yes, I support the expungement of prior marijuana convictions, as do the DA’s in Sonoma and San Francisco,” relates Frugoli. She emphasized, “I would want to carefully review the cases to ensure they did not involve firearms or sophisticated sales operations involving large quantities of cash or proceeds. Those cases would require more scrutiny.”

Berberian told us last month that his office didn’t have the budget or the staffing to conduct the reviews on a proactive basis. Frugoli says she would go to the Marin County Board of Supervisors to make sure she did have the staff. And she noted that the requests for expungement are starting to pile up as the public defender’s office calls up the cases. “Our public defender’s office has a robust expungement program with dedicated [staff] who research cases and file expungements on a regular basis. Often we are unable to keep up with the motions’ response dates due to the number of requests.”

A.J. Brady is also a currently-serving assistant district attorney in Marin County and says that he, too, would push to proactively expunge misdemeanor pot charges. He says Prop 64 provides an opportunity to affirmatively call up data “rather than waiting for people to file petitions.” Brady noted that it would be easier to call up more recent cases, since the county has a mixed digital and analog system, and the digital system only goes back to the early 2000s. Anything before that, he said, exists as paper files and would be more labor- and time-intensive to review. “To go back through to the ’80s—that would be hard,” he says. “And the reality is that we’ll misplace some people in the ’90s. We were in paper files then. I couldn’t commit to something that would destroy our staffing, but we could make a spreadsheet. It’s the job of the Marin elected DA to do this.”*

Take Two

By Jacob Pierce

In a field with six major candidates for governor of California, Antonio Villaraigosa, who once served as the state assembly speaker, is locked in a dead heat with Lt. Gov. Gavin Newsom, according to the most recent polls. Last month we reported Villaraigosa’s views around housing. We recently caught up with him for a second conversation, this time on immigration, healthcare and ethics.

Pacific Sun: If you were governor right now, how would you respond to Attorney General Jeff Sessions’ lawsuit against California over its immigration policies?

Antonio Villaraigosa: I’d do what Gov. Brown did. I’d say that you’re not welcome in our state when you misrepresent what we’ve done in California. There’s nothing in the California Values Act that says if people commit violent crimes, they won’t go to jail. They will go to jail. They are going to jail.

The biggest reason [Sessions] came to California is for almost a year now he has been under almost a weekly assault from Donald Trump, criticizing how he’s carried out his duties as an attorney general. He’s struggling, fighting to keep his job, so he came here to California to curry favor with his boss.

Sun: You’ve advocated for creating a public option for healthcare. How is that better than trying to build a single-payer system from scratch?

Villaraigosa: First of all, I supported universal healthcare my entire life. SB 562 is legislation that essentially articulates the goals of a state-paid-for healthcare system that would end Medicare and Medi-Cal as we know it: Eliminate all insurance-based healthcare plans, including Kaiser; require a federal waiver from Donald Trump, who wants to eviscerate the Affordable Care Act (ACA) and Medicaid; and cost at least $200 million, assuming you could suspend Prop 98. And you’d have to suspend it each year, and you’d have to pay back to community colleges the money that would have gone to them. So it’s really a $400 million price tag. So I’ve asked Gavin Newsom, who’s tripled down on SB 562, to debate me on this issue.

The number one issue for the next government is to protect the ACA. In California, we need to do the following: One, restore the individual mandate at a state level. Two, we need to focus on prevention to a much greater degree. Three, we need to look at best practices here and around the country—Cleveland Clinic, Kaiser—where we can adopt cost-containment measures, to drive down the spiraling cost of healthcare. It’s not just a public option. It’s a public option, along with the exchange, along with what we currently have right now.

Sun: You paid fines in 2011 for ethics violations for accepting free tickets to high-profile events during your time as mayor. How can you convince voters that you have the ethical standards to be governor?

Villaraigosa: Before I was mayor, everybody on the powerful commissions—the airport commission, the port commission, the planning commission, community redevelopment—mayors used to put people in those positions that raised money for them. I signed an executive directive my first day in office prohibiting my appointees on any commission, including those powerful ones, from being able to raise money or contribute to the mayor.

What I was fined over was an issue that, prior to me, no one had ever been fined for, and I’ll tell you why. In my case, if I went to a game, a concert, and they gave me tickets, I would have to report them, and I always did. I was speaking at all these events. At every one of these events, I was speaking. Only once in a great while did I actually stay at those events.

Feature: Passion Project

When you think of co-working spaces, artsy and free-thinking Fairfax might not come to mind as a natural home for one. And yet that’s exactly where Steph Harty, founder of The Indie Alley, decided to place hers. This will be the first time that the printed page mentions the new, quaint space—in true Fairfax fashion, the news about it has been spreading by word of mouth.

Originally from the East Coast, Harty, a music industry veteran, moved to Marin with her family in 2014 and got situated in Fairfax. “I’ve lived all over the country,” Harty says. “Fairfax is the first time that I have felt at home.”

As Harty grew fonder of her creative community, she decided to honor the women in it by giving them a space to gather, work and wonder. The Indie Alley, for ‘women and allies,’ opened soon after. “It’s a place for us to grow and stretch out of what society might think we are,” Harty says. “When we know we are so much more.”

Offering a library, cozy nooks and desks, The Indie Alley is full of bohemian touches that are every bit Fairfax. Lots of natural wood, vintage rugs, furs and colorful pillows adorn the wood-beamed rooms.

When you walk into the space, the warmth is different—there’s no glamour and glitz; it’s just a space where you feel welcome, and there’s no pretence—just come in, have a cup of coffee or tea and get to doing whatever you’re doing,” says Harty, when asked what sets her passion project apart.

“It was really important to us to make a space that felt like the kind of place we actually want to work in,” adds Claire Fitzsimmons, a co-founder who contributed to the design. “So often co-working spaces can feel very corporate; they can lack a personality, and we knew from the start we didn’t want to create just another office-y type space. We’re not about growing people as brands, but for supporting who people actually are and how they navigate their complex and messy lives.”

Certainly not the home of many office-y establishments, Fairfax is a favorite among creatives and artistic types; Harty admits that they are The Indie Alley’s main clientele. “Fairfax is definitely unique—when you’re surrounded by nature, the vibe is different from the next towns over—but people do work!” she says with a laugh. “Houses are often small, plus often you need a dual income to be able to live in Marin as a family, especially if you have kids, and often one of the parents works from home. He or she may work at coffee shops, but they come in and say, ‘Ahhh, thank you!’ because there are no distractions.”

Steph Harty, founder and owner of The Indie Alley, wanted to create a welcoming space where people and their passions are supported. Photo courtesy of The Indie Alley/Suzanne Christine Photography.

Along with a relaxed space, free WiFi and plenty of reading material, the place offers courses, events and meet-ups. There are crafting meetings, meditations, a book club and coaching sessions. There’s even a naming workshop with Bettina Ferrando, a member with a crucial role—she helped Harty come up with ‘The Indie Alley’ name. “It’s hilarious to look at options we had, some of them made no sense!” Harty says. “We had ‘indie,’ and you have to walk down an alley to walk into the building—there was the magical moment, an epiphany.”

The focus is decidedly female, but men, says Harty, “also need to be a part of this project. We’ll be talking about feminism, but if men aren’t part of it, we’ll just be talking to ourselves.”  

Fitzsimmons, who does much of the programing, adds, “I think those are themes that run strong in our society at the moment and not necessarily just in co-working spaces. What we’re seeing is that co-working spaces orientate themselves around different ideas, and I don’t think they all take on feminism. Though some do, and we’re proud to be part of the community of spaces across the U.S. that are run by women for women.”

What makes co-working spaces so compelling, in Fairfax and beyond? “I think that people are looking for a place to connect and find commonality,” Harty says. “I find so many of us have the need to feel the energy of others and to just get out of the house, and social media can only go so far in terms of keeping one connected to the outside, but there is an unmet need when only engaging through those platforms.”

Fitzsimmons believes that it’s part of a global shift. “We work differently now—we are no longer tied in the same way to a single office location, we have portfolio careers, we work from home or remotely, we have tech tools available to us that mean we can work from anywhere, and we do. Co-working meets the needs that come with that shift. We may be able to work alone or at home, but we are also realizing that we still want to have other people around. We get lonely, or distracted or unfocused in those home offices!”

Co-founder Amanda Sheeren, who frequents The Indie Alley, says that it’s estimated that 40 percent of the workforce will be working remotely by the year 2020. “That is a staggering number of people who will have the freedom to choose when, how and where they work,” she says. “For women, specifically, this may mean the opportunity to enter or re-enter the workforce at a level that may not have been possible in the past.”

But, Sheeren adds, on top of offering the possibility to do just that, The Indie Alley shows awareness of the hardships and challenges that constant connectivity brings. “In addition to our wellness room, just a place to sit in the calm and quiet, we also offer workshops and classes aimed at supporting the whole person, not just the professional, so while we may be riding the swelling co-working wave, we’re also set on carving out a unique and holistic path,” she says.

While women’s issues, a holistic approach to wellness and the rise of the remote workplace are universal, some attributes set The Indie Alley apart as a ‘local’ hub: Currently boasting 30 members, the space is, according to Fitzsimmons, a growing community tailored for the specific needs of Fairfax.

We’re not WeWork,” Fitzsimmons says. “We’re not aiming for 1,000 members. We know each and every person who comes through the door and we can develop programs and benefits to meet their needs.

“Marin is such an interesting context,” she continues. “This is one of the most affluent counties in the U.S., and yet there are some fascinating contradictions in being here: Issues around race, health, aging, substance abuse, teen depression and suicide. My hope is that The Indie Alley can be a place of active discussions around some of these issues and we can bring in great speakers and facilitators who can help us figure some of these things out.”

Harty believes that the women behind The Indie Alley take the people-centered values of Fairfax into their space. “People here fundamentally care about other people,” she says. “It’s not a very showy place. There are already interesting conversations around living meaningful and creative lives, that hopefully The Indie Alley can contribute to.”

The Indie Alley, 69 Bolinas Road, Fairfax; 773/454-7872; theindiealley.com.

Hero & Zero: A Royal Baker & A Lawsuit

Hero: Prince Harry and fiancé Meghan Markle have engaged a Marinite to create their wedding cake. Pastry chef Claire Ptak, who grew up in West Marin, now owns an organic bakery in east London. “I can’t tell you how delighted I am to be chosen to make Prince Harry and Ms. Markle’s wedding cake,” Claire said in a statement. “Knowing that they really share the same values as I do about food provenance, sustainability, seasonality and most importantly flavor, makes this the most exciting event to be a part of.” Rather than the traditional fruitcake, royal wedding guests will enjoy Claire’s lemon elderflower cake married with the bright tastes of spring, a buttercream covering and fresh flower decorations. Mazel tov to Claire and the happy couple.

Zero: After eight years, the Away Station in Fairfax has gone away for good. The nonprofit store offered salvaged goods, including building materials, furniture and other treasures. Their mission was to help Marin achieve zero waste by reusing and repurposing landfill-bound items. “We would love to keep doing what we do with you, but conditions outside our control have made continuing to operate impossible,” states a message on their website. Jean, a customer and Lagunitas resident, explained that a child was hurt when his parents didn’t closely supervise him in the store. “Rather than take responsibility for their carelessness, they sued,” Jean said. “Result: An insurance increase so astronomical the store was forced to close. Not only is this resource gone, but six people lost their jobs.”

Free Will Astrology

ARIES (March 21-April 19): A few years ago, a New Zealander named Bruce Simpson announced plans to build a cruise missile at his home using parts he bought legally from eBay and other online stores. In accordance with current astrological omens, I suggest that you initiate a comparable project. For example, you could arrange a do-it-yourself space flight by tying a thousand helium balloons to your lawn chair. APRIL FOOL! I lied. Please don’t try lunatic schemes like the helium balloon space flight. Here’s the truth: Now is a favorable time to initiate big, bold projects, but not foolish, big, bold projects. The point is to be both visionary and practical.

TAURUS (April 20-May 20): The Finnish word kalsarikännit means getting drunk at home alone in your underwear and bingeing on guilty pleasures. It’s a perfect time for you to do just that. The Fates are whispering, “Chill out. Vegetate. Be ambitionless.” APRIL FOOL! I told a half-truth. In fact, now is a perfect time to excuse yourself from trying too hard and doing too much. You can accomplish wonders and marvels by staying home and bingeing on guilty pleasures in your underwear. But there’s no need to get drunk.

GEMINI (May 21-June 20): Actor Gary Busey is very sure that there are no mirrors in heaven. He has other specific ideas about the place, as well. This became a problem when he was filming the movie Quigley, in which his character Archie visits heaven. Busey was so enraged at the director’s mistaken rendering of paradise that he got into a fist fight with another actor. I hope that you will show an equally feisty fussiness in the coming weeks, Gemini. APRIL FOOL! I lied, sort of. On the one hand, I do hope that you’ll be forceful as you insist on expressing your high standards. Don’t back down! But on the other hand, refrain from pummeling anyone who asks you to compromise.

CANCER (June 21-July 22): In the Scots language still spoken in parts of Scotland, eedle-doddles are people who can’t summon initiative when it’s crunch time. They are so consumed in trivial or irrelevant concerns that they lose all instinct for being in the right place at the right time. I regret to inform you that you are now at risk of being an eedle-doddle. APRIL FOOL! I lied. In fact, the truth is just the opposite. I have rarely seen you so well-primed to respond vigorously and bravely to Big Magic Moments. For the foreseeable future, you are King or Queen of Carpe Diem.

LEO (July 23-Aug. 22): Paul McCartney likes to periodically act like a regular person who’s not a famous musician. He goes grocery shopping without bodyguards. He rides on public transportation and strikes up conversations with random strangers. I think that you may need to engage in similar behavior yourself, Leo. You’ve become a bit too enamored with your own beauty and magnificence. You really do need to come down to Earth and hang out more with us little people. APRIL FOOL! I lied. The truth is, now is prime time to hone your power and glory; to indulge your urge to shine and dazzle; to be as conspicuously marvelous as you dare to be.

VIRGO (Aug. 23-Sept. 22): The coming days will be an excellent time to concoct an alchemical potion that will heal your oldest wounds. For best results, mix and sip a gallon of potion using the following magic ingredients: Absinthe, chocolate syrup, cough medicine, dandelion tea, cobra venom and worm’s blood. APRIL FOOL! I mixed a lie in with a truth. It is a fact that now is a fine time to seek remedies for your ancient wounds. But the potion I recommended is bogus. Go on a quest for the real cure.

LIBRA (Sept. 23-Oct. 22): I expect that you will soon receive a wealth of exotic and expensive gifts. For example, a benefactor may finance your vacation to a gorgeous sacred site or give you the deed to an enchanted waterfall. I won’t be surprised if you’re blessed with a solid gold bathtub or a year’s supply of luxury cupcakes. It’s even possible that a sugar daddy or sugar momma will fork over $500,000 to rent an auditorium for a party in your honor. APRIL FOOL! I distorted the truth. I do suspect that you’ll get more goodies than usual in the coming weeks, but they’re likely to come in the form of love and appreciation, not flashy material goods. (For best results, don’t just wait around for the goodies to stream in; ask for them!)

SCORPIO (Oct. 23-Nov. 21): There’s a narrow waterway between Asia and Europe. In the fifth century B.C., Persian King Xerxes had two bridges built across it so he could invade Greece with his army. But a great storm swept through and smashed his handiwork. Xerxes was royally peeved. He ordered his men to whip the uncooperative sea and brand it with hot irons, all the while shouting curses at it, like “You are a turbid and briny river.” I recommend that you do something similar, Scorpio. Has Nature done anything to inconvenience you? Show it who’s the Supreme Boss! APRIL FOOL! I lied. The truth is, now is an excellent time for you to become more attuned and in love with a Higher Power, however you define that. What’s greater than you, bigger than your life and wilder than you can imagine? Refine your practice of the art of surrender.

SAGITTARIUS (Nov. 22-Dec. 21): Fifteenth-century Italian painter Filippo Lippi was such a lustful womanizer that he sometimes found it tough to focus on making art. At one point, his wealthy and politically powerful patron Cosimo de’ Medici, frustrated by his extracurricular activities, imprisoned him in his studio to ensure that he wouldn’t get diverted. Judging from your current astrological omens, Sagittarius, I suspect that you need similar constraints. APRIL FOOL! I fibbed a little. I am indeed worried that you’ll get so caught up in the pursuit of pleasure that you’ll neglect your duties. But I won’t go so far as to suggest that you should be locked up for your own good.

CAPRICORN (Dec. 22-Jan. 19): Now is a favorable time to slap a lawsuit on your mom in an effort to make her pay for the mistakes she made while raising you. You could also post an exposé on social media in which you reveal her shortcomings, or organize a protest rally outside her house with your friends holding signs demanding that she apologize for how she messed you up. APRIL FOOL! Everything I just said was ridiculous and false. The truth is, now is a perfect moment to meditate on the gifts and blessings your mother gave you. If she is still alive, express your gratitude to her. If she has passed on, do a ritual to honor and celebrate her.

AQUARIUS (Jan. 20-Feb. 18): Aquarian author Alice Walker won a Pulitzer Prize for her novel The Color Purple. She has also published 33 other books and built a large audience. But some of her ideas are not exactly mainstream. For example, she says that one of her favorite authors is David Icke, who asserts that intelligent extraterrestrial reptiles have disguised themselves as humans and taken control of our planet’s governments. I bring this to your attention, because I think it’s time that you, too, reveal the full extent of how crazy you really are. APRIL FOOL! I half-lied. While it’s true that now is a favorable time to show more of your unconventional and eccentric sides, I don’t advise you to go full-on whacko.

PISCES (Feb. 19-March 20): Warning! Danger! You are at risk of contracting a virulent case of cherophobia! And what exactly is cherophobia? It’s a fear of happiness. It’s an inclination to dodge and shun joyful experiences because of the suspicion that they will disappoint you or cause bad luck. Please do something to stop this insidious development. APRIL FOOL! I lied. The truth is that you are currently more receptive to positive emotions and delightful events than you’ve been in a long time. There’s less than a 1 percent chance that you will fall victim to cherophobia.

Homework: What quality or behavior in you would most benefit from healthy self-mocking? Testify at Freewillastrology.com.

Advice Goddess

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Q: My parents said they’d give my fiancé and me money for a wedding or for a down payment on a home. They aren’t wealthy, so my fiancé and I would have to fund about half of the wedding, or possibly more. He doesn’t care about a big wedding, and I agree that it would be fantastic to have money to put toward a home. Still, my friends are getting married and having these beautiful, lavish weddings, and I worry that I’d regret not having one, too.—Bridechilla

A: Let’s think this through. First, there’s, “We blew our friends away with the wedding of the century!!!” And then: “But, strangely, none of them showed up to our housewarming in our new tent beneath the overpass.”

To understand your longing to get married in, say, the suburban Taj Mahal, with Beyoncé as entertainment, it helps to understand that we are imperfectly rational. Our emotions are our first responders, and those still driving us today are often a mismatch with our modern world. They evolved to solve mating and survival problems in ancestral times.

Reputation and status mattered—in a life-or-death way. Take the drive for female status competition that’s gnawing at you. It has a long history in both human and nonhuman primates (monkeys, gorillas, etc.). Primatologist and anthropologist Sarah Blaffer Hrdy explains, “Access to resources—the key to successful gestation and lactation—and the ability to protect one’s family from members of one’s own species are so nearly correlated with status that female status has become very nearly an end in itself.”

Well, guess what? In our modern world, you have access to resources. Understanding how starkly mismatched our evolved emotions can be with our modern lives may put your longing to join the wed-spend olympiad into perspective. Ironically, you and your fiancé

might do more to signal that you’re high status through a sort of reverse conspicuous consumption—for example, loudly and proudly throwing a backyard wedding with a barbecue lunch buffet … scooped onto the finest 250-count disposable Chinet $14.99 can buy. (Yes, you two are so comfortable with your place in the social world that you can throw an aggressively unlavish wedding.)

Your guests will cry just the same as you say “I do” in a dress you picked up for $9 at Goodwill. Best of all, after your frugally fabulous nuptials, you can go straight off on your honeymoon—the two of you rather than the three of you: You, your husband and the credit counselor.

Q: I’m a single woman struggling with maintaining boundaries. I find myself going along in the moment with things men do or want—saying, “Sure, that’s cool” even when it’s not. I’m pretty assertive in other areas, so it’s confusing that I’d be such a wimp with men.—Yes Woman

A: Guys love a woman who says yes—until they’re done doing whatever she said yes to.

It isn’t surprising that you’re inconsistently assertive. There’s this myth of the self as a single, stable entity—like one of those Easter Island statues (but with lip gloss and an iPhone). However, evolutionary psychologist Lee A. Kirkpatrick and his colleagues find that our self-evaluations (and the behavior that follows) evolved to be “domain-specific”—different in different areas of our lives.

“Situational variables” matter—like the value to us of a potential relationship. So you might march around like some warrior princess of the work world yet want a boyfriend so badly that you show guys you’re dating that there’s no amount of backward that’s too far for you to bend over.

The good news is, your emotions are not your factory foreman. You will not be fired and end up sleeping on cardboard in a doorway if you refuse to obey them. Reflect on possible boundary-challenging scenarios and preplan what you’ll say—and then just say it. State your limits, despite any inner squeals of protest from your fears (those jerks). Expect this to feel uncomfortable, but do it anyway. In time, you should see that it’s self-respect, not compliance, that earns you respect from others—leading them to want you for more than … um … temporary erection relief.

This Week in the Pacific Sun

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This week in the Pacific Sun, our cover story, ‘Community Crisis,’ examines the upcoming transformation of the historic Depot Bookstore & Cafe in Mill Valley. On top of that, we’ve got a decadent salad recipe, a piece on vegan leather products by Filbert and a review of Marin Theatre Company’s ‘The Wolves.’ All that and more on stands and online today!

Film: Plague Dogs

In Wes Anderson’s film Moonrise Kingdom, the runaways Sam (Jared Gilman) and Suzy (Kara Hayward) stumble across the corpse of a dog with an arrow in it. Suzy asks, “Was he a good dog?” Sam replies, philosophically, “Who can say?” This New Yorker cartoon caption joke was a highlight of that movie. And yet it was a tonal mistake to overlay this coolness over the crafty yet off-putting Isle of Dogs.  

“Dog Flu” is a malady of the year 2038 in Japan. Kobayashi, the ominous mayor-for-life of Megasaki, takes action before the disease jumps to humans. All dogs are sent to a quarantined island. Kobayashi’s ward and “distant nephew” Atari (Koyu Rankin), as intrepid as any 12-year-old boy in any Japanese cartoon ever, flies in a makeshift airplane to the rescue of his exiled pet Spots (voiced by Liev Schreiber). It crashes and Atari is marooned. Meanwhile a pack of mutts surviving on garbage are catalyzed into action by Chief (Bryan Cranston), a stray dog for life.

Anderson’s animators work small, trying to capture a nation where people tend to swallow their emotions. But in a culture where the minimal is so important, Anderson crowds in his usual bric-a-brac—whether it’s the step-by-step business of preparing a sushi meal, or the flashcard-like listing of elements of the story, or sidebar upon sidebar.

Anderson wanted Isle of Dogs as far away from overdone emotions as possible. But the result here is something that doesn’t really arouse feelings, no matter how many animated dogs in full face stare us down, sometimes with tears in their eyes.

The borrowings from Lady and the Tramp work, when the fancy show dog Nutmeg (voiced by Scarlett Johansson) is telling Chief that she’s uncertain about finding a mate: “I wouldn’t want to bring puppies into this world.” Anderson channels the old classic cartoons, staging dogfights that are giant clouds of dust with limbs emerging from it. But he seems torn between honoring that Japanese ‘beauty in sadness’—mono-no-aware—and parodying it.

Theater: Teen Warriors

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In case you haven’t noticed, we’re in the middle of a global feminist revolution. On every continent women are demanding equal social and economic treatment. They don’t have the political power to make it happen immediately, but all of the signs say that it’s coming.  

Nowhere is this more true than here in the United States. Barriers are being broken down faster than they can be restored by protectors of anachronistic patriarchy: In movies, TV, the media, corporations, local government, organized religion, competitive sports and elsewhere. That background makes the arrival of Sarah DeLappe’s The Wolves, at Marin Theatre Company (MTC) for its first Bay Area production, at a time when young women are at the forefront of the gun control movement, particularly opportune.

The Wolves isn’t a “play” in the traditional sense. During its roughly 90 intermission-less minutes, one barely gets to know the characters—who are identified only by numbers on the backs of their jerseys—and there is only the barest wisp of a plot. It’s more a dramatized explosion of energy by a nine-member suburban high school soccer team that has joined forces for one purpose: To win the next match and the one after that. Their relentless intensity is what drives the show and transfers the message that a new day is dawning.

In the opening scene, the team sits in a circle on green astroturf inside a training facility (set design by Kristen Robinson). They’re warming up for a match with carefully synchronized stretches under the loose direction of their captain (#25, Sango Tajima). It’s a ritual repeated in one form or another before each match, supporting DeLappe’s stated vision that the girls are the equivalent of a group of male warriors preparing for battle. Ball-control exercises follow, again with exact precision. The only exception to this rigor is an initial period of teenage chatter.  

Comments ranging from menstrual problems to the killing fields of Cambodia meet in overlapping waves that are all but indecipherable, even if you listen closely. As their bravado grows, the message comes through loud and clear that these girls will not allow themselves to be messed with. They are dedicated to winning, and they are tough.

This is 27-year-old DeLappe’s first professionally produced script, written in 2014-15 when she was barely out of grad school at Yale. After several out-of-town tryouts, including a workshop at MTC that received the Sky Cooper New American Play Prize, it debuted at New York’s off-Broadway Playwrights Realm in early 2016 and then moved on to Lincoln Center, where Ben Brantley’s New York Times’ review hailed its “atomic” girl power. Almost instantly, the show began winning awards and was a finalist for the 2016 Drama Pulitzer.

MTC’s current production, tightly directed by Morgan Green, features a fine ensemble of nine young actors—Portland Thomas, Betsy Norton, Sango Tajima, Carolyn Faye Kramer, Nicole Apostol Bruno, Jannely Calmell, Neiry Rojo, Emma Roos and Isabel Langen, plus Liz Sklar as the group’s Soccer Mom. (Note: Understudies who are actual girl soccer players at local high schools will substitute at the final performance on April 8.)

For all of its brief but glittering history and the strength of MTC’s effort, I have some serious reservations about The Wolves. Strictly as theater, it suffers from placing all of the main action (i.e., the matches themselves) offstage. This can’t be helped, of course, because a stage is not a soccer pitch, but it does mean that the exercises become uncomfortably repetitious. Also, in an effort to stress group dynamics, individual characters are not developed as well as they might be and the use of overlapping dialogue with constantly shifting subjects contributes to this lack of identity.

I also wonder about DeLappe’s militaristic metaphor. Do we really want girls to emulate boys’ testosterone-driven emphasis on winning at all costs?

Despite these qualms, I would recommend to the adult “boys” in Washington that you see a production of this play if you ever have an opportunity. “Wolves” are on the prowl throughout the nation, they’re growing and I doubt that you can run fast enough to escape them.

NOW PLAYING: The Wolves runs through April 8 at Marin Theatre Company, 397 Miller Ave., Mill Valley; 415/388-5208; marintheatre.org.

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This Week in the Pacific Sun

This week in the Pacific Sun, our cover story, 'Community Crisis,' examines the upcoming transformation of the historic Depot Bookstore & Cafe in Mill Valley. On top of that, we've got a decadent salad recipe, a piece on vegan leather products by Filbert and a review of Marin Theatre Company's 'The Wolves.' All that and more on stands and...

Film: Plague Dogs

In Wes Anderson’s film Moonrise Kingdom, the runaways Sam (Jared Gilman) and Suzy (Kara Hayward) stumble across the corpse of a dog with an arrow in it. Suzy asks, “Was he a good dog?” Sam replies, philosophically, “Who can say?” This New Yorker cartoon caption joke was a highlight of that movie. And yet it was a tonal mistake...

Theater: Teen Warriors

In case you haven’t noticed, we’re in the middle of a global feminist revolution. On every continent women are demanding equal social and economic treatment. They don’t have the political power to make it happen immediately, but all of the signs say that it’s coming.   Nowhere is this more true than here in the United States. Barriers are being...
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