The Thinnest Books in the World: Congress’ lost chapter

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We all recall the jokes we told each other back in the days of the wood-burning radios when it was sorta kinda tolerated to tell jokes about each other, like in the 1960s.

Some of the favored jokes in the suburban white boys’ tribe, which was full of kids who really never developed emotionally and intellectually past 8th grade, boys like me, were the jokes about the world’s thinnest books.

One could go the route of racial hatred if they liked, or the anti-gender route, or the losing teams in sports route, or one could pick on the kids at a particular school in which there was a perceived underlying social stigma.

These were the best of times and the worst of times, depending on one’s tribe.

Some of the books on the list included My Life’s Memories by Ronald Reagan and Things I Cannot Afford by Bill Gates, as well as such titles as Twenty Centuries of German Humor, Virginity in France and Italian War Heroes. This is an area of study in which bad taste is not just in heat; it is on fire.

The thinnest book in the world over the past 10 years or so is Courage in Congress.

Our Constitution is a game of rock, paper, scissors. The game is conducted so that no branch of government, executive, legislative and judiciary, is more powerful than another. We have checks and balances to keep things in position.

Over the past, oh, 50 years, one of the three branches stopped doing its damn job. It’s not the executive, and it’s not the judicial system. It’s Congress.

We know that tariffs suck. Congress sits there. We know that attacks on institutions of higher learning and the presence of international students in them are a form of economic subterfuge. Congress sleeps.

This is not a Trump thing, a Biden thing or a Putin thing. Or a Republican versus Democrat thing. This is a “Congress has lost its backbone” thing.

Yo, Judgment Day is more important than Election Day. Incumbents beware.

Craig Corsini lives and writes in San Rafael.

North Bay Derby’s Erin ‘Lucille Balls’ Stous

It’s like football—on wheels. Lacing her skates for a drill, this is how Rizzo, No. 76, spitballed on the essence of what flat-track roller derby is.

Around us, the team sat or glided around the black light neon decor of Cal Skate, Rohnert Park, a venue that still smells nostalgically of hot dogs and teenage pheromones.

Humor seems essential to the sport too. And that humor extends—from player names and numbers (Scarlotte Brawntë, No. 421; Honey Baked Slam, No. 554; Shredder Cheese, No. 37) through the easy, wise-cracking camaraderie of team practices. Does that humor begin with the sport’s premise, the merging of football and roller disco?

I can’t say. I can say the sport is serious. As serious as the hits—landed by players with shoulders or hips at speeds between 12 and 20 miles an hour as the two opposing teams race around an oval track. It’s one thing to take a hit at full running speed flat-footed; it is quite another to take it while standing on eight greasy little wheels—full falls are common in play.

The competition is fierce. These women are in it to win it as they fight through the bracket through regional, state and national championships. They’ve earned our cheers—they carry our colors as North Bay Derby.

For this week’s brief encounter, I sat down with one of the stars of our team, veteran starter, “Lucille Balls.”

Balls, could you give us nubes the basics of the sport?

It is a point based sport. Each game or “bout” is divided into two halves, and those halves are divided into “jams” of not more than two minutes each. In each jam, each of the two opposing teams fields one “jammer” and four “blockers,” making for 10 on the oval track. The jammers are the only players that can score points initially.

So the jammers are the running back and the ball?

Yes. When the whistle blows, the jammer’s objective is to get through the defending blockers. And for every pair of hips they pass, they get a point. As a defending blocker, my objective is to not let the opposing jammer through. As an offensive blocker, my objective is to clear a path for my jammer. There is a lot of strategy. Some people think we’re just out there punching each other—not so. (laughs)

So it’s set up to be a high scoring game with many dramatic reversals of fortune.

Entertaining. How long have you been playing?

Twelve years. Our team has players that have been playing between 1 and 18 years. It’s very age inclusive. And inclusive of body type—it’s advantageous to be large or small or tall or solid or quick in this game.

Derby really does include everybody. There are people in derby you would never think

We used to have a city council person; we have teachers, lawyers, lots of moms, massage therapists, doctors—I’m an ER nurse. And it’s a great outlet … for all kinds of stuff.

What kinds of stuff?

If you have a stressful job—or life, it’s a great outlet to blow off steam. You can legally hit people. (laughs)

Does it hurt much ?

During the game, there is enough adrenaline that you don’t feel it too much. (laughs)

Learn more. North bay derby wants members. The team is having its next entry level 12-week training camp Sept 22. Their next home game is a double header Nov. 1, at our home venue, the Sonoma County Fairgrounds. northbayderby.org/events.

Art Walk Features Schehera Van Dyke

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The Fairfax Annual Art Walk lights up downtown on Friday, Sept. 26, and The Eleventh House hosts visionary artist Schehera Van Dyke from 5–9pm. A self-taught painter, ceramicist and designer, Van Dyke draws from the rhythms of nature to create bold works brimming with vitality. Her latest installation debuts alongside a new line of clothing and home goods, bringing her art into daily life. 5–9pm, Friday, Sept. 26, The Eleventh House, 7 Bolinas Rd., Fairfax.

San Rafael

‘Being Adolph Gasser’ Screens

Filmmaker John C. Aliano presents his new documentary, Being Adolph Gasser, on Saturday, Sept. 20, at the Smith Rafael Film Center. The film chronicles the remarkable life of Adolph Gasser—World War II veteran, inventor, camera repairperson and confidant of photographer and environmentalist Ansel Adams—whose San Francisco shop became a hub for generations of Bay Area photographers and inventors. As technology and time threatened his legacy, Gasser’s resilience and artistry became a story worth capturing. 7pm, Saturday, Sept. 20, Smith Rafael Film Center, 1118 Fourth St., San Rafael. Tickets $10-$15. rafaelfilm.cafilm.org.

Napa

Uptown Hosts Katy Guillen

Kansas City’s indie rock duo Katy Guillen & The Drive—guitarist/vocalist Katy Guillen and drummer Stephanie Williams—bring their fiery sound and all-female powerhouse energy to Uptown Theatre on Wednesday, Sept. 24. Known for electrifying chemistry and championing empowered spaces for women in music, the pair are on tour celebrating their forthcoming album, Make That Sound (out Oct. 17). They join guitar legend Robin Trower for a night that promises both grit and groove. 7:30pm, Wednesday, Sept. 24, Uptown Theatre, 1350 Third St., Napa. uptowntheatrenapa.com.

Petaluma

Tim Bluhm in P-Town

Mother Hips frontperson Tim Bluhm plays a rare solo set at Della Fattoria Café on Saturday, Sept. 27, in an intimate 85-seat venue. Openers Chris Samson and Steve Della Maggiora warm up the evening before Bluhm takes the stage at 7:45pm. All proceeds benefit the music program at Petaluma High School—so every ticket helps keep local music alive. Doors 6pm, show 7pm, Saturday, Sept. 27, Della Fattoria Café, 141 Petaluma Blvd. N., Petaluma. Tickets $30.

Molière Goes Mod: ‘Tartuffe’ at Ross Valley Players

Ross Valley Players has opened its 96th season with Richard Wilbur’s translation of Molière’s 1669 comedy, Tartuffe. This is surprisingly timely, with Tartuffe’s themes of false piety, willful self-delusion and condescension toward the wealthy elite. The show runs at the Barn Theatre at the Marin Art and Garden Center in Ross through Oct.12.

The plot is simple, but it takes its time getting there. Tartuffe (Steve Price) is a con artist who has convinced the wealthy Orgon (Douglas Nolan) to take him in. So smitten is Orgon with Tartuffe that he offers the man his young, already engaged, daughter, Mariane (Chloris Li), as a bride; disinherits his son, Damis (Nic Moore), for truthfully telling Orgon that Tartuffe is lusting after his wife, Elmire (Stephanie Hunt); and eventually signs over everything he owns to the con artist.

Other characters are Orgon’s brother-in-law, Cleante (Evan Held); Mariane’s fiancé, Valere (Eliot Hall); and, most notably, Dorine (Emily Anderson), the maid, who is the real brains of the household.

There are some impressive production values here. The costumes by Valera Coble are highly detailed, and the set by Mikko Uesugi is both a perfect use of the stage and a faithful representation of a mid-century modern living room.

Performance-wise, Anderson is a powerhouse. Dorine is one of those roles that every actress wants to play at least once, and Anderson nails the sharp, sassy, opinionated woman with impeccable comedic timing and boundless energy.

Moore is a flexible actor in more ways than one, which serves his character well. Hunt, Li and Held are well cast, bringing a realistic sensibility to their characters, despite the play’s zaniness. However, it is Hall who steals the show with his brief appearances, proving again that the relative newcomer is an actor to be watched.

I love Molière, but there were choices made during this production that puzzled me. Most notably, for seemingly no reason at all, the play takes place in 1960 in Southern California rather than 1669 in Paris. Yes, Molière is an old master like the frequently-reset Shakespeare, but the concept must further the story; otherwise, why do it? None of the language is altered to include any references to anything 1960s. They even still reference the king of France.

Overall, this is a fair, if baffling, production of the masterpiece that will have one rhyming all the way home.

‘Tatuffe’ runs through Oct. 12 at the Barn Theatre in the Marin Art and Garden Center, 30 Sir Francis Drake Blvd., Ross. Thurs.–Sat., 7:30pm; Sun., 2pm. $30–$45. 415.456.9555. rossvalleyplayers.com.

Free Will Astrology: Week of Sept. 17

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ARIES (March 21-April 19): Hindu goddess Durga rides a tiger and carries weapons in her 10 hands, including a sword, axe and thunderbolt. Yet she wears a pleasant smile. Her mandate to aid the triumph of good over evil is not fueled by hate but by luminous clarity and loving ferocity. I suggest you adopt her attitude, Aries. Can you imagine yourself as a storm of joy and benevolence? Will you work to bring more justice and fairness into the situations you engage with? I imagine you speaking complex and rugged truths with warmth and charm. I see you summoning a generous flair as you help people climb up out of their sadness and suffering. If all goes well, you will magnetize others to participate in shared visions of delight and dignity.

TAURUS (April 20-May 20): Born under the sign of Taurus, Maya Deren first expressed her extravagant creative urges as a writer, poet, photographer, clothes designer and dancer. But then she made a radical change, embarking on a new path as an experimental filmmaker. She said she had finally found a glove that fits.” Her movies were highly influential among the avant-garde in the 1940s and 1950s. I bring Deren to your attention, Taurus, because I suspect that in the coming months you, too, will find a glove that fits. And it all starts soon.

GEMINI (May 21-June 20): In medieval times, alchemists believed mercury was a sacred substance and divine intermediary. They knew that it’s the only metal that’s liquid at room temperature. This quality along with its silvery sheen (why it’s called “quicksilver”), made it seem like a bridge between solid and liquid, earth and water, heaven and earth, life and death. I nominate mercury as your power object, Gemini. You’re extra well-suited to navigate liminal zones and transitional states. You may be the only person in your circle who can navigate paradox and speak in riddles and still make sense. It’s not just cleverness. It’s wisdom wrapped in whimsy. So please offer your in-between insights freely. PS: You have another superpower, too: You can activate dormant understandings in both other people’s hearts and your own.

CANCER (June 21-July 22): In the western Pacific Ocean, there’s a species of octopus that builds its lair from coconut shells. The creature gathers together husks, dragging them across the seafloor, and fits them together. According to scientists, this use of tools by an invertebrate is unique. Let’s make the coconut octopus your power creature for now, Cancerian. You will have extra power to forge a new sanctuary or renovate an existing one, either metaphorically or literally. You will be wise to draw on what’s nearby and readily available, maybe even using unusual or unexpected building materials.

LEO (July 23-Aug. 22): I invite you to contemplate the meaning of the phrase “invisible architecture.” My dream told me it will be a theme for you in the coming weeks. What does it mean? What does it entail? Here are my thoughts: Structures are taking shape within you that may not yet be visible from the outside. Bridges are forming between once-disconnected parts of your psyche and life. You may not need to do much except consent to the slow emergence of these new semi-amazing expressions of integrity. Be patient and take notes. Intuitions arriving soon may be blueprints for future greatness. Here’s the kicker: You’re not just building for yourself. You’re working on behalf of your soul-kin, too.

VIRGO (Aug. 23-Sept. 22): A supple clarity is crystallizing within you. Congratulations! It’s not a brittle or rigid certainty, but a knack for limber discernment. I predict you will have an extra potent gift for knowing what truly matters, even amidst chaos or complication. As this superpower reaches full ripeness, you can aid the process by clearing out clutter and refining your foundational values. Make these words your magic spells: quintessence, core, crux, gist, lifeblood, root. PS: Be alert for divine messages in seemingly mundane circumstances.

LIBRA (Sept. 23-Oct. 22): The ancient Mesopotamian goddess Inanna was called “the Queen of Heaven.” Her domains were politics, divine law, love and fertility. She was a powerhouse. One chapter of her mythic story tells of her descent into the underworld. She was stripped of everything—clothes, titles, weapons—before she could be reborn. Why did she do it? Scholars say she was on a quest for greater knowledge and an expansion of her authority. And she was successful! I propose we make her your guide and companion in the coming weeks, Libra. You are at the tail-end of your own descent. The stripping is almost complete. Soon you will feel the first tremors of return—not loud, not triumphant, but sure. I have faith that your adventures will make you stronger and wiser, as Inanna’s did for her.

SCORPIO (Oct. 23-Nov. 21): In ancient Rome, the dye called Tyrian purple was used exclusively for garments worn by royalty and top officials. It had a humble origin: murex snails. Their glands yielded a pale liquid that darkened into an aristocratic violet only after sun, air and time worked upon it. I’m predicting you will be the beneficiary of comparable alchemical transformations in the coming weeks. A modest curiosity could lead to a major breakthrough. A passing fancy might ripen into a rich blessing. Seemingly nondescript encounters may evolve into precious connections.

SAGITTARIUS (Nov. 22-Dec. 21): Bees can see ultraviolet patterns in flowers that are invisible to humans. These “nectar guides” direct bees to the flower’s nectar and pollen, functioning like landing strips. Let’s apply these fun facts as metaphors for your life, Sagittarius. I suspect that life is offering you subtle yet radiant cues leading you to sources you will be glad to connect with. To be fully alert for them, you may need to shift and expand the ways you use your five senses. The universe is, in a sense, flirting with you, sending you clues through dream-logic and nonrational phenomena. Follow the shimmering glimmers.

CAPRICORN (Dec. 22-Jan. 19): At the height of her powers, Egyptian pharaoh Hatshepsut declared, “I have restored what had been ruined. I have raised up what had dissolved.” You now have a similar gift at your disposal, Capricorn. If you harness it, you will gain an enhanced capacity to unify what has been scattered, to reforge what was broken and to resurrect neglected dreams. To fulfill this potential, you must believe in your own sovereignty—not as a form of domination, but of devotion. Start with your own world. Make beauty where there was noise. Evoke dignity where there was confusion. 

AQUARIUS (Jan. 20-Feb. 18): In the high Himalayas, there’s a flower called Saussurea obvallata—the Brahma Kamal. It blooms only at night and for a short time, releasing a scent that legend says can heal grief. This will be your flower of power for the coming weeks, Aquarius. It signifies that a rare and time-sensitive gift will be available, and that you must be alert to gather it in. My advice: Don’t schedule every waking hour. Leave space for mystery to arrive unannounced. You could receive a visitation, an inspiration or a fleeting insight that can change everything. It may assuage and even heal sadness, confusion, aimlessness or demoralization.

PISCES (Feb. 19-March 20): The human heart beats 100,000 times per day, 35 million times per year and 2.5 billion times in an average lifetime. It’s the most reliable “machine” ever created, working continuously and mostly without special maintenance for decades. Although you Pisceans aren’t renowned for your stability and steadiness, I predict that in the coming weeks you will be as staunch, constant and secure as a human heart. What do you plan to do with this grace period? What marvels can you accomplish?

Homework: I dare you to plan a wild and smart adventure. Newsletter.FreeWillAstrology.com

RockSteadyFest Returns with Teen Classic Rockers F.A.T. Betty

For the first time since the pandemic, Marin County’s RockSteadyFest is back. Get ready for an upbeat, inspirational afternoon of live music and poetry performed by sober artists, staged outdoors in bucolic Olema. With the clear and catchy slogan “Skip the alcohol, enjoy the music,” the show – which begins with the fast-rising teen cover band F.A.T. Betty – unfolds from 1 to 8 p.m. on Saturday, September 20, Olema’s Sacred Heart Church.

“It’s a beautiful spot for an intimate concert,” said RockSteadyFest organizer Jeffrey Trotter. “Before the pandemic, we’d done a few of these. We were building a good head of steam, but then everything stopped. I’m so happy to be bringing this back to the North Bay. It’s going to be a wonderful day of fellowship, food and performance, with some of the best sober artists in the area.”

This time, the festival will begin with a youth-focused, 90-minute concert. To set the mood, Trotter reached out to F.A.T. Betty, a hard-rocking Marin County group of teenage musicians playing classic rock covers from bands like Rush, Steely Dan and Led Zeppelin. 

“We do a lot of Led Zeppelin,” said lead singer Petra Betti, a student at Archie Williams High School in San Anselmo. They also do original songs that are clearly inspired by the sound and spirit of ‘70s and ‘80s rock ‘n roll. “We’ve started putting out our own songs on YouTube, and they very much represent that same style of music, which we obviously all love. Our latest song is really bluesy. We’ve started introducing a jazz element, too, because we all are in our school’s jazz band – so we can’t help but be influenced by that.”

The rest of the band features Fin Donnelley, Teo Donnelley, Noah Casey and Alex Casey.

“I think our band’s biggest draw is that we’re teenagers in 2025 who really love classic rock,” Betti said. “You don’t see a lot of people who are 15 and 16 who would rather listen to Led Zeppelin that a lot of contemporary music. A lot of other people my age have never even heard of Rush. We all come from pretty musical families, and we grew up with rock music, so that’s what we want to play.”

As F.A.T. Betty has made a name for itself with concerts in Marin and San Francisco, they often find themselves playing in venues like The Sweetwater in Mill Valley or at school fundraisers. The band’s inclusion in the Olema festival will give it an opportunity to expand its audience.

“I think the whole idea of the RockSteadyFest, with its focus on sobriety, is really awesome,” said Betti. “We’ve played for a lot of audiences who are not sober, which is a little odd because we’re all in high school, right? It’s nice to get to perform in a festival with some really well-known musicians, but not have to worry about the alcohol thing. We’re really looking forward to it.”

After F.A.T. Betty’s set, the festival will open floodgates to a steady stream of veteran plays, including the outrageous rock ‘n roll bagpiper The Dame of Drones (formerly known as Chelsea the Piper), singer-songwriters Tyler Allen, Chris Holbrook, Jesse DeNatale, Sara Rodenburg, Nicolette Gottuso, Nicole Frazer and Tom Finch, and poets Danielle Vantress Salk and Kristy Greenwood. 

Tickets are $20-$25 on a sliding scale, or $12 for just the youth concert. The box office will open at 12:30 p.m., and gates will open at 1 p.m. Sacred Heart Church is at 10189 CA-1, in Olema. Lawn chairs welcome. 

Schooled on Stage: Tony-Winning ‘Eureka Day’ at Marin Theatre

Ever thought to oneself, “Huh, I wish that I could see all the people from the last PTA meeting in a play.” Well, as long as one lives in the Bay Area, their wish has been granted. Eureka Day, by Bay Area and Tony-winning playwright Jonathan Spector, is currently running at Mill Valley’s Marin Theatre through Sept. 21.

Set in Berkeley at the private Eureka Day School, the story follows the school’s executive board of four parents and the principal with the “hella Bay” viewpoint that all decisions must be made by consensus. Suddenly, the community is hit with an outbreak of the mumps, which pits the MAHA moms against the science backers in an epic and sometimes hilarious showdown over who has the right to say how someone should parent. 

This show originally premiered at the Aurora Theatre in Berkeley under the direction of Josh Costello, who also helms this co-production between Marin Theatre and the recently closed Aurora. Many of the original actors and designers have returned for this production. Design-wise, this show is a tribute to the artistry lost when theaters like Aurora close. 

Richard Olmsted’s set, from color choices to the rounded finial designs on the proscenium, has numerous thoughtful details that lend authenticity to the story. Costumes by Maggie Whitaker could have easily been stolen from parents in a school drop-off line. Yet, somehow, the fully cohesive design remains distinctive to the characters. 

The actors are well cast. Leotyne Mbelle-Mbong has a fantastic stage presence and is wholly grounded in her portrayal of pro-vaccine mom Carina. Howard Swain is over the top in the best way possible as Don, the positive-thinking principal. Charisse Loriaux has a quiet strength that suits the conflicted Meiko. And though Teddy Spencer’s techbro Eli lacked depth at times, he was at his best when situations got wacky. 

Then there was Lisa Anne Porter’s staunchly anti-vaxxer Suzanne. It is a credit to Porter’s acting that Suzanne is where the play stopped being fun for me. From her smug wokeness to the unconscious profiling, it’s just too close to home to be funny, which is the play’s greatest weakness.

If we didn’t live here and if there wasn’t a vaccine maelstrom gathering, I could see the show being as hilarious as audiences in London and New York thought it was.

But right here, right now, some of it is too sadly true to be funny.

‘Eureka Day’ runs through Sept. 21 at Marin Theatre, 397 Miller Ave., Mill Valley. Weds–Sat, 7:30pm; Sat & Sun, 2pm. $15-$89. 415.388.5208. Recommended ages 14 & up. marintheatre.org.

Performing Stars Celebrates 35 Years of Helping Kids Get Ahead

Felecia Gaston founded Performing Stars 35 years ago, driven to fulfill a single goal: Give low-income little girls in Marin City free ballet lessons.

However, the nonprofit’s origin story has its roots in 1960s rural Georgia. Gaston, just five years old, sat in the back seat of her mother’s car on the way to visit her grandmother. Gazing out the vehicle’s window, she saw white girls in ballet leotards. She wanted to join them.

“Because of segregation, they were not allowing Black kids to take ballet—period,” Gaston explained. “My mother said, ‘Don’t even ask about it.’ Imagine how you’re feeling as a little girl seeing this. I call it being a spectator on the outside looking in. That stayed with me all these years.”

Eventually, Gaston’s family moved to Los Angeles, a part of the country much different than the Deep South. They learned of a Black woman teaching ballet in Leimert Park, a nearby neighborhood. At 13, Gaston finally enrolled in the dance lessons she’d longed for since preschool.

Gaston says she still remembers the hurt from that early rejection and the subsequent joy of realizing a dancing dream she had believed was out of her reach. Those strong feelings changed the course of the aspiring meteorologist’s career, inspiring her to dedicate her life to helping low-income, multi-cultural children experience the arts and more.

“In 1990, some trusted friends helped me start Performing Stars in Marin City,” Gaston said. “I didn’t know anything about nonprofits at all, but they showed me how to run it. All I knew was that these little girls had to go to ballet.”

The inaugural year, eight girls donned leotards and slippers to participate in Marin Ballet classes with scholarships procured by Gaston. Partnerships with other organizations, such as the Marin Theater Company and the Marin Shakespeare Company, soon followed, allowing Performing Stars to offer an ever-widening menu of after-school and summer programs for children 3 to 12—all free of charge.

Over the last 35 years, more than 6,000 kids from across the county have participated in dance, music, theater, gardening, karate, etiquette classes, sailing camp, field trips to Broadway shows and surfing lessons—just to name a few.

World-famous artists, like musicians Carlos Santana and Dave Koz, support Performing Stars, as do a cross-section of Marin foundations and residents who believe in the nonprofit’s mission—enriching and transforming the lives of children in underserved communities.

And what an outstanding success it has been.

John Lam, the son of Vietnamese immigrants, retired last year from a 20-year career with the Boston Ballet, where he was named principal dancer—the highest rank a dancer can achieve. Performing Stars gave the acclaimed dancer and choreographer his start at age four.

“The Marin Ballet partnership had just expanded,” Gaston said. “So, I went to the Canal Child Care Center in San Rafael and said, ‘I’ve got 10 scholarships—who wants to take ballet?’ Nine girls raised their hands. And one boy. That was John Lam.”

Natalie, a single mother with two adopted boys, sings the praises of Performing Stars. Both of her kids, 10 and 11, have developed life skills while participating in the nonprofit’s programs, she said, but her youngest, who suffered a severe trauma at age three in the ocean, has especially benefited. Courtesy of Performing Stars, he attended sailing camp, passing his open water swim test with flying colors.

“Every time the boys go to camp for a week, I see a change in them,” Natalie said. “Maturity, enhanced self-confidence, bonding with others they just met. They have more motivation to get out and learn new things, and they gain a bit more responsibility as well.”

Gaston has also had a huge influence on Selena Marmolejo, who joined Performing Stars at age five. Marmolejo considered the organization a refuge from her turbulent and violent childhood. When she took her first ballet lesson, she imagined becoming a ballerina. Who loves etiquette classes? Marmolejo did, believing they were tea parties. She has a vivid memory of Gaston letting her pick out a fancy dress and volunteers styling her hair and makeup before taking her to a symphony performance. It made her feel like “a whole princess.”

“Every time I saw Ms. Felicia [Gaston], it was like a moment of brightness in a dark period of my life,” Marmolejo said. “She always made sure that we were having fun and money wasn’t a limitation.”

Like Gaston does with many of her alumni, she has stayed in touch with Marmolejo. She encouraged the young woman to apply for a scholarship from the Sausalito Women’s Club. Marmolejo used the award to pay for expenses at Boston College.

Giving back to the community is another lesson Marmolejo learned from Gaston and Performing Stars. A recent college grad, she now lives in Dallas and works at a nonprofit where she helps low-income students of color transition to higher education. Full circle.

For Neisha Roary, who grew up in Marin City surrounded by a large and loving family, Performing Stars was a place to have fun, learn and grow. She took part in hip-hop and baton twirling lessons, performed in parades, and took videography and photography classes.

“I’ve taken a lot of that stuff with me in my adulthood, and it has inspired me,” Roary said. “My college degree is in healthcare. I want to be of service, make people’s lives a bit brighter, because that’s what Performing Stars did for me.”

Each Performing Stars alumnus has a unique perspective on how the organization impacted their life, yet they all have one thing in common. Gaston and the organization gave them experiences they probably wouldn’t have received otherwise. Still, each grabbed hold of that proverbial ball and ran, opening doors for themselves and creating their own opportunities and successes.

On Sept. 27, Gaston will shine the spotlight on Performing Stars’ alumni during a reunion celebration that will spread across an entire Marin City block. Party goers will enjoy live performances by alumni, and there will be plenty of youth activities.

“Everyday, I still feel excited about what I do,” Gaston said. “We’ve made a difference in children’s lives, and I look forward to the future of Performing Stars for the next 35 years and longer.”

Celebrate 35 years of Performing Stars’ magic from 1-6pm on Saturday, Sept. 27 at Drake Ave. Lot 100-200 in Marin City. The public is welcome. For more information, visit app.performingstars.org/alumnipartyinthepark.

Into the Fold: Bookagami Transforms Pages into Sculpture

San Rafael’s downtown is getting a little more magical this month and next thanks to the whimsical handiwork of local artist Adrienne Biggs. 

Her latest show, Black, White and Read All Over, transforms ordinary rescued books into three-dimensional sculptures that surprise and delight the eye. 

From delicate folded pages to towering totems, each piece invites passersby to pause, look closer and experience the joy of discovery. With a free public demonstration and hands-on workshop in town, Biggs is not just sharing her art—she’s creating a playful, inclusive space for the community to connect, learn and fold their own stories into something new.

Biggs grew up in a deeply creative household. Her mother was a Grammy-noted singer with a passion for Montessori and Waldorf education, while her father, now 93, devoted his life to composing classical and modern music. Instead of sports, the family performed and toured together, filling their home with instruments and encouraging improvisation and harmony. Biggs began violin lessons at age three and still plays today, carrying forward the artistic foundation her parents instilled. And now, she’s here in Marin keeping the arts alive, vibrant and varied.

“I was living in San Francisco but working in San Rafael (at Skywalker Ranch, then Industrial Light & Magic). And I fell in love, and we made a baby. She is going to be 30 this November, and still lives in her hometown, Fairfax. So basically, to quote a good friend, I came to Marin from SF because I ‘swam upstream to spawn.’ Not unlike many families here these days. It’s a trend,” she said.

Biggs currently resides in San Rafael, where she has lived for decades. A lifelong lover of books and music, she has built a life centered on creativity, community and the joy of transforming everyday objects into art … including, of course, Bookagami.

“Book Folding and Altered Books is a global art genre,” she said. “I’d been a fan of the category for the past 30 years or so. I didn’t invent the art form. I just came up with the name (Bookagami, patent pending). My ‘oooh, I can re-use that for this’ instinct was pretty well-honed from an early age.”

Biggs explained that her mother was “a Depression-era baby” and her parents were full-time musicians. She grew up in a household where nothing went to waste. Plastic bags became liners for planter boxes, shoe boxes held toys and receipts, and newspapers doubled as gift wrap once they’d been read cover to cover. 

Her mother’s years teaching in Japan filled the family library with books on origami, wabi sabi and minimalism, influences that seeped into Biggs’ own sensibility. In elementary school, she folded paper cranes by the dozen, and by middle school, she was bending the pages of assigned books into makeshift markers—an early sign of the art form she would later embrace.

“I think you can measure a person by the books on their bookshelf, or the tunes on their playlists, you know what I mean?” she said. “In my book publishing career, I saw a lot of waste. It was common practice to tear the cover off of books that had passed their sale date, and toss the rest of the book into a recycling bin.”

“Horrifying,” Biggs added. “So, what to do with physical books that have outgrown their usefulness in your life, but you don’t want to toss them? I thought about that often.”

She didn’t realize until recently that her approach to books and materials has a name: Circular Economy. This philosophy challenges the traditional linear model by keeping products in use beyond their initial purpose, addressing waste, pollution and climate change on an individual level. For her, it’s a natural fit to turn overlooked or discarded books into something new, beautiful and meaningful.

Her obsession began in 2024 after attending a two-hour Book Folding workshop at Town Books in San Anselmo, where she learned simple folds using donated volumes with no resale value. Folding one or two books a day, often in public, she drew attention from passersby, prompting her to create a name—Bookagami—and share her work through Instagram and workshops. While some book lovers grumble that the books can’t be read again, Biggs points out that these volumes were likely headed for the recycling bin anyway. Through folding, she gives them a second life as art and invites others to see the potential in objects one might otherwise overlook.

“When folded and hung, I’d say individual hardcover art, cooking or home décor books can really make an impactful, unique piece of art that doesn’t take up too much space in a home, office or workspace,” said Biggs. “For the stacked totems, thick paperback books lend themselves well to the 360-degree wow factor. Tiny books are super cute and easy to fold. Plus, who doesn’t like tiny everything?”

Biggs believes that handmade crafts have made a resurgence since the Covid era, and that book folding is well within the fold. She thinks there is a special magic in scoring that first fold—a simple, meditative act that anyone can do, anywhere. The practice offers both the joy of creating something unique and the satisfaction of rescuing discarded materials, giving them new life while doing a small good for the planet as well as local art lovers.

“[In Marin,] we have a vibrant live music scene almost every night of the week,” said Biggs. “[There are] diverse festivals and farmers’ markets, live theater, the world-class Rafael Film Center and the wonderful programming at the vintage single-screen Lark Theater, incredible bookstores and a county-wide library system, workshops of all kinds. And recently, San Rafael has been named by the State of California as a cultural hub and Downtown Arts District anchored by ArtWorks Downtown, MarinMOCA, Falkirk Cultural Center and MarinArts.org. So we’re getting there with arts and culture.”

“There are so many long-empty storefronts, especially in downtown San Rafael (where I’ve lived since 1999),” she added. “It seems the building owners would rather have them sit vacant indefinitely than host, at the very least, front-window exhibits by local artists. So I’m very grateful to Marelli Bros. shoe repair (now 100+ years old) and the independent non-profit art gallery (a tribute to the life of local artist Cynthia Pepper) for being open to the idea of converting their unused front window space into a rotating art window featuring underserved local artists (like me).”

Black, White and Read All Over will be on view from 10am to 4pm, Tuesday through Saturday, at Marelli Bros., 1318 4th St., in San Rafael through the end of October. 

A free, public demonstration will take place from 5 to 8pm on Friday, Sept. 12, during the Downtown Art Walk. On Thursday, Sept. 18, Biggs will host a hands-on Bookagami workshop from 6 to 8pm at Pint Size Lounge in downtown San Rafael. For more details, visit adriennebiggs.com/art or follow @IntoTheFoldBookagami on Instagram.

Reel Deal: Bolinas Film Festival’s Third Year

There are several well-known Northern California film festivals. But as the Bolinas Film Festival (BFF), a relatively new kid on the circuit, gears up for its third year, it’s becoming increasingly clear they’re quickly moving on up in terms of quality, vibe and community building. 

One may see for themself as the festival offers a sneak preview of sorts Saturday, Sept. 13 with a Goodfellas table read at Smiley’s Saloon from 1-3pm, followed by a more family friendly, free screening of 2024’s biopic, Bob Marley: One Love, in downtown Bolinas Park. But then, the following week, the fest officially starts and runs Sept. 18-21, with all films being shown at the Starlight Calvary Theater in Bolinas.

Festival president and co-founder Enzo Resta is bubbling with excitement for this year’s fest, saying, “We are screening over 30 films, many with filmmakers in attendance, [with] stories to delight families, cinephiles and more.” He adds that attendees can expect films from “local filmmakers and countries from all over the world, Brazil, Greece, Iran and more.”

Created in 2023 and co-founded with Los Angeles based filmmaker Chealy Jean, the Bolinas Film Festival’s vision is “to create new pathways to culture and to inspire and strengthen community through that which we hold in highest esteem: our connection to people, to history and possibility, and to place.” Of course, like any festival, BFF also seeks to honor local films, filmmakers, environment and history as well as entice new visitors to the eclectic seaside village.

One such local film that will be featured is a glance at famed Bolinas artist Arthur Okamura, who is known for his work in screen printing, drawing and painting. That film is helmed by Walter Murch Jr., son of fellow Bolinas resident Walter Murch, who of course has won several Oscars for sound and film editing. Other cinematic offerings come courtesy of filmmakers Lucian Patton, Nina Venezia and Oliver Whitcroft.

There’s also much to be experienced for nature lovers, which is obviously a key component of the beautiful West Marin community. Billed as “Festival Experiences,” these include a “Bountiful Farm Tour” on Friday, Sept. 19 from 11am-12:30pm, where host Mickey Murch will teach attendees a bit about the local farm and ag community. There’s also a “Forest Immersion in the Redwoods” on Saturday, Sept. 20 and a bird watching excursion Sunday morning, Sept. 21. 

However, as this is a film festival, of course, Resta and his 25 person volunteer team have put together an impressive array of recent festival faves and some under the radar gems as well.

Friday night, Sept. 19, the festival kicks off with a Mexican dinner at Coast Café Bolinas at 5pm, followed by Frida, a 2024 documentary film directed by Carla Gutierrez about the life of Mexican painter Frida Kahlo, at 7pm. 

The next day, one may head on back to the fest for Oceana: Journey to the Center by filmmaker Natalie Zimmerman, who will also be in attendance. Described as “a visual elegy, a story of cultural survival, and a profound cry to the world. It’s an experiential opportunity to ponder upon the need to take action to save a community that struggles to stay afloat,” the film may have special appeal given the bayside environs. 

Saturday’s program includes Equal Rights Amendment doc, Ratified; A24’s family friendly hit, The Legend of Ochi (which will be presented by director Isaiah Saxon); and Payal Kapadia’s 2024 film, All We Imagine as Light.

Sunday rounds out the weekend festivities with Linus O’Brien’s Strange Journey: The Story of Rocky Horror, as well as a block of short films that is being offered free all afternoon, from 1-5pm. 

More information about the 2025 Bolinas Film Festival can be found at bolinasfilmfestival.com.

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