Hero & Zero

Hero

Fur trapping in California is dead. Gone are the cruel steel–jawed leghold traps, padded–jaw leghold traps, conibear traps and snares.

The Wildlife Protection Act of 2019, which bans all fur trapping for animal pelts, was signed into law last week. Bravo to Gavin Newsom and state lawmakers for making California the first state in the country to prohibit commercial or recreational trapping on both public and private lands.

Trapping and the fur trade were once a lucrative part of the state’s economy. About a century ago there were 5,000 trappers and they helped decimate the wolf and wolverine population in the state, and we can blame them for the decline of sea otters, fishers, martens and beaver, too. (You don’t want to know how they killed them.)

However, the number of trappers and fur dealers has decreased significantly over the years. Last week’s anti-trapping law put about 68 trappers out of business in California. The new law spares the lives of mink, grey fox, coyote, beaver, badger and other fur–bearing animals whose pelts often end up in foreign markets. State legislators are now considering prohibiting the sale of all fur products, including fur coats. Long live the furry animals!

 

Zero

A fast–moving bank robber on a bicycle escaped the clutches of police last Saturday morning. At about 10am the suspect entered the Wells Fargo on Miller Avenue in Mill Valley and handed a teller a note demanding money, while assuring the teller no one would be hurt. Law enforcement arrived within two minutes of the robbery-in-progress call, but the swift cyclist had pedaled away without delay. Police searched the area, but the bandi vanished.

Be on the lookout for an Asian male last seen wearing a black San Francisco Giants hat, a black windbreaker jacket and black sunglasses. His escape vehicle is a red mountain bike lacking markings. If you have info on the case, call 415.389.4100.

 

email: ni***************@ya***.com

 

Hero & Zero

Hero

Fur trapping in California is dead. Gone are the cruel steel–jawed leghold traps, padded–jaw leghold traps, conibear traps and snares.

The Wildlife Protection Act of 2019, which bans all fur trapping for animal pelts, was signed into law last week. Bravo to Gavin Newsom and state lawmakers for making California the first state in the country to prohibit commercial or recreational trapping on both public and private lands.

Trapping and the fur trade were once a lucrative part of the state’s economy. About a century ago there were 5,000 trappers and they helped decimate the wolf and wolverine population in the state, and we can blame them for the decline of sea otters, fishers, martens and beaver, too. (You don’t want to know how they killed them.)

However, the number of trappers and fur dealers has decreased significantly over the years. Last week’s anti-trapping law put about 68 trappers out of business in California. The new law spares the lives of mink, grey fox, coyote, beaver, badger and other fur–bearing animals whose pelts often end up in foreign markets. State legislators are now considering prohibiting the sale of all fur products, including fur coats. Long live the furry animals!

 

Zero

A fast–moving bank robber on a bicycle escaped the clutches of police last Saturday morning. At about 10am the suspect entered the Wells Fargo on Miller Avenue in Mill Valley and handed a teller a note demanding money, while assuring the teller no one would be hurt. Law enforcement arrived within two minutes of the robbery-in-progress call, but the swift cyclist had pedaled away without delay. Police searched the area, but the bandi vanished.

Be on the lookout for an Asian male last seen wearing a black San Francisco Giants hat, a black windbreaker jacket and black sunglasses. His escape vehicle is a red mountain bike lacking markings. If you have info on the case, call 415.389.4100.

 

email: ni***************@ya***.com

 

Brick-a-Bake

As an inspiration for her sandwiches, I hope Ms. Underwood looks to the pre–made mini–baguettes at the Rustic Bakery in Novato (“Rising Loafer,” Sept. 4). Not only are they less expensive than sandwiches made–to–order, their presence serves to move the line at Rustic quickly. Rustic’s open–face, Scandinavian–style sandwiches can serve as an inspiration, too, especially for people who don’t want so much bread, but want it to be superb—as Brickmaiden certainly is.

Sarah Cameron Lerer, via Pacificsun.com

Brickmaiden is a treat every person in Marin should enjoy, often.

Eric Eides, via Facebook.com

Spring To It

As a fellow resident of Uranium Springs and member of a Gang Called Turbulence, I couldn’t agree more (“I Left My Heart in Uranium Springs,” Aug. 14). Great to see you there every year!

The Desert Yeti, via Pacificsun.com

To Die For

Wow, she’s so beautiful (“A Guide to ‘Dying Well,’” Sept. 4).

AlejandroMS, via Pacificsun.com

Correction: Longtime Pac Sun reader Skip Lacaze sent us a friendly note that the nude beach in Stinson is called Red Rock Beach, not Red Rocks Beach (“Stinson Beach Ahoy,” Sept. 4). Thanks, Skip!

Strangers No More

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North Bay bluegrass music fans likely know the name Hellman. It was Warren Hellman who founded the Hardly Strictly Bluegrass Festival in San Francisco, and his son Mick Hellman and the family who continue to run it. In addition, the Hellman musical family boasts bands and artists like Mick’s daughter Avery Hellman (Ismay) and the group the Well Known Strangers, formed by Mick and his other daughter Olivia Hellman.

“The original idea was to back up my daughters and help them spread their wings musically,” says Mick Hellman.

The Well Known Strangers first started as a barroom-ready country rock band. “Our favorite thing was playing these kind of rowdy songs,” says Hellman, who plays drums in the group. “We had a term for this, which was brutal country.”

After releasing a self-titled EP of mostly covers, the Strangers broadened their scope, both musically and thematically, for their upcoming LP, TMI, which gets a record release party on Sunday, Sep 15, at Sweetwater Music Hall in Mill Valley.

The album features an array of Americana tunes, largely written by Olivia and the band, that gets personal quickly. The title track, a stomping blues-tinged number, is Olivia’s response to all the things men tell her when they’re drunk. The song “Look Me in the Eye” is a Generation X-inspired dirge about political disenfranchisement and frustration, and the album’s final track, “A Song For My Daughter,” is a letter from Mick penned to Olivia in the wake of a family tragedy.

Despite the heavy theme, TMI is still a raucous and exuberant album that keeps a rough-around-the-edges vibe while also offering robust harmonies and a newly developed tenderness in the music.

Shortly after recording the album, Olivia moved to Nashville to further pursue her career, and Amber Morris, who appears on TMI as a guest vocalist, now fronts the band when they play live. Even without his daughter, Hellman says the group is staying together because the group’s chemistry and camaraderie is strong.

“What we are talking about at the album-release party is honoring the discontinuity that happened between losing Olivia and gaining Amber, to put the album in the context of the changes that are being made,” says Hellman. “And to celebrate the new material we are working on with Amber, where the focus instead of the brutal country vibe is more country soul.”

Well Known Strangers perform on Sunday, Sept. 15, at Sweetwater Music Hall (19 Corte Madera Ave., Mill Valley. 6pm. Free. 415.388.3850) and Sunday, Oct. 20, at Twin Oaks Roadhouse (5745 Old Redwood Hwy, Penngrove. 3pm. $10–$25. 707.795.5118).

Humans Being

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A family teeters on the brink of financial, emotional and physical collapse over Thanksgiving dinner in The Humans, at Novato Theater Company through Sept. 29. Stephen Karam’s Tony Award–winning script is a grueling exercise in uncomfortable realism, offering an unsettling glimpse into the lives of recognizable characters with acutely relatable problems.

The Blakes are an average family grappling with the horrors of being human in modern–day America. Matriarch Deidre (Laura J. Davies) has devoted decades to a thankless, underpaying job. She struggles with her weight and feels slighted by her daughters. Husband Erik (David Francis Perry) has bizarre nightmares and seems elusively preoccupied with worry. They both tend to his ailing mother “Momo” (Marilyn Hughes) as her dementia worsens, unable to afford help with her care.

Oldest daughter Aimee (Alicia Kraft) suffers from chronic disease, a devastating break-up and bad news at work. Younger sister Brigid (Olivia Brown) is strapped with student debt and tends bar to survive in New York City. She just moved into a dreary Chinatown duplex with boyfriend Richard (Ron Chapman). It’s a two-story unit on the ground and basement levels of an old building with thin walls, complete with neighbors who make startling banging noises throughout the night. The group converges in the dark, bare apartment to eat turkey at a makeshift table set with paper plates.

Cue the family drama.

Director Patrick Nims struggles with pacing, but gets solid performances from a talented cast, all excellent in challenging roles. Chapman brings a welcome, calming presence. Hughes is haunting, and utterly believable, as Momo. Her agitated outbursts and vacant expressions will be painfully familiar to anyone who’s watched a loved one succumb to Alzheimer’s. Kraft evokes compassion as Aimee, who, despite her hardships, remains the sanest one in the bunch. The mother-daughter and sisterly dynamics are spot-on, with moments both cringeworthy and endearing.

At 90 minutes with no intermission, the one-act show proceeds in real time but manages to feel a good deal longer, thanks to an overstuffed script where nothing much actually happens. It’s a rather gloomy and protracted affair helped along by a few laughs and heartwarming moments, building slowly to an anticlimactic and confounding finish. But the meditation is clear. It’s a scary and unpredictable world where one mistake or twist of fate can sink us. Give thanks for the love that helps us through.

‘The Humans’ runs Fri–Sun through Sept. 29 at Novato Theater Company, 5420 Nave Dr., Novato. Times vary. $15–$27. 415.883.4498.

Advice Goddess

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Q: I know some men refuse to use emojis because they think they’re silly or cheesy. But I have to say, when men use emojis, they make me feel good. Is it crazy that a heart or a rose emoji makes me feel like a man’s more interested?—Wondering

A: It’s easy to misinterpret tone in texts. However, emojis are basically the cartoon cousins of commas, which can make the difference between a quiet evening at home and an evening spent handcuffed facedown while the forensics team digs up your backyard for skeletal remains. (If only you’d tucked the commas into the appropriate places when you texted, “I love cooking my dogs and my grandma.”)

Emojis in courtship were the subject of two studies from the Kinsey Institute. In the more recent one, social psychologist Amanda Gesselman and her colleagues found a link between emoji use and maintaining a connection beyond the first date, as well as more romantic interactions and more sex (over the year that participants were surveyed about).

I suspect emojis are an especially helpful tool for men to use in dating. Research by psychologist Simon Baron-Cohen suggests that men, in general, don’t have women’s emotional fluency—that is, women’s ease in identifying and expressing emotion. Emojis help men communicate warmth and interest in a woman easily and comfortably. This in turn keeps women from getting mad that men don’t show their feelings—or mistaking a lack of expressiveness for a lack of feeling.

So it’s no surprise you appreciate the emojis. Still, there’s much that remains unexplored in these studies. For example, do people who use more emojis get more dates and sex, or do people who get more dates and sex use more emojis? And do emojis play well with everybody, or do they sometimes kill a developing connection? ”Wait…a 55-year-old man just sent me an entire screen of cartoon eggplants?”

Of course, emojis could more charitably be viewed as a classic form of communication. The medium was just different back around 2000 B.C., when the pharaoh would dispatch the eunuch with stone tablets covered in pictures of dogs, beetles, and mummies. Message: “Dinner is at 6, unless there’s a plague of locusts.”

Q: A senior colleague was consistently rotten to me—demeaning, abusive, passive-aggressive. I tried to get him to behave more respectfully, but nothing changed. I now try to avoid him as much as possible. His mom just died, and a co-worker suggested I send him my condolences. But this would feel really insincere. Isn’t it important to be authentic?—Mistreated

A: If you always expressed your true feelings, you’d probably get arrested a lot—like if a cop pulls you over and asks, “Do you know why I stopped you?” and you answer, “You have a small penis, and you’ve yet to hit your ticket quota?”

Authenticity is overrated. Sure, it’s seriously important when you’re bidding $3 million for a Picasso. But in humans, authenticity basically means having the outer you—your behavior—match the inner you: your thoughts, desires, feelings, and values.

Revealing your hopes, fears, and desires to another person is essential to having real intimacy—allowing them to really know and understand you. But as with the Officer Cocktail Sausage example, telling the whole truth isn’t always ideal.

Technically, by not letting rip whatever feeling comes to mind, you’re being “inauthentic,” “phony,” “insincere.” However, this view comes out of neuroscientific ignorance. Though we have personality traits that are consistent across time and situations, research by neuroscientists Roger Wolcott Sperry, Michael Gazzaniga, and Joseph LeDoux suggests there is no singular, consistent “real you”—or “real” anyone, for that matter. Instead, we each appear to be a set of shifting standards, preferences, and practices based on the priorities that a particular situation triggers in our evolved psychology: whether, say, it’s survival (“Run for your life!”) or mating (“Wanna have coffee? Naked?”).

Not having a singular self means we can choose the sort of person we want to be. We do this by coming up with a set of values and acting in line with them. (For more on the practical steps involved, see the “Be Inauthentic!” chapter in my book “Unf*ckology.”) In your case, for example, if kindness is one of your values, you might set aside your grievances with your colleague and decide, “You’re a fellow human who’s suffering, and I’m gonna reach out to say I’m sorry about that.” Being kind to a guy you loathe is actually an act of sincerity when your behavior aligns with your values. If only “killing ‘em with kindness” were more than a figure of speech…then you could call dibs on this meanie’s swanky office as they wheeled him out in a body bag.

Laughing Matters

A recent New York Times headline asked the question, “Can a Play About Vaccines Be a Laughing Matter?” Bay Area audiences can answer that question themselves by attending one of two current productions of the play in question—Jonathan Spector’s Eureka Day. You can catch it Off-Broadway in New York, or you can go to the North Bay’s Spreckels Performing Arts Center in Rohnert Park where it’s running through Sept. 22.

Commissioned and produced by Berkeley’s Aurora Theatre Company in 2018, Oakland-based playwright Spector’s look at how the leaders of a Berkeley charter school deal with an outbreak of the mumps won that year’s Bay Area Critics Circle Award for Original Script. Not really a debate on the issue of vaccinations (it’s clear in the play where Spector stands), it’s more a look at how the attempt to find common ground on certain issues is an exercise in futility.

Everything you need to know about the school becomes clear in the first minutes. Gathered in the school library, the members of the school’s executive committee are discussing whether to add “Transracial Adoptee” as an option for prospective parents on the school web site. As consensus decides everything at Eureka Day, a lengthy debate ensues between Head of School Don (Jeff Coté), and parents Suzanne (Sarah McKheregan), Carina (Val Sinckler), Meiko (Eiko Yamamoto), and Eli (Rick Eldredge). This debate and its various amusing sidetracks set you up for the even larger debate to follow.

The school is notified that one of their students has contracted the mumps and the county health department is prohibiting students with no documentation of immunity from returning to school. How will the consensus-minded board and the parents deal with an issue that has no consensus?

Hysterically, it turns out, as the first act ends with a brilliantly scripted “Community Activated Conversation” (their term for a Facebook Live session) between the executive committee and the parents that is gut-bustingly funny.

So yes, a play about vaccines can be a laughing matter. The second act shows that it can also be somber, serious, and enlightening. Director Elizabeth Craven and her pitch-perfect cast give life to Spector’s infuriating, moving and completely recognizable characters who manage to give us insight into why some people choose to believe what they believe without validating those choices. 

Sometimes agreeing to disagree just isn’t enough. Can we all agree on that?

‘Eureka Day’ runs through Sept. 22 at Spreckels Performing Arts Center, 5409 Snyder Lane, Rohnert Park. Friday – Saturday, 7:30pm; Sunday, 2pm; Thursday, Sep 19, 7:30pm. $12 – $26. 707.588.3400. spreckelsonline.com

The Pelican Brief

The burning issue of the day is what is going on with those pelicans? We’re out on the Bolinas Lagoon in rental kayaks from Stinson Beach and the birds are going totally nuts. They’re all over the place, and they’re divvied up into squads of three birds—they keep hitting the water, diving for snacks, but it’s the furious flapping of the wings that has us scratching our heads. There’s three of us, too, and we’re getting hungry.

Donnie over at Stinson Beach Surf & Kayak met us earlier at the kayak put-in located across Highway 1 from the Stinson Beach elementary school. You can rent a single or tandem kayak from Donnie; our party of three each got our own kayak for a proper cruise of the federally-protected lagoon that spans from Bolinas to Stinson, for $50 a man.

Check the tides before you go. The lagoon is very shallow in parts and it’s pretty much a no-go if the tide is on the ebb. We had a couple hours of high tide but my colleagues still managed to get fetched up on a sand-bar at one hilarious point during our journey on the lagoon.

Donnie had counseled us to never get out of the kayak—lest one run the risk of stepping on one of the huge rays that populate the lagoon. And he also gave us the warning about leopard sharks. “Don’t get bit by one.” Okay. And, leave the darn seals alone. Will do. They’re everywhere in the lagoon and fun to watch as they pop up around the kayaks. But keep your distance, as contacts with humans can only end badly for the sea mammals.

Well, what about those pelicans? It’s starting to feel a little Hitchcock out here with all these swooping birds. My theory is that the massive birds use their flapping wings to stir up the mucky bottom, and release little worms and crustaceans into the current, that the birds then consume via that characteristic gullet of theirs. Sort of how certain fish do it—flap the muck, enjoy a sea urchin. Sounds like a plan, right? Well, Donnie says they may just be trying to rid themselves of sea lice, such a buzz-killer.

I’m out here in the lagoon with a very old and dear friend and his son, who’s about to head off to his first year of college after a late-August journey to the West Marin hinterlands with dad. When we ran aground on the sandbar, to much hilarity, I’m reminded of a story about Albert Einstein, who was a sailor on top of all that scientific mumbo-jumbo. Einstein, it was said, used to like to deliberately fetch himself up on a sandbar and didn’t mind waiting out the tide so he could be freed from it. He’d just sort of sit there marveling at astronomy, the tides. Unlike Einstein, we’re on a bit of a clock here, so the boys exit the kayaks in ankle-deep water and drag them into a deeper channel, and we continue apace. The pelicans are meanwhile blowing our collective minds with their airborne gymnastics and loud crashes into the water.

Our Stinson Beach activities were mostly sea-bound but there’s lots of ways to idle away an afternoon in the town-proper, which is known out here as a kind of pricey habitat for big old money.

There’s even some old-line Rothschild bucks out here, I’m told—but the town’s also famous for its Grateful Dead connections: The Stinson Beach post office was for decades the place Deadheads sent their mail-order money in for concert tickets. In case you missed it, the local Bolinas Hearsay News recently highlighted the high-low Dead connections to Stinson when it reprinted an Annie Liebowitz Rolling Stone photo of Jerry Garcia on the long and sandy beach that gives the town its name.

The main Stinson Beach drag comes and goes before you know it but it’s jam-packed with possibilities, and the perfect launch point for a day going up and down the Dipsea Trail or one of the other numerous trails that spin out from here and up into the Mt. Tamalpais watershed.

Stop in at the Stinson Beach Market before your hike to load up on deli sandwiches or to just grab a bottled water. The new-ish outdoor coffee kiosk next to the market is perfect for a hot cup of coffee on a cool and foggy morning when you’ve got the top of Tam on the brain.

For sit-down eateries of note, Stinson’s got a couple of standouts for piscatarians, view-hogs or folks out for a romantic turn at a sitdown place. The Siren Canteen serves multiple purposes—it’s at once a quick stop for a beachie lunch of burgers and fries, and it also boasts what’s perhaps the most peace-of-mind inspiring view out the window this side of Tony’s Seafood’s bay-side bounty in tiny Marshall up the coast.

Back at the Siren, the burgers are basic and kid-pleasing, but don’t pass up on the stellar rockfish tacos they pump out of the kitchen here—among other tacos on the menu that include pulled pork and carne asada. My experience is you’ll want to order three tacos, and eat them in rapid succession, without sharing. The fish version stands out among a Mexican-rich array of items: the pico is piquant, the crema is zesty and luscious—and oh, that view.

For a proper sit-down meal, the Parkside’s got a chair waiting for you right now and an expansive menu that features one of the great breakfast selections in all of Marin County. Yes, there’s avocado toast (live a little with a $4 prosciutto add-on) and $12 for a bowl of steel cut oatmeal may seem a bit on the twee side of the price point—but hey, it’s Stinson Beach. I’m partial to a coma-inducing platter of steak and eggs and the Parkside’s the place to go after you’ve gotten that big book deal and feel the need to celebrate over a $28 dollar breakfast of petite fillet, grilled asparagus, etc. etc. etc. and truffle oil too. Wait, what book deal?

With a bellyful of morning beef as your guide, now it’s time for a stroll down the main drag, where there’s a little bit of everything: Stinson Beach Books is a surprisingly capacious shop that not only carries the must-read New York Times beach book of the summer, but covers the tourist base with lots of postcards—along with a big selection of kitchen and table linens. (On that note, the inviting Stinson Beach public library, part of the Marin library system, is a friendly local bookend to the town’s reading-materials retailer).

On the visual arts front, be sure to keep an eye peeled for the ever-expanding and popular Stinson Beach Documentary Film Festival that’s been lighting up the town the past several Novembers and is poised to do so again this year. Until then, Claudia Chapline Gallery & Sculpture Garden offers limited weekend hours (Sat-Sun Noon-5pm) and tours by appointment. This month the gallery features “poet painters” John Brandi and Geri Digiorno, whose collages are up through Sept. 28.

Not to get all corny about it, but there’s an argument to be made that Stinson Beach is itself a poem painted on a dream. That’s heavy thinking man, which is only possible after consuming a breakfast steak and spending the morning at Red Rocks Beach, in the nude. You could say the same about much of West Marin, whether nude or not, and I just spent the past week saying as much to my West Marin visitors.

Back on the lagoon, it’s time to head back to shore to meet up with Donnie. From there, we’d be off to Tony’s Seafood for another godhead meal.

In the end, we decided that our vacation through-line could not, and would not, accept that those wild and massive pelicans were simply shedding sea lice from their feathers.

No, they were doing something much more exotic, free-wheeling, and appropriate for a West Marin that’s brimming with fresh eats: They were hunting for tasty morsels! Hey, pelican, here’s some advice: Try the Sweetwater oysters at Tony’s Seafood in Marshall, or a couple dozen of them. It’s a lot less work than all that flapping.

More Kayak, Please

Slipping the kayak into the silken water of Tomales Bay feels like sliding into the skin of another animal—a seal or a pelican. The gray cloud cover contrasts with the seawater, eerily warm and blue, almost tropical. Conditions are perfect for experiencing bioluminescence and exploring the natural history of the bay.

On dark nights from summer into fall, bluish-white flashes of light are emitted in disturbed water by bioluminescent plankton. They’re found mainly in saltwater near freshwater outflow. The luciferase enzymederived from the Latin lucifer, “lightbringer”—produces bioluminescence.

This evening holds extra magic for a group of kayakers about to put in on the edge of the tectonic boundary of the San Andreas fault.

Our Blue Waters Kayaking group leaves the North American Plate’s serpentine hills on the bay’s east side by Marshall, and heads westward toward the granitic landmass of Point Reyes and the Pacific Plate—itself moving northwest by inches every year.

Geologic activity, constant for millennia, dramatically manifested when the 1906 earthquake ruptured the fault nearby.

Geology influences plant life, by creating soil. Serpentine soil is rich in iron, but poor in nutrients like nitrogen. It stunts growth, fostering more grassland, as evidenced on the east side; adapted natives include leather oak, manzanita and the rare Sargent cypress. Granitic soil is quartz-rich, acidic and nutrient-poor; typical plants include Douglas fir and Bishop pine, seen on the west side.

Coastal Miwok lived here for thousands of years—hunting, fishing and gathering oak acorns, buckeye and bay. The Miwok were brutally disrupted during the 16th to 19th centuries, when English, Spanish and Russian explorers colonized the region. After the 1849 Gold Rush, Ranchers were also drawn to the inviting coastal prairie, nurtured as it was by sustainable Miwok land-management practices of burning, weeding, pruning and harvesting.

As we paddle across Tomales Bay, Drew the Guide gives us the history of Hog Island. It’s named for the cormorants that amass in its scant trees. The air is filled with their hog-like grunts as they join in a feeding frenzy with a squadron of brown pelicans.

“Those birds dive-bomb the water,” he explains, “turning their heads just before hitting it.” This ensures they see their fish prey—but the water’s harsh impact often results in them developing cataracts in their one favored eye.

Harbor seals bask on the beach, tails in the air. They slide silently into the bay, and along with Steller’s sea lions, pop their heads through the water to watch us. We give them a wide berth and head for a cove on the western side.

Tomales Bay comprises 2,000 acres within the Point Reyes National Seashore. One of the most biodiverse and ecologically important areas of the California coast, the bay hosts more than 900 plants and animals—many threatened or endangered. These include three salmonids—coho, chinook and steelhead—and birds galore: egrets, great blue heron and black rail. Even whales enter the bay on occasion. Tomales Bay State Park was formed to preserve its fresh- and saltwater marshes; several hundred acres that were drained for grazing during the 1940s were restored in 2008.

Dairy and cattle ranches were grandfathered in when Point Reyes became a park. Now, ranchers have a controversy to deal with, involving plans to cull limited numbers of elk from the Drakes Beach herd. The elk are reportedly migrating into cow-grazing territory.

Approaching a cove in the kayak, I hear an eerie shriek and turn to see a blond-backed herd of two dozen Tule elk near shore. The high-pitched screech was the males bugling. It’s the height of rutting season.

The bulls charge each other, antler racks lowered, in a thrilling spectacle. Bulls of this subspecies of North American elk weigh around 500 pounds, their antlers up to five feet wide. We’ll leave the simmering controversy over their fate for another day.

Closer to the water, a large bird—a great horned owl?—flies low over the bushes, hunting as the sun sinks and the sky turns to night. Someone cries, “It’s starting!”

The show begins.

At first it’s faint, small sparkles.

Dipping hands and oars, we cruise along, and the water droplets light up as if the waves are filled with stars. Even the fish become photons of light, shooting through the water like showers of diamonds.

We stay in that cove, mesmerized like spellbound children. Maybe if we remain open to such wonders, connecting to and protecting them will bring us closer to the natural world we’re a part of. Now the bioluminescence slowly begins to lose its luster, and it’s time to paddle back. We head toward the dock after an unforgettable experience. —Irene Barnard

UCSC Microbe Machines

The Bay Area has a recycling problem. It’s true that cities from San Rafael to San Jose have residential recycling services and public trash cans partitioned compartments for both recyclable and non-recyclable waste. But the tech industry—our region’s primary economic driver—has yet to come up with a cost-effective way to reuse the valuable materials inside our handsets, laptops and smartwatches.

It is not impossible to recycle iPhones, lasers and X-ray machines. But it is difficult, energy intensive and expensive. So, ironically, products aimed at lowering our collective carbon footprint, like solar panels and electric car batteries, often end up in landfills after they’ve completed their life cycle.

Not only is this practice wasteful, it also poses an existential threat to the tech industry. That’s because the class of metals known as rare-earth elements—essential to the functionality of everything from touch screens to wind turbines—are, as their name would suggest, rare.

“We’re not doing enough recycling of these rare-earth metals,” says Elizabeth Skovran, a faculty member with San Jose State University’s biology department. According to some reports, 95 percent of the 17 rare-earth elements that go into devices like mobile handsets and LED lights wind up in the dump.

“Landfills in developing countries are filled with these metals,” Skovran says. “If we could just recover them, we wouldn’t have to do so much mining, which is extremely destructive to the environment.”

Soon the worldwide demand for rare-earth elements is likely to outstrip the supply, Skovran says. When that happens, it won’t matter how many more holes we dig. Through the lab she heads at SJSU, she and her team are working on a sustainable solution to this problem. By harnessing the power of bacteria, she hopes to develop a cost-effective method for collecting REEs from used tech.

Skovran has been consumed most of her professional life by a class of microorganisms known as “methylotrophic” bacteria. These bacteria feed on troublesome greenhouse gases such as methanol and methane. But they also have a curious trait that makes them potentially vital to the future of high tech: They consume and store REEs.

These bacteria are capable of extracting rare-earth metals not only from post-consumer electronic garbage, but also from waste byproducts such as “fly ash,” a coal product, and “red mud,” a waste product in aluminum production. The bacteria convert these waste metals into inorganic crystals within their cells. Skovran and her collaborators are working to figure out how to stimulate that process so that harvesting the metals from the bacteria can be commercially viable.

“This process already works,” she says. “We can throw a cell phone in the blender, we can throw in a computer hard drive magnet, or even a mining ore, and our bacteria can eat up the rare-earth metals.”

There’s just one problem. The bacteria are not gluttonous enough; they stop extracting the metals and forming them into crystals when they get full—and they get full quickly. It’s Skovran’s goal to get them to eat more. Our continued use of smartphones and MRI technology, among a thousand other things, might depend on it.

What’s happening in Skovran’s lab is a vivid example of using a natural process for the sake of human progress, an age-old technology that has approached new frontiers in the age of high tech. “Biotech” is too often merely a buzzword—a fuzzy abstraction, referenced in poorly understood practices like DNA sequencing or gene therapy. In fact, biotech can be used to describe any interface between humans and other life forms that incorporates some element of design to make life better for humans, if not always for the other life forms.

Baking and brewing are two of the oldest examples of humans deliberately forming a symbiotic relationship with a microorganism. Though the earliest beer producers and bread makers didn’t know it, they were working with a naturally occurring microscopic fungus—yeast—to create their ales and loaves. Millennia later, in the Victorian Era, an English doctor and inventor by the name of George Merryweather took advantage of leeches’ propensity to seek higher ground when they sensed changes in the atmosphere. His elaborate “tempest prognosticator” used the squirmy parasites to predict coming storms.

Today’s biotech is far more sophisticated than that. A generation of young scientists have grown up in a world where sustainability has been a priority, and innovation the key to success. Underlying many biotech efforts these days is an impulse to find a better way to avoid the environmental degradation wrought by the old-school extraction economy.

There are examples of new approaches to the natural world everywhere. At the Tech Interactive in San Jose, scientists are designing labs to appeal to children and show them how manipulating organic material could make for a viable and rewarding career path. At UC Santa Cruz, a coalition of artists and scientists are shaking up old perceptions of a common, largely unappreciated material of the living world.

In Silicon Valley, a burgeoning start-up called Bolt Threads is developing silk proteins—think spider webs—into durable and sustainable fibers that may make up the clothing of the future. Another company, Zymergen, is creating genetically engineered microbes to replace materials and products of the petrochemical industry.

In so many human endeavors, the old way of doing things is becoming more and more unsustainable. New ways are beginning to emerge.

On a sun-drenched July day in downtown San Jose, while some kids play in the fountains across the street in the Plaza de César Chávez, another group of youngsters are escorted inside the BioTinkering Lab at the Tech Interactive.

The place is small but it’s bright and inviting, like the set of TV cooking show. Smocked instructors welcome the young visitors and their families, while Anja Scholze pulls out a rack of cookie sheets covered with brightly colored, gelatinous blobs.

The blobs are cultures made up of bacteria that were assembled by a different group of kids a week ago. “This is a piece of bio-material,” says Scholze, the program director for biology and design at The Tech. “It can be thick and leathery, or thin and papery, or almost like plastic.”

Today’s kids will work with these bacterial strains to create an elastic, skin-like material for their own use, in anything from keychains to book covers. They will also mix up another batch of cultures to be used by another group of kids. The material is a kind of cellulose created by a certain class of bacteria as a waste byproduct. The world desperately needs a replacement for ocean-choking, endocrine-disrupting plastics. Cultivating this kind of material might mean we could say goodbye to plastics for good.

As a scientist, Scholze lives in that middle space between pure research and classroom teaching. At The Tech, she and her team are engaged in the task of making science comprehensible to the general public—in the case of the BioTinkering Lab, they work to make an incredibly complex subject understandable for 10-year-olds.

“We really want to target the project to be accessible to 10- to 12-year-olds,” she says, pointing to an age group for whom “interactive” often means mashing their fingers against tablets and pressing buttons on audio-visual exhibits. “One of the fundamental changes that we’ve been trying to adapt to over the last few years is: How do we get away from button-pushing?”

What the BioTinkering Lab at The Tech teaches kids is that biotech does not have to be an intimidating and remote concept. “If you have an element that is really tactile and sensory-friendly, that’s a really great way to let young kids participate, by squishing stuff and mashing stuff. They get to touch something smelly and weird, somebody calls it biology and they get to have fun.”

Over at UC Santa Cruz, artists are determined that they will not be left out of the biotech revolution. Sculptor and UCSC faculty member Jennifer Parker co-founded the OpenLab Research Center with physicist Enrico Ramirez-Ruiz explicitly to design collaborations that would be fruitful for both artists and scientists. One of the most prominent projects from OpenLab is called The Algae Society, a collective of researchers and creatives from around the world devoted to the biological wonders of algae and related species.

“It’s the unsung hero of the planet,” Parker says. “When you look at algae, plankton, seaweed and phytoplankton, they’re responsible for about 50 percent of the oxygen produced in the world, and they take CO2 out of the atmosphere.”

The Algae Society counts among its many collaborators not only artists and scientists but the organisms themselves. “Once you start to play with this material and learn more about it and grow different kinds of species like spirulina or bioluminescent algae, they become these characters,” Parker says. “Instead of extracting materials and resources from the planet, what would happen if you thought of these organisms as partners? How would you create art with algae? What would you do? What would it want to do?”

The Algae Society has evolved into a traveling art exhibit, which just closed a long engagement at the MAXI Museum in Santa Barbara and is now set to open in Spain. It’s also spawned the CoAction Lab, a mobile unit combining scientific experimentation and artistic exploration which this summer is traveling across the United States.

As a kind of throwback to the 19th-century fad of collecting specimens of seaweed and mounting them as art pieces, Parker and her students have done seaweed pressings, made ink from algae, and used it as inspiration in everything from sculpture to digital art, all in an effort to break tech’s spell over the public.

“This is all in the service of getting off screens and getting back into this mode of curiosity and wonder,” she says. “You know, ‘Why is that like that? How does that work?’—basic fundamental questions we don’t ask anymore because we’ve removed ourselves from nature. We’re not responsible for measuring science only to find specific kinds of measurable outcomes. We’re really trying to measure joy, curiosity, excitement, pleasure, all those things that are integral to human well-being.”

Back at The Tech, Scholze and her team spend an entire year on one specific project. In the Bio-Tinkering Lab’s first year, the focus was on making bricks and building materials from fungus, then the project was creating pigments from bacteria.

“We always try to pick a concept with a lot of real-world relevance,” Scholze says. “We want to tie back to what is happening at the forefront of biotech, not just some canned version of hands-on biology that is replicating someone else’s experiments. We want to explore something that maybe only a few start-ups are exploring, but is not yet an established product, something is actually cutting edge.”

The BioTinkering Lab has the vibe of a kids’ playhouse but with a distinct science-y bent, with petri dishes used as an artistic design element on the walls. Scholze believes that children need to be able to envision themselves working in the sciences.

“If you look around, it doesn’t like any traditional science lab that you’ve probably ever been in,” she says. “The design was intentional—a hybrid between a lab and a children’s bedroom. You walk into a place that’s very sterile, it’s not a welcoming place to experiment. We want them to feel that this is a place for them and not for somebody else.”

There is an undercurrent to the conversations with people in biotech, a sense of urgency that the extractive era of plastics and peak oil is coming to a crashing end and science’s critical mission is to find other, more sustainable materials with which to build and propel our world forward.

“The integration of the humanities and the arts on one hand, and science and engineering on the other is not just about how to benefit human society but, for this project in particular, how we can prevent human extinction,” says Parker of The Algae Society. “How are we going to support other organisms in a symbiotic relationship so it’s not just us extracting resources for our own use, but making sure that the planet is living in a healthy ecosystem?”

Nick Veronin contributed to this story.

Rising Loafer

Many of us first discovered Brickmaiden Breads at one of Marin’s farmers markets or on a local restaurant menu. Point Reyes native Celine Underwood started Brickmaiden in 2000 when she took over the space (and brick oven) where Chad Robertson and Elizabeth Pruitt (of Tartine Bakery) were originally based. Today the sweet yellow farmhouse on 4th Street in downtown Point Reyes Station is now Brickmaiden Bake Shop & Café.

“The business grew up,” says Underwood, who started selling her breads when she was just 24 years old. “I originally started with a simple view of baking—nothing fancy—just two types of dough—mostly sourdough.”

Underwood describes how the bakery grew organically—but always with a vision to one day have a retail operation. After a couple of successful Kickstarter campaigns she was able to upgrade her equipment and eventually buy the building from the local Giacomini family (founders of Point Reyes Farmstead Cheese).

With little fanfare, Underwood opened the doors in August to her efficient new café space that boasts plenty of loaves of bread (of course), a case filled with scones, cookies and pastries, a wood burning stove and a small counter and stools with just enough room for a few customers. An espresso menu features Andytown Coffee Roasters from the Sunset District in San Francisco and a gleaming stainless steel rack holds packaged items like granola and tea cookies to take home.

For now, the newest addition to Point Reyes Station is only open three days a week, but she has plans afoot to change that. Underwood also hopes to expand her menu offerings by adding lunch items including sandwiches and salads. Rustic and savory tarts are in the works and seasonal specials will reflect whatever is in season and fresh at the farmers market.

“The whole premise of this style of bakery is to be part of our community—that is what we are about—seeing people enjoying the space and hanging out—that is what motivates us,” explains Underwood, who appears quite happy with the café that she admits is still very much a work in progress.

Hero & Zero

Hero Fur trapping in California is dead. Gone are the cruel steel–jawed leghold traps, padded–jaw leghold traps, conibear traps and snares. The Wildlife Protection Act of 2019, which bans all fur trapping for animal pelts, was signed into law last week. Bravo to Gavin Newsom and state lawmakers for making California the first state in the country to prohibit commercial or...

Hero & Zero

Hero Fur trapping in California is dead. Gone are the cruel steel–jawed leghold traps, padded–jaw leghold traps, conibear traps and snares. The Wildlife Protection Act of 2019, which bans all fur trapping for animal pelts, was signed into law last week. Bravo to Gavin Newsom and state lawmakers for making California the first state in the country to prohibit commercial or...

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As an inspiration for her sandwiches, I hope Ms. Underwood looks to the pre–made mini–baguettes at the Rustic Bakery in Novato (“Rising Loafer,” Sept. 4). Not only are they less expensive than sandwiches made–to–order, their presence serves to move the line at Rustic quickly. Rustic’s open–face, Scandinavian–style sandwiches can serve as an inspiration, too, especially for people who don’t...

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The Bay Area has a recycling problem. It’s true that cities from San Rafael to San Jose have residential recycling services and public trash cans partitioned compartments for both recyclable and non-recyclable waste. But the tech industry—our region’s primary economic driver—has yet to come up with a cost-effective way to reuse the valuable materials inside our handsets, laptops and...

Rising Loafer

Many of us first discovered Brickmaiden Breads at one of Marin’s farmers markets or on a local restaurant menu. Point Reyes native Celine Underwood started Brickmaiden in 2000 when she took over the space (and brick oven) where Chad Robertson and Elizabeth Pruitt (of Tartine Bakery) were originally based. Today the sweet yellow farmhouse on 4th Street in downtown...
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