Letters

Boudin Ouster

I am saddened by the recall defeat of Chesa Boudin. Though his defeat was almost certain, the people of San Francisco have lost a sincere and good-hearted member of their government. And government officials with real courage and principles like Boudin are rare and hard to find in these days of mass conformity, political confusion, and the deep and cynical divide that is now our reality as a nation.

I hope that other people who feel a real commitment to making creative and positive changes in San Francisco and in our nation as a whole do not give up hope that real progress is possible. Because it is always true that to act with a new vision for a more human society is always met by the fears and doubts of the vast majority of people.

We human beings have been living in such misery for so many thousands of years that anyone who truly stands for real change—for a path out of the darkness that is our life—seems almost crazy, a little too eccentric for us to trust. Yet it is such brave people throughout history who have been of real help in pointing toward our liberation.

Rama Kumar

Fairfax

Teachable Moment

I would like to personally thank Gov. Mike DeWine of Ohio for signing legislation to make it easier for school employees to carry firearms on campuses in that state. We all know that the more weapons, and fewer doors that are available, the safer our kids will be in schools. In fact, there is a flood of teachers moving from California and other states to Ohio to take advantage of this progressive concept. One can barely imagine the possibilities.

Craig Corsini

San Rafael

Home Movies – Building your own, personal film library

By Christian Chensvold

This week in June of 1988, I graduated from Santa Rosa High School, and the following morning set off on my first solo road trip bound for the netherworld of Los Angeles. I was gone for five days and remember only two things.

I spent the first day in Santa Barbara, and decided to save money by sleeping on the beach. The sand tortured my back, while sand fleas tortured the rest of me, and the sound of the waves nearly drove me insane. I finally gave up at 4am, and there, on a dark and desolate Highway 101, I remember looking up at the stars shining over the sea and feeling some eerie sense of destiny, as if I were on a hero’s journey to discover some important piece in the puzzle of my life. Looking back all these years later, it’s clear what I discovered on my trip, because it’s the only other thing I remember.

I found a movie.

Wandering around Hollywood two days later, I found a one-screen movie theater showing Alan Rudolph’s The Moderns, which is set in the Paris art world of the 1920s. It’s a quirky gem with a fantastic cast—it’s also a favorite of more than one person affiliated with this newspaper—and I came out of the theater with the movie poster, the vinyl album and a heady high on movie magic. Already suspecting that my soul belonged to the past, The Moderns gave a 1.21-gigawatt bolt to my inner time machine, and I’ve watched it numerous times ever since, always finding something fresh in it, especially in the wake of growing maturity and the slings and arrows of life’s twists and turns.  

The past few years have been euphemistically referred to as “challenging times,” and I’ve tried to share my own coping strategies with cover stories in this paper on escapism and using the teachings of ancient wisdom to create your own reality. And here I am with another, arguing the case for cutting the cord on your streaming services and building your own Library of Alexandria of your top-100 films of all time, and just watching those.

Think about it: could you really name more than a hundred movies that have made a lasting imprint on your soul, that have made you the person you are today, that have been so many foundation stones in the castle of the imagination that you’ve been slowly building over the course of your life? Browsing ourselves into exhaustion in a chaotic netherworld of infinite possibilities suggests a paucity of self-awareness, as if we really don’t really know ourselves at all.

One hundred movies seems like enough great stories for one lifetime.

* * *

They say you never get over your first love, and upon close inspection I’d venture that most of the films I watch again and again are from one of the three early stages of life. To childhood belong things like The Sound of Music and the Star Wars and the Indiana Jones movies, while to adolescence belong the Back to the Future series and Romancing the Stone. Then, beginning with The Moderns, to young adulthood belongs the realm of world-building, of classic and foreign films and historic escapism, with Francis Ford Coppola’s Dracula and Martin Scorsese’s The Age of Innocence right at the top. So either I simply like revisiting old favorites, or movies from the past 25 years just aren’t as good as they used to be. If it’s the latter, why torture ourselves with perpetual disappointment?

Science has shed light on the matter with the Baskin-Robbins theory of happiness, which goes like this. If you stop someone on a hot summer’s day and offer them some ice cream, they invariably reply, “I’d love some ice cream!” They make their choice from the three you offer—vanilla, chocolate and strawberry—and slide into a cheerful mood that might last all day. But give people 31 flavors to choose from, and it turns out they aren’t all that happy with the ice cream they serendipitously stumbled upon. That’s because a specific part of the brain gets activated: the place associated with the emotional response known as regret. Choosing the wrong ice cream—or movie to watch—descends to the mind’s realm of roads not taken, haunted by the refrain, “If only…..”

Before realizing what I was doing, I began by eliminating streaming services such as Netflix and Amazon Prime. I began to notice that when faced with endless choices all lined up for me, I invariably clicked on something that looked like it might be interesting, watched it for 15 minutes, and then tried something else, leaving my recently-viewed list with five times as many abandoned films than ones that I actually finished, let alone enjoyed. Then there was the home-page interface itself, which I grew to regard as a kind of casino designed by the devil. I began opting for two well chosen DVDs per week in an effort to make movie-watching special again. But things really took a turn when I bought a $5 VHS player at the thrift store, and loaded up on 25 cent videotapes.

According to our esteemed editor and filmmaker Daedalus Howell, video comes at your eyes in a series of waves. This probably explains why the old tapes seemed more engrossing than contemporary Blu-ray flicks shot digitally, without even being output on film, let alone transferred from film to video. These misty videotapes seemed to unfold more like dreams, just as classic storytelling from Old Hollywood is shot and edited in a way that feels like turning pages in a picture book, with your imagination as co-author of what you’re experiencing. Research has shown that modern fast-cut, shaky-camera filmmaking bypasses the imaginative part of the brain while stimulating the visual cortex, the part used for something like watching a dazzling but meaningless fireworks display. If all the entertainment one consumes is made this way, then you’re quite literally making yourself stupider by dulling the most important faculty you have.

* * *

If you can still get pleasure—in fact, increasing pleasure—from watching certain films over and over again, what does that tell us about human nature, and why we put up with so much self-enforced mediocrity? And not only in the stories we watch—the ancients had myths revealing timeless truths, we have “entertainment” that makes a profit—but in our lives themselves. I feel like asking my late grandma why she saved the good tableware for special occasions, instead of eating off her finest finery every day? Good God, grandma, carpe diem. What if you were hit by a bus tomorrow, awoke at the pearly gates hoping for entry, and Saint Peter’s first question is: “You based your life on things you knew were second-rate, and you expect to get into heaven?”

Halfway through writing this little meditation, I purchased a copy of The Moderns, and I  look forward to putting it on the shelf along with the 99 other films comprising the story of one man’s life at the cinema and what he learned about himself. I think the next one will be Visconti’s 1963 epic, The Leopard, starring Burt Lancaster as an Italian prince watching the world transform around him, yet unable to change his spots.

DRIVE-IN SUMMER The Lark Drive-In Theater

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Larkspur

Drive-In Movies

Is there anything more Americana summer vibe than a classic drive-in movie? The Lark Drive-In has summer movies covered. Located in The Village at Corte Madera, the Lark Drive-In was originally founded during Covid to keep community connection alive. It quickly became clear that this was not a temporary solution, and it’s now a full feature of the theater, with screenings all summer long. See classics like The Sandlot, Back to the Future and The Karate Kid in old-school summer style. Don’t forget the popcorn! The next showing is Indiana Jones: Raiders of the Lost Ark, Friday, June 17, at the Lark Drive-In, 1557 Redwood Hwy, Corte Madera. The parking lot opens at 8pm; show begins at approximately 9pm. Tickets are $17 for a drive-in one person per car, and $30 for two or more people per car. Tickets must be purchased beforehand, and late arrivals may be denied entry. www.larktheater.net

Healdsburg

Jazz and Poetry

The best combination since milk and coffee is to spend an evening in Healdsburg serenaded by the vibrant tones of Oakland tenor saxophonist Howard Wiley and his quartet. They bring a pulsing energy of jazz, gospel and funk infused music to the 24th Annual Healdsburg Jazz Festival. Renowned for his improvisation skills, Wiley has performed with such names as Lauryn Hill and Jason Moran. His star-studded quartet includes Marcus Phillips, Dante “Taz” Robertson and LJ Holoman, whose recording accolades encompass music with Mary J Blige, 50 Cent, Busta Rhymes, Nas and The Game. Opening the evening is the City of San Francisco’s 8th poet laureate, Tongo Eisen-Martin, a poet, movement worker and educator who was short-listed for a Griffin International Poetry Prize in 2018. This evening of the Healdsburg Jazz Festival will be held at The Elephant Room, 177 Healdsburg Ave, Healdsburg. 9:30pm. Tickets are $30. www.healdsburgjazz.org

Santa Rosa

Bubbles and Play

Regardless of age, everyone loves a bubble! The Children’s Museum of Sonoma County knows it, and that’s why they’re celebrating their eight-year birthday with a Bubbly Birthday Bash. This might be one of the most exciting events of summer—it’s literally everything bubbles! The museum has been transformed into a bubbly wonderland with big and small, round and square—think soap bubbles, bubble wrap and bubble-related activities we’ve all yet to imagine. It’s a bubble extravaganza! The Children’s Museum of Sonoma County was founded in 2005 and is built upon principles found through early childhood research. It was designed to provide hands-on engagement and learning through joyful play to children and their caretakers. The Birthday Bubble Bash is Saturday, June 18 at the Children’s Museum of Sonoma County, 1835 W. Steele La., Santa Rosa. 10am-2pm. Admission is $14 and free for members. www.cmosc.org

Kenwood

Forest Bathing

Spend some time practicing Shinrin-yoku, the Japanese art of forest bathing, in a celebration of the first California State Parks Week, June 14-18, presented by the California State Parks, Save the Redwoods League, Parks California and the California State Parks Foundation. This inaugural event celebrates and honors California’s 279 state parks and the people who care for and enjoy them. Shinrin-yoku promotes balance, tranquility and a restored vitality through presence and heightened sensory perception and awareness. This walk is led by a certified Association of Nature and Forest Therapy practitioner, and is the first of many. Find peace in the forest this Thursday June 16, at Sugarloaf Ridge State Park, 2605 Adobe Canyon Rd., Kenwood. 10:30am-12:30pm. $20 or free with a ParkRx pass. Registration is required. www.sugarloafpark.org

—Jane Vick

Astrology – Week of 06/15/22

ARIES (March 21-April 19): “The whole point for me is to change as much as possible,” says Aries actor Keira Knightley. What?! Is she serious? Her number one aspiration is to keep transforming and transforming and transforming? I guess I believe her. It’s not an entirely unexpected manifesto, coming from an Aries person. But I must say: Her extra bold approach to life requires maximum resilience and resourcefulness. If you think that such an attitude might be fun to try, the coming weeks will be one of the best times ever to experiment.

TAURUS (April 20-May 20): Taurus poet May Sarton relished “the sacramentalization of the ordinary.” What a wonderfully Taurean attitude! There is no sign of the zodiac better able than you Bulls to find holiness in mundane events and to evoke divine joy from simple pleasures. I predict this specialty of yours will bloom in its full magnificence during the coming weeks. You will be even more skillful than usual in expressing it, and the people you encounter will derive exceptional benefits from your superpower.

GEMINI (May 21-June 20): Here’s a message I hope you will deliver to the universe sometime soon: “Dear Life: I declare myself open and ready to receive miracles, uplifting news, fun breakthroughs, smart love and unexpected blessings. I hope to be able to give my special gifts in new and imaginative ways. I am also eager for useful tips on how to express my dark side with beauty and grace. One more perk I hope you will provide, dear Life: Teach me how to be buoyantly creative and sensitively aggressive in asking for exactly what I need.”

CANCER (June 21-July 22): In August 2021, a Canadian man named Jerry Knott bought a ticket for a lottery. He stuffed it in his wallet and lost track of it. Two months later, he found it again and checked to see its status. Surprise! It was a winner. His prize was $20 million. I propose we make him your role model for now, my fellow Crabs. Let’s all be alert for assets we may have forgotten and neglected. Let’s be on the lookout for potentially valuable resources that are ripe for our attention. More info on Knott: tinyurl.com/RememberToCheck.

LEO (July 23-Aug. 22): Hundreds of years ago, people in parts of Old Europe felt anxiety about the Summer Solstice. The sun reached its highest point in the sky at that time, and from then on would descend, bringing shorter and shorter days with less and less light. Apprehensive souls staged an antidote: the festival of Midsummer. They burned great bonfires all through the night. They stayed awake till morning, partying and dancing and having sex. Author Jeanette Winterson expresses appreciation for this holiday. “Call it a wild perversity or a wild optimism,” she writes, “but our ancestors were right to celebrate what they feared.” Winterson fantasizes about creating a comparable ceremony for her fears: “a ritual burning of what is coward in me, what is lost in me. Let the light in before it is too late.” I invite you to do something like this yourself, Leo.

VIRGO (Aug. 23-Sept. 22): Virgo author Elizabeth McCracken says, “I don’t dream of someone who understands me immediately, who seems to have known me my entire life.” What’s more meaningful to her is an ally who is curious, who has “a willingness for research.” She continues, “I want someone keen to learn my own strange organization, amazed at what’s revealed; someone who asks, ‘and then what, and then what?’” I hope you will enjoy at least one connection like that in the coming months, Virgo. I expect and predict it. Make it your specialty!

LIBRA (Sept. 23-Oct. 22): Libran author Stig Dagerman said that when he was sad as a child, his mother kissed him until his mood lightened. When he was older and sad, his mama said, “Sit down at your desk and write a letter to yourself. A long and beautiful letter.” This would be a good task for you right now, Libra. Whatever mood you are in, I invite you to write a long and beautiful letter to yourself. I further recommend that you carry out the same ritual once every six weeks for the next nine months. This will be a phase of your life when it’s extra crucial that you express soulful tenderness toward your deep self on a regular basis. You may be amazed at how inspirational and transformative these communications will be.

SCORPIO (Oct. 23-Nov. 21): Sometimes, the arrival of a peculiar event in your life is a good sign. It may mean that fate has sent an intervention to disrupt a boring phase of inertia or a habit-bound grind. An unexpected twist in the plot may signal a divine refreshment. It could be a favorable omen announcing a helpful prod that’s different from what you imagined you needed. I suspect that an experience or two fitting this description will soon materialize in your life story. Be alert for them. Promise yourself you’ll be receptive to their unexpected directives.

SAGITTARIUS (Nov. 22-Dec. 21): Sagittarius author Edna O’Brien long ago shed the strict Catholic faith in which she was raised. But she still harbors spiritual feelings colored by her tradition. She says, “Ideally, I’d like to spend two evenings a week talking to [novelist] Marcel Proust and another conversing with the Holy Ghost.” I suspect a similar balance of influences will be healthy for you in the days ahead, Sagittarius. My advice is to connect with an inspiration you drew sustenance from while growing up. Spend time consorting with deep-feeling smart people who will stimulate you to rearrange the contents of your rational mind.

CAPRICORN (Dec. 22-Jan. 19): I’ve composed a message for you to deliver to your best allies. It will help you be clear about the nature of your energy exchanges. Say something like this: “I promise to act primarily out of love in my dealings with you, and I ask you to do the same with me. Please don’t help me or give me things unless they are offered with deep affection. Let’s phase out favors that are bestowed out of obligation or with the expectation of a favor in return. Let’s purge manipulativeness from our dynamic. Let’s agree to provide each other with unconditional support.”

AQUARIUS (Jan. 20-Feb. 18): Author Lauren Collins tells us, “Bilinguals overwhelmingly report that they feel like different people in different languages. It is often assumed that the mother tongue is the language of the true self. But if first languages are reservoirs of emotion, second languages can be rivers undammed, freeing their speakers to ride different currents.” I bring these thoughts to your attention, Aquarius, because the next 12 months will be an excellent time for you to begin becoming bilingual or else to deepen your fluency in a second language. And if you’re not ready to do that, I encourage you to enhance your language skills in other ways. Build your vocabulary, for instance. Practice speaking more precisely. Say what you mean and mean what you say 95% of the time. Life will bring you good fortune if you boost your respect for the way you use language.

PISCES (Feb. 19-March 20): Piscean-born Robert Evans has been an amateur astronomer since he was 18. Though he has never been paid for his work and has mostly used modest telescopes, he holds the world record for discovering supernovas—42. These days, at age 85, he’s still scanning the skies with a 12-inch telescope on his back porch. Let’s make him your role model for the coming months. I have faith you can achieve meaningful success, even if you are a layperson without massive funding. PS: Keep in mind that “amateur” comes from the Latin word for “lover.” Here’s the dictionary’s main definition: “a person who engages in a study, sport or other activity for pleasure rather than for financial benefit or professional reasons.”

Art Quilting – Cara Gulati’s fabric masterpieces come to MarinMOCA this month

By Jane Vick

“Cara Gulati: Wrapped in Color” is a curation of art quilts by artist member Cara Gulati, opening June 18 at Marin Museum of Contemporary Art (MarinMOCA).

The exhibit is part of the 2022 Members’ Showcase exhibition series juried by Donna Seager of Seager Gray.

After five years of designing, manufacturing and wholesaling children’s clothing, Gulati transitioned to art quilt making full time and now creates colorful, dimensional works of fabric art.

Her work is sizable, with pieces measuring 10’x 8’. Her quilts are full of color and motion, featuring ribbons and billowing fabric.

Gulati’s rendering of fabric upon fabric makes for a fascinatingly mind-bending experience, and the bright colors, often set against a dark background, create an undeniable sense of space, as though one is looking not at, but into the quilt.

In addition to her work in art quilting, which includes teaching and lecturing internationally, Gulati illustrates and publishes books and patterns for art quilters.

For Gulati, color is the most important part of her creative process. In her own words, she searches for “bright, saturated colors that make the heart pound faster, the pupils dilate and the hands desire to reach out to touch.”

Gulati doesn’t seek to create for a specific reason, or to convey a message of any kind, and doesn’t necessarily feel that her art has—or even needs—any meaning, in a specific sense. She explores fluid shapes such as scrolls and ribbons, playing with shading and color to create the three-dimensional quality so evident in her quilts, and revels in the challenge each design presents. She is drawn to the tactile quality of an art quilt, which, unlike with a painting, moves and changes as malleable fabric. She sees a personality and individuality in each of her pieces.

“A lot of artists make things for a reason; I just don’t do that. I make it because I love to do it and it’s wonderful to look at. I don’t know how to say it; I’m just not into all that other stuff,” said Gulati.

Gulati’s art quilts are an homage to the Greek concept Philokalia, meaning the love of the good and the beautiful. Her art quilts are a testament to the beauty of color, fabric and imagery. They are like poppies in a field, or the Milky Way, or a striking formation of cumulus clouds.

Raised in Sacramento with two grandmothers who made clothes and sewed often, Gulati wanted to go into the world of fashion designing for the glamor. After studying business and fashion design in college, she began her children’s clothing manufacturing company, Simon Says, which she enjoyed for five years. When Gulati found herself ready for a career change, she recalled taking a quilting class years previously and decided to revisit the practice professionally.

Perhaps in addition to her talent there is a sprinkle of serendipity about Gulati, because things unfolded—fabric pun intended—in an exciting way. Gulati took a job at a quilt store, joined several local guilds and attended meetings where famous art quilters from around the world would come to lecture. Seeing an opportunity to combine art, work and international travel, Gulati decided this was her next role.

A designer already, she began to design and publish her own quilt patterns, as well as writing books, going on quilt-related TV shows, designing fabric lines and attending wholesale quilt markets, where she was able to rub elbows with the art quilting industry people. This exposure led to a career of traveling around the world, teaching and lecturing on the process of art quilting. Gulati spent the next 20 years traveling and teaching before “sticking a fork in it” in 2018.

Gulati now spends the majority of her time conceptualizing and developing art quilts for galleries and museums. Most recently, she curated an art quilt exhibition through Studio Art Quilt Associates, called “Prism Play,” which features 62 pieces of art and is currently showing at the Peninsula Museum of Art in San Bruno.

Gulati joined MarinMOCA in the early 2000s, to connect with local artists and the community. As she was on the road for half of every month teaching, she wasn’t able to get more involved until 2021, when she rejoined and volunteered as a greeter and in various other roles, fulfilling the obligations of an artist member with the museum. She now rents a studio space, and when the opportunity arose for a solo showcase, she leapt at it. It’s her goal to continue showing her work in museums to communicate the very real art of art quilting.

‘Cara Gulati: Wrapped in Color’ opens to the public on Saturday, June 18, with a reception from 2-4pm, and is on view through Aug. 14. www.marinmoca.org

Mountain Player – Dyan McBride stars in ‘Hello, Dolly’

By David Templeton

In the unstoppably popular musical, Hello, Dolly!, the title character memorably reports, “My late husband, Ephraim Levi, believed in life, and anyplace you can find it … cafes, ballrooms, yes even theaters!”

Not long after, she is greeted by the staff at her one-time favorite restaurant, where she’s been absent since the death of Mr. Levi, welcoming her back where she belongs.

The sentiment is rich with meaning for the cast, crew and vast team of volunteers at Marin County’s beloved Mountain Play, which since mid-May has been welcoming audiences back to the Cushing Amphitheater on Mt. Tamalpais for its stellar production of Hello, Dolly!

The show was to have been Mountain Play’s 2020 offering, but was postponed for the last two years due to COVID-19 precautions. With the delay officially over, audiences have been gleefully and giddily returning to the mountain, where the nonprofit organization that produces the annual event has been selling T-shirts with the slogan, “Back where we belong.”

Among those who are grateful to be back is actor Dyan McBride, who has waited two years for her chance to step into Dolly Levi’s iconic shoes, performing in what many believe is one of the greatest musicals ever written.

“I’ve known this play my whole theatrical life,” notes McBride, who starred in the last Mountain Play production before the pandemic, playing the lead in 2019’s Mamma Mia! “I’ve always loved it, and always thought it was such a beautiful, life affirming show. And now that I’m in this production on Mt. Tam, I’ve come to realize how enormous this show is in every way. The dances, which are so much fun and just go on forever because the score is also enormous, the costumes, the characters—the whole show is just larger than life and wonderful to be a part of.”

Directed by Jay Manley, choreographed by Zoe Swenson-Graham, with musical director David Moschler leading a 20-piece orchestra, the show played to an opening day audience that was somewhat smaller than openings in the past, but since has been steadily building attendance. Though one performance had to be canceled due to rain, the show seems poised to end with a joyous bang this Sunday. 

Hello, Dolly!, about a professional matchmaker who decides to come out of hiding after a long period of grief, and set herself up with an eligible half-a-millionaire (played by Randy Nazarian), is filled with recognizable songs—“Put On Your Sunday Clothes,” “Before the Parade Passes By,” “It Only Takes a Moment”—that are tailor-made to lift people’s spirits.

“The whole play is perfect for what we’ve been going through together the last few years,” McBride says. “It’s an optimistic play, and don’t we need that?”

One of the most iconic scenes is, of course, Dolly’s entrance at the Harmonia Gardens restaurant, with dozens of waiters dancing around her and singing about how much they’ve missed her.

“The first time we rehearsed that, I admit I got a little shy, all of that attention aimed in my direction,” laughs McBride. “It was a little overwhelming. What they all love about Dolly, of course, is that she loves them, and loves people, and loves life. Dolly Levi is very good at life, and that’s contagious.”

It’s no surprise, then, that the show, and the irresistible character of Dolly herself, has proved to be such a major draw this summer.

“She’s playful and real, she’s delightful and straight-forward,” says McBride. “It’s really a powerful play, I think, because it’s about enjoying ourselves while we can. That’s what Dolly knows and what she shares with people, the awareness that we don’t have that long on this planet, and we’d better have a great time while we’re here.”

‘Hello, Dolly!’ runs Sunday, June 19 at the Cushing Memorial Amphitheatre in Mount Tamalpais State Park. 801 Panoramic Hwy., Mill Valley. 2pm. $25–$185. 415.383.1100. www.mountainplay.org

Trivia

1  Ten years ago, in 2012, what two members of the original Grateful Dead helped establish two popular restaurant-bar-music venues in Marin County?

2 What are the two shortest words in the English language?

3 The love child of a male donkey and a female horse is what animal with a four-letter name?

4 Eighteenth century British cabinet maker Thomas Chippendale constructed most of his finest pieces of furniture from the wood of what kind of tree?

5 In the list of biggest money-making films of all time, name the top three that have animal names in the titles—all have grossed over $1 billion worldwide since their releases in 2018, 2019 and 2021.

6 When the wandering Roman legions reached this isolated European island, they avoided it, and named it Hibernia, meaning wintery, because of its cold, unwelcome climate.  What European country is this today?

7 Although his first name sounds like something small, this giant athlete is the tallest ever to play with the Golden State Warriors. Give his name, his African homeland and his very unusual height.

8 In 2013, a hardcover coffee-table book, entitled Inside the Red Border, was released that featured historical photos from 90 years of pages from what popular magazine?

9a. Due to an ill-advised amendment to the U.S. Constitution, and its subsequent repeal based on public demand, for how many years was it illegal to manufacture, sell and transport alcoholic beverages?

9b. To get around this prohibition, many nightclubs, bars and restaurants opened secret dens of wildlife, known by what “simple” name?

10 The name for what nautical measurement about six feet in length is also a verb that means to comprehend a challenging problem?

BONUS QUESTION: For the past 30 years, this landlocked European nation with about 10 million inhabitants has been the world’s top per-capita beer-consuming nation. What country is this?

Want more trivia for your next party, fundraiser or special event? Contact ho*****@********fe.com

ANSWERS:

1 Bob Weir—(the reopened) Sweetwater Cafe in Mill Valley/ Phil Lesh—Terrapin Crossroads in San Rafael. Thanks for the question to Ethan Hay from Marin County.

2 A and I (… and O?)

3 Mule, characterized by long ears and a short mane

4 Mahogany

5 Spider-Man: No Way Home, 2021; Lion King, 2019; Black Panther, 2018 (shown in photo)

6 Ireland

7 Manute Bol, 7 feet 7 inches, from Sudan. He’s tied with Gheorge Muresan from Romania as NBA’s tallest ever.

8 Time magazine

9a.14 years (from 1919-1933)

9b. Speakeasies

10 Fathom—thanks for the question to Marty Albion from Lagunitas.

BONUS ANSWER: The Czech Republic—it’s the home of Budweiser, don’t forget…

Dolled Up: Mountain Play returns

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By Harry Duke

The Mountain Play returns to the Cushing Memorial Amphitheater atop Mount Tamalpais with a boisterous production of the Jerry Herman classic, Hello, Dolly! Directed by Jay Manley, the quintessential American musical runs Sundays (and one Saturday) though June 19.

Matchmaker Dolly Gallagher Levi (Dyan McBride) has been hired by well-known Yonkers, NY, half-a-millionaire and Hay & Feed store magnate Horace Vandergelder (Randy Nazarian) to find him a bride. Dolly undertakes the matchmaking assignment with relish, particularly because she intends to make herself the match. She’ll accomplish this while simultaneously arranging the nuptials of Horace’s perpetually upset niece, Ermengarde (Jill Jacobs), to artist Ambrose Kemper (Jesse Lumb), over Vandergelder’s objections.

Feed Store workers Cornelius Hackl (Chachi Delgado) and Barnaby Tucker (Zachary Frangos) get intertwined in Dolly’s machinations involving milliner Irene Malloy (Jen Brooks) and her assistant, Minnie Fay (Julia Ludwig), but fear not; love shall conquer all.

It helps to remember that the source material for the original 1964 Broadway production can be traced back to an 1835 one-act. So the attitudes expressed toward the role of women in society are a bit antiquated (at least one number was met with good-natured groans from the audience).

The disapproval was quickly replaced by thunderous applause for the fine work done by the cast in the joyous “Put On Your Sunday Clothes,” as well as other large-scale numbers like “Before the Parade Passes By,” “The Waiter’s Gallop” and, of course, “Hello, Dolly.”

While Dolly’s larger-than-life persona is somewhat diminished by the expansive surroundings, McBride and Nazarian are perfectly matched as the leads, who may well be American musical theater’s least-believable romantic couple. They are surrounded by a talented supporting cast, with Chachi Delgado a stand-out as the quickly-smitten Cornelius.

Colorful costuming by Mishka Navarre catches the eye and draws focus away from what appears to be an incomplete set. Choreographer Zoë Swenson-Graham has the ensemble gliding, leaping, waltzing and polka-ing across the large stage with energy and grace. The vim and vigor they brought to the production was infectious.

Herman’s classic score thundered through the amphitheater, courtesy of David Möschler and a 20-piece orchestra.

By all means, put on your (weather-appropriate) Sunday clothes and head to Mt. Tam before this show passes by…

‘Hello, Dolly!’ runs Sundays through June 19 (and Saturday, June 11), at the Cushing Memorial Amphitheatre in Mount Tamalpais State Park. 801 Panoramic Hwy., Mill Valley. 2pm. $25–$185. 415.383.1100 www.mountainplay.org

Simply Irresistible – Cosmic dance

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By Christian Chensvold

If you were lucky enough to have lived through the last great decade to be a teenager—the ’80s, of course—then you invariably parked your hormone-fueled self on the couch one day, turned on MTV and watched a Robert Palmer video.

The singer’s hit tunes—“Simply Irresistible,” “Addicted To Love” and “I Didn’t Mean To Turn You On”—came to epitomize the era’s sense of glamor, and not because of Palmer, who’s dressed in a nondescript black suit and white shirt. No, male or female, you were likely entranced by the mute backup dancers who surround the singer with a powerful and mysterious aura.

These are not Earth Mother archetypes with mountainous curves and flowing hair, risen from the Earth like flower-maidens in a painting by Alphonse Mucha. No, these are feminine beings descended from above, from some eternal realm of primordial cosmic energies. At once static and aloof and then suddenly dynamic in dance, the women are coldly elegant and highly intimidating, seeming both inaccessible and yet charged with magnetic energy seeking union with its opposite, represented by the suave singer.

This dynamic dyad, this eternal chase and cosmic dance, plays out in the soul of each of us. Ancient spiritual traditions show how masculine and feminine forces work in the human being, who receives these animating energies from the higher realm of first principles. In Hinduism, Shiva sits impassively as Shakti tries to rouse him with her dynamism, while in astrology, the mutable lunar energy that governs our emotions orbits our solar regal core. The primordial act of creation, symbolized by the staff of Hermes, is entwined by two serpents who appear to be simultaneously fighting and fusing, polarities bound forever in the womb of creation that find their opposite magnetic charge simply irresistible.

Opposites attract, in the outer world as well as inside of us, and moments of action and volition find their equilibrium in moments of contemplation and reflection. If we seek to continue growing and integrate all of our stars and their energy potentials, we can recalibrate our inner dynamic by identifying our receptive side (in astrology, the Moon and Venus) and making it more actively passive, and likewise letting our driving force (Sun, Mars) become passively active, resting in the immutable being, holding the center or lording on the throne.

Robert Palmer’s music videos are mini microcosms of cosmic forces. If the masculine solar principle were alone on the stage with nothing in its orbit, or if the mutable lunar dancers had no  singer-sunwriter to shine light on them, there would be no music of the spheres.

Rolling Papers – Opportunities for change in policy

By Michael Giotis

In some ways, the promise of the cannabis industry hasn’t panned out in California. The right to access for medical use and the opportunity to bring money into beleaguered communities through adult-use have each been less than ideal.

With Prop 215 1996, Californians made providing affordable access to medical cannabis into law. Yet, as point of sale costs rise, reasonable access has come to jeopardy.

The social equity programs created through post-legalization cannabis policy attempt to repair some of the harm caused by enforcement of the “Drug War,” which has from the start fallen unevenly on people of color.

These local and state programs provide ways to offer benefits like grants and fast track licenses to those most directly affected by the legacy of policing cannabis use in black and brown neighborhoods. But under the weight of up to 67% taxation and fees, local BIPOC cannabis businesses are crumbling.

There are allies in government who understand the vital importance of these needed changes, including state Sen. Steve Bradford, who introduced SB 1281 and SB 1293, bills which call for, in part, three solutions that can be put into place immediately.

1) Suspend the excise tax for Social Equity Retailers. Let people open viable retail businesses in their own neighborhoods. This would be a 15% reduction in cost right off the top, allowing for some wealth creation, the kind that BIPOC folks can pass on to the next generation. Justice in dollars, man.

2) Reduce all excise tax to 5%. The state of California has a massive cash surplus right now. Cut the state-wide excise tax for all recreational cannabis. We don’t need the extra money sitting in a vault; we need the access that the people of California have twice voted to increase.

3) A statewide definition for Social Equity. The legal cannabis market is the opportunity of a generation to redefine the economic opportunities for communities that have long been deprived of a fair shake. For too long, the primary funding sent into these communities has gone to expanded policing. A statewide definition of Social Equity will serve to guide not just policy but attitudes toward black- and brown-owned businesses.

You may have just voted. Be real though, democracy can’t stop there. To get the cannabis industry that benefits California the way Californians intended in past elections will require more than just voting. Advocates and conscious consumers will have to push officials and influence public opinion. For a start, concerned readers can call on their own state representatives and members of the Budget and Finance Committee to support SB 1281 and SB 1293.


For a toolkit to support cannabis tax reform, click the Take Action button at supernovawomen.com.

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