Worst Day, Redux: America’s Mass Shooting Epidemic

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In the early afternoon of April 17, 2025, I received what to date has been the worst message ever sent to me. It was my daughter, a senior at Florida State University, texting that she was running from campus because there was an active shooter nearby. 

I am grateful that my daughter thought to run when they heard the gun shots from her classroom, as did her boyfriend. I know that my daughter is still on ready alert when she hears sirens or what sounds like gunfire. I hoped never to have that kind of scare again. 

And then I woke up on March 1, 2026 to read a headline about a mass shooting in Austin, my daughter and her boyfriend’s new home, where she attends law school. This time, a gunman opened fire in a bar, not far from her campus, leaving 14 people wounded. I couldn’t stop crying as I messaged her to ensure that they were OK—thankfully, yes. 

When does this stop? According to the Gun Violence Archive, there had already been 50 mass shootings in the U.S. three days before this one in Austin. Why should parents (like me) have to read the headlines and wonder if the second time my daughter was close to one of these incidents was the last? 

This country has been built on violence, justifies violence when it suits its needs and produces narratives to young people that violence is the answer to conflict. Violence is the way the United States typically “solves” international and domestic conflicts, from killing Indigenous peoples and taking their lands to “removing” leaders to suit its needs. 

As I write this, I am reading about the U.S. and/or Israel killing 153 schoolgirls in Iran, and I am dying for those families. Reports are that the shooting in Austin may have been in retaliation for the U.S. attacks. 

This has to stop. May we all figure out how to do better—for us, for our world, and please, for our children.

Laura Finley, Ph.D., teaches in the Barry University department of sociology & criminology in Florida.

Bourbon, Barbera, Burgers: Edmondo Sarti Appreciates Craft

San Francisco-born burger chain Super Duper Burgers, which originally opened in 2010 with one location in the Castro neighborhood, has expanded to Corte Madera with its newest location, just opened this February. 

Built on the philosophy of fast food with slow food values, the retro-inspired fast-casual spot highlights all-natural, vegetarian-fed beef from Brandt Beef, free-range chicken sandwiches, organic veggie burgers, free house-made pickles, and organic milkshakes and ice cream cones crafted with Straus Creamery. To celebrate the recent opening on Feb. 11, the first 50 guests scored a free burger.

“After years of looking for our next perfect location in Marin, we are excited to have the opportunity to open in Corte Madera,” said Edmondo Sarti, COO of Back of the House, the company that owns Super Duper. “As a long time Marin County resident, this restaurant is right around the corner from my home, and I’m pleased to finally be able to serve my community and have Super Duper become part of the Corte Madera community.”

As a longtime San Francisco restaurant industry pro, Sarti has more than 25 years of experience opening, managing and operating restaurants throughout the Bay Area. Super Duper has been at the forefront of his work as Back of the House’s flagship concept, and has grown to 18 locations under his operational leadership.

Amber Turpin: How did you get into this work?

Edmondo Sarti: It started when I was 13, making pizzas in my uncle’s restaurant in the village of Portoverrara, Italy. Now, 40 years later, I am still wondering how my path led me here, allowing me to follow my passions and do what I love everyday.

Did you ever have an ‘aha’ moment with a certain beverage? If so, tell us about it.

It happens all the time, and that’s what keeps it interesting. Just when I think I’ve seen it all, someone introduces me to a new classic or an unexpected combination that pleasantly surprises me. Staying open to that kind of discovery is important.

What is your favorite thing to drink at home?

Depends on the mood and the occasion. My usual rotation is wine, an Americano, a bourbon, a gin martini or a Super Duper shake.

Where do you like to go out for a drink?

I really enjoy going to Farmshop in Larkspur for an Admiral. Great atmosphere, well-crafted drink, no pretense—a combination is harder to find than it should be.

If you were stuck on a desert island, what would you want to be drinking (besides fresh water)?

My go-to wine will always be Barbera, but on a warm island I’d lean toward something bright from Southern Italy like a Falanghina, Greco or Fiano. And I’d probably sneak in a Super Duper lemonade too,  just for good measure.

Super Duper Burger, 5839 Paradise Dr., Corte Madera, superduperburgers.com.

The Poet-Lawyer, Attorney Bernice Espinoza

Bernice Espinoza assumed the sobriquet of “poet-lawyer” after a formative confrontation with a Judge who charged that she must choose between poetry and the law. He urged her to be a poet. Instead, Espinoza chose to be both.

She moved to the North Bay ten years ago. She was in Santa Rosa for the first four of those years, the only self identifying woman of color in the Public Defenders office  (where sensitivity and cultural competency can have a decisive role in client defense). There “Bere” was inspired to begin teaching in “know your rights” classes in the community).

For the past five and a half years she has worked as a defense attorney for immigrants in Federal deportation cases  (currently at Sonoma Immigrant Services) . Being bi-lingual and bi-cultural are great assets in this work. As is her trauma-informed approach — 97 percent of her clients are asylum seekers ( and must therefore demonstrate a history of violent discrimination in their countries of origin. Crime that their governments were unable or unwilling to protect them from. Governments are sometimes the perpetrators.) Art helps too in drawing our these sometimes horrific stories — her process with them begins with sketchbooks, and often involves, music, art, and of course poetry. 

I met Espinoza in her law office in Santa Rosa.It was a tense time to visit her. In January the Trump Administration Fired 15 Immigration Judges in San Francisco (leaving only 4). This is part of a campaign to deny these immigrants fair due process in favor of “expedited removal.”

Bernice Espinoza, could you elaborate on the meaning of “poet-lawyer?”

… I am a weaver of words for community, love, and story-telling — in and out of the courtroom.

Before we blend the poetry and the law, tell me about your poetic practice independent of the Law. How do you use it?

I have a little PTSD and ADHD. For me, poetry was and is a form of therapy. It was my therapy before I had an opportunity to have “therapy.” [ for her process ] there is not an English word equivalent for “desahogar.” It’s literal meaning is “to stop drowning.” But what it figuratively means is to stop drowning in emotion or feeling and release all your pain and suffering. Poetry was always my way to desahogar or stop from drowning.

For a lot of immigrants or children of immigrants — latine youth, there is a stigma around mental health treatment but there is an acceptance of art. Shared at Flor y Cantos [ Mexican-American music and literary art events ], the poetry has a healing power not just for oneself, but for our communities.

Tell me about court rooms as floricantos — as it were.

Now I can use the words and the writing, not only for my own healing, but in the courtroom — telling the stories — giving the flower and the song [ the flor and the canto ] so that people can Remember that people are people — regardless of where they are sitting in the courtroom — We are all humans.

Learn More : Sonoma Immigrant Services can be reached at www.conomaimmigran.org. Bernice Espinoza’s work as a “removal defense attorney” is funded through a grant from The Secure Families Collaborative ( established by the county and county council in 2018 and now an independent nonprofit. They need help. Bernice will be the featured poet at April 4th edition of The Found Poet poetry series at The Big Easy in Petaluma. 


A Poem by Bernice Espinoza

Words are so powerful

that God used them 

to speak Life into existence

We use them now for RESISTANCE

Free 

Free 

Palestine!

Black Lives Matter!

Land Back!

When our communities are under attack

What do we do?

STAND UP, FIGHT BACK!

“I am Joaquin. . .”

“I have a dream.”

And everything between

Like the Mayan poem In Lak’ech

You are my other me

So, I will use poetry for

Trans life visibility

Queer unity

To trample the oligarchy

Because

they can’t take our history

or our Joy

OUR JOY

We will 

laugh

sing

write

play

hold our loved ones in our arms

Celebrate 

marriages

births

graduations

victories

We will celebrate joy

We will be 

JOY

Free Will Astrology, Mar. 4-10

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ARIES (March 21-April 19): Many ancient cultures had myths that explained solar eclipses as celestial creatures eating the sun. In China, the devourer was a dragon. A frog did it in Vietnam, wolves in Norse lore and bears in several Indigenous American legends. In some places, people made loud noises during the blackout, banging drums and pots, to drive away the attacker and bring back the sun. I suspect you are now in the midst of a metaphorical eclipse of your own, Aries. But don’t worry. Just as was true centuries ago, your sun won’t actually be gobbled up. Instead, here’s the likely scenario: You will rouse an appetite for transformation that will consume outdated ideas and situations. Whatever disintegrates will become fuel for new stories. You will convert old pain and decay into vital energy. Your luminous vigor will return even stronger.

TAURUS (April 20-May 20): Maybe you have been enjoying my advice for years but still haven’t become a billionaire, grown into a potent influencer or landed the perfect job. Does that mean I’ve failed you? Should you swap me out for a more results-oriented oracle? If rewards like those are the dreams you treasure, then yes, it may be time to search for a new guide. But if what you want most is simply to cultivate the steady gratification of feeling real and whole and authentic, then stick with me. P.S.: The coming days are likely to offer you abundant opportunities to feel real and whole and authentic. Take advantage.

GEMINI (May 21-June 20): In 1557, a Welsh mathematician invented the equals sign (=) to avoid repeatedly writing the words “is equal to.” Over the next centuries, this helped make algebra more convenient and efficient. The moral of the story: Some breakthroughs come not from making novel discoveries but from finding better ways to render and use what’s already known. I’m pleased to say that you Geminis are primed to devise your own equivalents of the equals sign. What strengths might you express with greater crispness and efficiency? What familiar complications could you make easier? See if you can find shortcuts that aid productivity without sacrificing precision.

CANCER (June 21-July 22): One benefit of being an astrologer is that when I need a break from being intensely myself, I can take a sabbatical. My familiarity with the zodiac frees me to escape the limits of my personal horoscope and play at being other signs. I always return from my getaway with a renewed appreciation for the unique riddle that is my identity. I think now is an excellent time for Cancerians like you and me to enjoy such a vacation. We can have maximum fun and attract inspiring educational experiences by experimenting. I plan to be like a Sagittarius and may also experiment with embodying Aries qualities.

LEO (July 23-Aug. 22): In Scandinavian folklore, there’s a phenomenon called utiseta. It involves sitting out at night in a charged place in nature, like a crossroads or border. The goal is to make oneself patiently available for visions, wisdom or contact with spirits and ancestors. I suspect you could benefit from the equivalent of a utiseta right now, Leo. Do you dare to refrain from forcing solutions through sheer will? Are you brave enough to let answers wander into your midst instead of hunting them down? I believe your strength is your willingness to be still and wait in a threshold.

VIRGO (Aug. 23-Sept. 22): You are a devotee of the sacred particular. While others traffic in vague abstractions, you understand that vitality thrives in the details. Your attention to nuance and precision is not fussiness but a form of love. I get excited to see you honor life by noticing all of its specific textures and rhythms. Now, more than ever, the world needs this superpower of yours. I hope you will express it even stronger in the coming months. May you exult in the knowledge that your refusal to treat the world carelessly or sloppily isn’t about perfectionism but about respect. 

LIBRA (Sept. 23-Oct. 22): Architect Antoni Gaudí spent more than 40 years designing Barcelona’s Sagrada Família cathedral. He knew he wouldn’t live to see it finished. It’s still under construction today, long after his death. When he said, “My client is not in a hurry,” he meant that his client was God. I invite you to borrow this perspective, Libra. See how much fun you can have by releasing yourself from the tyranny of urgency. Grant yourself permission to concentrate on a process that might take a long time to unfold. What a generous and ultimately productive luxury it will be for you to align yourself with deep rhythms and relaxing visions. I believe your good work will require resoluteness that transcends conventional timelines.

SCORPIO (Oct. 23-Nov. 21): The ancient Chinese philosophical text known as the Tao Te Ching teaches that “the usefulness of a cup is in its emptiness.” A vessel full of itself can receive nothing. Is it possible that you are currently so crammed with opinions, strategies and righteous certainty that you’ve lost some of your capacity to receive? I suspect there are wonders and marvels trying to reach you, Scorpio: insights, inquiries and invitations. But they can’t get in if you’re full. Your assignment: Temporarily empty yourself. Create space by releasing cherished positions, a defensive stance or stories about how things must be.

SAGITTARIUS (Nov. 22-Dec. 21): The Yoruba concept of ashe refers to the power to make things happen. It’s the life force that flows through all things, and can be accumulated, directed and shared. Right now, your ashe is strong but a bit scattered, Sagittarius. You have power, but it’s diffused across too many commitments and half-pursued desires. So your assignment is to consolidate. Choose two things that matter most and fully pour your ashe into them. As you concentrate your vitality, you’ll get more done and become a conduit for blessings larger than yourself.

CAPRICORN (Dec. 22-Jan. 19): What’s holding you back? What are you waiting for? A nudge from destiny? A breaking point when you’ll be compelled to act? A hidden clue that may or may not reveal itself? It’s my duty to tell you this: All that lingering and dallying, all that wishing and hoping, is wasted energy. As long as you’re sitting still, pining for a cosmic deliverance to handle the hard parts, the sweet intervention will keep its distance. The instant you claim the authority to act, you’ll see it clearly: the path forward that doesn’t need a perfect sign, a final push or fate’s permission slip.  

AQUARIUS (Jan. 20-Feb. 18): If you’re anything like me, you wince as you recall the lazy choices and careless passivity that speckle your past. You may wonder what you were thinking when you treated yourself so cavalierly, pushed away a steadfast ally or let a dazzling invitation slip by. At times, I feel as if my wrong turns carry more weight in my fate than the bright, grace-filled moments. Here’s good news for you, though. March is Amnesty Month for all Aquarians willing to own up to and graduate from their missteps. As you work diligently to unwind the unhelpful patterns that led you off course, life will release you from the heavy drag of those old failures and their leftover momentum.

PISCES (Feb. 19-March 20): In systems theory, “critical points” are moments when long periods of small changes gradually accumulate, and then suddenly erupt into a big shift. Nothing appears to happen for a while, and then everything happens at once. Ice becomes water, for instance. I suspect you’re nearing such a pivot, Pisces. You’ve been gathering strength, clarity and nerve in subtle ways. Soon you will be visited by what we might call a graceful, manageable explosion. The slow, persistent changes you’ve been overseeing will result in a major transition.

Homework: Experiment with this principle: Take only what you need. Newsletter: FreeWillAstrology.com.

Emotional Oasis: Oliver Laxe’s ‘Sirat’ opens in Bay Area

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There are films that entertain, films that distract and films that politely flatter one’s intelligence. And then there are films that seem to look one in the eye and ask whether they’re prepared to lose something.

Sirat, the new feature from Galician-born director Oliver Laxe, belongs squarely in the latter category.

“A father, accompanied by his son, goes looking for his missing daughter in North Africa,” reads the logline. But that summary feels almost comically insufficient once one surrenders to its Burning Man-esque heat and dust. 

The father, played by Sergi López, and his son begin their search at a rave in the desert mountains of southern Morocco, handing out photos of the missing daughter amid endless strobes and relentless electronic dance music. From there, the film becomes something closer to a pilgrimage—equal parts road movie, fever dream and ultimately a metaphysical reckoning.

During a Zoom call, I asked Laxe about the hard choices embedded in the script, and he didn’t hesitate.

“First, we wanted to invite the spectator to a catharsis,” he told me. “We believe in cinema. We believe in theaters. We believe in the spectator’s sensitivity.”

The film’s title refers to the Arabic word sirāt, which translates simply as “path” or “way.” However, in Islamic theology it carries far more gravity, referring to the Sirat al-Mustaqim, the righteous straight path of faith. In Islamic teachings about the afterlife, it also names the Bridge of Sirat—a razor-thin span suspended over hell itself, the perilous crossing every soul must attempt on its journey from this world to whatever awaits beyond.

“There is nothing worse than being misunderstood. Our intention was to take care of spectators, but we were pushing them to the abyss,” said Laxe.

That tension—care versus confrontation—animates Sirat. The film is emotional but never manipulative. It simply presents events and allows the viewer to metabolize them. We begin by regarding the ravers as vaguely threatening, either withholding information or professing their ignorance. Slowly, suspicion gives way to recognition, then trust, then grief. It’s an alchemy few filmmakers manage without tipping into sentimentality.

Laxe credits risk. “The key is crossing these minefields as an artist with your fears, but not being castrated by them,” he said. “We feel freedom in the film.”

The rave sequences feel dangerously authentic because they were. Though set in Morocco, the large-scale party was shot in Spain so production could legally assemble roughly 1,000 real ravers as extras. “It was necessary to portray us today,” Laxe said. “Society is looking for transcendence. But in a way, we are a little bit lost too.”

That search for transcendence extends to his casting. Laxe mixed professional actors with non-actors, a choice that unnerved financiers. “We needed radical fragility,” he explained. “An actor is a specialist in building a mask. Someone who has never been in front of a camera—they are totally vulnerable. It is a beautiful energy.”

He spoke often of “the wound.” “We will have to connect more and more with fragility,” he said. “We will have to celebrate the wound, not escape and put on masks.”

Music, composed largely before shooting by electronic artist David Letellier (aka Kangding Ray), pulses through Sirat like a second bloodstream. The soundtrack and the production design are nearly one and the same. “We worked one year in advance to get the mood,” Laxe said. 

He added, “My creative process is visceral. I don’t go to the office to make films. I work with my guts—hopefully with my soul.”

Laxe’s intent is evident throughout Sirat, which arrives not as an answer but as an ordeal—one that trusts the audience enough to let them fall, and perhaps, come back altered.

‘Sirat’ is rated R. Distributed by NEON, in Spanish and French with English subtitles. 115 minutes. Now in theaters.

‘One for All’ Fest: Solo Shows at Marin Shakespeare Company

In 1997, Josh Kornbluth made an incredible discovery: “When I shave, I look like Ben Franklin. That should be a show.” It occurred to him that he would need a director, so he asked some people who asked some others, and somehow ended up with renowned producer David Dower.

Finding amazing collaborators in untraditional ways has come in handy now that Kornbluth is curating the One for All solo festival at Marin Shakespeare. 

“Josh was a natural choice to lead the festival,” says MSC’s artistic director Jon Tracy. “He’s a walking empathetic heart, who cares deeply about the world and his responsibility.”

“But, he didn’t say anything about how good I look?” Kornbluth asks jokingly. And he adds seriously, “I’ve never curated anything before. I’m a performer. But when Jon explained what this is: a festival of personal storytelling at a time when people’s stories, both culturally and politically, are being erased, I said yes. It’s part of the resistance.”

With a goal of bringing as many different stories as possible to as many different people, all tickets are pay-what-you-will. 

“Marga suggested that we call it Pay-As-You-Like-It, but Jon said no,” Kornbluth says with a laugh.

Marga is Marga Gomez, one of Kornbluth’s close friends and one of the stellar artists that he has rounded up for the festival. Headliner Kathryn Grody joins Bay Area favorites like Dan Hoyle and the MSC’s own Returned Citizens’ Troupe alongside artists from across the country, such as Christopher Rivas, magician Christian Cagigal and many others. 

“It’s a panoply of people telling stories from different cultures and different places,” Kornbluth explains. The average show runs 75 to 90 minutes, but the play structures are as different as the people telling them, from polished pieces like Kornbluth’s Ben Franklin to brand new works like ICU, by Leyla Modirzadeh and Domenique Lozano. Kornbluth is also offering storytelling workshops throughout the festival. 

So, who’s this festival for? “We’re fighting fascism,” he says. “Everyone needs a space where the energy is focused on people, stories and diversity.”

Tracy agrees, saying, “These are all pieces of our community. We hope that by offering the ability to see so many shows at pay-what-you-will pricing, people will not only choose stories familiar to them, but also choose to see at least one show that is not. We just ask that people be curious.” Tracy pauses for a moment and then adds, “Marin Shakespeare Company is a space for curious people.”

The Marin Shakes ‘One for All’ solo festival runs March 6–22 at their Center for Performing Arts, Education, and Social Justice at 514 4th St., San Rafael. All tickets are ‘choose your price.’  415.388.5208. marinshakespeare.org.

Do-si-do Marin and Square Up with the Tam Twirlers

In an era of streaming queues and endless scrolling, one Marin County club is keeping a distinctly analog pastime alive: square dance. 

The Tam Twirlers meet weekly at the Marin Rod and Gun Club, where they “Get out, socialize, get some exercise and stretch our minds a little bit,” board president Patrick Loftus-Sweetland said. “Everybody who’s dancing has a smile on their face.”

Square dance is an American folk dance traditionally performed with eight people, typically four couples, arranged in a square formation; hence the name. Every Wednesday from 6:30 to 9pm, the Tam Twirlers’ longtime caller, Eric Henerlau, stands on stage and calls out terms like “promenade” or “right grand” as he plays music. 

“Each call is an individual movement,” he explained. “You may have heard of do-si-do; that’s one call.” As Henerlau calls out different movements, each “square” of four couples follows his lead, turning a roomful of dancers into one coordinated formation.

Loftus-Sweetland was first introduced to square dancing in his high school physical education class, but it wasn’t until 2021 that he reconnected with the practice. As life began to return to normal following the Covid pandemic, he and his wife were walking around Larkspur when they spotted a sign for the Tam Twirlers. They attended an intro night, and “here we are four years later,” he remarked. 

By his own admission, he wasn’t a natural, but that was no problem. “Eric will be the first person to tell you that I have my left and then my other left,” he said. “I jokingly say if you have even a rudimentary understanding of left and right, you’re gonna do fine square dancing.”

Henerlau, on the other hand, is a veteran square dancer. He grew up in Marin County and discovered square dance at 16 years old—coincidentally, also in his high school physical education class. He and his girlfriend at the time saw a flyer for a beginner class and decided to sign up. For him, it stuck. After a few years of dancing, he became curious about what it would feel like to be on the other side of the microphone and decided to learn to become a caller. 

In 1994, the caller for the Tam Twirlers retired, and the club asked Henerlau if he would be the replacement. This year marks his 32nd year calling for the club. “Eric is just an excellent, excellent caller,” Loftus-Sweetland noted. “He really adds a lot to what we do with the club.”

Through his decades of experience, Henerlau has learned a thing or two about what makes someone an entertaining, engaging caller. “A good caller is going to have a good sense of timing, a good sense of delivery, a clear articulation and a good personality from the stage,” he explained. “We’re there to entertain people. A good caller can bring that to the floor so that people feel joy and happiness about being together as square dancers.”

When we spoke, Henerlau had recently returned to Marin from a square dance festival in Tucson, Arizona. He often travels to different square dance events throughout the country and overseas. “It’s just a bunch of people getting together,” he said of the square dance festival scene. “It could be hundreds of people getting together to square dance. They’ve all taken lessons; they all know the calls, and callers come from different parts of the country to bring their own unique talents and skills to the event.”

Callers and dancers are able to do this because square dance calls are standardized across the world. Henerlau compared learning square dance to learning a new language. “You and I are speaking English. We know how to put together a sentence, and you understand what I’m saying,” he noted. “Well, the same thing is true in square dancing. No matter what, the do-si-do is going to mean the same thing here as it does in Tucson or New York or Texas or Minnesota.”

Henerlau has traveled widely for his work as a caller. In addition to calling across the country, he has called in Germany and the Czech Republic—he’s even called in Tokyo, where he says there are as many as 40 clubs. “Quite often, very few people speak any English at all,” he said of his experiences in Japan. “I call the calls, but I can’t really talk to the dancers much in between because I don’t speak any Japanese.”

Something that sets square dancing apart from many other types of partner dancing like ballroom or salsa is that there is no aspect of competition. “Square dancing is a recreational activity, period. People square dance for fun,” Henerlau pointed out. “That’s it.” This ethos is part of what makes square dance a low pressure way for club members to connect and have fun together. Henerlau said the real heart of square dancing is to “have a laugh, smile, have a good time and leave the entire world behind you. It’s just ‘Come in and have fun.’”

It doesn’t take much time with the crowd at Tam Twirlers to understand that this group is composed of exactly who one might expect to be drawn to a form of recreation that transcends linguistic differences and is oriented around fun and connection, not competition. Newcomers are welcomed with open arms—and gently guiding ones—to help them as they stumble over new calls and steps. While Henerlau is about as seasoned as it gets, one doesn’t have to be a veteran to join the club. 

“There are folks in the club who have been square dancing much longer than I have,” said Loftus-Sweetland, who joined the club with his wife five years ago. “But the beauty of it is they’re so willing to help teach you the calls, which is a lot of fun. They want everyone to succeed.”

Square dance can be a bit of a learning curve, but for some, that is another reason they love the activity. In addition to the fun and socialization, people also come to exercise their minds. “Someone once said it was like a chess game set to Madonna,” Henerlau noted. “If you ask 10 people what they like about square dance, you’re gonna get 10 different answers.” If one wasn’t expecting to hear Madonna, they may want to think again. “It’s not just country music,” he continued. “I use very little country music actually. We use pop music, country, reggae, classical; you name it.”

Ultimately, what keeps people coming back to the Tam Twirlers is the opportunity to connect face to face and have some good old-fashioned fun. “It’s the antithesis to sitting around watching all your streaming shows and doom scrolling and listening to the news,” Henerlau said. “After a while, you just need to get away from that.” It’s the spirit of authentic connection and lighthearted fun that makes Tam Twirlers the right place to do that. 

“The club is just filled with a lot of really nice people,” Loftus-Sweetland said. “When you walk in the door, you feel very welcome.”

Upcoming Tam Twirlers events include Black Light Dance on Feb. 25 and Pi Night on March 2. For more information, visit tamtwirlers.org, contact Eric Henerlau by email at er**@**********au.comor call 415.997.3210.

Standing Up for What One Knows, Comedian Juan Carlos Arenas

Coming up, Juan Carlos Arenas’ neighborhood of Moreland was rough. His uncles were not in the gangs … but they were not out of them either. When they took him along on their long summer “camping” trips to Emerald Triangle grow sites, he says, they packed semi-automatic rifles, “you know, just in case they saw a bear.” 

When, at the impressionable age of 13, Arenas was beaten up by young wannabe gangsters, he begged his mother for a pair of boxing gloves. Instead, Salome Arenas armed him with a book of jokes, setting her son on a different path.

Arenas idolized Jerry Seinfeld—and still does, describing him as “the greatest comic in the world—polished, clean, articulate. His jokes don’t have a bit of fat on them.” He loved Seinfeld’s small, slice-of-life topicality—jokes about shoe laces and airplane peanuts.

But still he couldn’t see himself in those small, close, fully lit, intimate supper club gigs staged at the start of each episode of Seinfeld. He was just too different than the white and urban, middle class Jewish comic. It was not until he saw George Lopez stand up at The Punch Line that he realized that the dream might be his (let’s say it again: representation matters).

Juan Carlos Arenas has been a stand-up comedian for 14 years now, seven of them paid. Though he is quick to admit, remodeling old houses pays the bills. For two years, he has owned his own business, the California Construction Group.

Cincinnatus Hibbard: Tell me about being funny.

Juan Carlos Arenas: Comedy’s not about the jokes—not really. It’s about rhythm and timing. If you have those two things, you can say anything that’s on your mind, and people will find it funny. They’ll eat it up.

You also have a theater background?

Being in the theater is where I learned how to really talk to an audience. That’s what really made my comedy career explode.

You helped start the second wave of the North Bay comedy scene.

Jabari Davis [an established San Francisco comic] told us to go to local restaurants and ask to put on a comedy night—not successful restaurants—restaurants that are empty, dead. If you bring out 20 people on a Tuesday, they will be very happy. That’s how it started.

Shout out some of the stars of the North Bay scene.

Jon Lehre, Brian Thomas, Cassey Williams, Josh Argile, Steve Brunner, Chris Ferdinason and Engin Yeisylemis.

These are intense, political times. Tell me about the part the stand-up has to play.

… No matter how big the war is—no matter how big the guns are, the arts will save us. Look at the impact Pablo Picasso’s one painting [Guernica] had on the Spanish Civil War—it was so powerful. It changed lives. At the end of the day, no matter how loud the speakers are, from the politicians that are just spilling out garbage, if we can come together as a community and just listen to each other—which is what stand-up really is—we will get to know each other enough that we will become a family. And once we become a family, no one will be able to f*** with us. My job is to tell you how I am, and how we are not so very different.

Learn more: Juan Carlos Arenas plays out all over the Bay Area, but he most frequently ‘works out’ Fridays at the Barrel Proof Lounge in Santa Rosa and Tuesdays at the Throckmorton Theater in Mill Valley. He can be contacted through his instagram: @arenasjuancarlos.

Your Letters, Feb. 25

Love for ‘Love’

Dr. Gerald Jampolsky, a local gem, told us in 1979 that “love is letting go of fear.” It changed my life. I thank Cincinnatus Hibbard for his contribution to this endeavor (‘Revealing the Nature of Love,’ Feb. 11-17) and Weeklys for featuring it. 

Love does indeed make the world go round rather than flat. Yet, it may take decades of dedicated practice to free ourselves to be lovingly kind, consistently.  

In my roles as counselor and local columnist, I explore “Love Arts” as the master key to well-being. Each of us is meant to bring love “to life” uniquely. This epiphany becomes initiation into elderhood, into offering a wisdom legacy to those who’ll follow. 

Welcome, Cincinnatus, to the fold.  

Marcia Singer, MSW, CHt. 
Santa Rosa

Seal Deal

Regarding ‘Beasts of the Pacific: Northern Elephant Seals at Home in Drakes Beach’ (Bohemian/Pacific Sun, Feb. 18–24): Thank you for this informative article. Why did the Smithsonian group feel the need to kill the elephant seals?

Susan K. Howard
Via Bohemian.com.

The elephant seal killings occurred in 1892, so, unfortunately, the answer to your question has been lost to time and presumably science. – Editor

From Yacht to Ranch, Edward Newell Roots Down

Edward Newell’s path to founding NewTree Ranch in Healdsburg was ultimately sparked in childhood, watching his mother, Kathy, transform hospitality into an art form.

This eventually led him to the Culinary Institute of America, then building a thriving San Francisco catering company before founding E.G. Newell Interiors, designing luxury hotel and private yacht spaces across Europe and Asia. Living aboard The World residential ship deepened his love for global culture and intentional living. But after 15 years, Sonoma called him home. 

Today, NewTree Ranch is the embodiment of Newell’s path, with a dedication to sustainability, land stewardship and regenerative agriculture. The property’s biodynamic garden is where more than 200 varieties of organic fruits and vegetables are grown, used to create artisanal products for guests and for the local community. This garden also generates 90% of its energy needs from 300 solar panels, with more than 30 sustainability practices in place, including bee repopulation, soil enrichment, seed saving and redwood reforestation. 

Amber Turpin: How did you get into this work?

Edward Newell: I came to this work through burnout and instinct.

I had been working across the globe in hospitality, moving constantly, building, opening, refining. One day, I was meant to board a flight, and I simply couldn’t do it. Instead, I got into my car and drove north.

That drive led me to Healdsburg, and eventually to the property that would become NewTree Ranch. The sequence of events that followed was not strategic or carefully plotted; it was intuitive. The land felt restorative in a way I hadn’t experienced before.

What began as a pause became a calling. Over time, 20 acres became 120, and a personal refuge became a regenerative ranch rooted in hospitality, agriculture and well-being.

Did you ever have an ‘aha’ moment with a certain beverage? If so, tell us about it.

One morning after practicing yoga, I sat with a cup of our lemon verbena tea, hand-harvested and prepared here on the ranch. There was and always is something profoundly grounding about drinking something grown a few steps from where you are sitting.

In those still hours, with the ranch just beginning to stir, I often find my most creative ideas come to me. It’s less about the beverage itself and more about the ritual, but that lemon verbena tea has become a kind of daily anchor.

What is your favorite thing to drink at home?

Fresh water from our spring, herbal infusions from our farm and seasonal mocktails crafted from fruits, herbs and edible flowers grown on property are my favorites.

Where do you like to go out for a drink?

If I’m going into town to meet friends, I deeply appreciate the craftsmanship at Cyrus here in Healdsburg. They express a reverence for ingredients and a thoughtful approach to hospitality that resonates with me.

NewTree Ranch, 3780 Wallace Creek Rd., Healdsburg, 707.433.9643, newtreeranch.com.

Worst Day, Redux: America’s Mass Shooting Epidemic

Daedalus Howell, editor of the Pacific Sun and the North Bay Bohemian. considers April Fool's Day a celebration of humanity.
In the early afternoon of April 17, 2025, I received what to date has been the worst message ever sent to me. It was my daughter, a senior at Florida State University, texting that she was running from campus because there was an active shooter nearby.  I am grateful that my daughter thought to run when they heard the gun...

Bourbon, Barbera, Burgers: Edmondo Sarti Appreciates Craft

As a longtime San Francisco restaurant industry pro, Edmondo Sarti has more than 25 years of experience opening, managing and operating restaurants throughout the Bay Area.
San Francisco-born burger chain Super Duper Burgers, which originally opened in 2010 with one location in the Castro neighborhood, has expanded to Corte Madera with its newest location, just opened this February.  Built on the philosophy of fast food with slow food values, the retro-inspired fast-casual spot highlights all-natural, vegetarian-fed beef from Brandt Beef, free-range chicken sandwiches, organic veggie burgers,...

The Poet-Lawyer, Attorney Bernice Espinoza

Bernice Espinoza assumed the sobriquet of “poet-lawyer” after a formative classroom confrontation with a Berkeley college professor who charged that she must choose between poetry and the law.
Bernice Espinoza assumed the sobriquet of “poet-lawyer” after a formative confrontation with a Judge who charged that she must choose between poetry and the law. He urged her to be a poet. Instead, Espinoza chose to be both. She moved to the North Bay ten years ago. She was in Santa Rosa for the first four of those years, the...

Free Will Astrology, Mar. 4-10

Free Will Astrology
ARIES (March 21-April 19): Many ancient cultures had myths that explained solar eclipses as celestial creatures eating the sun. In China, the devourer was a dragon. A frog did it in Vietnam, wolves in Norse lore and bears in several Indigenous American legends. In some places, people made loud noises during the blackout, banging drums and pots, to drive...

Emotional Oasis: Oliver Laxe’s ‘Sirat’ opens in Bay Area

There are films that entertain, films that distract and films that politely flatter one’s intelligence. And then there are films that seem to look one in the eye and ask whether they’re prepared to lose something. Sirat, the new feature from Galician-born director Oliver Laxe, belongs squarely in the latter category. “A father, accompanied by his son, goes looking for his...

‘One for All’ Fest: Solo Shows at Marin Shakespeare Company

The Marin Shakes ‘One for All’ solo festival runs March 6–22 at their Center for Performing Arts, Education, and Social Justice at 514 4th St., San Rafael.
In 1997, Josh Kornbluth made an incredible discovery: “When I shave, I look like Ben Franklin. That should be a show.” It occurred to him that he would need a director, so he asked some people who asked some others, and somehow ended up with renowned producer David Dower. Finding amazing collaborators in untraditional ways has come in handy now...

Do-si-do Marin and Square Up with the Tam Twirlers

In an era of streaming queues and endless scrolling, one Marin County club, the Tam Twirlers, is keeping a distinctly analog pastime alive: square dance.
In an era of streaming queues and endless scrolling, one Marin County club is keeping a distinctly analog pastime alive: square dance.  The Tam Twirlers meet weekly at the Marin Rod and Gun Club, where they “Get out, socialize, get some exercise and stretch our minds a little bit,” board president Patrick Loftus-Sweetland said. “Everybody who’s dancing has a smile...

Standing Up for What One Knows, Comedian Juan Carlos Arenas

Juan Carlos Arenas has been a stand-up comedian for 14 years now, seven of them paid.
Coming up, Juan Carlos Arenas’ neighborhood of Moreland was rough. His uncles were not in the gangs … but they were not out of them either. When they took him along on their long summer “camping” trips to Emerald Triangle grow sites, he says, they packed semi-automatic rifles, “you know, just in case they saw a bear.”  When, at the...

Your Letters, Feb. 25

Love for ‘Love’ Dr. Gerald Jampolsky, a local gem, told us in 1979 that “love is letting go of fear.” It changed my life. I thank Cincinnatus Hibbard for his contribution to this endeavor (‘Revealing the Nature of Love,’ Feb. 11-17) and Weeklys for featuring it.  Love does indeed make the world go round rather than flat. Yet, it may take...

From Yacht to Ranch, Edward Newell Roots Down

NewTree Ranch is the embodiment of Edward Newell’s path, with a dedication to sustainability, land stewardship and regenerative agriculture.
Edward Newell’s path to founding NewTree Ranch in Healdsburg was ultimately sparked in childhood, watching his mother, Kathy, transform hospitality into an art form. This eventually led him to the Culinary Institute of America, then building a thriving San Francisco catering company before founding E.G. Newell Interiors, designing luxury hotel and private yacht spaces across Europe and Asia. Living aboard...
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