Hero & Zero: Fawn in Patrol Car & Rape Kit Backlog

Deputy Donya Halawa carries a fawn to safety. Photo courtesy of Marin County Sheriff’s Department.

Hero: The Marin County Sheriff’s Department lit up social media with an adorable video of a spotted fawn that jumped into their patrol car. The baby deer stopped traffic in Tam Valley until deputies arrived to reunite it with its mom in the nearby bushes. Watch the baby’s antics here: Facebook.com/MarinCountySheriff/videos/2034481973474467/.
Zero: Imagine enduring a violent sexual assault, followed by a lengthy invasive exam to collect DNA, just to have that evidence gather dust in a police locker for years. It’s shameful that in our wealthy county, rape kits dated before 2011 sit on shelves untested in some Marin police departments. (As unbelievable as it sounds, lack of funds is one of the reasons cited.) A Marin County Civil Grand Jury recently released a report stating that all of the untested kits should be processed, “regardless of statute of limitations or prosecutorial value.” Hell yes. Even if the clock has run out, we want that DNA in a database. A serial rapist, or worse, could be identified. Did we really need a report to point that out?

This Week in the Pacific Sun

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This week in the Pacific Sun, our cover story, ”Abba’cadabra,’ shines a spotlight on the catchy soundtrack of the ‘Mamma Mia!’ musical, opening on May 20 on Mount Tamalpais as Mountain Play’s annual production. On top of that, we’ve got a piece on The Tavern on Fourth, San Rafael’s newest watering hole, a review of Marin Theatre Company’s ‘Marjorie Prime,’ a story about Lauren Gunderson’s activism through theater and an interview with Steve Wariner about his latest album. All that and more on stands and online today! 

Free Will Astrology

ARIES (March 21-April 19): According to my assessment of the astrological omens, your duty right now is to be a brave observer, fair-minded intermediary and honest storyteller. Your people need you to help them do the right thing. They require your influence in order to make good decisions. So if you encounter lazy communication, dispel it with your clear and concise speech. If you find that foggy thinking has started to infect important discussions, inject your clear and concise insights.

TAURUS (April 20-May 20): A chemist named Marcellus Gilmore Edson got a patent on peanut butter in 1894. A businessperson named George Bayle started selling peanut butter as a snack in 1894. In 1901, a genius named Julia David Chandler published the first recipe for a peanut butter and jelly sandwich. In 1922, another pioneer came up with a new process for producing peanut butter that made it taste better and last longer. In 1928, two trailblazers invented loaves of sliced bread, setting the stage for the ascension of the peanut butter and jelly sandwich to its full glory. According to my analysis, Taurus, you’re partway through your own process of generating a very practical marvel. I suspect that you’re now at a phase equivalent to Julia David Chandler’s original recipe. Onward! Keep going!

GEMINI (May 21-June 20): One of the most popular brands of candy in North America is Milk Duds. They’re irregularly shaped globs of chocolate caramel. When they were first invented in 1926, the manufacturer’s plan was to make them perfect little spheres. But with the rather primitive technology available at that time, this proved impossible. The finished products were blobs, not globes. They tasted good, though. Workers jokingly suggested that the new confection’s name include “dud,” a word meaning “failure” or “flop.” Having sold well now for more than 90 years, Milk Duds have proved that success doesn’t necessarily require perfection. Who knows? Maybe their dud-ness has been an essential part of their charm. I suspect that there’s a metaphorical version of Milk Duds in your future, Gemini.

CANCER (June 21-July 22): In my vision of your life in the coming weeks, you’re hunting for the intimate power that you lost a while back. After many twists and trials, you find it almost by accident in a seemingly unimportant location, a place you have paid little attention to for a long time. When you recognize it, and realize you can reclaim it, your demeanor transforms. Your eyes brighten, your skin glows and your body language galvanizes. A vivid hope arises in your imagination: How to make that once-lost, now-rediscovered power come alive again and be of use to you in the present time.

LEO (July 23-Aug. 22): The etymological dictionary says that the English slang word “cool” meant “calmly audacious” as far back as 1825. The term “groovy” was first used by jazz musicians in the 1930s to signify “performing well without grandstanding.” “Hip,” which was originally “hep,” was also popularized by the jazz community. It meant, “informed, aware, up-to-date.” I’m bringing these words to your attention because I regard them as your words of power in the coming weeks. You can be and should be as hip, cool and groovy as you have been in a long time.

VIRGO (Aug. 23-Sept. 22): I hope that you will seek out influences that give you grinning power over your worries. I hope that you’ll be daring enough to risk a breakthrough in service to your most demanding dream. I hope that you will make an effort to understand yourself as your best teacher might understand you. I hope that you will find out how to summon more faith in yourself—a faith not rooted in lazy wishes but in a rigorous self-assessment. Now here’s my prediction: You will fulfill at least one of my hopes, and probably more.

LIBRA (Sept. 23-Oct. 22): The Polish pianist Ignacy Jan Paderewski once performed for England’s Queen Victoria. Since she possessed that bygone era’s equivalent of a backstage pass, she was able to converse with him after the show. “You’re a genius,” she told him, having been impressed with his artistry. “Perhaps, Your Majesty,” Paderewski said. “But before that I was a drudge.” He meant that he had labored long and hard before reaching the mastery the Queen attributed to him. According to my analysis of the astrological omens, you Libras are currently in an extended “drudge” phase of your own. That’s a good thing! Take maximum advantage of this opportunity to slowly and surely improve your skills.

SCORPIO (Oct. 23-Nov. 21): The ancient Greek poet Simonides was among the first of his profession to charge a fee for his services. He made money by composing verses on demand. On one occasion, he was asked to write a stirring tribute to the victor of a mule race. He declined, declaring that his sensibilities were too fine to create art for such a vulgar activity. In response, his potential patron dramatically boosted the proposed price. Soon thereafter, Simonides produced a rousing ode that included the phrase “wind-swift steeds.” I offer the poet as a role model for you in the coming weeks, Scorpio. Be more flexible than usual about what you’ll do to get the reward you’d like.

SAGITTARIUS (Nov. 22-Dec. 21): Here’s the operative metaphor for you these days: You’re like a painter who has had a vision of an interesting work of art you could create—but who lacks some of the paint colors that you would require to actualize this art. You may also need new types of brushes you haven’t used before. So here’s how I suggest you proceed: Be aggressive in tracking down the missing ingredients or tools that will enable you to accomplish your as-yet imaginary masterpiece.

CAPRICORN (Dec. 22-Jan. 19): Useful revelations and provocative epiphanies are headed your way. But they probably won’t arrive sheathed in sweetness and light, accompanied by tinkling swells of celestial music. It’s more likely that they’ll come barging in with a clatter, bringing bristly marvels and rough hope. In a related matter: At least one breakthrough is in your imminent future. But this blessing is more likely to resemble a wrestle in the mud than a dance on a mountaintop. None of this should be a problem, however! I suggest that you enjoy the rugged but interesting fun.

AQUARIUS (Jan. 20-Feb. 18): One of the saddest aspects of our lives as humans is the disparity between love and romance. Real love is hard work. It’s unselfish, unwavering and rooted in generous empathy. Romance, on the other hand, tends to be capricious and inconstant, often dependent on the fluctuations of mood and chemistry. Is there anything you could do about this crazy-making problem, Aquarius? Like could you maybe arrange for your romantic experiences to be more thoroughly suffused with the primal power of unconditional love? I think this is a realistic request, especially in the coming weeks. You will have exceptional potential to bring more compassion and spiritual affection into your practice of intimacy.

PISCES (Feb. 19-March 20): In accordance with astrological omens, I invite you to dream up new rituals. The traditional observances and ceremonies bequeathed to you by your family and culture may satisfy your need for comfort and nostalgia, but not your need for renewal and reinvention. Imagine celebrating homemade rites of passage designed not for who you once were but for the new person you’ve become. You may be delighted to discover how much power they provide you to shape your life’s long-term cycles. Ready to conjure up a new ritual right now? Take a piece of paper and write down two fears that inhibit your drive to create a totally interesting kind of success for yourself. Then burn that paper and those fears in the kitchen sink while chanting, “I am a swashbuckling incinerator of fears!”

Homework: Do something that you will remember with pride and passion until the end of your days. Testify at Freewillastrology.com.

Advice Goddess

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Q: I’m a 33-year-old woman, and I’ve always been thin. I lost about 12 pounds after a tough breakup. I’m working on getting back to a healthier weight. However, people keep making cutting remarks about how thin I look. Yesterday a friend said, “You’re so skinny it’s gross!” I’d noticed that she’d gained quite a bit of weight, but I didn’t say anything … because that would be rude! She made other digs about my weight, and upon hugging me goodbye, she said, “Eww, is that your shoulder bone?!” What’s with this double standard? There’d be hell to pay if I said the slightest thing about anyone’s weight gain.—Tempted To Lash Back

A: It is more taboo than ever to make cracks about a woman’s weight—that is, unless she doesn’t have a whole lot of it. Then it’s open season: “Wow, what happened to you? Forget where the supermarket is?”

However, it probably isn’t “people” but “people who are female” who are thin-shaming you. Welcome to female intrasexual competition—competition between women—which is covert and sneaky (and thus poisonous) in a way that male-on-male competition is not. Men, who evolved to be the warriors and protectors of the species, tend to be openly aggressive. A guy will give another guy a beat-down or publicly dis him: “Yeah, bro, sure you can get a chick to go home with you—if you’ve got five grand for a sex robot.”

Psychologist Tracy Vaillancourt explains that women seem to have evolved to avoid physical confrontations; instead, they engage in “indirect aggression” to “reduce the mate value of a rival,” like by “disparaging the competitor’s appearance … or using derisive body and facial gestures to make the rival feel badly about herself and thus less willing to compete.”

The tricky thing about these indirect attacks is the plausible deniability they confer. Call a woman out for thin-shaming you and she’s likely to duck behind, “I’m just worried about your health!” So instead, simply tell her that remarks about your weight hurt your feelings. Speaking up like this says that you aren’t likely to let any future digs slide, yet you remain on moral high ground—instead of giving back in kind: “Wow, looks like you’ve been exercising a lot. Do you do the backstroke in frosting?”

Q: I’m a married gay man, and I hate my in-laws. They were disgustingly abusive to my husband when he was a child. They’re in failing health now, and it’s important to him to visit them a couple of times a year. How do I get through these mandatory trips?—Dreading It

A: It’s probably tempting to buy his family the sort of classic furniture you think they deserve. Unfortunately, they only ship that model of chair to prisons with a death row.

There is actually opportunity within this biannual awfulness that you two have to go through. In the movies, people show their love through grand gestures: “We’ll always have Paris!” In real life, according to psychologist John Gottman’s research, the strongest, happiest relationships are made up of constant mundane little loving interactions: “You were so sweet to me in Costco.”

Gottman finds that the key determinant in whether a relationship succeeds or fails is the ability to trust one’s partner. This means not just trusting that they won’t cheat, but trusting that they’ll continually make you and your needs a priority, on a moment-by-moment basis. So, though you can’t undo the past, when you’re on one of these visits, you can shift your focus from hating your in-laws to showing your love for your husband. Listen. Tell him, “I know this is really hard for you.” Hug him. Rub his feet. Once you’re out of the inlaw inferno, you might discuss trying to make a habit of this sort of thing—really being present for each other in the numerous “unimportant” moments of life.

This will keep you from being one of those couples frantically trying to plug gaping holes in their relationship with extravagant gestures. Typically, these are ultimately futile—too little, too late—and tend to not come off as planned. For example, if you’re having 150 doves released over you as you renew your vows, you’d better see that they’re all wearing tiny gold lamé diapers.

Film: Mutant Mayhem

Deadpool 2 leavens the hit-making Marvel mix of fight scenes, flashbacks and explosions with dick jokes. Protagonist Wade (the ultra-bro, Ryan Reynolds) was a mercenary. He was left with a complexion like a Costco cheese pizza after a forcible gene-scrambling experiment intended to cure his stage-4 cancer. Now he’s the killer Deadpool: Hooded, cross-sworded, armed and ludicrous.

Deadpool’s frenemy here is Cable (Josh Brolin), so thoroughly ripped from The Terminator that Deadpool even calls him “John Connor.” The highlight is a Vancouver super-truck rampage with Deadpool at the wheel, upside down and ass-forward. He’s helped by the movie’s standout Zazie Beetz as Domino, who has a new kind of superpower—supernatural luck: Nothing ever falls on her head, even when it’s raining automobiles.  

One loved the parody of the Skyfall titles, Julian Dennison of Hunt for the Wilderpeople as a kid mutant who may turn killer, the oil portrait of Karl Marx on the walls of the Xavier Mansion and the longest demise since Bugs Bunny staged one for Elmer. It’s not as overfilling as the first Deadpool, and from a nerd standpoint it had a little more respect for the chrome giant Colossus (Stefan Kapicic) than its predecessor.

The downside is that Morena Baccarin, who gave the first Deadpool a strong romantic twist, is mushy here. She wants to be a mom and spends her time in the movie in a sort of heavenly purdah. When she says, “The baby factory is open for business,” the line goes beyond cute and into the realm of something written by someone a little unsure of how babies are made. (Me, I know how. I just don’t know why.)

Music: Chart-Topper

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Twenty albums and five decades into his musical career, Nashville-based guitarist, songwriter and Grammy Award-winning country music veteran Steve Wariner is making the most of his creative freedom to tour the globe and make music the way he wants.

“I’m in a place now in my career and life where I just kind of do what makes me smile and makes me happy,” Wariner says. “I would never get away with some of the things I record and do on albums now 10 or 15 years ago when I was on major labels.”

Though Wariner is not on the radio as much as he was when he scored No. 1 hits on Billboard’s Hot Country Songs chart for tunes in the ’80s and ’90s, he says that he savors being able to write and play a diverse blend of country, bluegrass, soul and pop, all of which are featured on his latest album, 2016’s All Over the Map.

“It seems like people really enjoy what I’m doing,” he says. “And I love the freedom to be the captain of my own ship, so to speak.”

With the ability to record in his home studio, dubbed “Twangra-La,” Wariner compares the process of making All Over the Map to a mad scientist in a laboratory. “I probably get a little more self-indulgent than I should. I get carried away,” he says. “But, it sure is fun.”

Wariner returns to the North Bay for a special solo performance on Sunday, May 20, at Sweetwater Music Hall in Mill Valley. He’ll also tell stories about his songs and his career. “I like that a lot,” says Wariner. “[Sharing] all of the history as well as playing.”

Steve Wariner, Sunday, May 20, Sweetwater Music Hall, 19 Corte Madera Ave., Mill Valley; 8pm; $37-$42; 415/388-3850.

Theater: Prime Time

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Watching Jordan Harrison’s Marjorie Prime unfold as the final entry in Marin Theatre Company’s (MTC) 2017-2018 season, I was reminded of Winston Churchill’s inability to describe the USSR’s brand of communism. Full of inconsistencies, it was ripe material for learned treatises, but no one had a definitive explanation.

Harrison’s play may not be quite that opaque, but the increasing sci-fi elements he introduces kept pushing the limits of my suspension of disbelief and even now, having read and re-read the script, I can’t truly say that he persuaded me to come aboard with the enthusiasm I witnessed in the opening night audience and in many of the reviews that have followed.

Before proceeding further, let me say upfront that MTC’s production is solid throughout. Ken Rus Schmoll’s nuanced direction is spot-on. Most importantly, the four-actor ensemble, led by Bay Area veteran Joy Carlin in the title role, is a pleasure to watch as they thread their way through Harrison’s obstacle course.

The year is 2062. Carlin’s Marjorie is an 85-year-old widow who is suffering from an unspecified progressive dementia that is causing her to lose her interest in life, including eating. Having resisted institutional care, she lives with her emotional daughter Tess (Julie Eccles) and son-in-law Jon (the play’s steady anchor, sympathetically portrayed by Anthony Fusco), passing the majority of her time sitting on a well-worn chair staring into the void. Concern about Marjorie’s declining mental and physical health, and believing that she may be influenced by memories of past problems within the family (son Damian’s suicide, unresolved mother/daughter conflicts, her husband Walter’s death), Tess and Jon engage the assistance of an organization called “Senior Serenity.”

Here’s where sci-fi begins to take over, although Harrison, in a note appended to the script, claims otherwise. It seems that Senior Serenity has developed what he says are “sophisticated artificial intelligence programs” using holographic projections to create images that can move around and speak, but have no physical presence. These are called “primes.” Marjorie’s prime is an image of her deceased husband Walter at the age of 30 (a handsome, smartly dressed Thomas Gorrebeeck), who has been carefully programmed to help his human counterpart recall happy events when they were both young.

It works—to a point. Marjorie’s spirits rise and, with them, her native feistiness. There is even evidence that she has begun snacking out of the peanut butter jar! Time passes and apparently (although we’re not specifically made aware of it), so does Marjorie. Harrison then moves to Tess, who is having an existential crisis linked to the same family problems that disturbed her mother, plus a general world weariness. She sinks into a deep depression, resisting every effort Jon makes to meet with friends. Jon calls Senior Serenity and Tess gets her own “prime” in the holographic form of a younger Marjorie, which gives Tess a chance to work on their differences.  As her mood apparently improves, he persuades her to accompany him on a vacation trip to Madagascar, only to hang herself from a tree in their campground. Now, it’s Jon who needs a prime, who happens to be Tess (although we’re not told who put in the order—maybe Senior Serenity has been paid in advance out of a family account?)

There are so many loose ends. How can holographs—mere projections of pixels—have a physical presence as people, with all that entails, including the ability to speak, think, feel emotion and move from place to place without programmed guidance? That’s only the beginning of my questions. Marjorie Prime is a very short play that aspires to epic trans-generational form.  At the end, we find the three primes in some unknown future chatting together like limo drivers awaiting their employers. Will they get together for a drink after their work is done?

Maybe these kinds of issues explain why I never took to sci-fi, but I have to admit, like Churchill’s view of Soviet communism, that they can provoke lively discussion.

NOW PLAYING: Marjorie Prime runs through May 27 at Marin Theatre Company, 387 Miller Ave., Mill Valley; 415/388-5208; marintheatre.org.

Arts: Theater Activism

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On Friday, April 20, Marin Theatre Company (MTC) acknowledged the 19th anniversary of the 1999 Columbine High School shooting in Colorado, with a casual but keenly poignant reading of playwright Lauren Gunderson’s one-woman-play, Natural Shocks. On the same evening, all across the country, hundreds of schools, theaters and nonprofits gave simultaneous readings of the same play, with several of those in the Bay Area, including Sonoma County, where Marin County actor Molly Noble performed the piece at Sebastopol’s Main Stage West.

Gunderson, who lives in San Francisco, waived all royalties for the weekend, encouraging companies large and small to perform her piece, on the condition that the event be used as a benefit for gun control advocacy groups, and to inspire community conversation on the issue of gun violence in America.

The MTC presentation—a fundraiser for Marin Moms Demand Action—stands out from those others in that it was the only reading of Natural Shocks that was performed by the acclaimed playwright herself.

“Now I remember why I’m a writer and not an actor,” Gunderson exclaimed, as she struggled to contain her emotions in the wake of the intense, 65-minute play’s powerful, heartwrenching climax. “This,” she said with a laugh, while wiping away tears, “is so hard!

Named for a line from Shakespeare’s Hamlet, Natural Shocks is told from the point of view of a woman waiting out a tornado in her basement, gradually revealing details of a story that is as horrific as it is statistically commonplace. As such, artfully packed as it is with stunning statistics on gun violence—80 percent of those killed by guns in the U.S. are women; victims of domestic violence are five times more likely to be murdered if there is a gun in the house—Natural Shocks is more than just another piece in Gunderson’s long string of zeitgeist-capturing plays.

Like her 2015 comedy, The Taming, a sharp political satire that Gunderson similarly made available for free on Inauguration Day, 2016, the new solo piece is an inventive fusion of political activism and impassioned, highly personal theater, with a crafty added touch of savvy economics.

“People love free stuff,” Gunderson said, answering a question about the gradually increasing trend of playwrights giving away the rights of politically driven works, to mark significant anniversaries and events. Other notable royalty-free, theater-as-activism projects have included Guantanamo: Honor Bound to Defend Freedom, a 2004 documentary theater piece by Gillian Slovo and Victoria Brittain, and Suzan Lori-Parks’ 365 Days/365 Plays, a massive nationwide project in which theaters presented short plays that Parks wrote, one per day, over the course of a year.

“It’s a model that is proving to be pretty effective,” Gunderson said. “At this point, I think I’m going to do some more work on the piece, and then … I don’t know, maybe we’ll do this again next year, also on the anniversary of Columbine. This is obviously an issue I care about a lot, and think about a lot. And anything we can do to shift attitudes about guns in this country, we obviously should do.”

Learn more about ‘Natural Shocks’ at naturalshocks.org.

Food & Drink: Bar Revamp

A handsome new bar quietly opened its doors on St. Patrick’s Day in San Rafael. The Tavern on Fourth, previously the Fourth Street Tavern, has had several incarnations over the years—some will even remember when it was Positively 4th Street back in the ’70s. Shedding its longtime dive bar reputation, the refurbished watering hole-cum-speakeasy now serves specialty cocktails and locally made brews.
For more than four years, the compact Victorian building—with its dark paint and charming exterior—has been shuttered while the owner breathed new life into the freshly refurbished space. A heavy grey curtain drapes the entrance and adds drama and glamour to what could be an ordinary rectangular bar. An understated color palette and attractive grey-fabric-covered banquette give an upscale touch of class to this welcoming tavern. Fresh flowers adorning the tables lining one wall, slate floors and hooks beneath the bar all add up to a well-designed hangout conducive to lingering and enjoying a cocktail or two.
“We have a lot of obscure spirits—we really try to push the envelope with our cocktails,” explains the friendly general manager, Chris Baker, who describes a gin fizz-like drink that he makes with rosemary. Seven specialty cocktails are offered, including an inventive Sea Legs made with blended scotch, rum blend, lime, pineapple, gomme (a syrup similar to simple syrup) and orgeat.
Complementing the craft beer selection and mixology options is a small stage and dance floor in the back of the bar where live acts perform on Friday and Saturday nights.
It won’t be long before the word gets out about The Tavern on Fourth, sure to become a local favorite.
The Tavern on Fourth, 711 Fourth St., San Rafael; 415/454-4044; thetavernonfourth.com.

Food & Drink: Bar Revamp

A handsome new bar quietly opened its doors on St. Patrick’s Day in San Rafael. The Tavern on Fourth, previously the Fourth Street Tavern, has had several incarnations over the years—some will even remember when it was Positively 4th Street back in the ’70s. Shedding its longtime dive bar reputation, the refurbished watering hole-cum-speakeasy now serves specialty cocktails and locally made brews.

For more than four years, the compact Victorian building—with its dark paint and charming exterior—has been shuttered while the owner breathed new life into the freshly refurbished space. A heavy grey curtain drapes the entrance and adds drama and glamour to what could be an ordinary rectangular bar. An understated color palette and attractive grey-fabric-covered banquette give an upscale touch of class to this welcoming tavern. Fresh flowers adorning the tables lining one wall, slate floors and hooks beneath the bar all add up to a well-designed hangout conducive to lingering and enjoying a cocktail or two.

“We have a lot of obscure spirits—we really try to push the envelope with our cocktails,” explains the friendly general manager, Chris Baker, who describes a gin fizz-like drink that he makes with rosemary. Seven specialty cocktails are offered, including an inventive Sea Legs made with blended scotch, rum blend, lime, pineapple, gomme (a syrup similar to simple syrup) and orgeat.

Complementing the craft beer selection and mixology options is a small stage and dance floor in the back of the bar where live acts perform on Friday and Saturday nights.

It won’t be long before the word gets out about The Tavern on Fourth, sure to become a local favorite.

The Tavern on Fourth, 711 Fourth St., San Rafael; 415/454-4044; thetavernonfourth.com.

Hero & Zero: Fawn in Patrol Car & Rape Kit Backlog

Hero: The Marin County Sheriff’s Department lit up social media with an adorable video of a spotted fawn that jumped into their patrol car. The baby deer stopped traffic in Tam Valley until deputies arrived to reunite it with its mom in the nearby bushes. Watch the baby’s antics here: Facebook.com/MarinCountySheriff/videos/2034481973474467/. Zero: Imagine enduring a violent sexual assault, followed by...

This Week in the Pacific Sun

This week in the Pacific Sun, our cover story, ''Abba'cadabra,' shines a spotlight on the catchy soundtrack of the 'Mamma Mia!' musical, opening on May 20 on Mount Tamalpais as Mountain Play's annual production. On top of that, we've got a piece on The Tavern on Fourth, San Rafael's newest watering hole, a review of Marin Theatre Company's 'Marjorie...

Free Will Astrology

ARIES (March 21-April 19): According to my assessment of the astrological omens, your duty right now is to be a brave observer, fair-minded intermediary and honest storyteller. Your people need you to help them do the right thing. They require your influence in order to make good decisions. So if you encounter lazy communication, dispel it with your clear...

Advice Goddess

advice goddess
Q: I’m a 33-year-old woman, and I’ve always been thin. I lost about 12 pounds after a tough breakup. I’m working on getting back to a healthier weight. However, people keep making cutting remarks about how thin I look. Yesterday a friend said, “You’re so skinny it’s gross!” I’d noticed that she’d gained quite a bit of weight, but...

Film: Mutant Mayhem

Deadpool 2 leavens the hit-making Marvel mix of fight scenes, flashbacks and explosions with dick jokes. Protagonist Wade (the ultra-bro, Ryan Reynolds) was a mercenary. He was left with a complexion like a Costco cheese pizza after a forcible gene-scrambling experiment intended to cure his stage-4 cancer. Now he’s the killer Deadpool: Hooded, cross-sworded, armed and ludicrous. Deadpool’s frenemy...

Music: Chart-Topper

Twenty albums and five decades into his musical career, Nashville-based guitarist, songwriter and Grammy Award-winning country music veteran Steve Wariner is making the most of his creative freedom to tour the globe and make music the way he wants. “I’m in a place now in my career and life where I just kind of do what makes me smile and...

Theater: Prime Time

Watching Jordan Harrison’s Marjorie Prime unfold as the final entry in Marin Theatre Company’s (MTC) 2017-2018 season, I was reminded of Winston Churchill’s inability to describe the USSR’s brand of communism. Full of inconsistencies, it was ripe material for learned treatises, but no one had a definitive explanation. Harrison’s play may not be quite that opaque, but the increasing sci-fi...

Arts: Theater Activism

On Friday, April 20, Marin Theatre Company (MTC) acknowledged the 19th anniversary of the 1999 Columbine High School shooting in Colorado, with a casual but keenly poignant reading of playwright Lauren Gunderson’s one-woman-play, Natural Shocks. On the same evening, all across the country, hundreds of schools, theaters and nonprofits gave simultaneous readings of the same play, with several of...

Food & Drink: Bar Revamp

A handsome new bar quietly opened its doors on St. Patrick’s Day in San Rafael. The Tavern on Fourth, previously the Fourth Street Tavern, has had several incarnations over the years—some will even remember when it was Positively 4th Street back in the ’70s. Shedding its longtime dive bar reputation, the refurbished watering hole-cum-speakeasy now serves specialty cocktails and...

Food & Drink: Bar Revamp

A handsome new bar quietly opened its doors on St. Patrick’s Day in San Rafael. The Tavern on Fourth, previously the Fourth Street Tavern, has had several incarnations over the years—some will even remember when it was Positively 4th Street back in the ’70s. Shedding its longtime dive bar reputation, the refurbished watering hole-cum-speakeasy now serves specialty cocktails and...
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