Flashback

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50 Years Ago

Redwood High School athletic director Bob Trappmann caused a bit of a fuss when he resigned as athletic director (but not as football coach) in reaction to a ruling on the question of long hair on athletes. Trappman has championed the short-hair look on Redwood athletes. He was overruled by new superintendent Bob Torrey, who said that pending a thorough study of the whole issue, the Tam High School District athletes can wear their hair as they see fit.

-Newsgram, 10/1/69

In consideration of these presently available facts, the Board of Directors of the Marin Medical Society makes the following recommendations:

  1. That truly scientific investigations be increased and encouraged, with a greater degree of cooperation by the narcotics agencies than has been evidenced in the past.
  1. That in spite of the apparent innocuousness of the commonly available form, marijunana not be legalized, at least until it has been more thoroughly studied.
  1. That drug laws at all levels of government should relate more realistically to the pharmacology of prohibited drugs (Marijuana is not a narcotic, and should not be classified as such), and to the actual dangers of a particular drug to the individual and to society. And in accordance with this principle, that the penalties of marijunana possession and usage be reduced, to better fit the seriousness of the crime.

-Don Sower, Executive Director, Marin Medical Society (letter), 10/1/69

40 Years Ago

Just as Governor Brown signed legislation permitting the legal use of marijuana for medical purposes, California Attorney General George Deukmejin launched an all-out assault on crops of sinsemilla, the large and potent marijuana plants grown in the North Coast section of California. The new medical marijuana law, which takes effect January 1, 1980, will give cancer chemotherapy patients access to marijuana under a program to be directed by the Research Advisory Panel. California is the 14th state to enact such legislation.

Joanne Willams, 9/28/79

Apocalypse Now, for all its intentions, for all the immense talent and money lavished upon it, offers at best no more then the glint of a candle. At its worst, it is a moral and filmic failure.

Irving R. Cohen, 9/28/79

30 Years Ago

Oil drilling off California’s central coast would create a terrible mess: oil spills, air pollution, tanker traffic and offshore drilling platforms as tall as 25-story buildings. All this for enough fuel to run the country for 30 to 45 days. That’s the bleak scenario in a 330-page, $95,000, two-year report commissioned by the six coastal counties. That’s pretty much what drilling foes have said for years. They wanted a tome to back them up.

-Steve McNamara, 9/29/89

20 Years Ago

Federal Aviation Administration chief Jane Garvey demonstrated her confidence in the agency’s ability to prepare for potential year-2000 computer problems by buying a ticket aboard an American Airlines flight from Washington, D.C., to Dallas on New Year’s Eve. Garvey and Ray Long, head of the FAA’s Y2K program, are scheduled to be in the air at midnight Greenwich Mean Time, the standard used by air traffic control systems.

-Roland Sweet, 9/29/99

⁠— Compiled by Alex T. Randolph

A Day in the Valley

Mill Valley, nestled at the base of Mt. Tamalpais, exudes charm with its natural surroundings, quaint local businesses and eclectic arts scene. Incorporated in 1900 with 900 residents, today the population has swelled to over 14,000. Trek to the waterfall at Cascade Falls, window shop downtown or enjoy a free Shakespeare performance at Old Mill Park’s amphitheater and you’ll understand why folks flock to Mill Valley.

If you ask a local the main reason they made Mill Valley their home, you’ll probably hear the word proximity. Whether they live on a steep hilltop or in a lush valley, they’re just minutes away from some of the most prized settings in the world: Muir Woods, Mt. Tam and the edge of the Pacific Ocean, all located within the Mill Valley zip code.

The primeval redwood forest in Muir Woods, situated on Redwood Creek, is a top destination for Bay Area visitors. Amazingly, the tallest tree in Muir Woods is about 250 feet tall and estimated to be around 780 years old. Advance parking or shuttle reservations are now required. It’s an extra step, but well worth it.

The highest peak in Marin is Mt. Tam, “the Sleeping Lady,” at an elevation of 2,572 feet. Spectacular vistas of San Francisco and even the Farallon Islands on a clear day reward hikers and mountain bikers who make the pilgrimage to the summit.

Take the 1.7-mile hike on Tennessee Valley Trail and you’ll end up at the Pacific Ocean. The scenery is glorious, with the secluded beach flanked by rock cliffs.

Stolte Grove and the adjacent garden are two of the many hidden gems in Mill Valley. Located in the Homestead Valley neighborhood, the park contains a redwood stand with a creek running beside it. The lavish gardens next door showcase dozens of huge hydrangea bushes and trumpet vines growing wild.

Residents love that they don’t need to cross the bridge for big city culture. This little city is home to annual events including the Mill Valley Fall Arts Festival, Mill Valley Film Festival and Mountain Play, a live musical theatre production at Mt. Tam’s outdoor amphitheater.

The O’Hanlon Center for the Arts, a community art center presenting programs in the visual, literary and performing arts, is celebrating its 50th year. Located on a two-and-a-half acre campus, the pièce de résistance of the property is the sculpture garden with works by Dick O’Hanlon. There’s also an art gallery open to the public with juried shows that feature local artists and change monthly.

For evening entertainment, check out the calendar at Sweetwater Music Hall and dance the night away to live music from rappers to rockers. If professional live theatre in an intimate venue is more your style, try the Marin Theatre Company, where the west coast premiere of Sovereignty is now playing. The Throckmorton Theatre, an art center, offers a diverse lineup of live music, comedy and workshops in a beautifully restored theatre. Or perhaps you’d prefer to see a film at The Sequoia Theatre, a 1920s movie house showing the latest flicks and the Live in HD Metropolitan Opera series.

Before going out on the town, visit one of its many fine restaurants. No matter what you have a hankering for, you’ll find a Mill Valley eatery serving it.

Downtown is home to first-rate fare at new and established restaurants. The recently opened Gravity Tavern serves robust meat and fish dishes and not-to-be-missed tater tots. The 55-year-old La Ginestra, known for its Neapolitan cuisine and handmade pasta, is the perfect place for a family meal.

A new favorite is the Watershed Restaurant located in the Lumber Yard, which is built on the site of Mill Valley’s first sawmill. With community seating and a lovely outdoor patio, the ambience feels welcoming. Chef Kyle Swain changes the California cuisine menu frequently, based on what’s available from local farms, ranches and fisheries. I thoroughly enjoyed the signature dish—halibut crudo with avocado, cucumber, horseradish green and lemon oil. The thick cut fries with aioli were also delicious.

The Dipsea Café on Shoreline Highway overlooks Coyote Creek. An abundance of natural light graces their country kitchen décor, creating a lovely spot for brunch. For a sweet treat, try the cheese blintzes with orange zest-cheese filling, blueberry-strawberry sauce and sour cream. Before you leave, take a gander at the historic photos of Mill Valley adorning the walls.

Across the road, the Shoreline Coffee Shop has dished up a mix of American and Mexican food since 1962. The avocado toast is yummy and their breakfast burrito is always tasty.

Travel a few blocks up the street and savor the dining experience at the Buckeye Roadhouse. House specialties include oysters bingo, chili-lime brick chicken and smoked beef brisket from their on-site smokehouse. You can also eat your meal in their warm and inviting bar.

If you’d rather cook, head to the 90-year-old Mill Valley Market, locally owned and operated by the Canepa family for four generations. Much of their produce is locally sourced, such as greens from Green Gulch Farms and honey from Mill Valley beehives. They have an outstanding selection of hard-to-find European items including Kinder chocolates, Branston Pickle and Duerr’s marmalade. The extensive wine selection includes bottles from California and all over the world. If you’re more of a beer person, they carry over 400 brands. Mosey down the aisles to see what delicacies you’ll uncover.

Don’t spend all of your time eating, though. Unique shops abound in Mill Valley. One that strikes my fancy is Mad Dogs & Englishmen Bike Shop in the Lumber Yard. Their inventory consists of modern reproductions of classic English touring bikes. E-bikes rule in this store. I covet the Ruffian, handcrafted in Germany, or maybe the Elby with a range of 90 miles on one charge.

Also in the Lumber Yard is Lulu Designs, a jewelry store and working studio with an all-female team of master metalsmiths. Owner Stacy “Lulu” King uses gemstones from India and a proprietary blend of bronze in her pieces, which owe inspiration to botanicals and textiles.

ToyHouse, a specialty store for children, is a great place to find just the right gift for the kid who has everything. Their collection includes toys, games, trains, dolls and everything else a youngster dreams about. Locally owned and operated, ToyHouse makes shopping easy by providing a place for kids to play while you browse and by offering complimentary gift wrapping.

Before we finish our journey, there’s one place you can’t miss: the Mill Valley Library. The award-winning building boasts floor to ceiling windows delivering views of redwoods and the creek. The cozy, wood-burning fireplace is usually roaring when the temperature dips. Free After Hours events include wine and free classes taught by instructors with remarkable credentials. I’ll be at the Naked Truth event this Friday sipping a glass of red while watching live storytellers perform sans script.

I don’t live in Mill Valley, but I sure spend a lot of time there. Whether I want to kick up my heels or spend the day relaxing, I always discover something delightful to do in Mill Valley. You will, too.

email: ni***************@***il.com

Advice Goddess

Q: I’m in a weird place in my life: My work situation’s up in the air, and there’s a lot of uncertainty in my romantic life and my living situation. Friends are telling me to be patient and live in the moment, but I’m finding all of this not knowing extremely upsetting. Is there anything I can do to feel less anxious?—Distressed

A: When everything seems uncertain, it’s easy to go really dark: “Please forward my mail to the refrigerator box in the underpass where I’ll soon be living with my fiance, the cat.”

Decision researchers have consistently found that we humans have a strong “ambiguity aversion” or “uncertainty aversion.” We get seriously unsettled by the big foggy monster of the unknown: not knowing what’s going to happen or not having enough information or expertise to reasonably predict it.

As for what’s going on under the hood, brain-imaging research by neuroeconomist Ming Hsu and his colleagues found that the amygdala—an area of the brain tasked with spotting threats and mobilizing our response to them—was more activated in response to “ambiguity.”

This freakout by our brain’s Department of Homeland Security was a good fit in the ancestral times in which it evolved. These days, however, we’re living in a world vastly safer than the one our psychology is adapted for.

To tamp down the queasiness of uncertainty, verbalize your fears. Research by neuroscientist Matthew Lieberman suggests this depowers the amygdala by putting the prefrontal cortex, the brain’s reasoning center, to work. Tell the story of your worst fear in each of your uncertain situations: Your boss not only fires you but chases you out of the building with a broom. Then, carrying a box of your stuff, you come home to your roommate in bed with your boyfriend. Then you go out for a beer, only to return to a smoking pile of ash where your apartment used to be.

Obviously, you’d prefer that none of this happen. However, you aren’t unemployable or unloveable, you have friends with couches and there’s Airbnb.

Q: I’m in my late 40s. I’ve noticed many of my friends reconnecting with, and marrying, people they knew years ago—sometimes friends, sometimes exes. Is everybody just desperate, or is dating all about timing?—Wondering

A: In your early 20s, you know what’s vitally important in a partner: that he doesn’t have “weird nostrils” or wear a belt buckle with his own name on it.

Then you do some living and maybe get shredded by a relationship or two, and your preferences change. In short, context matters. Context is simply your personal circumstances, and it includes factors like your own mate value and whether you’re in a hurry to have a baby before your ovaries retire to a cabin.

It turns out that when looking for partners, we have a budget. It works like it does at the supermarket. You can buy the finest steak and lobster and then starve for the rest of the month, or you can shop more in the Top Ramen and lunchmeat arena and keep yourself consistently fed.

Evolutionary psychologist Norman Li applied this budgetary approach in researching partner preferences. Prior research had poor methodology, simply asking, “Hey, what do you want in a partner?” Well, if somebody asks you that—sky’s the limit!—what’s your answer? “Um, is Chris Hemsworth available? How ‘bout Liam?” But when you’re constrained, you have to make tradeoffs. You have to “buy” the important qualities first—“necessities” versus “luxuries,” as Li put it. When research participants were most constrained, intelligence and kindness were major priorities for both sexes.

This might explain why people in their 40s suddenly see something in people they tossed aside years ago or maybe just never thought of as partner material. Basically, at a certain point, many people give up on finding the exact right person and look for a right enough person.

Horoscope

ARIES (March 21-April 19): In 1956, the U.S. federal government launched a program to build 40,000 miles of high-speed roads to connect all major American cities. It was completed 36 years later at a cost of $521 billion. In the coming months, I’d love to see you draw inspiration from that visionary scheme. According to my analysis, you will generate good fortune for yourself as you initiate a long-term plan to expand your world, create a more robust network and enhance your ability to fulfill your life’s big goals.

TAURUS (April 20-May 20): Taurus-born Youtube blogger Hey Fran Hey has some good advice for her fellow Bulls, and I think it’ll be especially fresh and potent in the coming weeks. She says, “Replacing ‘Why is this happening to me?’ with ‘What is this trying to tell me?’ has been a game changer for me. The former creates a hamster wheel, where you’ll replay the story over and over again. Victimized. Stuck. The latter holds space for a resolution to appear.”

GEMINI (May 21-June 20): “The soul has illusions as the bird has wings: it is supported by them.” So declared French author Victor Hugo. I don’t share his view. In fact, I regard it as an insulting misapprehension. The truth is that the soul achieves flight through vivid fantasies and effervescent intuitions and uninhibited longings and non-rational hypotheses and wild hopes—and maybe also by a few illusions. I bring this to your attention because now is an excellent time to nurture your soul with vivid fantasies and effervescent intuitions and uninhibited longings and non-rational hypotheses and wild hopes.

CANCER (June 21-July 22): I know people of all genders who periodically unleash macho brags about how little sleep they need. If you’re normally like that, I urge you to rebel. The dilemmas and riddles you face right now are very solvable IF and only IF you get sufficient amounts of sleep and dreams. Do you need some nudges to do right by yourself? Neuroscientist Matthew Walker says that some of the greatest athletes understand that “sleep is the greatest legal performance-enhancing drug.” Top tennis player Roger Federer sleeps 12 hours a day. During his heyday, world-class sprinter Usain Bolt slept 10 hours a night and napped during the day. Champion basketball player LeBron James devotes 12 hours a day to the rejuvenating sanctuary of sleep.

LEO (July 23-Aug. 22): Actor and dancer Fred Astaire was a pioneer in bringing dance into films as a serious art form. He made 31 musical films during the 76 years he worked and was celebrated for his charisma, impeccable technique and innovative moves. At the height of his career, from 1933 to 1949, he teamed up with dancer Ginger Rogers in the creation of 10 popular movies. In those old-fashioned days, virtually all partner dancing featured a male doing the lead part as the female followed. One witty critic noted that although Astaire was a bigger star than Rogers, she “did everything that Fred Astaire did. She just did it backwards and while wearing high heels.” According to my reading of the astrological omens, you may soon be called on to carry out tasks that are metaphorically comparable to those performed by Rogers.

VIRGO (Aug. 23-Sept. 22): Your No. 1 therapy in the coming weeks? Watching animals. It would be the healthiest thing you could undertake: relax into a generously receptive mode as you simply observe creatures doing what they do. The best option would be to surrender to the pleasures of communing with both domesticated AND wild critters. If you need a logical reason to engage in this curative and rejuvenating activity, I’ll give you one: It will soothe and strengthen your own animal intelligence, which would be a tonic gift for you to give yourself.

LIBRA (Sept. 23-Oct. 22): Every time my birthday season comes around, I set aside an entire day to engage in a life review. It lasts for many hours. I begin by visualizing the recent events I’ve experienced, then luxuriously scroll in reverse through my entire past, as if watching a movie starring me. It’s not possible to remember every single scene and feeling, of course, so I allow my deep self to highlight the moments it regards as significant. Here’s another fun aspect of this ritual: I bestow a blessing on every memory that comes up, honoring it for what it taught me and how it helped me become the person I am today. Dear Libra, now is an excellent time for you to experiment with a similar celebration.

SCORPIO (Oct. 23-Nov. 21): “Depression is when you think there’s nothing to be done,” writes author Siri Hustvedt. “Fortunately, I always think there’s something to be done.” I offer this hopeful attitude to you, Scorpio, trusting it will cheer you up. I suspect the riddles and mysteries you’re embedded in right now are so puzzling and complicated that you’re tempted to think there’s nothing you can do to solve them or escape them. But I’m here to inform you that if that’s how you feel, it’s only temporary. Even more importantly, I’m here to inform you that there is indeed something you can do, and you are going to find out what that is sooner rather than later.

SAGITTARIUS (Nov. 22-Dec. 21): “How inconvenient to be made of desire,” writes Sagittarian author Larissa Pham. “Even now, want rises up in me like a hot oil. I want so much that it scares me.” I understand what she means, and I’m sure you do, too. There are indeed times when the inner fire that fuels you feels excessive and unwieldy and inopportune. But I’m happy to report that your mood in the coming weeks is unlikely to fit that description. I’m guessing that the radiant pulse of your yearning will excite you and empower you. It’ll be brilliant and warm, not seething and distracting.

CAPRICORN (Dec. 22-Jan. 19): I envision the next 12 months as a time when you could initiate fundamental improvements in the way you live. Your daily rhythm 12 months from now could be as much as 20 percent more gratifying and meaningful. It’s conceivable you will discover or generate innovations that permanently raise your long-term goals to a higher octave. At the risk of sounding grandiose, I predict you’ll welcome a certain novelty that resembles the invention of the wheel or the compass or the calendar.

AQUARIUS (Jan. 20-Feb. 18): Modern literary critic William Boyd declared that Aquarian author Anton Chekhov (1860–1904) was “the best short-story writer ever,” and “the first truly modern writer of fiction: secular, refusing to pass judgment, cognizant of the absurdities of our muddled, bizarre lives and the complex tragi-comedy that is the human condition.” Another contemporary critic, Harold Bloom, praised Chekhov’s plays, saying that he was “one of the three seminal figures in the birth of early modernism in the theatre.” We might imagine, then, that in the course of his career, Chekhov was showered with accolades. We’d be wrong about that, though. “If I had listened to the critics,” he testified, “I’d have died drunk in the gutter.” I hope that what I just said will serve as a pep talk for you as you explore and develop your own original notions in the coming weeks.

PISCES (Feb. 19-March 20): Pisces-born Dorothy Steel didn’t begin her career as a film actress until she was 91 years old. She had appeared in a couple of TV shows when she was 89, then got a small role in an obscure movie. At age 92, she became a celebrity when she played the role of a tribal elder in Black Panther, one of the highest-grossing films of all time. I propose we make her one of your inspirational role models for both the coming weeks and the next 12 months. Why? Because I suspect you will be ripening fully into a role and a mission you were born to embody and express.

Eat Impeach

The pundits are pumped and declaring that it’s time to grab the popcorn, folks, because this is going to be a wild ride.

Under the tragic and somber circumstances, I’m reaching for the pierogi

There’s nothing funny about impeachment—nothing at all, in fact—but a person’s got to eat. And nothing says “self care above all else” than impeachment-related foods that relate in some way to the clear and present situation the country finds itself in. Nothing says “food therapy” like healthy local foods.

So, yes: Pierogi not popcorn. The potato dumplings are one of the national dishes of Ukraine and while they’re available around the North Bay, Not to be getting all presidential, I want you to do me a favor, though: Make your own.

Rodney Strong Vineyard in Healdsburg offers a really tasty-looking recipe on their website—a foraged mushroom and steak pierogi, stop the presses!—that they recommend you pair with one of their Cabernets. Go for it. More traditional versions include pierogi stuffed with cabbage or sauerkraut The Rodney Strong recipe is simple enough and looks like a fun way to spend a weekend afternoon when the only high crime or misdemeanor you’ll have to worry about is an abuse of flour. There’s nothing worse than a gummy pierogi, so go easy on that stuff.

The North Bay has a rich and long history of Russian meddling in our coastline, but it’s all been in the service of tourism and generally on the up-and-up. Russian and Ukrainian culture is one of the sublime through-lines that makes life up here interesting, and it’s not just because they named a river after mother Russia.

The cultures are celebrated as they should be, and despite whatever the guy on the other end of the phone is saying or sort-of threatening. The North Bay doesn’t have to worry about a lack of any reciprocal relationship with Ukraine, especially when it comes to food.

For instance, an early-September festival of Ukrainian foods and music took place in the City of Sonoma in early September (and how we pine for those recent and comparatively innocent days of pre-impeachment yore!). The festival was, according to the Sonoma Press Index report, a serious and seriously fun event with authentic eats from Ukraine—wine herring, smoked mackerel, eggplant relish, pear soda—and all sorts of traditional music from the former Soviet republic.

The Sonoma Ukraine event had a deadly serious mission along with the celebration, reported the Sonona paper. Organizer Tarney Baldinger, besides making the eggplant relish, was on hand to raise money for a Ukrainian warzone hospital and to help families of Ukrainian war veterans. Baldringer was also collecting clothing, medical supplies, “fabric for camouflage nets and pads for tank seats, underwear for soldiers and men’s socks” at the event.

Hey, it wasn’t quite $250 million in American military aid to help Ukraine stave off further Russian aggression on its eastern border, but then again, nobody was extorted to dig dirt on Sonoma’s city council in exchange for the assistance to Ukrainian war victims.

The North Bay has already dealing with the long hand of Washington when it comes to the Ukraine, its culture and people. Mexican immigrants aren’t the only immigrants on Stephen Miller’s list of unfriendlies, apparently: Last year, the longstanding Worlds Friends Dinner in Sebastopol got caught up in international immigration affairs after Ukrainian students’ visas were denied and they couldn’t come to town for for the annual event.

Maybe there was a perfect conversation with a Ukrainian leader over the past year, or maybe not, but the World Friends Day is back at full multicultural strength on Nov. 4. It’s being billed as “Where Sushi meets Borsch” and celebrates Sebastopol’s sister-cityhood with Takeo, Japan and Chyhyryn, Ukraine.

Stay Gold

Director Nancy Kelly has been at her craft long enough to see her only feature film, Thousand Pieces of Gold (1990), come to life not once, but twice. It concerns Lalu (Rosalind Chao), a Chinese girl sold by her parents and taken to the Old West, followed by her escape and a romance with a sensitive Westerner (Chris Cooper). In a new 4k restoration, the film will play at the Mill Valley Film Festival on Oct. 6 and at Century Larkspur Oct. 8 before opening at the Smith Rafael Film Center on Nov. 8. The restoration happened thanks to Sandra Schulberg’s Independent Film Project, which saves indie films whose original masters are starting to deteriorate with age. The quality of the 4k restoration left Kelly in tears. “I’ll be struck dead by the film guys for saying this,” she says, “but it looks better than it did originally.”

Kelly and her husband Kenji Yamamoto, who produced and edited, made A Thousand Pieces of Gold on a slim budget. “We raised money but didn’t raise all the money we actually needed,” she says. “We had to find a gold rush town that wasn’t a tourist trap, and we couldn’t afford to take out the parking meters and billboards.”

Kelly heard about Nevada City, Montana. “It’s where they shot Little Big Man. This fanatical collector lived there. Whenever a mining town building was coming down, he’d number all the logs or boards, and transport them and put them back together there. The place had a Chinatown and we needed a Chinatown—as long as we were out of there by Memorial Day we could rent it for an affordable price.”

Debuting at the SF International Film Festival, Thousand Pieces of Gold played all over the world.

“We were hoping to have a theatrical release, but we left Cannes without a deal,” she says. “After a year we got a small distributor, Graycat Films, and it aired on American Playhouse. Every cable channel ran it when cable was a big deal. When VHS was the latest thing, we sold it to Hemdale. We didn’t have a choice.” The infamous Hemdale Home Video organization siphoned off the money, but happily, Yamamoto and Kelly still own their film.

“When I look back on it, I realize that at every point where it got good distribution, things would evaporate,” she says. “Then you wait for the next big thing. We were lucky we had an agent who was honest and kept up with this stuff.”

She and Yamamoto headed to L.A. to further their careers, subletting an apartment and getting jobs teaching at UCLA.

Kelly recalled, “I went to a lot of meetings, and they’d ask me, ‘what do you want to do?’ And I’d tell them, and their eyes would glaze over. I didn’t have a sense of what would sell. Back then, it wasn’t female-driven films that would sell, and it also wasn’t women directors. The press says that what sells now are stories of immigration, stories of women! Things might have changed. But L.A. wasn’t a good home for indies; this is really where we belong.”

Kelly is from the working part of the Berkshires. She’s from North Adams, Massachusetts, on the silicon strip of Highway 128, a tech corridor that turned into a rust belt when globalization hit. Kelly later made a film Downside Up, about the beginnings of MassMOCA, the art museum built into the vacant Sprague Electric factory building where her father once worked. Documentaries about art are a specialty of Kelly + Yamamoto; they’ve done short pieces for KQED’s eclectic Spark and a profile of Rene di Rosa of the di Rosa preserve.

“I got a degree in public health education, and so I was hired to do five short, dramatic films to teach UMASS Amherst students to drink responsibly,” she says. “I personally did not drink my way to college.”

Kelly’s collaborator on the project was the filmmaker Gwendolyn Clancy, currently of Reno. Clancy headed west to Modoc County, and Kelly joined her. The two lived on a ranch for several years. Without film production equipment, much less electricity, it was hard to work. Coming down to San Francisco, Nancy met the SFAI-educated, experimental filmmaker Yamamoto and married him.

Recently, Kelly and Yamamoto made a documentary about something that surprised her as a new arrival here. Kelly was in Point Reyes, riding the horse she brought down from Modoc. How could San Francisco be so jam-packed with people and still have all that unspoiled terrain just across the bridge?

Nancy Dobbs of KRCB—founder of Sonoma’s only public tv station, who just retired this week—co-produced Kelly and Yamamoto’s Rebels With A Cause. It played Mill Valley in 2012. John Hart’s San Francisco’s Wilderness Next Door and L. Martin Griffin’s Saving the Marin-Sonoma Coast were Kelly’s guides to how a mix of local activism and federal action kept this heavenly domain from becoming a golf-course-covered purgatory. Kelly hired Frances McDormand, a sometimes-resident of Bolinas, to do the narration.

Since Thousand Pieces of Gold, Kelly and Yamamoto developed three feature films; one got as far as the casting stage before the keystone financer felt out. This didn’t stop Kelly, who is developing a new film, provisionally titled When We Were Cowgirls.

Regarding her 40-year collaboration with her husband, Kelly notes, “We get along pretty well. Whoever is the director on a project has the last word. Kenji is this happy, cheerful optimistic person, and we fight to have the best first joke of the day. Sometimes I do, sometimes he does.”

A word to the young filmmaker? “Oh, God. I think what Kenji said to me when I was ready to give up: nothing in the arts makes any sense. Go in one direction, and you just keep going. Keep getting ideas and doing them. I hope the parents of these young people don’t read that and start crying.”

Spotlights, Camera, Action!

Closer than Toronto, warmer than Sundance and less pricey than Cannes: the Mill Valley Film Fest is a real goldilocks; not too big, not too small, having easy proximity to LA while being a nice, safe distance from it. The festival’s 42nd year brings luminaries from both sides of the camera.

It’s a particularly exciting year, and peak television is part of the uproar. Netflix and Amazon’s decision to (at last) do a little promotion means previews of the Eddie Murphy-starring Dolomite is My Name and Martin Scorsese’s massive The Irishman.

Opening night is Just Mercy, with Jamie Foxx as an Alabama man railroaded for the killing of a white woman in 1988. Closing night is a fielder’s choice of either roaring engines or defective detectives. Matt Damon and Christian Bale star in Ford vs. Ferrari, about the challenge the Ford GT-40 posed to the Italian sports-car maker at Le Mans in 1966. In Motherless Brooklyn, actor Edward Norton adapts Johnathan Lethem’s novel of skulduggery in Eisenhower-era NYC.

The Mill Valley Film Fest continues to fight the canard that indie cinema is white and male, with terrific success. There are three special focuses: politically-active cinema, Swedish cinema and “Queer-ish” cinema. The last is an elastic category encompassing the new Pedro Almodovar (Pain and Glory), the new Francois Ozon (By the Grace of God), a documentary about a peculiarly loathsome lawyer (Where’s My Roy Cohn?) and the latest version of Sheridan Le Fanu’s much-filmed, Victorian-era lesbian vampire story Carmilla.

This year’s fest is particularly strong in films starring and made by women.

Tributes here include celebrations of Laura Dern, Olivia Wilde and Alfre Woodard (starring as a prison warden in Clemency, which took the Grand Prize at this year’s Sundance). Oct. 13 presents an afternoon with Barbara Rush, whose career includes both Nicholas Ray’s brilliant 1956 Bigger than Life and Space: 1999, where she co-starred with her husband of some 30-plus years, Martin Landau. Kasi Lemmons brings Harriet, an about-damn-time biopic of Harriet Tubman (Cynthia Erivo). Prathana Mohan’s The MisEducation of Bindu is a bright movie about a reject girl who may not make it out of high school before her dorky stepdad (David Arquette) kills her from sheer embarrassment.

The Unbearable Lightness of Being is back in 4k restoration, and its star Lena Olin will attend the screening. Also newly restored: 1990’s A Thousand Pieces of Gold (see sidebar).

Guest Kristen Stewart screens Seberg, the story of actor Jean Seberg, who was hounded to a lonely death by the FBI. German director of adult comedies Doris Dörrie brings Cherry Blossoms and Demons, an East-meets-West-meets-booze story. Here in spirit if, sadly, not in person: a one-day retrospective of the late Agnes Varda who, in 1967, directed one of the most luminous movies ever made about Marin, Uncle Yanco.

Noah Baumbach, of The Squid and the Whale, receives a MVFF award along with the screening of his newest, Dern-starring Marriage Story; The next Batman, Robert Pattinson, arrives with the terrific-looking, black-and-white The Lighthouse about sea-monsters and men on a remote shore in the 1800s—Robert Eggers, of The Witch, directs.

Michael Apted brings his latest installment of his decades-spanning project recording the two Englands, 63 Up. Roger Michell (Notting Hill, Venus) unveils Blackbird—about a matriarch (Susan Sarandon) who gathers her family before committing assisted suicide over her shame at endorsing Jill Stein (sorry, actually because of terminal ALS).

Musical events at Sweetwater Music Hall augment this fest: the musical clippings of the Hi-Di-Ho Show, in honor of the long-gone, but still-missed record store; bluegrass legend Alice Gerrard, of Hazel and Alice, accompanies a documentary about her career; and there’s a performance by the vintage, all-gal psychedelic band Ace of Cups.

Other MVFF Must-See Moments

Jojo Rabbit

A risky, but uproariously funny, comedy by Taika Waititi (Thor: Ragnarok, What We Do in the Shadows). In 1944 or so, young Jojo (Roman Griffin Davis) is a picked-on and facially scarred member of the Hitler Youth, whose father has vanished in the war. Fortunately, he has an imaginary confidant to buck him up: his pal Der Fuhrer (Waititi). The boy has a speculative idea of the dictator, who he imagines smokes and eats meat (roast unicorn heads). Trouble worsens when Jojo discovers his mother is using the attic to hide Anne-Frank, a Jewish girl (a terrific Thomasin McKenzie, from Leave No Trace). Scarlett Johansson, using a soft Dietrich accent, is at her very best as Jojo’s teasing mom. Sam Rockwell, the local Jugend-leader, is a little light in the jackboots. In its detailed art direction, this film is what a Wes Anderson movie would look like if it had teeth. Still, some people will hate it like they’ve hated nothing since Life is Beautiful.

Phil Tippett: Mad Dreams and Monsters

More than just a profile of the white-bearded, Berkeley-based animator and his wife Jules Roman, the businessperson who kept the roof on his studio. Tippett’s path is similar to a lot of stop-motion animators: early obsession with the Dynamation of Ray Harryhausen (Jason and the Argonauts), a stint doing advertising and then in on the ground floor with Industrial Light and Magic. Tippett contributed to the magic of The Empire Strikes Back by creating the Tauntaun, the macropod steeds used on the ice planet Hoth, and the 3D chessboard where the pieces whack one another. He designed the slouching, Sidney Greenstreetish Jabba the Hutt and some of the beasts of the Mos Eisley cantina. The meta-story is how Tippett and his colleagues weathered the advent of digital technology, which they were sure would put them all out of business. In fact, the sculpting with motion Tippet perfected was essential to the success of the digital age of special effects.

Danny Trejo: Inmate No. 1

Cinema is not all about pretty people: take Danny Trejo, the granite-faced, steam shovel–jawed actor generally cast as a son of Satan, mostly under the direction of Robert Rodriguez who loves Trejo like John Ford loved Ward Bond. A fearsome sight in Desperado, he took off his shirt to reveal a vest stuffed with a cutlery-store’s worth of knives and a massive chest decorated with a dinner-plate-sized tattoo of La Adelita. Later, he was Isador “Machete” Cortez, formidable star of the Mexploitation-flick Machete: “You didn’t tell me that ‘Mexican day laborer’ was a got-damn federale!” squawks a Texan chump. Rodriguez found the tough man’s tender side in the Spy Kids series. Turns out he’s sort of a local (lived in San Quentin for a spell); this documentary shows how the actor/restaurateur first endured prison, then show business.

Laura Dern

One of her earliest films, the Joyce Carol Oates–derived Smooth Talk, played at Mill Valley in 1985. Since then, Dern’s international career has included quiet dramas and blockbusters alike; she fled dinosaurs at Jurassic Park and commanded an armada in deep space. In Star Wars: The Last Jedi, Dern was the intrepid glam Vice Admiral Holdo, whose idea of battle dress was a grey/maroon evening gown. Dern’s look of slightly wary innocence made her a long time wanderer in the catacombs of David Lynch, from Blue Velvet on. In 2006, Lynch whimsically mounted a one-man Oscar campaign for Dern in Inland Empire by pasturing an attention-grabbing cow in the grass on an LA traffic island. Maybe that was his idea of a joke. Here’s the punchline: Dern absolutely should have won. She’ll be accompanying Marriage Story, her newest film.

Xmas Cake: This American Shelf-Life

In this enlightening short—a sort of animated TEDtalk with sumi calligraphy—Mill Valley’s May Yam profiles Petra Hanson. She was a hyphenate whose careers included clothing designer and rock star in Tokyo. And then Hanson started to age… . The title is an unpleasant Japanese phrase, akin to one describing stale holiday fruitcake, for women who are unmarried at 24. It was a problem that used to be solved by suicide.

Mill Valley Film Festival takes place Thursday, Oct. 3, through Sunday, Oct. 13, at several venues in and around Mill Valley. For complete schedule and tickets, visit mvff.com.

Under the Lights

As the actor and singer Judy Garland, Renee Zellwegger is held in tight closeup: a bundle of nerves dosing herself with pills, mouth crooked and trembling, wincing from cigarette smoke and bad memories. Half the time in Judy, she knocks you out, half the time you want to knock her out. Starved down to a shadow, Zellwegger’s bag-of-bones Judy is a wraith in her final year working.

It’s 1968 and the 47-year-old is a huge star in London. Her insomnia and vast need for love tortures her. Her personal life is in smithereens; back in L.A., her ex-husband Sid Luft (perennial rotter Rufus Sewell) is trying to get custody of her two young children. Meanwhile, she’s courted by Mickey, a persistent younger man (Finn Wittrock) of such untrustworthiness that his very presence should set off every burglar alarm for blocks.

Zellwegger embodies—impersonates may be the correct term—Garland and her vast yearning for applause. But without the the amphetamine-fed megalomania you hear in the tapes Garland made to soothe herself. There she sounds more like Martha in Who’s Afraid of Virginia Woolf. Unlike Judy Davis’ superior 2001 version of Garland, this victim is missing the other half of what made the woman behind Dorothy Gale such a sacred monster, a chronic no-shower and a meltdowner.

Director Rupert Goold (of the James Franco-starring True Story, which also went in for multitudes of closeups; this theatrical vet seems to compose for television) delves for backstory in tinted postcard images of MGM, where Garland underwent a species of child abuse—overwork and over-medication.

On stage, after the film’s slow build, the performance of “By Myself” is just about perfect; well orchestrated and reflecting the dazzle Garland emitted. Also affecting is a very touching sequence about a late night with a pair of gay stage door johnnies (Andy Nyman and Daniel Cerquiera), who Judy flusters by revealing that their idol is just a lonely person who’d like to go get some dinner in a city that shuts down at 11pm. (Judy’s production design makes a point: Swinging London took place in a drab, decaying town that badly needed a coat of paint.)

The night closes with some 4am piano and a slow, torchy version of “Get Happy.”

There’s a word for a lot of Judy, and that word is schmaltz; I preferred the previous arrangement where she’d sing “Over the Rainbow” and we’d cry, rather than the role reversal here.

‘Judy’ is playing in limited release.

Hero & Zero

Hero

Maxine, an 82-year-old resident of The Redwoods in Mill Valley, stumbled and fell down in the crosswalk near her home at Camino Alto and East Blithedale. Nancie Bailey of Muir Beach, a teacher on her way to pick up her children from school, witnessed the accident and jumped into action.

Nancie left her car in standing traffic to assist Maxine. After helping her get up, Nancie escorted her out of the road and over to the sidewalk. The pair determined Maxine shouldn’t walk and Nancie drove her home.

“Angels do exist on earth and Nancie, in her heroic efforts to help an 82-year-old pedestrian, wore her wings that day,” said Maxine.

Zero

We were surprised to learn that Big Five Sporting Goods in Northgate One shopping center sells firearms. Not just sporting guns, but semi-automatic weapons. In fact, it’s one of the only places in Marin to purchase guns. As Carolyn Gauthier of Terra Linda points out, this is the same neighborhood store where your children shop for soccer balls and sneakers. The location is within one mile of Terra Linda High School and at least three elementary schools.

“I find it disturbing and unconscionable,” says Gauthier.

A perusal of the Big Five website is a bit unsettling. The store sells 9mm ammunition in boxes of 1,000 and a rifle called the Savage Arms 64 Takedown Semi-Auto, just to name a few of the things we don’t need in Marin. Gauthier will be collecting signatures in front of Big Five starting on Oct. 5 to ask their corporate office to stop selling firearms in Marin County. Support her efforts by signing her petition or contacting Big Five directly at (310) 536-0611.

Email: Ni***************@***oo.com

Hero & Zero

Hero

Maxine, an 82-year-old resident of The Redwoods in Mill Valley, stumbled and fell down in the crosswalk near her home at Camino Alto and East Blithedale. Nancie Bailey of Muir Beach, a teacher on her way to pick up her children from school, witnessed the accident and jumped into action.

Nancie left her car in standing traffic to assist Maxine. After helping her get up, Nancie escorted her out of the road and over to the sidewalk. The pair determined Maxine shouldn’t walk and Nancie drove her home.

“Angels do exist on earth and Nancie, in her heroic efforts to help an 82-year-old pedestrian, wore her wings that day,” said Maxine.

Zero

We were surprised to learn that Big Five Sporting Goods in Northgate One shopping center sells firearms. Not just sporting guns, but semi-automatic weapons. In fact, it’s one of the only places in Marin to purchase guns. As Carolyn Gauthier of Terra Linda points out, this is the same neighborhood store where your children shop for soccer balls and sneakers. The location is within one mile of Terra Linda High School and at least three elementary schools.

“I find it disturbing and unconscionable,” says Gauthier.

A perusal of the Big Five website is a bit unsettling. The store sells 9mm ammunition in boxes of 1,000 and a rifle called the Savage Arms 64 Takedown Semi-Auto, just to name a few of the things we don’t need in Marin. Gauthier will be collecting signatures in front of Big Five starting on Oct. 5 to ask their corporate office to stop selling firearms in Marin County. Support her efforts by signing her petition or contacting Big Five directly at (310) 536-0611.

Email: Ni***************@***oo.com

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Under the Lights

As the actor and singer Judy Garland, Renee Zellwegger is held in tight closeup: a bundle of nerves dosing herself with pills, mouth crooked and trembling, wincing from cigarette smoke and bad memories. Half the time in Judy, she knocks you out, half the time you want to knock her out. Starved down to a shadow, Zellwegger’s bag-of-bones Judy...

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Hero Maxine, an 82-year-old resident of The Redwoods in Mill Valley, stumbled and fell down in the crosswalk near her home at Camino Alto and East Blithedale. Nancie Bailey of Muir Beach, a teacher on her way to pick up her children from school, witnessed the accident and jumped into action. Nancie left her car in standing traffic to assist Maxine....

Hero & Zero

Hero Maxine, an 82-year-old resident of The Redwoods in Mill Valley, stumbled and fell down in the crosswalk near her home at Camino Alto and East Blithedale. Nancie Bailey of Muir Beach, a teacher on her way to pick up her children from school, witnessed the accident and jumped into action. Nancie left her car in standing traffic to assist Maxine....
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