Toilet Paper: A Poem

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By Sandra Rae Davies

 Only white please

 Kleenex for a sneeze

 Two ply for me

 Recycled green

 Doesn’t matter now

 No choices

 Shelves are bare

 We don’t care

 Paper towels will suffice

 Not nice on pipes

 Have to wipe

 Bring home to wife

 Sends me back

 Another store

 Another roll

 Last one just sold

 Home empty handed

 I’m branded

 A fool no less

 Without paper to clean a mess

 Take a shower

 Ask neighbor to borrow

 One ply will do

 Pay extra for two

 World’s a mess

 Crazy no less

 Fresh air in demand

 Closed all the cans

 Paper hoarder

 Get a life

 Leave some for others

 Share with your brothers

 Sandra Rae Davies lives in San Anselmo.

Nietzsche Is Peachy

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If you’re reading this, I will presume that you’re still alive. Congratulations. This is a difficult feat to accomplish these days. Maybe even more difficult than reading this while dead, not to get us into any sticky religious implications. 

Just know that the universe has a habit of conspiring against you, Dear Reader—what with the ongoing infernos, plague, heat waves and all, not to mention the political strife and looming second civil war. Despite all this, you persist, you survive and you’re spending this hard-won moment of life reading these words, for which their author is both humbled and grateful. And a little alarmed. Shouldn’t you be evacuating or something? Oh, you have and your phone is dead, hence, you’re reading the free paper. Desperate times.

In Apocaluma, here on the ass-end of Sonoma County, the air was so bad that my love interest and I decided to flee to Marin County … only to drive straight into another fire zone. So far as we could tell, some Novato wetlands on the northbound side of the 101 spontaneously combusted. Theories have been advanced as to why this happened: A) Physics and B) Marin thinks Sonoma gets too much play in these pages and demanded a fire of its own. I say, “pshaw” to both and lean, as I always do, on my favorite legalese: “Where the law casts a duty on a party, the performance shall be excused, if it be rendered impossible by the act of God.”

This only holds up in the kangaroo court of my mind, however, when I ignore German philosopher Friedrich Nietzsche’s famous observation: “God is dead.” Naturally, God later replied, “Nietzsche is dead.” Only to have the dead themselves retort “Nietzsche is God.”

And despite all this, we endure. As Nietzsche also opined, “Was mich nicht umbringt, macht mich stärker,” which, to my untrained eye, looks like it translates as “Why take umbrage when you can be stark naked?” But it’s actually a version of his famous aphorism “What does not kill me makes me stronger.” This truism probably accounts for your ability to read this column in more ways than one. We in the newspaper trade also have a version of Nietzsche’s bromide: “What doesn’t kill a story makes it longer.” And, on that note, it seems prudent for us both, Dear Reader, to put these frothy pages back in the birdcage and dream tomorrow anew.

Editor Daedalus Howell avoids death and gets stronger at DaedalusHowell.com.

Covid-19 vs. Live Music

Never, in my wildest dreams, did I think there would come a time when a dedicated professional musician would not be able to find a stage to perform on.

Granted, opportunities for paid live performances have shrunk exponentially for the entirety of this century, but I’ve made it my mission to find the bars, nightclubs and eateries that pay enough for me to hire quality players. There’s a standard gallows-humor joke among musicians that every gig just might be their last, largely because the music “industry” is about as whacky as Ted Nugent’s gun-ownership philosophy—and always has been. 

My last gig took place on Feb. 23, Fat Tuesday, at a place called Taps, in Petaluma. There I presented a 4-piece blues band. It went well—the audience was appreciative and I got paid. I guess the question is, “Was that my last gig?”—the one that will be etched, along with my name, on my gravestone?  

Covid-19 has created daily life-and-death situations all over the world, with tens of millions of people losing their ability to put a roof over their family’s head and to buy groceries. I’m the first to admit it is only logical for live music to have subsequently taken a place at the bottom of humanitys’ priority list. On March 18 the “Shelter-in-place” order was issued and Petaluma immediately transformed into a Rod Serling-esque, post–World War III movie set. It was as if someone pulled the pin on the sidewalk hum and energy we’ve always taken comfort in. The town appeared to be in dire need of instant ventricular fibrillation. So … what to do?

I took stock of the situation: First, there was going to be absolutely no budget for any local venues to hire bands. Second, as a front man (a singing horn-player) I have never considered performing by myself. Third, I have never played on the street, largely because I consider it to be the opposite of anything remotely professional. Fourth, I used to be so strict about the concept of professionalism that I never considered having a tip jar until two years ago.

So, at the end of that following week, I devised a plan: I took my small horn (the flugelhorn) down to the base of C Street, stood between the Riverfront Cafe and Ayawaska, and began to play. The restaurants were all still on lockdown; so I only played to the overtly non-responsive cement, bricks and glass. Once in a while a stray, wandering couple would wave and applaud from 40 yards away. The slow, plaintive single-line blues I played seemed to match the city’s mood. Plus, the hour-and-a-half I performed allowed me to believe there was a tiny ray of hope for the return and continuation of live music in my lifetime and in my adopted town.

At last, after six weeks, when businesses partially reopened, I had a small Sunday breakfast audience to the left and to the right. I swallowed my pride and placed a tip bucket on the sidewalk. People responded generously. What was happening? Had I unwittingly become the street musician I never wanted to be? 

And so it goes. Every Sunday morning I set up on the sidewalk, promptly at 10:30am, and proceed to pretend there are lights, curtains, microphones and all the rest of the former trappings of my trade—hoping that the future is kind enough to allow the real thing again one day.

Pete Kronowitt Rallies on Record and Online

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San Francisco–based musician Pete Kronowitt combines playful folk melodies with serious political messages in his new album, Do Something Now.

The music is inspired by the folk songs of the late ’60s and ’70s, and the messages touch on timely topics, though Kronowitt doesn’t simply talk the talk; he is taking action as the founder of Face the Music Collective, which mixes music and fundraising for progressive political candidates throughout the country.

Before Kronowitt—a longtime professional in the tech industry—moved to San Francisco from the East Coast in 2012, his music was largely a personal endeavor.

“I was just playing guitar and writing songs, I didn’t have a sense that I could sound like those folks on the radio,” he says.

Once Kronowitt decided to record his first album some 25 years ago, he was introduced to producer John Alagia (Paul Simon, Dave Matthews, John Mayer) and suddenly Kronowitt’s hobby became more than that.

“I continued to write and record while I was working in tech,” he says. “It’s something that became part of me. I interpret life through writing songs, whether it’s something eternal or something personal. I wasn’t writing for other people, I wasn’t writing to sell music.”

Fast forward to 2016. Kronowitt had recently left his job in tech to focus on songwriting, recording an album in Nashville and touring a bit. Then, Donald Trump got elected.

“I had been writing political songs because of the environment we were in,” Kronowitt says. “When Trump got elected, my wife and I decided we were going to dedicate more of our lives to grassroots activism.”

In learning how grassroots activists organized and accomplished their goals, Kronowitt wondered how to combine his music and his newfound activist spirit. Earlier this year, Kronowitt formed Face The Music Collective to help foster civic engagement through music and art.

Before the Covid-19 pandemic ended social gatherings, Kronowitt was taking Face The Music on the road and touring places including Virginia to fundraise for progressive political candidates.

“It was heartening and fun and all the things you would want in a music tour,” Kronowitt says. “We were playing for people who cared about the cause that we were dedicating ourselves toward, and we got new people to get engaged.”

When the pandemic hit, Kronowitt and Face The Music Collective began organizing and performing online shows for progressive candidates that still featured local guest performers and artists in those markets. Recently, popular Wisconsin-based singer-songwriter Willy Porter headlined “Songs for Robyn Vining” to raise $7,000 for the re-election campaign for the Wisconsin State Assembly District 14 representative.

Other artists who have joined the collective include Nashville-based singer-songwriter Will Kimbrough, who says the collective, “is providing the tools and resources to inspire action, one event at a time.” Bay Area artists participating in the endeavor include Vicki Randle of Oakland alt-rock band Skip The Needle, indie-pop songwriter Dawn Oberg, Americana artist Jesse Brewster, and longtime songwriter and producer Scott Mickelson, among others.

“In each of these shows, there is definitively hope,” Kronowitt says. “The enthusiasm to make a difference right now is visceral.”

For his own new record, Do Something Now, Kronowitt worked with engineer Spencer Hartling at Tiny Telephone Studios in San Francisco and employed several of his closest musician friends—including bassist John David Coppola, drummer Darian Gray, guitarist Justin Kohlberg, steel-guitarist Tim Marcus and vocalist Veronica Maund—to fill out his studio band.

“I was really moved by the musicians who played on the album,” Kronowitt says. “It was a small group of people who were phenomenal, it was a joy to record the album.”

Many songs on the album take shots at the current political moment, with titles like “Are We Great Yet?” and “Truth Will Set Us Free.” Other tracks, such as “Roly Poly” and “Stay Safe,” touch on issues like climate change and the pandemic, though the album is not all gloom-and-doom. In fact, many songs take a light-hearted approach to the melody, and Kronowitt admits he gets lyrically “sarcastic and obnoxious in some songs on purpose.”

While Kronowitt is not planning any large album-release party, he and Face The Music Collective are staying busy on the performance front. This weekend, Kronowitt and award-winning bilingual singer-songwriter Nancy Sanchez will lend their support to Kathy Knecht’s campaign for the Arizona state House in Legislative District 21 with a virtual concert on Saturday, Oct. 3, at 7pm; Kronowitt will also perform alongside banjo-master Joe Newberry in a online fundraising concert for Jeanne Supin’s campaign for North Carolina State Senate, District 45 and Jenna Wadsworth’s campaign for Commissioner of Agriculture on Sunday, Oct. 4, at 4pm.

“We have maybe 10 more shows in the queue before the election,” Kronowitt says. “I wanted to encourage people at this moment. It’s the action that is meaningful.”

Listen to “Do Something Now” at petekronowitt.bandcamp.com, and get details on Face the Music Collective virtual concerts at facebook.com/FacetheMusicCollective.

Open Mic: Remembering Justice Ginsburg

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“I ask no favor for my sex, all I ask of our brethren is that they take their feet off our necks.”

—Ruth Bader Ginsburg

There has been much biographical and historical content written about Supreme Court Justice Ruth Bader Ginsburg over the last 25 years; and with her death, there will be more confirming her legacy. And that is how it should be; to acknowledge the contributions this woman has made to the lives of many Americans during her lifetime of service.

Before she became the notorious RBG, an icon we learned to love and admire, this physically diminutive woman found herself swimming against the tide from high school onward. Motherless before her high school graduation, she went on to attend college and law school before becoming a university law professor, interspersed with a marriage and children—all before entering government service. This gal could walk and chew gum at the same time! 

She saw women’s rights as civil rights and knew, on a personal level, the inequality that women continually face. She dedicated her life to that cause, arguing often and successfully before the

Supreme Court, and then writing scathing dissents while an associate justice of that very same court when she saw injustice.

Whether it was overcoming her illnesses and medical treatments, pumping iron or doing planks, she persevered and kept on working and fighting the good fight. She was one tough lady!

Her passing is another bright light extinguished, bringing further darkness to our land of hopes and dreams, for a more perfect union. So … upon our awakening in the mornings to come, when you gaze into the eyes of your mother—the eyes of your wife—the eyes of your daughter and granddaughter—the eyes of your girlfriends—know what Ruth Bader Ginsburg saw and tried to accomplish with her keen vision for justice and equality.

Ruth Bader Ginsburg’s last fervent wish was that she “not be replaced until a new president is installed.”

We can only wish that she be granted her last wish.

E.G. Singer lives in Santa Rosa.

Trap the Vote Inspires Black and Brown Youths to Become Politically Active

Trap the Vote, an innovative new program in Marin, encourages Black and Brown young people to vote and educates them about the political process. Started by four community activists, the organization aims to empower this rising generation by giving them a voice. 

Paul Austin, Berry Accius, Amber Allen-Peirson, and Bishlam Bullock recently joined forces to create the multi-faceted, non-partisan movement, which includes a Youth Squad, Zoom events and large voter-registration parties.

“We need to train young people,” Austin says. “One of them may be the next mayor, congressman or judge.”

The founders of Trap the Vote began by recruiting the Youth Squad, a core group of young Black and Brown leaders, ranging in age from 15 to 20. Squad members register and mobilize voters, canvass, coordinate events and run social media campaigns.

Trap the Vote’s slogan, “Our voice, our power, our vote,” is blended with hip music and bold graphics in short video clips on the group’s Instagram page to enlist new participants for the Youth Squad.

“We put some street, some cred behind it,” Accius says. “We bring the cool back into voting.”

A lively Zoom meeting last week consisted of a two-hour conversation about the election. Public-policy experts discussed the pros and cons of several propositions on the November ballot. Reviewing how and why propositions appear on the ballot gave the young attendees insight into the political process.

“It’s not all about the presidential race,” Bullock says. “Allowing parolees to vote is on the ballot. Affirmative action is on the ballot. We need information about each initiative. The educational component of Trap the Vote is most important.”

The team will hold its first major event, the Trap the Vote Block Party, at Rocky Graham Park in Marin City this Saturday, Sept. 26, from noon to 4pm. The celebration features music, food, giveaways and guest speakers. A main objective is to register Black and Brown voters, but Allen-Peirson, Accius, Bullock and Austin emphasize that everyone is welcome to join the festivities.

“Particularly here in Marin, we need everybody,” Allen-Peirson says. “When there’s an issue that’s Black- and Brown-focused, we are going to need the support of the white community.”

Marin County ranks at the top of California’s list for racial disparity, according to research by Advancement Project California. Black residents make up just three percent of the county’s population, while Latinx comprise 16 percent. White people come in at a whopping 71 percent.

Seeking more political presence for Black and Brown people, Trap the Vote anticipates speaking directly with candidates and elected officials to share the needs of their community.

“We want to have a seat at the table with politicians,” Austin says. “It might not be this year, but hopefully next year, they’ll be calling us.”

The advocates behind Trap the Vote established the Marin group to maintain momentum after the success of recent rallies in Marin City in response to George Floyd’s death and in Tiburon to protest police treatment of Black owners of a Main Street business. They modeled it on Trap the Vote in Sacramento, which was launched by Accius.

Formerly from Marin, Accius now lives in Sacramento where he runs Voice of the Youth, a nonprofit agency for at-risk adolescents and teens. Marin County still has a lot of work to do, he says. He personally experienced racism at Novato High School, which motivated him to become an activist.  

“Those moments played an integral part into who I am,” Accius says.

Austin, a long-time Marin City resident, also heads up a nonprofit organization for youths. Play Marin, in its eighth year, provides sports and other extracurricular activities to give kids of diverse ethnic and socioeconomic backgrounds the opportunity to learn and grow together through play. He became involved in Trap the Vote because he sees a need for young voters to exercise their political powers.

A wellness outreach specialist at Tamalpais High School, Allen-Peirson helped found Trap the Vote to build agency in Black and Brown youth, who are hungry for engagement. The Mill Valley resident says studies find diversity, equity and inclusion are healthy for a community, while lack of access to other races and cultures causes harm.

“I’ve been working for almost a decade in Marin City youth programs and I’m feeling charged about what we’ve accomplished with Trap the Vote,” Allen-Peirson says. “So many kids have responded. I’m impressed, grateful and excited.”

Bullock, now a Vallejo resident, was raised in Marin City and is a third-generation Marinite. The entrepreneur and his wife own the successful Salon B Salon and Stash House in downtown San Rafael. He wants to teach young people that it’s their social responsibility to vote.

“With the Black Lives Matter movement going on, I felt compelled to participate in the election and make change happen,” Bullock says.

The activists urge all citizens to register to vote and cast their ballot on election day. Their goal, however, is to ensure Black and Brown folks, especially the youth, aren’t left out.

“The vote is power,” Accius says. “I’m celebrating November third like it’s my birthday.”

Visit TrapTheVoteNov3rd on Facebook and trap_the_vote on Instagram.

Key Election Dates in Marin County:

Oct. 5:

Marin County begins mailing vote-by-mail ballots. 

(To prevent the spread of Covid-19, all registered voters in California will receive a vote-by-mail ballot.)

Oct. 6: 

Vote-by-mail drop-box locations open from Oct. 6 through Nov. 3, until 8pm.

Oct. 19: 

Online voter registration deadline. Visit registertovote.ca.gov.

Mail-in voter registration must be postmarked by Oct. 19.

Oct. 20 – Nov. 3:

Conditional voter registration and same-day voting begins at the Marin County elections department.

Oct. 31 – Nov. 3:

Polling places open.

Conditional voter registration and same-day voting at polling places.

Nov. 3:

Election Day.

Letters: Defending Drake

Those who have offered angry statements in regard to the legacy of Sir Francis Drake have engaged in passing judgment on his entire life without knowing all the facts. It is called prejudice. This, along with the hatred that prejudice can promote, is exactly what people protesting in the streets are committed to end. Understanding the true content of one’s character is the only road to real understanding and respect. It is also critically important to not let something that happened when a person was in their formative years define their entire life.

I find that, to many, there is either a lack of understanding of Drake’s actions towards human equality as a mature man, or the refusal to understand and recognize the power of redemption, which has been the key to success for many great people in world history.

Immediately following his brief apprenticeship aboard his cousin’s slave ship, Drake dedicated himself to a lifelong fight against Spanish tyranny and oppression by defending England and battling those who were enslaving native peoples around the world. Drake became a champion for the freedom of both Blacks and Native Americans and freed thousands of Blacks from Spanish enslavement. He gave equal pay for equal work to freed Blacks who worked aboard his ships and was awarded the Drake Jewel by the Queen for his alliance with Blacks against Spanish enslavement. In terms of promoting human equality, Francis Drake became a true renaissance man of the Elizabethan era.

Condemning the man Drake became as an enemy of the Black man is exactly who the leader Sir Francis Drake was not. Again, overcoming prejudice and hatred, caused by not fully understanding one’s actions, or the true content of one’s character, is largely what the Black Lives Matter Movement is all about.

Duane Van Dieman

Mill Valley

Sir Francis Drake Foundation

RH’s New Rooftop Restaurant

After months of construction at the north end of the Village at Corte Madera (1750 Redwood Hwy, Corte Madera),  Restoration Hardware, or RH as it is now officially known, has unveiled its stunning, stand-alone retail outlet. While the 41-year-old company is best known for its sleek furniture designs, it has added rooftop dining, a wine gallery and a park to its repertoire. This new iteration looks more like an upscale hotel than a home-furnishing retail outlet.

Having already rolled out their restaurant concept in several locations including Yountville, the operation feels like a well-oiled machine. It helps that the menu is the same at most restaurants (thanks to celebrated restaurateur Brendan Sodikoff, who got the concept off the ground in Chicago five years ago).

The almost 60,000-square-foot, three-story building is painted the company’s signature cool grey and trimmed with black wrought iron and plenty of eye-catching outdoor lighting fixtures. Fully mature olive trees surround the handsome building along with alluring couches and tables that appear made to attract weary shoppers. 

Perched atop the third floor and brilliantly designed to keep diners low amidst twinkling chandeliers, faux shrubs and statuesque stone features, RH Rooftop Restaurant, Wine Bar and park succeeds in transporting customers far from its parking-lot locale. Retractable glass walls enclose the dining room and wine bar. Unobstructed views of Mount Tam add a majestic touch.

Generously portioned burrata with perfectly vine-ripened cherry tomatoes, a garlicky pesto and toasted sourdough bread make for a perfect starter. A gem lettuce salad with fresh feta and avocado was a favorite—especially the buttermilk herb dressing. It’s easy to complain about burgers, but this one doesn’t disappoint with its brioche bun, pickles and sharp American cheese. In fact, every item sampled hit the mark—shaved ribeye on garlic bread, a lobster roll and truffled French fries tossed in a Parmigiano Reggiano–black truffle mix and served with a truffle aioli are all divine. 

Prices are steep—in line with RH’s furniture and home decor. Entrees range between $20 for the burger up to $52 for charred rib-eye steak. But just like the store offerings, the quality is there and it is apparent that fresh ingredients are used and that the kitchen team is executing at the caliber expected from a brand known for its luxury home furnishings.

The only quibble would be just how “branded” the entire experience feels. From the muted monochromatic color palette, to the dark-clad servers and carefully positioned gold chandeliers—there is a sameness that pervades the entire space.

That said, it is likely the intention of the retailer and if RH can consistently deliver this kind of dining experience in the Village at Corte Madera—it’s a win-win for all.

Editor’s note: the original article reported that RH was located at Town Center Corte Madera, RH is in fact located at The Village at Corte Madera, 1750 Redwood Hwy., Corte Madera.

North Bay Artist’s 53-Song Album Chronicles a Year of Rock

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Petaluma musician and visual artist Gio Benedetti has seemingly done it all in the North Bay. He’s performed in every kind of musical outfit, primarily as a bassist in groups like punk-fusion duo Toast Machine, alt-folk ensemble The Brothers Comatose and his current funky jam band Bronze Medal Hopefuls, and he is a masterful graphic designer who creates paintings, prints, fliers and more that often incorporate fantastical elements.

As a father and educator, Benedetti continually uses his art and music in family-friendly projects like “Benedettiville,” the touring storybook-inspired family show he performed with his partner Jen Benedetti.

Most recently, he launched another family-friendly project, “My Town Is Magical,” that finds Benedetti ‘investigating’ reports of classic and original fantasy creatures such as Trolls and Coffee Dragons which he incorporates into artistic field guides that spark the imagination. Benedetti also offers drawing classes and more as part of the endeavor.

When he’s not using his imagination for kid-friendly entertainment, Benedetti still indulges in what he calls “True Rockage,” and his latest digital album proves that Benedetti’s metal chops are as razor sharp as ever.

Available online now, The Ultimate & Eternal Album is a stunning, 53-track heavy metal record that arrives just in time for Halloween and channels classic metal monsters and lore in its instrumental madness.

The album is actually a chronological record of a recent year-long project that Benedetti immersed himself in, which he called ‘The Year of Metal Mondays.’

“During the year of 2018, I made a new song & painting every Monday,” Benedetti writes on his Bandcamp page. “I created art that fit the music, or music that fit the art. This album is a collection of those tracks.”

The album opens with a series of one-minute-long tracks with names like “The Lair of the Swamp Troll” and “Mountaintop Devourment,” before it stretches out into longer and longer pieces like “The Fall of Cyclops Castle.” Most of the tracks and their accompanying art (which can be seen on Bandcamp as well) have a Dungeons & Dragons or Lord of The Rings aesthetic; which is perfect for the epic ’70s metal vibes that these tracks give off. The riffs can be lighting-fast with soaring guitar melodies, or they can sludge through a mire of bass-soaked melodic minefields. 

As a whole, the album is a fascinating journey through Benedetti’s ‘Year of Metal Mondays,’ and by the time the album reaches the 40-track mark, some songs take on a late-’80s sci-fi edge with tightly structured riffs, synthesized electro-pop elements and track names like “Bazooka Girl” and “Hammer-Bot-Smash.” The record also includes five bonus tracks not associated with the 2018 series.

The only thing that The Ultimate & Eternal Album leaves out from Benedetti’s ‘Metal Mondays’ project is a series of songs dedicated to a character named El Rojo. Those tracks, which Benedetti describes as ‘Morricone-esque Western Doom,’ will get their own epic release soon. For now, there’s no better way to welcome autumn and expel some pent-up pandemic emotions than putting on The Ultimate & Eternal Album and turning it up LOUD.

Rolling 101

I roll joints, though I’m not an expert. So, on a recent Saturday afternoon, I visited Oaky Joe Munson, who has rolled thousands of joints over his lifetime. Joe was home alone, with nothing better to do than show me his 11-step program. I watched the master at work and took notes, which I sent to a cannabis aficionado who wrote back, “Newbies will want to keep this list as a reference.” Maybe so.

Here you go newbies, and veterans, too: the lowdown from Joe.

One, find something organic that’s worth rolling. Only smoke the good stuff.

Two, find someone to smoke with. Don’t smoke alone.

Three, sit down in a comfortable chair with scissors, rolling papers— preferably Zig Zag Blue Slim, my favorite—and a bud.

Four, remove the exterior leaves so you only use the flower and get the full benefit of the flavonoids and the terpenes which help give cannabis its character.

Five, with your fingers or scissors, break the bud into small pieces (as small as oregano for a pizza topping) so the joint burns evenly.

Six, remove a single rolling paper from a pack, fold the bottom third to make “a boat,” hold horizontally and fill with the chopped flower, which should run to the edge and be even.

Seven, hold the joint carefully with one hand, and, using the first finger on the opposite hand, press down lightly on the weed in the boat.

Eight, roll back-and-forth to form a cylindrical shape, press down lightly, tuck the center of the bottom third so it rolls under the top portion. It may take practice to get it right.

Nine, use your lips to wet the sticky part, working from the middle to the ends. Push protruding weed into the joint.

Ten, roll smoothly and evenly.

Eleven, put the joint between your lips, light the end with a BIC, inhale and enjoy.

You could go to a dispensary for curbside service and buy a pack of pre-rolled joints, but that would deprive you of the enjoyment of rolling your own. Some aficionados combine hashish with cannabis flower. In Europe, smokers add tobacco. I take mine straight, puff a little at a time, inhale and monitor the effects. Sometimes the cannabis kicks in quickly, and sometimes not. I’ve found it’s best not to rush, but rather let the weed do its thing. The 2020 harvest is happening, and there’s an abundance of good weed. Get it before it’s gone.

Jonah Raskin is the author of “Dark Past, Dark Future: A Tioga Vignetta Murder Mystery.”

Toilet Paper: A Poem

By Sandra Rae Davies  Only white please  Kleenex for a sneeze  Two ply for me  Recycled green  Doesn't matter now  No choices  Shelves are bare  We don't care  Paper towels will suffice  Not nice on pipes  Have to wipe  Bring home to wife  Sends me back  Another store  Another roll  Last one just sold  Home empty handed  I’m branded  A fool no less  Without paper to clean a mess  Take a shower  Ask neighbor to borrow  One ply will do  Pay extra for...

Nietzsche Is Peachy

If you’re reading this, I will presume that you’re still alive. Congratulations. This is a difficult feat to accomplish these days. Maybe even more difficult than reading this while dead, not to get us into any sticky religious implications.  Just know that the universe has a habit of conspiring against you, Dear Reader—what with the ongoing infernos, plague, heat waves...

Covid-19 vs. Live Music

Never, in my wildest dreams, did I think there would come a time when a dedicated professional musician would not be able to find a stage to perform on. Granted, opportunities for paid live performances have shrunk exponentially for the entirety of this century, but I’ve made it my mission to find the bars, nightclubs and eateries that pay enough...

Pete Kronowitt Rallies on Record and Online

San Francisco–based musician Pete Kronowitt combines playful folk melodies with serious political messages in his new album, Do Something Now. The music is inspired by the folk songs of the late ’60s and ’70s, and the messages touch on timely topics, though Kronowitt doesn’t simply talk the talk; he is taking action as the founder of Face the Music Collective,...

Open Mic: Remembering Justice Ginsburg

“I ask no favor for my sex, all I ask of our brethren is that they take their feet off our necks.” —Ruth Bader Ginsburg There has been much biographical and historical content written about Supreme Court Justice Ruth Bader Ginsburg over the last 25 years; and with her death, there will be more confirming her legacy. And that is how...

Trap the Vote Inspires Black and Brown Youths to Become Politically Active

Trap the Vote, an innovative new program in Marin, encourages Black and Brown young people to vote and educates them about the political process. Started by four community activists, the organization aims to empower this rising generation by giving them a voice.  Paul Austin, Berry Accius, Amber Allen-Peirson, and Bishlam Bullock recently joined forces to create the multi-faceted, non-partisan movement,...

Letters: Defending Drake

Those who have offered angry statements in regard to the legacy of Sir Francis Drake have engaged in passing judgment on his entire life without knowing all the facts. It is called prejudice. This, along with the hatred that prejudice can promote, is exactly what people protesting in the streets are committed to end. Understanding the true content of...

RH’s New Rooftop Restaurant

After months of construction at the north end of the Village at Corte Madera (1750 Redwood Hwy, Corte Madera),  Restoration Hardware, or RH as it is now officially known, has unveiled its stunning, stand-alone retail outlet. While the 41-year-old company is best known for its sleek furniture designs, it has added rooftop dining, a wine gallery and a park...

North Bay Artist’s 53-Song Album Chronicles a Year of Rock

Petaluma musician and visual artist Gio Benedetti has seemingly done it all in the North Bay. He's performed in every kind of musical outfit, primarily as a bassist in groups like punk-fusion duo Toast Machine, alt-folk ensemble The Brothers Comatose and his current funky jam band Bronze Medal Hopefuls, and he is a masterful graphic designer who creates paintings,...

Rolling 101

I roll joints, though I’m not an expert. So, on a recent Saturday afternoon, I visited Oaky Joe Munson, who has rolled thousands of joints over his lifetime. Joe was home alone, with nothing better to do than show me his 11-step program. I watched the master at work and took notes, which I sent to a cannabis aficionado...
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