These Local Theaters Will Screen Films In Your Home

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While movie theaters remain closed during the shelter-in-place ordeal, local film purveyors are taking to the web to screen movies for those who are hunkering down at home.

In Marin County, the Smith Rafael Film Center is closed, though the theater is thriving online with the Rafael@ Home series featuring several films available to rent and stream at home, including Brazilian genre-bending, award-winner Bacurau and breakout drama Saint Frances. Films coming to the rental series includes intimate documentary Once Were Brothers: Robbie Robertson and The Band and local filmmaker Nancy Kelly’s acclaimed Thousand Pieces of Gold.

Downtown Larkspur’s historic art deco Lark Theater is also closed in the wake of Marin County’s sheltering order, and they’ve responded with their own Lark Streams service. The nonprofit venue is working with top film distributors to develop the online programming, which currently includes Academy Award-nominated Polish film Corpus Christi and the supernatural comedy Extra Ordinary coming soon.

In Sonoma County, the Alexander Valley Film Society’s Shelter in Place Series is gaining an audience with several offerings such as online filmmaker webinars, home screenings and a weekly Wednesday Film & Food series that encourages combining the at-home screening with local takeout. Upcoming online events include a Film Noir Q&A and Discussion with film critic and Barndiva owner Jil Hales on Sunday, April 5, at 2pm. AV Film Society is even hosting online educational classes for kids who are sheltering, with a film editing course happening right now.

In Napa County, the Cameo Cinema, closed for the time being, has been busy curating its own Virtual Cinema with several titles to rent, including some hard-to-find international films such as acclaimed Romanian crime comedy The Whistlers and  German historic thriller Balloon.

Click these links above to find out how to rent the movies from each theater/ film group. You’ll be taken to their websites to purchase and watch the film, with a portion of ticket sales helping to support each group.

Where California Stands with Coronavirus Testing Right Now

By Rachel Becker and Ana B. Ibarra, CalMatters

Coronavirus testing has been plagued by confusion, delays and chaos, with the number of available, usable tests far outstripped by the need.

The situation, healthcare providers and experts say, has impaired their ability to know how many people have the virus—but a significantly larger number, they suspect, than that confirmed by state and federal officials.

Gov. Gavin Newsom says, however, that help is on the way, from university medical centers, private labs, the tech sector and more.

So where are we on this? Who can get tested and where exactly should you go? If you do get a hold of a test, is it going to cost anything? Here’s what you need to know.

How many tests does Calif. have?

On Sunday, Newsom said California has conducted 8,316 tests, and has the capacity to run just short of 9,000 more. On Monday evening, he said that the state’s 19 public health labs have increased tests “by a few hundred” over the previous 24 hours. Still, he said, “That clearly is not enough.”

By Tuesday, the number of public health labs conducting testing had increased to 21. And the state has also turned to academic medical centers as well as private companies to fill in those gaps. UC San Francisco, UC Los Angeles, UC San Diego, and Stanford University are all offering tests for the novel coronavirus—and UC Davis is currently racing to get three different types of tests online.

Nam Tran, associate professor and senior director of clinical pathology at UC Davis, said one of the tests that runs on an SUV-sized instrument created by Roche Diagnostics should come online within weeks and is expected to churn out 1400 results per day.

He called it a “game changer.”

As for private firms, Quest Diagnostics has been running 1,200 tests a day out of its lab in San Juan Capistrano, Newsom said Monday—and could ramp up to 10,000 tests per day across the country with the addition of another laboratory by the end of this week.

Should I get tested? 

Californians are still facing delays, or no tests at all. And a surge of demand for testing supplies—including swabs, kits for extracting the virus’s genetic material, and personal protective equipment for healthcare workers—threatens efforts to scale up tests.

At a time of limited resources, testing should be reserved for people with moderate to severe symptoms and for those with underlying health conditions, said Michael Romero, a program manager with Placer County’s public health emergency preparedness team.

Symptoms can show up between two days and two weeks after exposure to the virus, and include fever, cough, and trouble breathing, according to the CDC.

“Our guidance is if you have mild symptoms, just stay home, testing would help you know whether you have it or not, but it wouldn’t change anything,” because there is currently no treatment, he said.

Can I get tested?

One challenge is the patchwork of guidance about whom to test first across California’s counties, private testing companies, and health systems, according to Kat DeBurgh, executive director of the Health Officers Association of California.

Guidelines may vary by county because of the uneven spread of the coronavirus, and local public health departments are required to approve the tests run through their labs, DeBurgh said. She’s calling for more guidance from the state about whom to prioritize, she said, to help with the crush of calls that local public health officers are triaging.

In Los Angeles, for instance, the public health lab “will test specimens from high risk patients requiring a rapid public health response if they test positive,” according to guidance from the county. Any other patients with fever and symptoms of a respiratory illness who may have been exposed should be tested by a commercial lab instead.

At Kaiser Permanente, clinicians decide who to test, spokesman Marc Brown told CalMatters in an email. Tests are only available to Kaiser members with a doctor’s order.

Priority goes to hospitalized patients as well as people with symptoms who also have additional risk factors such as being over 60, heart or lung disease, or being immunocompromised. Anyone exposed to someone with a confirmed or suspected case of the virus, or who recently traveled somewhere affected by it, will also be prioritized.

Where can I get tested?

People should first check with their doctor to ask whether they’re collecting specimens, said Romero with Placer County. If their doctor is not doing testing, they can try calling their local urgent care. Romero said people should not go to the emergency department just for testing. That is what would cause unnecessary over-flooding in the ER, he said.

Some counties, such as Los Angeles and San Diego, ask that people who do not have a primary care provider call the county’s 2-1-1 line for information on where they can find providers with tests. Sutter Health, for example, asks that its patients schedule a video visit with a doctor to check whether they meet testing criteria. If they do, then doctors make arrangements with patients about specific locations where they can go for testing.

Some health systems have also opened drive-through testing for its members.

Are tests free? What if I’m uninsured?

Earlier this month, Newsom announced that all screening and testing fees would be waived for about 24 million Californians. That includes co-pays and deductibles for a hospital and doctor office visit associated with the test. But if a person is sick and needs further treatment and care, that cost is not required to be waived.

Newsom’s order does not apply to people who work for large employers and whose private health plans are regulated by the federal government. That said, an emergency coronavirus response bill pending in Congress would require that testing and all related fees be covered by all forms of insurance without out-of-pocket costs for the patient.

The California Department of Public Health has said that people who are uninsured and have symptoms should contact their county for information on how to get tested.

Some health clinics, like the AltaMed group in Southern California, are waiving test fees even for patients who are uninsured, but again, tests are only given to people who are showing symptoms. Also, clinics can help enroll patients in any available county program that may cover fees, and clinics themselves often charge on a sliding scale, which means costs are based on a person’s ability to pay.

Testing through the Verily screening pilot program screening in Santa Clara and San Mateo counties is a philanthropic effort and also free to the public.

What’s the deal with Verily’s triage? 

Confusion has dogged the rollout of a triage site aimed at directing concerned Californians to testing. At first, President Donald Trump said Friday that “Google has 1,700 engineers working” on a screening website that would be “very quickly done.”

In fact, it was Verily, the life sciences subsidiary of Google’s parent company Alphabet, behind the effort, and the site was not a nationwide screening tool but one specifically for Californians in the Bay Area. Newsom announced the triage website on Sunday, where people can fill out a questionnaire and schedule an appointment at one of two test sites in Santa Clara and San Mateo.

So far, demand outstrips availability: 174,000 people visited the website in the first day since it opened, Newsom said Monday. 174 people filled out the questionnaire. Fifty people signed up for specific appointments—and 30 people actually showed up. Newsom said he expects testing to grow by 200 to 400 tests per site, and in a press briefing on Tuesday, he projected the Verily mobile test sites had conducted 320 tests that day.

Newsom said the whole idea is to expand these mobile test sites beyond the Bay Area. “The good news is operationally, things went fairly well, not perfectly, but fairly well.”

What will this test actually tell me?

The current test for the novel coronavirus looks for the virus itself by sniffing out the virus’s genetic code. These tests can tell you if you have an active infection. What they can not tell you is whether you’ve been infected and recovered.

“Something that is missing from our knowledge of this virus is how many people are exposed to it,” said Philip Felgner, director of the vaccine research and development center at the UC Irvine School of Medicine. That data is key for understanding the breadth of the outbreak, and just how lethal it really is.

How can we track the virus?

Researchers across the world are working on developing another kind of test—one that looks for signs of the immune response to the virus, called antibodies. This kind of test—a serological test—would allow scientists to search out people who have recovered from less severe or asymptomatic cases of the virus who never ended up in a hospital.

That could help scientists identify chains of viral transmission, home in on hotspots of the outbreak, and would be a first step towards a fuller understanding of why some people recover more readily than others. STAT has reported that the CDC is working on developing two of these tests, and Science has reported that scientists in Singapore used a serological test to track the outbreak.

Here in California, Felgner at UC Irvine has teamed up with a company called SinoBiological to create tests that can hunt for antibodies to nine different infectious agents including other coronaviruses like ones that cause SARS and MERS, as well as viruses that lead to similar symptoms, like influenza.

Felgner and a research institute in San Francisco called Vitalant intend to validate these tests and other, similar ones, by running them with leftover samples of donated blood from Seattle. Another test will look for the kinds of antibodies that can neutralize infections, giving a sense for how effective the immune response actually is.

Michael Busch, director of the Vitalant Research Institute, clarifies that these tests aren’t to screen the blood. “We don’t screen blood purposefully for this virus, it’s not a transfusion transmissible agent,” Busch said.

The goal, instead, is to survey communities to find out just how far the virus spreads, and for how long. “What it does show you is how many people were infected,” Busch said. That changes the calculus for what we understand about how often the virus causes severe symptoms, or kills people—and where exactly to be looking for it.

CalMatters.org is a nonpartisan media venture explaining policies and politics.

Stay Home

News breaks quickly these days.

In an address on Sunday afternoon, Gov. Gavin Newsom strongly recommended that all bars, wine tasting rooms, nightclubs and breweries in the state close for the coming weeks. Additionally, Californians older than 65 and those with preexisting conditions—the demographics most vulnerable to COVID-19—should quarantine themselves, Newsom recommended.

On Monday, seven Bay Area jurisdictions, including Marin and San Francisco counties, issued a “shelter-in-place” order, effective until at least Monday, April 7. The order comes as the number of reported cases in the Bay Area continues to increase. 

By Sunday, March 15, there were 258 confirmed cases of COVID-19 with four deaths within the seven jurisdictions covered by the order. The number in the Bay Area accounts for more than half of the total cases in California.

Moreover, according to a press release announcing the decision, public officials expect the current number of laboratory-confirmed cases to “increase markedly” as more test kits become available in the coming days and weeks.

The order, which is available in full at the Marin County Health and Human Services’ website (coronavirus.marinhhs.org), includes some exemptions for “essential” activities and businesses.

Business exemptions include healthcare operations, grocery stores, gas stations, banks, hardware stores and plumbers and some other service providers.

“While the goal is to limit groups congregating together in a way that could further spread the virus, it is not a complete social shutdown,” Dr. Matt Willis, Marin County’s public health officer, said in a statement announcing the decision. “You can still complete your most essential outings or even engage in outdoor activity, so long as you avoid close contact.”

Economic Impacts

The spread of the virus and related business closures are revealing deep, often unexamined economic inequalities in the country. So far, it’s not clear whether government efforts to patch the holes will be anywhere near adequate.

In an effort to mitigate one of the expected impacts of lost wages, several statewide groups are pushing government agencies to implement protections for renters during the crisis.

San Francisco implemented a temporary moratorium on evictions on Friday, March 13, and lawmakers are considering similar legislation at the state level. (The San Francisco legislation specifies that rent payments are delayed until the end of the crisis, not forgiven.) Multiple activist groups are asking local governments to take a similar step but, so far, they have not.

On Monday, the Sheriff’s departments in San Francisco and Alameda County announced they would not enforce eviction orders during the COVID-19 crisis.

On Monday evening, Newsom passed the issue back to local governments. He signed an executive order which “authorizes local governments to halt evictions for renters and homeowners, slows foreclosures, and protects against utility shutoffs for Californians affected by COVID-19.” 

Crucially, the order does not require local jurisdictions to halt evictions and mortgage payments and “does not relieve a tenant from the obligation to pay rent.” Instead, it eases the way for local government to pass temporary eviction bans of their own.

Research shows that even the threat of eviction causes negative mental and physical health impacts.

Furthermore, if evicted, families and workers could wind up living on the street, adding to the state’s already-large population of shelterless people.

Volkswagen Presents Warren Miller’s Timeless

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Year after year, ski and snowboard enthusiasts of all ages look forward to the coming of winter. This fall, Warren Miller Entertainment (WME) confirms that the joys of winter are eternal with its 70th full-length feature film, Timeless, presented by Volkswagen.

Much of the world has changed since Warren Miller started making ski films in 1949, but the passion of snowriders across the globe has stayed the same. Timeless emulates the enduring spirit of winter and gives a deserving nod to the past seven decades of ski cinematography while focusing on the future. Get ready to kick off your winter with a cast of fresh faces, inspirational locales, plenty of laughs and camaraderie, and a classic blend of the new and old.

“It’s incredible, looking at the fact that this is number 70,” says narrator Jonny Moseley. “Every year I still get that same feeling I got when I was a kid watching ski movies. I enjoy watching them now more than ever, and that is what Timeless celebrates.”

From the mountains of British Columbia, across the steeps of the Colorado Rockies, to the rooftop of the European Alps, Timeless explores winter stoke across the globe. Along for the ride are more new athletes than ever before, including female phenom and Jackson Hole’s 2019 Queen of Corbet’s, Caite Zeliff, Olympic mogul skier Jaelin Kauf, Baker Boyd, Connery Lundin, Austin Ross, and Canadian World Cup ski racer, Erin Mielzynski. Plus, returning to the screen are industry veterans Rob DesLauries, Lorraine Huber, Tyler Ceccanti, Marcus Caston, Amie Engerbretson and Forrest Jillson, as well as ski legend Glen Plake.

Timeless will premiere in Northern California on November 6 and play many venues through November 26. All ski and snowboard fans, young and old, are invited to come together to carry on the legacy of the official kickoff to winter. Film attendees will enjoy lift ticket deals and gear discounts from WME resort and retail partners. Plus, all moviegoers are entered into nightly door prize drawings and the national sweepstakes to win gear, swag, and ski trips. Volkswagen presents Warren Miller’s Timeless is more than a ski and snowboard film, it’s an experience 70 years in the making.

Warren Miller’s “Timeless” Official Trailer | Presented by Volkswagen from Warren Miller Entertainment on Vimeo.

Featured Athletes
AJ Oliver | Glen Plake | Brenna Kelleher | Jim Ryan | Austin Ross | Forrest Jillson

Cam Fitzpatrick | Caite Zeliff | Rob DesLauriers | Kit DesLauriers | Grace DesLauriers
Tia DesLauriers | Jess McMillan | Ryland Bell | Morgan Hebert | Rob Kingwill | Baker Boyd
Ian Morrison | Marcus Caston | Aurélien Ducroz | Mattias Hargin | Erin Mielzynski
Tyler Ceccanti | Amie Engerbretson | Connery Lundin | Jaelin Kauf | Lorraine Huber
Christian Løvenskiold | Cooper Branham

Film Destinations
British Columbia | Wyoming | Colorado | France | Switzerland | Austria

North Bay Shows

This post has been sponsored by Warren Miller Entertainment. If you’d like to sponsor an existing or future post, please contact our advertising team.

Super Soy Me

Like any typical chump, I planned to start an ambitious new diet on New Year’s Day. Fine, the day after New Year’s Day.

The diet was strict, but had just one simple rule: Eat food, mostly frozen, as much as I want, on a $100 per week budget. And here’s the kicker: Eat only food that’s made by Amy’s Kitchen, the privately held natural foods manufacturer based in Petaluma. Yes, it was a bold plan.

Day 1: I load a frozen, gluten-free tofu scramble breakfast wrap in the microwave oven, starting the day’s calorie count at 300. At lunch it’s a chili mac bowl, 420 calories, and later a spinach pizza pocket sandwich, 280 calories. Dinner brings a longtime favorite to the table; veggie loaf with mashed potatoes, peas, and carrots. But those 340 calories don’t feel like enough, so I round out the evening with a spinach pizza snack, and 380 additional calories.

Day 2: I’m a little hungover. Ugh, what happened?

The Perils of a Cruelty-Free Diet

I’m on this diet partly to see if man can live on Amy’s alone. While it’s a controlled experiment, it’s not an inhumane experiment, so I did not forswear the enjoyment of a few glasses of wine with dinner, before dinner, or after dinner. Besides, eliminating the beverage variable might have skewed the results, right? Instead, I opt for certified organic wine, in the spirit of Amy’s Kitchen, whose listed ingredients are nearly all prefaced with “organic,” save the sea salt and black pepper.

The problem: after unpacking five frozen meals from five cardboard cartons, I’d only packed in 1,720 calories on that first day. No doubt the wine hit a little harder because that’s well below the 2,000 daily calories that nutrition labels are based on, or the recommended 2,400 calorie diet of a moderately active male of my age, and weight.

Ah, that weight. The other reason for the diet was to lose a little of it. I demur from saying what that weight is, lest some readers then wish to knock me around a bit, but suffice it to say that I feel like the image of some kind of corpulent, late career Orson Welles. (More like Audrey Hepburn, remarked a more portly friend a few years back. That smarts a bit, but then again—such style!) What’s that about body image self-acceptance? Stuff self-acceptance in a cheeseburger. I demand to get back that flat belly that I haven’t seen since age 29, and I’ll try any diet in that service. The allure of Amy’s is the quick and easy calorie counting, printed right on the box, and de facto portion control. The convenience of simply reheating frozen food, too, leaves more time for that moderate activity.

Lesson learned, on to Day 2: Country bake breakfast, 420 calories; veggie sausage, 55 calories; brown rice and vegetables bowl, 260 calories; meatless Italian sausage, mushroom and olive pizza, 930 calories. Yes, I know the pizza is supposed to be three separate servings, but the day’s total is only 1,665 calories. Yet I feel stuffed. Might be because I’m not used to consuming so many carbohydrates (see the surprise tally at the end of the article), and that’s a criticism I’ve heard of products like Amy’s: organic or not, isn’t it too high in sodium, too stuffed with carbohydrates, like other processed snack foods? When I announced my dietary goal to someone at the company (who shan’t be named), in fact, the response was: “But what about vegetables?”

In an era when consumers are being advised to eat whole foods, and lower on the food chain, Amy’s occupies an interesting space in between the good reputation of organic foods and the bad rap on processed foods. Frozen foods have taken some heat since the “TV dinner” days of my childhood, when, notwithstanding mom’s cooking being the best, it was a special treat to have those tin foil tray dinners once a week. Meanwhile, Amy’s Kitchen, launched by Rachel and Andy Berliner in 1987 (the original conceit was that they couldn’t find any time-saving convenience foods that were of homemade quality, after the birth of their daughter, Amy, who is now a co-owner in the company), has puffed up from one pot pie sold in what used to be called “health food” stores in Northern California and Oregon, to 260 products sold in megastores the likes of Target, in 29 countries. Revenue in 2017 totaled $500 million.

Can they stay true to home-cooked ideals at such a scale? I’ve got to get behind the kale curtain, and see how the organic tofu sausage is made.

Amy’s, Can You Hear Me?

Day 3: I’ve had no luck trying to contact the public relations desk at Amy’s, so, fueled only by their breakfast scramble, 360 calories, and veggie sausage, 55 calories, I set out by bicycle for the company headquarters in Petaluma. Am I helping to offset the carbon footprint of these packaged meals, or is their economy of scale inherently more efficient than my home stovetop? Will there someday be fewer veal crates, like the ones that I’m passing by on Stony Point Road, because of vegetarian options like Amy’s provides? These are things I think of on my ride. Besides that biking in heavy traffic sucks veggie meatballs.

It wasn’t enough. On Lakeville Highway, a few blocks short, and fatigued, I have to turn back or else miss the last SMART train back to Santa Rosa until late afternoon.

Breakthrough at the Drive-Thru

I get a new idea on the train, remembering the Amy’s Drive-Thru restaurant in Rohnert Park. It’s a long shot, but at the very least, after ordering a single veggie cheeseburger and fries (alas, I am not asked to “super-size” my order to the signature double patty “Amy” burger), I can ask for any kind of help at the register. I’m in luck—Dave Wolfgram, president of Amy’s Drive-Thru Restaurants, is working on his laptop a few tables over. He seems genuinely concerned and promises to hook me up with HQ.

Although this joint is as bustling as it was on my first visit over three years ago (“Understanding Amy’s,” Sept. 9, 2015), Amy’s has rolled out their takeover of the fast food nation at, well, an organic pace. An outpost in SFO (Amy’s “fly-thru”?) is scheduled for July, with a Corte Madera drive-thru opening in 2020.

How the Organic Tofu Sausage is Made

I’m in! I meet Paul Schiefer for a tour of Amy’s flagship production facility, which has been located on Santa Rosa’s Northpoint Parkway since the early days. Schiefer, who is a nephew to the Berliners, grew up with the business, and is now senior director of sustainability.

On the way to the dressing room where I’ll don a smock, hairnet and beard net, I’m already distracted by a novel sight: two vending machines in the break room are stocked with Amy’s entrées. They’re sold to employees for just $1 to $1.50. But the Blue Sky organic cola in the adjacent vending machine, Schiefer admits, isn’t as popular with employees as Pepsi. No strict diets here: there’s a Frito-Lay option, too.

Workers are everywhere on the plant floor, monitoring computer screens, carting multi-level tray carts here and there. Look, there goes my old friend, the lentil loaf! Over there, veggie sausage, destined for a country bake. In one room, which is as big as most winery cellars I see, pinto beans cascade in an industrial waterfall, while a worker tends to a steaming kettle perched high in the middle distance.

A smaller room houses one of the largest tofu making facilities on the West Coast, according to Schiefer. Here are whole soybeans, soaked and removed of fiber, which goes to a dairy. Then, hot soy milk pours forth, and further down the line, blocks of fresh tofu, some 9,400 pounds per day, are cut and sent on to their rendezvous with organic oats, organic bulgar wheat and organic onions and more to, yes, make the tofu sausage.

On the kettle deck, an enchilada sauce has just been made—we see it later on down the line, where freshly frozen entreés clank off the conveyor belt. Tomato sauces are made from fresh tomatoes. Vegetables such as broccoli may be fresh, or flash frozen, since there are only two harvests a year from their supplier. “We’d rather get it all fresh, in season, than go to the ends of the earth to bring it in,” says Schiefer.

In the burrito room, bean and cheese filling plops onto tortillas, made fresh in the room next door, in a way that my minder from the marketing department doesn’t wish me to photograph. But it’s all hand work after that. One employee tells me, still folding while turning away from the assembly line to explain, that she’s been honing her technique for 21 years, shaping the filling, and folding six or more ways in a flash of hand movements I can hardly follow.

One thinks of frozen foods as the ultimate deracinated, non-local product. But here, I have the dissonant revelation that, at least for the North Bay, this is truly local. All this time, my frozen bean burrito (and another 160,000 of them per day) has been hand-rolled just across town. (Soups are made in Idaho, however; pizza in Medford, Ore.)

The Results

At the end of a week, I had to stop the experiment. Not necessarily because I felt “over stuffed” on just 1,940 calories, as I noted on Day 6, or “strangely tired” on Day 7. My weight jumped up at first, but I ended up a few pounds lighter. Still, I would have been willing to carry out a more rigorous one-month experiment. But if I didn’t bust my waistline, I busted my budget: $140 for seven days.

I should note that the company does not endorse an all-Amy’s diet. Instead, they offer meal plans on their website incorporating fresh fruits and vegetables, nuts, and smoothies, most with just one Amy’s product per day. That said, I felt that I might have had a real serving of veggies with their Asian-inspired entrées, like the dumplings in savory Hoisin sauce, and for a frozen food, they tasted fresh enough. And in the harvest casserole bowl, there’s surely close to a half-cup of sweet potatoes, kale, and Swiss chard—it’d be hard to excuse all that quinoa otherwise.

According to Schiefer, I’m correct in my assessment that while the frozen food business is stagnant in general, Amy’s is bucking the trend, and has been growing faster than the category for years. Still, some of the traditional tray-style dinner styles have been pulled off the line: RIP, Southern meal, chili and corn bread, and good ol’ veggie steak and gravy.

All told, I ate not more than 1,700 calories per day. The protein count averaged 67 grams daily, not bad, and carbohydrates actually averaged less than the Daily Value, at 200. But sodium indeed hit more than 3,200 milligrams per day, higher than the Centers for Disease Control and Prevention’s recommendation of less than 2,400, but a little under the average American’s intake. Amy’s does offer low sodium versions with less than half that of the typical entrée.

The next week I flipped a 180 and launched an ultra-low-carb diet of meat, cheese, and vegetables for the next month. I felt pretty good on it. And I gained back five pounds.

Warren Miller’s Face of Winter

Winter is just around the corner, and Warren Miller Entertainment is ready to kick off the season with its 69th installment ski and snowboard film, Face of Winter, presented by Volkswagen. The late, great Warren Miller built his legacy capturing the essence of winter magic, and today that legacy launches the start of the ski and snowboard season every year. In the 69th feature film, celebrate the man who became known as the face of winter throughout the industry, and the places and people he influenced along the way.

This year, new and veteran athletes come together to pay tribute to the man who started it all, including Jonny Moseley, Marcus Caston, Seth Wescott, Forrest Jillson, Kaylin Richardson, Dash Longe, Anna Segal, Michael “Bird” Shaffer, and featured athletes of the U.S. Cross Country Ski Team, including gold medalist, Jessie Diggins. Watch as they visit some of Warren’s favorite places from Engleberg to Chamonix, British Columbia to Alaska, Chile, Iceland, New Zealand and more.

“The film is for anyone whose life (whether they realize it or not) was impacted by Warren Miller,” says WME Managing Director Andy Hawk. “We are all the face of winter—from the athletes to the audience to the locals in far-off destinations or even at our home mountain. Warren recognized this, and this year’s film celebrates that.”

All fans, young and old, are invited to come together and carry on the tradition of the official kickoff to winter during the 2018 national tour. Film attendees will enjoy lift ticket and gear savings from Warren Miller resort, retail, and other brand partners. And, all moviegoers will be entered to win nightly prizes like swag and ski vacations.

[embedyt] https://www.youtube.com/watch?v=ProI36TvP6k[/embedyt]

Sponsors of the 2018 Warren Miller Tour
Volkswagen, Mount Gay Rum, L.L. Bean, Helly Hansen, Marmot, Switzerland Tourism, Ski Portillo, K2, Black Crows, Marker Dalbello Völkl USA, Blizzard Tecnica, and SKI Magazine.

Featured Athletes
Dash Longe | Jim Ryan | Forrest Jillson | Jess McMillan | Simon Hillis | Kaylin Richardson
Dennis Risvoll | Michael “Bird” Shaffer | Camille Jaccoux | Bruno Compagnet
Brennan Metzler | Francesca Pavillard-Cain | Amie Engerbretson | Jonny Moseley
Anna Segal | Kevin Bolger Paddy Caldwell | Sophie Caldwell | Jessie Diggins
Simi Hamilton | Ida Sargent | Marcus Caston Johan Jonsson | Rob Kingwill | Seth Wescott

Film Destinations
Alaska | British Columbia | Chamonix | Chile | Iceland
New Zealand | Switzerland | Washington

Local Shows
Wed., Nov. 7, 7:30pm – Palace of Fine Arts Theatre, San Francisco Buy Tickets
Thurs., Nov 8,  7:30pm – Palace of Fine Arts Theatre, San Francisco Buy Tickets
Fri, Nov. 16 7:30pm – Castro Theatre, San Francisco. $19pp. Buy Tickets
Sat, Nov. 17 8:00pm – Marin Center, San Rafael. $19pp. Buy Tickets
Fri, Nov. 23 7:30pm – Mystic Theatre, Petulma. $19pp. Buy Tickets

EVERYONE ATTENDING RECEIVES A FREE LIFT TICKET TO MOUNT SHASTA SKI PARK, PLUS TWO FOR ONE OFFERS FROM SQUAW VALLEY-ALPINE MEADOWS AND JACKSONHOLE! TICKETS ARE NOW ON SALE AT SPORTS BASEMENT.

This post has been sponsored by Warren Miller Entertainment. If you’d like to sponsor an existing or future post, please contact our advertising team.

Baseball and PEDs at Ross Valley Players

Value Over Replacement is a baseball statistic measuring how much better or worse you are than a hypothetical average player who could replace you. If you already knew that, then Value Over Replacement by Ruben Grijalva, now playing in Ross through April 12 as the lead show of Ross Valley Players’ annual New Works, is right up your alley.

Edward “Chip” Fuller (Woody Harper) is a former MLB player who’s now the co-host of a popular San Francisco sports radio show. His co-host, Dan Drake (David Kudler), comes into possession of a report exposing MLB players who used steroids during their careers. Chip is on the list. 

The cast is exceptional. Harper’s a strong actor with amazing stage presence, the sort of actor who could easily dominate a cast if director Ken Sonkin had not stacked it. There are strong performances delivered from the young Erik Forst, who has amazing focus on stage for anyone, let alone a 6th grader, and from Amelia Stafford as Fuller’s autistic son. 

Kudler plays Drake believably as a charismatic schemer who is still somehow an idealist. Rachel Ka’iulani Kennealy brings a strength to the stage that pairs well with Harper, and David Schiller is (and I hate to use this term) perfectly cast. I watch a lot of theater, but I would be hard-pressed to name the last time I saw such a talented and cohesive cast.

Set and light designers Benicia Martinez and Michele Samuels understood the assignment. The sparse set and use of light to tell the story is a beautiful example of minimalism’s power. 

The first act is taut and well-written, but the second runs long and spends too much time on Chip justifying the decision to use steroids. This is really the biggest issue with this script. For a play that supposedly lives in a “moral liminality,” it spends a lot of time arguing that steroids aren’t that bad, with little in the way of a counter-argument. 

There is another question at play here, though. RVP New Plays is supposed to be dedicated to shows premiering at RVP, but Value is a 2016 Edgerton Foundation New Play Winner that premiered 10 years ago at Playground in San Francisco. Even if the script has been significantly altered, it has already premiered. 

One has to ask: Whose voice was left out to bring in a show that’s already had its shot?

‘Value Over Replacement’ runs through April 12 at the Barn Theatre in the Marin Art and Garden Center, 30 Sir Francis Drake Blvd., Ross. Thurs.–Sat., 7:30pm; Sun., 2pm. $20–$30. 415.456.9555. rossvalleyplayers.com.

Harm Done: The County Seized His Bus, Now He Lives in a Tent

When the Pacific Sun last reported on Sean Derning, Marin County had seized the converted bus he lived in on Binford Road and temporarily put him up in a motel.

Now, he’s back on Binford, this time in a tent.

Until January, Derning was one of 45 people living in a sanctioned RV homeless encampment on a stretch of highway in unincorporated Marin, just beyond the Novato city limit. The county evicted him because his possessions spilled out of his bus onto the roadside.

After spending about 10 days in a motel, Derning, 47, pitched a tent on the narrow side of Binford Road and moved in. He sits about 50 feet from where his bus was parked.

A mound of dirt separates his tent from the busy two-lane street. Flanked on the other side by Rush Creek Marsh, his home occasionally floods with tidewater.

The camper, previously protected from the elements, is currently exposed to rain, cold and heat. While his bus had a bathroom, the tent does not. He must walk down the dangerous road—where a pedestrian was struck and injured by a vehicle—to use a porta-potty.

How did Derning’s situation go from bad to worse? Back in the motel, he was offered an intake interview for a spot at a local shelter that is usually at capacity. According to Derning and his advocate, those plans were crushed by bureaucracy.

Suffering from PTSD, Derning designated Robbie Powelson as his support person. Derning said he filed paperwork to allow his case manager, Episcopal Community Services, a county contractor, to communicate with Powelson.

Initially, ECS kept the advocate in the loop, then suddenly stopped, Powelson said. When Derning wanted Powelson to accompany him to a shelter interview, the request was denied. The prospect of going alone overwhelmed Derning.

“I’m like, I can’t talk,” Derning said. “Like, you can’t do this. Like, it just doesn’t work. Like, I can’t understand things. Like, my brain shuts down, you know? I only talk with Rob.”

No Powelson. No intake. No spot at the shelter.

For the record, Powelson is controversial. He uses the legal system to hold municipalities and nonprofits accountable, helping homeless people file lawsuits to preserve their civil rights.

It’s understandable that the county and its contractors are guarded with Powelson, but Derning trusts him. And a disabled individual is entitled by the Americans with Disabilities Act to authorize a support person. The county and its contractors have created an impasse by refusing to recognize Powelson.

Sadly, in the end, only Derning ends up losing.

Marin County and Episcopal Community Services declined to comment for this article, citing client confidentiality.

Painted Bins Keeps Tons of Food Waste from Landfills

Since launching in 2022, Painted Bins has diverted nine tons of Marin food waste away from landfills, sparing the atmosphere from harmful methane emissions that contribute to rapid climate change.

Tossing food waste into the appropriate receptacle seems so simple, yet it took Kathy Huber, director of Painted Bins, to develop a program that brings special bins to public spaces and encourages people to use them.

“Nine tons is pretty significant when no bins had been in some of those parks and public places,” Huber said. “And that is something when I think we’ve helped place 25 bins in Marin.”

The organic material collected from the bins is composted and transformed into nutrient rich soil, benefiting the Earth. Otherwise, it goes straight into the landfill.

Dire consequences result from sending food waste to the dump. According to the U.S. Environmental Protection Agency, wasted food represents 24% of the garbage in our landfills and causes 58% of landfill methane emissions. This greenhouse gas drives global warming, causing glaciers to melt, rising sea levels, extreme weather, depletion of wildlife habitats and more.

Zero Waste Marin, a government agency representing all the county’s municipalities, conducted a study last year to determine what materials were going into the landfill. More than 36% of what is sent to the county landfill could have been composted, a Zero Waste Marin representative told the Pacific Sun.

Painted Bins, a project of the nonprofit Sustainable Marin, brings together a variety of Marin stakeholders to try to achieve composting goals set by the state. While local governments, residents, trash haulers and schools play key roles, Marin children are the stars of the program.

“Young people are going to inherit the Earth,” said Huber. “They’re the ones that can make a difference with what they’re learning now.”

Instructors from Painted Bins work with 24 Marin elementary and middle schools to provide environmental education to 2,600 students. The children then create posters addressing the concepts.

“Once those posters are done, we have a local show with all the art on display,” Huber said. “We invite the students to come and speak, and we invite the community.”

Judges select the posters that will decorate the food waste bins and draw attention to them in public spaces. The art is changed annually.

The children’s posters and public presentations help teach community members the importance of recycling, especially food composting, something that many adults didn’t grow up doing. Change comes about gradually, Huber says, comparing it to the slow adoption of seat belts, a decades-long process.

Huber also stirs up support from local municipalities, requesting that they purchase special food waste receptacles for public areas and pay the hauling fees. Corte Madera kicked off the program and now has bins in Town Park, Menke Park and Skunk Hollow.

In Tiburon, bins show up all over town, from downtown to parks to parking lots. Sausalito uses the bins at their popular Jazz and Blues by the Bay events. Belvedere, Mill Valley and Larkspur have also joined the program. Huber and her team are on a mission to onboard every city and town.

“But the most important thing we’re doing is empowering youth to become environmental stewards,” Huber said.

Later this month, the students will show off their knowledge and artwork at the Painted Bins flagship fundraiser, Trash Bash. The evening begins with an interactive reception, where the children will host themed stations and explain to guests how proper waste management improves the ecosystems of the world and local communities.

Trash Bash includes dinner, an auction and more, from 5:30-8:30pm, on Thursday, April 23, at the Mill Valley Community Center. For tickets and information, visit paintedbins.org.

Art for a Future Ecology: ‘Ancient Wisdom’ Interweaves Trees, Time and Tech

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What we now know as Muir Woods became a national monument in 1908. 

But scientists believe the oldest coast redwood in Muir Woods is at least 1,200 years old. It has stood through the times of the First People, Sir Francis Drake’s Golden Hind sailing by in 1579, Mexican settlers establishing Marin footholds in the 1830s and loggers threatening its existence in the late 19th century.

Tiffany Shlain grew up in Marin, feeling a close kinship to the redwoods, bay laurel, bigleaf maple and tanoak that are native to Muir Woods. The artist created her moveable monument, Dendrofemonology: A Feminist History Tree Ring, in 2022. Now, with husband and fellow artist Ken Goldberg, she has expanded that vision in the major show, “Ancient Wisdom for a Future Ecology: Trees, Time, and Technology,” on view at San Francisco’s di Rosa Center for Contemporary Art through April 11.

“It’s so fitting that it’s here now, in Northern California,” Shlain said.

Shlain, a multidisciplinary artist, Emmy-nominated filmmaker and founder of the Webby Awards, and Goldberg, an artist, writer, inventor and professor of robotics at UC Berkeley, have collaborated before. But this show, an expanded version of the exhibition that premiered in Los Angeles as the Getty’s “PST ART: Art & Science Collide” art initiative, is their most comprehensive cooperative effort to date, Shlain noted.

Not only have the artists been able to reimagine and add to their works, but the use of the connected Minnesota Street Project houses Shlain and Goldberg’s large-scale work, Tree of Knowledge, in its atrium. This piece is made from a 10,000-pound salvaged eucalyptus and includes nearly 200 historical and contemporary questions that have spurred humanity’s ongoing quest to understand the world, burned into the wood with pyrography.

Said exhibition curator Twyla Ruby, “When we agreed to travel the show from the Skirball, I knew I wanted to extend the story by telling the story of both artists’ independent practices and careers. The show evolved into a dual, mid-career survey with the addition of key early works dating back all the way to 1996 and showing their deep roots in the epistemological context of Northern California.”

Shlain created an entirely new piece for the show, a set of three swings titled Participatory Pendulum, which allows visitors to “swing into the past, present and future,” according to the artist.

She writes in her newsletter: “Like trees, pendulums represent time in a poetic way. Pendulums let scientists understand gravity, study movement and measure time.” The swing representing the past reads “the world before you were here” and “you were here.” The present swing says “you are here.” The future swing goes from “you will be here” to “the world when you are no longer here,” she said.

Goldberg reimagined his work, Bloom, as ReBloom.

“It’s a tribute to Bay Area landscapes,” he said. The AI-powered piece draws on landscape paintings by Northern California artists drawn from the di Rosa collection, such as Wayne Thiebaud and Richard Diebenkorn, to immerse viewers in a colorful representation of real-time seismic data drawn from the Hayward Fault. “It’s a living landscape. A change in motion triggers the ‘bloom,’” Goldberg added.

Another piece, Acknowledge, invites viewers to provide information about any San Francisco tree in a 100-word text, which is uploaded and analyzed using generative AI to produce a unique textual and visual “tree tribute.” The tributes allow people to explain their own experiences with individual trees.

“Public response to the interactive work, Acknowledge, has blown me away,” Ruby said. “The work encourages viewers to collect and submit data on favorite trees. It has been gratifying to hear hundreds of deeply personal stories and recollections of trees across the Bay Area and the roles they have played in public and private lives.”

Yet another groundbreaking work is Speculation, Like Nature, Abhors a Vacuum, a video piece that contrasts disparity in tree canopies along four San Francisco streets—Jackson, Eddy, Mission and Minnesota—in a style inspired by Ed Ruscha’s urban landscapes. San Francisco conducts a “tree census,” Goldberg said, and, as with all cities, some areas of San Francisco have many more trees as part of the urban canopy than others.

By identifying these areas and contrasting their differences, the work also helps advocate for planting new trees as part of combating climate change, Goldberg said.

“The process by which [Shlain and Goldberg] create works—beginning with years of intimate conversation between them, extending to deep research and consultation with area experts, and culminating in a tactile act of historical witnessing by writing with fire—is beautiful to witness,” Ruby said.

Asked about ongoing concerns that AI could begin to replace the human creative process, both artists pushed back on that idea. After 30 years teaching robotics, Goldberg described his view as “a mixture of optimism and skepticism.” He said, “Nuance and interaction are so important. AI could help you transcribe this interview,” but it would not replace the interpretation.

Shlain referenced Marshall McLuhan, saying AI can be used to “lift up information to see things in a different way.”

Ruby offered suggestions on how to visit “Ancient Wisdom.” “The exhibition requires slow looking and close reading, so be prepared to stay for a while,” she said. “When your attention span needs a break, swing it out on the Participatory Pendulum.”

Last chance to experience ‘Ancient Wisdom’ and to hear artists Tiffany Shlain and Ken Goldberg discuss how the exhibition has built on previous work, what they are working on now and where the artwork is heading next. Live music and dancing with the Hot Einsteins—6 to 9pm, Saturday, April 11, at di Rosa SF, 1150 25th St., San Francisco. Tue–Sat, 11am to 5pm. dirosaart.org. General admission: $25.

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I watch a lot of theater, but I would be hard-pressed to name the last time I saw such a talented and cohesive cast," theater reviewer Beulah F. Vega said of Ross Valley Players' 'Value Over Replacement.
Value Over Replacement is a baseball statistic measuring how much better or worse you are than a hypothetical average player who could replace you. If you already knew that, then Value Over Replacement by Ruben Grijalva, now playing in Ross through April 12 as the lead show of Ross Valley Players’ annual New Works, is right up your alley. Edward...

Harm Done: The County Seized His Bus, Now He Lives in a Tent

When the Pacific Sun last reported on Sean Derning, Marin County had seized the converted bus he lived in on Binford Road and temporarily put him up in a motel. Now, he’s back on Binford, this time in a tent.
When the Pacific Sun last reported on Sean Derning, Marin County had seized the converted bus he lived in on Binford Road and temporarily put him up in a motel. Now, he’s back on Binford, this time in a tent. Until January, Derning was one of 45 people living in a sanctioned RV homeless encampment on a stretch of highway in...

Painted Bins Keeps Tons of Food Waste from Landfills

Since launching in 2022, Painted Bins has diverted nine tons of Marin food waste away from landfills, sparing the atmosphere from harmful methane emissions.
Since launching in 2022, Painted Bins has diverted nine tons of Marin food waste away from landfills, sparing the atmosphere from harmful methane emissions that contribute to rapid climate change. Tossing food waste into the appropriate receptacle seems so simple, yet it took Kathy Huber, director of Painted Bins, to develop a program that brings special bins to public spaces...

Art for a Future Ecology: ‘Ancient Wisdom’ Interweaves Trees, Time and Tech

“Ancient Wisdom for a Future Ecology: Trees, Time, and Technology,” on view at San Francisco’s di Rosa Center for Contemporary Art through April 11.
What we now know as Muir Woods became a national monument in 1908.  But scientists believe the oldest coast redwood in Muir Woods is at least 1,200 years old. It has stood through the times of the First People, Sir Francis Drake’s Golden Hind sailing by in 1579, Mexican settlers establishing Marin footholds in the 1830s and loggers threatening its...
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