Film review: ‘Cuckoo’ takes time to sort out

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Cuckoo clocks in at 102 minutes, but it will take at least that long for even the most forgiving horror movie fan to sort it all out after sitting through it.

Once the strenuous audio-visual effects are taken into consideration and filed neatly away, writer-director Tilman Singer’s latest, a follow-up to his 2018 shockeroo, Luz, boils down to a meticulously bizarre troubled-family exercise centered on a 17-year-old girl named Gretchen (American former fashion model Hunter Schafer) and her family’s awful summer vacation in the German up-country. It’s an ordeal for Gretchen, and us.

As their car pulls up in front of the Alpschatten Resort, it’s clear that Gretchen’s father Luis (Márton Csókás) and her stepmother Beth (Jessica Henwick) practice a method of child-rearing light on warm cuddles and heavy on icy dismissiveness. They have no time for Gretchen’s needy adolescent truculence. But distressingly, Luis and Beth also seem fed up with their own younger child, Alma (Mila Lieu), who suffers from epilepsy and hears disturbing, other-worldly sounds.

As this dismal scenario plays out, Luis, Beth and most of the other characters, including the all-important Gretchen, are in the habit of delivering their dialogue in a tone we might expect to hear from a home appliance technician announcing, “Ma’am, your ice-maker water line is blocked.”

Stir in the resort guests’ competing European languages and the odd noises coming from unexpected corners, and Cuckoo takes shape as not only a portrait of irritating, irritated people but a melodramatic obstacle course, with horror-flick shock cuts and non-sequiturs aplenty. No wonder Gretchen wants to jump on her bicycle and get away.

At the resort, owner Herr König (British TV-and-film vet Dan Stevens) might have stepped out of any number of creepy-landlord stories. His stereotypical Teutonic accent and awkward body language naturally raise warning flags for Gretchen. She’s already bent out of shape by her parents, but König’s mad-scientist theories on such subjects as “brood parasites” and “vanishing twin syndrome” only add to the general distress. More than that, he pronounces her name “GREAT-shun,” a perfectly understandable but spooky mannerism when lumped in with the overall queasy-making atmosphere.

The characters hanging around the Alpschatten—translation: Alpine shadow—bring their own individual nuttiness to an already odd situation. Dr. Bonomo (Proschat Madani) interrogates Gretchen with concentration-camp efficiency. Ed, another lost soul (Astrid Bergès-Frisbey), wanders into a scene, utters something incomprehensible, then wanders away. Gretchen’s front-desk companion, Trixie (Greta Fernández), has a complicated private life—a few of her scenes are looped for maximum confusion. Policeman Henry (Jan Bluthart) is in the middle of an investigation of Herr König. And then there’s the local gremlin, a berserk woman in a raincoat whose hobby is popping up out of nowhere and chasing our poor teenager.

Everyone in the cast seemingly conspires to either scare, reject or harm Gretchen. She accumulates bruises, lacerations and bloody scars as the movie goes on, amid incessant shrieks and squeaks coming from the dark forest surroundings. Cuckoo may set a record for on-camera scenes of vomiting.

Gretchen’s nerve-wracking visit to the Alps eventually takes on overtones of Roman Polanski’s psychological horror pic, Repulsion (1965), with Catherine Deneuve going crazy after being left home alone in a Paris flat. The big difference is that here, high in the mountains, Gretchen’s nemesis is other people. She’s haunted every minute by strangers with menacing intentions. No one ever really stops picking on her.

German filmmaker Singer hurls everything he’s got at Gretchen, an endlessly derivative assault of grotesqueries in the service of what is essentially the tale of a custody battle. The violence, physical as well as emotional, grows wearisome. Conscientious horror-flick fans may begin to wonder if this ill-tempered young woman is worth the trouble.

Is Hunter Schafer the new Mia Goth? Anyone attempting to seriously address that question deserves to be sentenced to a weekend at the Alpschatten. Or an hour and a half watching Cuckoo. What a choice.

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In theaters

Marin Shakes opens new venue with spin on ‘MacBeth’

If David Lynch read Shakespeare’s Macbeth and said, “I could improve on this,” one might get Marin Shakespeare’s new “Shakespeare-adjacent” play, The Untime. This “echo of Macbeth,” conceived by artistic director Jon Tracy and artistic associate Nick Musleh, marks the first summer show performance at their recently opened Fourth Street venue in San Rafael. The show runs through Aug. 25.

Set in the fictional Commonwealth of Caledonia, a country populated by refugees from wars fought by the Albion Empire, the story starts after the bombing of an entire city to flush out the traitorous General Cawdor. The bombing was ordered not by The King (Steve Price), the youngest son of Albion’s queen, but by a Caledonian general, The One (Michael Torres). The Artist (Nick Musleh), a bombing survivor, and The Spouse (Leontyne Mbele-Mbong), herself a refugee from Albion aggression, do damage control with carefully filmed propaganda.

With the death of Cawdor, The One becomes heir apparent to the throne. However, one more hurdle remains: The King has a daughter, The Heir (Calla Hollinsworth), and her grandmother is clear as to who she wants on the throne.

Like the play it echoes, The Untime plays with the audience’s understanding of time, reality and perception while asking questions about who “deserves” power, an instigator’s share of guilt and what makes one a traitor.

The script is, probably intentionally, unclear about whose eyes we see this play through. While an unreliable narrator can make people question truth, the non-specificity here makes it seem as if the actors themselves don’t know who is telling this story or whose story this is. The play is riddled with this sort of muddiness. From overlong and unearned monologues to a completely unnecessary final scene, the script desperately needs editing. The tragedy is that the show has a strong premise and good bones.

Torres’ oddly erratic pacing for The One does not help the script’s pace. His delivery stymies much-needed momentum.

Yet good work is done here. Price’s King, a fascinating and often funny character, brings much-needed levity. Musleh’s Artist, though slow to get there, does find his grounding, lending the production much-needed humanity. And Mbele-Mbong’s powerhouse of a performance justifies a ticket. Her Spouse—a grounded, sometimes sympathetic and always dangerous presence—keeps the audience engaged. She is the driving force of this production.

Set Designer Randy Wong-Westbrooke’s set, filled with gleaming dark wood, juxtaposes the opulence of the world these people live in with the violence of this world. Madeline Berger’s costuming, which succinctly and clearly imparts power and class, further explores this theme.

The program promises an intermission, but this almost two-hour play has no breaks. That’s a long time for such a cerebral script. Surely even David Lynch would be baffled by this decision for a show which becomes murkier and more claustrophobic with every scene.

Marin Shakespeare Company presents ‘The Untime’ through Aug. 25 at the Center for Performing Arts, Education, and Social Justice at 514 Fourth Street, San Rafael. Thu–Sat, 7:30pm; Sun, 1pm. $15-$40. 415.388.5208. marinshakespeare.org.

White Dudes: Reshaping ‘manhood’ this election

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Before more than 190,000 men joined a “White Dudes for Harris” call on July 29, the common wisdom parroted by the media was that most white men support extreme right causes and candidates. Not so fast.

“We’re taking white men back from the MAGA movement,” Ross Morales Rocketto, a co-founder of White Dudes for Harris, declared at the start of a three-hour telethon that raised more than $4 million for Kamala Harris’ presidential campaign. “By our silence, we white men have allowed white nationalists to speak for us.”

That white men organized—as white men—is among the many notable shifts in the 2024 presidential campaign since VP Harris became the Democrats’ presumptive nominee. For decades, white men’s activism and engagement in progressive causes has been consistently under the radar, obscured by extreme right wing men’s organizations.

Critics have used the labels of a “profeminist” or “antisexist” men’s movement to try and marginalize us. Yet, the cultural shifts in recent decades—from men showing up in droves at the Women’s March in 2017, supporting the #MeToo movement and promoting engaged fathering—paint a different picture than the one the mainstream media has been relying on.

National Harris campaign co-chair, former New Orleans mayor Mitch Landrieu, said it’s not true that white men lose when others get ahead. Landrieu believes that if white men in swing states “show up and vote for [Vice President Harris], even one or two percentage points can make the difference.”

Bradley Whitford, who’s featured in The Handmaid’s Tale television series, wryly addressed what he described as the rainbow of diversity among the speakers and attendees: “So many shades of beige,” the actor remarked, smiling.

But it was Tim Walz who spoke out in language Trump and his supporters would have no trouble understanding. “A Black woman is gonna kick his ass,” the Minnesota governor said. “And Trump’s gonna have to live with that fact for the rest of his life.”

White Dudes’ co-founder Morales Rocketto noted at the end of the White Dudes marathon event, “Now it’s time for white men to have a Black woman’s back.”

Rob Okun is editor of the anthology, ‘Voice Male: The Untold Story of the Profeminist Men’s Movement.’

The ‘Honest’ Ad Man

Author Nick Cohen

I was browsing the “local authors” section at Sugarfoot Books in San Anselmo and came across Nick Cohen’s new book, HONEST!, and had a flashback. Decades ago when I lived in NYC, I mailed in my resume to work at the award-winning ad agency Mad Dogs & Englishmen that Cohen started. Never heard back. At least he responded to my request for this profile. No hard feelings, honest!

What do you do?

I’m a creative director working primarily as a writer, helping brands find their authentic, lovable voices. I’m a big believer in radical honesty, warts ’n’ all. My biggest claim to fame was probably starting a rebellious New York ad agency called Mad Dogs & Englishmen. I just published a fun book all about the ridiculous stuff we did, called HONEST!

Where do you live?

We (my wife, Shazza; my boys, Aidan, Wyatt; and myself) live in Mill Valley, close to the Dipsea Steps.

How long have you lived in Marin?

Since 2000, after living in NYC. I’m a transplanted Brit who long ago fell head over heels in love with an American (my wife) and then America, I think because it was a place where it seemed OK to be happy-go-lucky, and the weather was less gray.

Where can we find you when you’re not at work?

Usually with my four crazy dogs hanging out at Stinson Beach.

If you had to convince someone how awesome Marin is, where would you take them?

To the top of Mount Tam! It’s so peaceful and spectacular. It never fails to astonish.

What’s one thing Marin is missing?

Um … could use a bit more diversity!

What’s one bit of advice you’d share with your fellow Marinites?

Every day, say “Hi” to someone you don’t know.

If you could ask anyone to join you at dinner, who would you invite?

Norm Macdonald would be a blast. He seemed very humble and curious.

What’s some advice you wish you knew 20 years ago?

Don’t let pragmatism get in the way of adventure. I’ve always known that. But I think as I’ve gotten older, I’ve been less stupid, which is a big mistake.

What’s something that 20 years from now will seem cringeworthy?

Cardboard boxes with Amazon labels.

Big question. What’s one thing you’d do to change the world?

Abolish smartphones!!!!

Keep up with Cohen at Tish-Tosh.com or at bit.ly/nick-cohen.

Nish Nadaraja was on the founding team at Yelp, serves on the San Anselmo Arts Commission and still watches the ads on TV.

Your Letters, Aug. 7

Poll Position

Normally the topics that are considered newsworthy when it comes to election coverage have to do with the candidates running for office, or how those candidates are faring in the polls. But today I’m writing about something else that is essential to our country’s democracy running smoothly: being a poll worker.

Poll workers power our democracy. In every city and local jurisdiction, election administrators need poll workers to keep polling places open, help their neighbors vote and ensure every voter has access to the ballot box. Poll workers are critical to help maintain accessible in-person voting for communities without reliable access to mail service, voters with disabilities, voters who need language assistance or for voters who want to cast their ballot in person. Serving as a poll worker is truly one of the most effective ways you can help democracy.

Recruitment for poll workers happens early, though. It takes time for election administrators to recruit, train and place poll workers. By getting an important head start, election officials can ensure new poll workers are ready to serve during the primaries as well as the general election in November. Please consider joining me in signing up to assist this effort.


Jeanne Lee

San Rafael

DMV & Me

My spouse and I both had really easy and efficient DMV experiences in the previous year.

We used the location on the east side of Petaluma. We both had appointments for license renewal and were seen within minutes of our scheduled time. And we had both taken our renewal test online, and those results were sent to the DMV. My only challenge, which had nothing to do with DMV, was difficulty reading my worn-out whorls on my fingers from years of healthcare handwashing. I was out of there in 20 minutes. Sweet!!

Joop Delahaye

Petaluma

Verses & Vows

Marin’s Meredith Heller & Ayya Santacitta

In the open spaces of Marin County, two remarkable women are weaving their life’s work into the regional tapestry.

Meredith Heller, celebrated poet and educator, and Ayya Santacitta, pioneering Buddhist nun and environmental advocate, embody a profound commitment to self-realization and collective wellbeing.

Their distinctive paths and their efforts to develop awareness that Earth is a living organism—a concept known as Gaia Theory—lay a foundation for a more compassionate and sustainable future.

CONNECT Ayya Santacitta started the Aloka Earth Room in San Rafael.

Discovery Via Poetry

For Heller, writing is more than a creative art form—it’s medicine for healing and self-discovery. Her poetry and workshops explore personal experiences and promote emotional wellbeing. Heller’s books, Write a Poem, Save Your Life and Writing by Heart, are centered on her lived experience. “Poetry found me; I have to write,” she says, her eyes alive with passion.

“Our bodies hold all of the stories of our lives,” she says. “If we listen to our bodies, they usually tell us what we need to heal, so I do a guided journey for students to have better body awareness. I like people in workshops to write not from the thinking mind, but from felt experience.”

Heller’s workshops make a space for collective creativity and healing, fostering a sense of connection and trust that builds community. “The kind of writing we do is deep and vulnerable,” she says.

She uses this analogy of a shared garden: “I’m bringing the carrots, you’re bringing the potatoes, and someone else is bringing the celery and the onions, and we end up feeding each other through what each of us individually puts in the pot.” Participants awaken to the richness and meaning of their stories.

“Students come out of workshops saying, ‘I matter, my unique thread in this whole fabric of life matters,’” Heller says. She pauses. “Everybody is needed. We’re all in the emerging community of life, and it’s very alive.”

For someone new to writing, Heller advises, “Just start. Your writing doesn’t need to entertain or be perfect. Write in a way that you’re learning about yourself. Open one of my books to any page, and find an invitation that calls to you, and start writing for yourself.”

Mindfulness & Sustainability

Sitting on the patio near a lush fern, a plant ally named Coal (for coalition), Santacitta recalls the origin story of the Aloka Earth Room.

“The original idea came from my first teacher, Ajahn Buddhadasa, in Wat Suan Mokkh, Thailand, in the late 1980s. He had an art gallery in the middle of the forest he used for teaching. I came from a background in the arts, so I was very touched by that approach,” Santacitta says. “Over 30 years passed, and I trained as a nun in Thailand, India, Nepal and at Amaravati Monastery in England, and came to America in 2009. And I always thought when the right causes and conditions came, I would like to try something similar.”

After co-founding a 17-acre forest monastery in the Sierra foothills, the nuns sold the property after a fire in 2021, and Santacitta started the Aloka Earth Room. “I chose a small place at the end of a dead-end road in San Rafael, which is a little secluded. But if people want to find it, they can,” she says.

It began as a seedling in 2023, and now it’s a sapling, Santacitta notes. “When people step into the Earth Room, it’s a symbolic expression of our deep connectedness with the Earth,” she says. One goal is to affirm that “we have more access to the self-regenerating intelligence of the Earth herself” than we know. The experiment includes reviving a mindset that existed before colonialism, mass agriculture, capitalism, mineral extraction and other modern systems that now endanger the survival of many species, including humanity.

The room’s adobe walls are adorned with celestial patterns. And the space represents the soil to grow a community nourished by Buddhist meditations and Earth-based rituals that express gratitude for the natural world.

One guided meditation connects the elements—earth, air, water, fire and space—with the body, resulting in practitioners often reporting feeling grounded, clear and connected. “The body and the planet are made of the same stuff,” Santacitta observes. “We have a direct lifeline into the planet through our bodies.”

Santacitta’s environmental focus is integral to her Buddhist practice. She teaches eco-dharma at the Aloka Earth Room. Aloka means “light of awareness,” the name of the first nuns’ cottage near London, where she began her monastic training in the early ’90s. The name “keeps me connected to where I come from and where I’m going,” she says.

“I consider us to be inside the planet, and not on top of it. Like an earthworm inside the Earth, we are inside the atmosphere. We need to work with our minds so we don’t get stuck in a hall of mirrors,” she says. Her meditation series, “Earthworm Practice for the Anthropocene,” teaches that like earthworms turning waste into fertile soil, practitioners can transform life’s challenges into opportunities for growth and wisdom.

Shared Values

Despite their distinct paths, Heller and Santacitta are united by a vision of transformation. Their work intersects, each complementing the other to create a tapestry of mindfulness, creativity and sustainability.

Beyond her role at the Earth Room, Santacitta is a sought-after speaker and advocate for environmental justice, bringing Buddhism into conversations about sustainability and social responsibility. Her influence extends globally through workshops, retreats and collaborations with like-minded organizations. “I’m often the only monastic,” she observes with wonder.

“My niche is to help people to work with their minds and to connect with the more-than-human world. If we offer ourselves to that intelligence, we will be claimed and pushed and pulled in a certain direction to use our gifts,” she says.

Her approach fosters self-awareness and personal action. “My work is to help people ask for guidance and ask the right questions from inside the web of life—and then it’s up to individuals to find what works for them and what they’re good at,” Santacitta says.

Social Impact

Together, Heller and Santacitta weave a narrative of hope and possibility. Their collaborative efforts, whether through poetry workshops or environmental advocacy, resonate with people seeking meaning and connection in an increasingly complex world.

Heller’s workshops provide an avenue for personal discovery and community building, while Santacitta’s teachings offer a path toward mindfulness and ecological harmony. Both women encourage a revitalized connection to oneself and the environment, promoting a life that values and nurtures collective wellbeing.

For information on Meredith Heller’s writing workshops, books and poetry, visit meredithheller.com.

To learn about the Aloka Earth Room events, workshops and ecology resources, visit alokavihara.org/aloka-earth-room.

World Music, Wine and Wind

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Mill Valley

Global Groove

Music lovers of Marin, this event announcement may as well be music to the ears … or eyes, what with the reading and all. Either way, what’s important here is to mark down Friday, Aug. 16, as the day to head out to witness the return of Los Pinguos and Twanguero to Mill Valley’s Throckmorton Theatre. The musical group returns to Marin to present a genre-bending, multicultural and entirely lively production of Los Silverbacks. This new project features a Los Angeles-based world-music collective that draws artistic inspiration from the streets of the world. The World Music with Los Silverbacks performance starts at 8pm at the theater, located at 142 Throckmorton Ave. in Mill Valley. To purchase tickets for the performance at the Throckmorton, call 415.383.9600, or visit the website and buy them online at throckmortontheatre.org.

Petaluma

Wind to Wine Festival

Does an afternoon spent sipping away on award-winning local wines, along with tasty bites and music that’s live, sound appealing? Well, on the not-so-off chance readers are open to the whole wine-and-dine song-and-dance, the Wind to Wine Festival in Petaluma is the place to be. This local festival features Petaluma Gap AVA wines from 25-plus wineries, appetizers by the Girl + the Fig and live acoustic guitar performed by Clay Bell. The Wind to Wine Festival takes place from noon to 4pm on Saturday, Aug. 10, and is located at the Gambonini Family Ranch (a.k.a. 7325 Old Lakeville Rd. #3 in Petaluma). To purchase tickets to the festival, visit bit.ly/wind2wine.

Mill Valley

After Hours

The Mill Valley Public Library has it all: books, bookworms and, as it turns out, an After Hours series for adults and high school students to gather together for late-in-the-day entertainment and enrichment. Best-selling author, screenwriter and Sausalito local Amy Tan is set to make the next installment of the Mill Valley Public Library’s After Hours program something truly special. Tan is best known for her works The Joy Luck Club and The Bonesetter’s Daughter, as well as a recent illustrated birding book, The Backyard Bird Chronicles. Tan’s After Hours event takes place from 7 to 8:30pm on Friday, Aug. 16, in the Main Reading Room of the Mill Valley Library. To learn more about the After Hours series and other events, workshops, book clubs, etc., visit the library website at millvalleylibrary.org.

Napa

Town & Country Fair

That’s right, folks—the much anticipated Napa Town & Country Fair is coming to town Aug. 8 through 11. This fair promises entertainment and festivities galore, and recently announced its lineup of performances, interactive exhibits and activities, all of which are FREE with the cost of admission. Between the return of the makers’ market, an enchanted garden, live entertainment, livestock and oh-so-much more, it’s tempting to go to the fair all four days just to take in all the attractions. The Napa Town & Country Fair is located at 575 3rd St. in downtown Napa. The gates open at 3pm Thursday and Friday, and 1pm Saturday and Sunday. There will be no admittance after 9pm. Visit napafair.org to learn more about this classic Wine Country event.

Summer Stage: Shakespeare and &%@!-stirring in Marin

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The summer doldrums have settled upon live theater in Marin County as most companies gear up for the September openings of their new seasons.

Then there’s the Marin Shakespeare Company.

Summertime is when they’re at their most active. Their season began in July with a well-received mounting of Much Ado About Nothing and continues in August with two interesting productions.

Usually situated at the Forest Meadows Amphitheatre at Dominican University, MSC will be presenting their first indoor summer production. The Untime, an original piece conceived by artistic director Jon Tracy and Nick Musleh, will play at their downtown San Rafael venue at 514 Fourth St. starting on Aug. 2. The show contains echoes of Macbeth with its tale of a king, his generals, a wedding and conflict.

For folks seeking a more traditional Shakespeare show, The Comedy of Errors will play at the Forest Meadows Amphitheatre starting Aug. 17. Director Michael Gene Sullivan’s adaptation of the play presents the show in period but as if it’s being performed by a rogue women’s acting troupe. marinshakespeare.org

Speaking of Michael Gene Sullivan and acting troupes, the Tony Award-winning San Francisco Mime Troupe, now in their 65th season, brings its rabble-rousing ways to Marin County with a stop in Mill Valley for a performance of their latest poke-in-the-establishment’s-eye, American Dreams–A New Musical–Was Democracy Just a Dream?

For those not expecting to hear much from a mime troupe, be aware that they use the term mime in its classical and original definition, “The exaggeration of daily life in story and song.”

Written by Sullivan (with music and lyrics by Daniel Savio and directed by Velina Brown), the show features Sullivan as Gabriel Pearse, a Black man tired of failed liberal promises and ready to give up, or worse, vote conservative.

Other subjects addressed by the troupe in this 80-minute intermission-less show include the latest on the Palestinian situation and its accompanying campus unrest, and what the future might hold for us all as AI becomes more prevalent.

One person’s dream is another person’s nightmare. And yes, there’s a mad robot and a cow puppet.

The show also features Andre Amarotico, Lizzie Calogero and Mikki Johnson playing multiple roles. Music is provided via a three-person band, with Savio on keyboards, Caroline Chung on bass and musical director Dred Scott on percussion and keyboards.

The troupe is traveling throughout Northern California with their show. Mill Valley’s Community Center will host the show on Saturday, Aug. 21 on their back lawn. There’ll be pre-show music at 6:30pm, followed by the 7pm performance. Admission is free, but donations are graciously accepted. sfmt.org

‘PLANETWALKER’: One Step at a Time

Local film lovers will not want to miss the upcoming screening of PLANETWALKER, a mini-documentary that outlines the story of one Point Reyes local who, following the 1971 oil spill in San Francisco, began a 22-year-long walk…17 years of which were taken in a vow of silence.

Dr. John Francis, the film’s protagonist, was born in 1946 in Philadelphia. He recalls having a wonderful childhood, especially when it came to the surrounding nature and wildlife. One of his fondest memories was of the local children taking care of the baby robins that would fall from their nests.

In 1969, Francis visited a friend in Inverness and found himself completely enthralled by the natural landscape and environment of Marin. He was especially taken by the giant trees, which he had yet to learn were only second-growth. After some back-and-forth visits between states, he officially moved out to California’s central coast…just in time to witness ecological disaster.

“Not long after that was the oil spill in San Francisco Bay in 1971, where the tankers had collided by the Golden Gate Bridge,” explained Francis. “I drove out with my girlfriend to look at the spill, but the fog made it so we could only see people working trying to clean up the spill.”

“I said we should get out of our car and just start walking because it was just so horrific that this oil had decimated so much wildlife,” he continued. “The birds in particular, because I was so attached to birds at the time from my childhood.”

But Francis’ walk did not begin until another incident involving the death of a fellow West Marin citizen. Together with his girlfriend, he decided to celebrate the life of their lost member of the community by walking to a nightclub in San Anselmo and having a dance.

“The Youngbloods were our neighbors and were going to be playing,” he said. “‘Get Together’ was an anthem for the ’60s and is still played today, and it’s a very important song for me and other people. And so we walked, and I don’t know how many people you know who have walked 20 miles…we left at 4pm to start our walk, and by the time we got there it was about 1am and the night club was closing, and The Youngbloods were singing their anthem as the closing song; they offered to drive us back and…we decided to stay and walk back the next day.”

On the walk back from San Anselmo, Francis considered life, death and the American Dream (among other things). It was during this return from San Anselmo that he decided that he was going to continue walking.

“We only have this moment, I said—there’s no guarantee that tomorrow’s going to come, or the money is going to come, and all we have is the promise of right now, not tomorrow,” he said. “I told [my girlfriend] I wanted to keep walking, so she said, ‘You do that.’”

And so, Francis began a walk that would last 22 years. But he was far from done, especially since the numerology of his upcoming 27th birthday called for something truly special.

“I read in The Hobbit that hobbits, on their birthday, they don’t get gifts from other people,” he explained. “What hobbits do is give their friends gifts on their birthday, so I decided to give my community the gift of my silence. So, on my birthday I slept outside on the mesa, and when I came into town I wasn’t talking. I just decided I wasn’t going to talk.”

“And I realized something on that day, because I was with people and I was listening to them, enough to know I hadn’t been listening before,” Francis continued. “I thought I knew so much, everything, and so I listened just enough to think I knew what someone was going to say. I was just waiting for them to stop talking to tell them what I know, and I had stopped learning by not listening. And it was great insight from two days of not speaking. And I thought I better do this another day, another day…”

And so, he traded talking for listening and motorized vehicles for walking, thus beginning an epic tale, the impact of which touched countless lives along the way. Through the short documentary, PLANETWALKER, the details of Francis’ journey are laid out in interviews with not only the protagonist of the story but also those he met during his incredible journey.

The directors of PLANETWALKER are Dominic and Nadia Gill, a married duo who have their own history of outdoor adventures and environmentalism.

“I was an environmental scientist and then lobbyist and then consultant for a while before filmmaking, so I’ve always had an understanding and appreciation,” said Dominic Gill.

“We were so excited…because it’s pretty rare to get access to a person as amazing as John,” explained Nadia Gill. “Six months just talking to him and figuring out funding, and we came to the conclusion we wanted it to be a chorus of people talking about John’s past, because I was inspired by an interview he did…where he said he didn’t know how much impact one man could have. So I was like, what happens if we have this conversation with all these people about the impact he had on them?”

Francis plans to return to his home in Point Reyes for the home-state screening of the documentary. PLANETWALKER is screening Aug. 9 through 15 at the Smith Rafael Film Center in San Rafael. After attending the screening, the audience will have the opportunity to engage in Q&As with the film team and Francis following the 6pm screenings on Aug. 9 through 13.

“Kindness can transcend all those barriers that we put up between ourselves to make us different,” Francis concluded. “Kindness can transcend, so my message to everyone is to just be kind…I know it seems like that’s so simple, but if we are kind to each other and if we grow up in kindness, live in kindness and practice kindness all the time, the world will change.”

For more information about the PLANETWALKER screening at the Smith Rafael Film Center, visit rafaelfilm.cafilm.org/planetwalker.

To learn more about Francis, his history and his plans for the future, visit planetwalk.org and globe.gov. He also wrote two books, ‘Planetwalker: 17 Years of Silence, 22 Years of Walking’ and ‘The Ragged Edge of Silence: Finding Peace in a Noisy World.’

Home Sweet Home: Jennifer Bowman, Real Estate & TV

If it weren’t for Jennifer Bowman, I might not be here. Thanks to her (and her partner, Elliott Fink), my wife, Jane, and I found a house five minutes from downtown San Anselmo.

What do you do?

Find great homes for people like you, Jane, Violet and Pablo. I also host a lifestyle television show called The American Dream about what makes Marin a great place to call home.

Where do you live? Very recently, Bel Marin Keys and loving it.

How long have you lived in Marin? I was born at Marin General Hospital in 1971.

Where can we find you when you’re not at work?

On the water. I row competitively for Marin Rowing Association, and am the rear commodore of the Bel Marin Keys Yacht Club.

If you had to convince someone how awesome Marin is, where would you take them? I would have to say meet up in Mill Valley at Joe’s Tacos, drive up to Panoramic Highway for a bird’s eye view of the county from the crossroads, pop into Stinson Beach for a walk and lunch at Parkside, circle around Bolinas Lagoon up through Olema to Point Reyes and back through West Marin via Sir Francis Drake and back through San Anselmo (past your house!), then dine on 4th Street in San Rafael.

What’s one thing Marin is missing?

A bowling alley or an ice skating rink (we had both when I was growing up here).

What’s one bit of advice you’d share with your fellow Marinites?

Turn off the GPS, and get lost in the beauty of Marin.

If you could invite anyone to a special dinner, who would you invite?

All my grammar school teachers!

What’s some advice you wish you knew 20 years ago? The greatest wealth is found in surrounding yourself with people who you love unconditionally and who love you for who you authentically are.

What’s something that 20 years from now will seem cringeworthy?

White quartz.

Big question. What’s one thing you’d do to change the world?

Require every young adult to work for six months in the service industry serving others.

Keep up with Bowman at @ jennbowmangroup on Instagram and at

bowmanrealestategroup.com.

Nish Nadaraja was on the founding team at Yelp, serves on the San Anselmo Arts Commission and still loves his house.

Film review: ‘Cuckoo’ takes time to sort out

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Cuckoo clocks in at 102 minutes, but it will take at least that long for even the most forgiving horror movie fan to sort it all out after sitting through it. Once the strenuous audio-visual effects are taken into consideration and filed neatly away, writer-director Tilman Singer’s latest, a follow-up to his 2018 shockeroo, Luz, boils down to a meticulously...

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