Rio Bravo

The lunatic proposal to wall off America’s southern border from sea to sea is a waste of both time and treasure.

The implications of this partisan folly look even worse after watching Ben Master’s The River and the Wall. It documents a 1,900 mile journey from the shoulder of Texas to its toe down at the Gulf of Mexico. Five travellers follow the Rio Grande, America’s fourth largest river. It’s just one front for this proposed ‘big, beautiful wall.’

According to this gloriously photographed study, only 3 percent of Texas is publicly owned. Most of that is in Texas’s Outback, the Big Bend region. It is titanic country, 800,000 acres of open land. It’s remote, often tractless, a place to stir the soul of anyone who loves a western movie. The area is so rugged that it has to be seen just so that the wall can be laughed off properly: vertical cliffs facing each other hundreds of feet above the river, mesas, box canyons and bluffs. Says Masters, it’s ”like the Grand Canyon without the crowds.”

The five-person adventure is carried out on mountain bike, on mustang back and in canoes. The trip includes a surprise snowfall that turns the road to mud, and a passage downstream through the rapids. Director Masters travels with ecologist Jay Kleberg, river guide Austin Alvarado, photographer Filipe DeAndrade and a Coachella-beanie-wearing, Cornell-trained ornithologist named Heather Mackey. She’s there to observe the subtropical bird and butterfly haven at Bentsen Rio Grande Valley State Park. See it now, if you can; this habitat may well soon be scraped by bulldozers and divided by the wall to be.

Part of the incalculable price of the wall is the closure of wildlife corridors over the border, even after the creatures there had started to come back from extirpation—bears, bighorn sheep and pronghorns, among others. A 2006 law lets the government ignore environmental issues when seizing land for border security. Some potential victims in the deep south of Texas are farmers who may lose access to the Rio Grande water, as well as rich fields, arable year-round. Farmland might be ceded to Mexico just because it’s easier to build a wall on a levee than on a riverbank.

The travellers do face potential danger, in the south near Brownsville. Boating by night, as they were advised not to do, they encounter a party of illegal crossers. They might be ordinary mojados or they might be dangerous narco traffickers, on the job satisfying the U.S.A.’s sweet tooth for drugs.

In America, we have an estimated 11 million undocumented residents, most of them here on overstayed visas. Over the decades, the matter has been a source for sidestepping bipartisan twaddle: seen here, presidents Trump, Obama, Clinton and George W. Bush’s exact wording differs, but what they said comes down to the same empty phrase: “We’re a county of immigrants, but we’re also a country of laws.”

University of Texas at Austin scholar Victoria deFrancesco Soto, interviewed here, argues that “folks don’t choose to be undocumented. When people say ‘get in line,” many times the line doesn’t exist.” Democratic Texas Congressman Beto O’Rourke and Republican Will Hurd here agree that the wall is, as Hurd puts it, “the most expensive and least effective way to do border security.”

The River and the Wall sometimes goes in for homemade YouTube travel documentary–style whimsy. At one point Masters cuts away from something interesting Hurd was saying just to show DeAndrade clowning around about his saddle-soreness as a novice horse rider. Masters has a point, though. Two of these travellers, DeAndrade and Alvarado, were once illegal immigrants. DeAndrade, an irrepressible guy with a pierced lower lip, is now an award-winning photographer for National Geographic. Both men are evidence not of what we’re losing by having immigrants, but what we’re gaining.

It’s unclear whether factors such as beauty, remoteness, or common sense will save a wilderness that makes the heart soar to look upon it. One proposal is combining Big Bend National Park with the Mexican nature reserves on the far side of the Rio, similar to Waterton Glacier International Peace Park on the Canada-U.S. border. The River and the Wall displays such majesty that one understands how words fail the likable travellers: ”Isn’t nature neat?” one exclaims.

‘The River and The Wall’ is now streaming on Vudu.

Pizza For a Song

When Greg DiGiovine aka Tony Tutto quit the music promotion business and decided to follow his passion to open a small pizza restaurant in Mill Valley, he could never have imagined where he would be 11 years later.

After losing his lease on East Blithedale, Tutto, who once managed Carlos Santana, began looking for a new location in Marin to serve his by now well-known and loved pies with names like Peter, Paul & Pesto, A Love Supreme and a Whiter Shade of Pale. Tutto looked at over 100 spaces throughout Marin, but it was the sweet, light filled spot in downtown Ross, that he “fell deeply in love with—I saw the light literally and figuratively,” said Tutto who was especially taken by all the greenery in the small town. And after a decade of contending with busy traffic and limited parking, Tutto knew he had found a home for Tony Tutto’s next incarnation.

Tutto wasn’t sure how he would attract new customers and bring back his large established following from Mill Valley. “I decided to let people smell their way to my new location,” explained Tutto who opened his doors last October for five days and offered free pizza and drinks to anyone who walked in the door. By the last day—the place was packed.

Along with his musically named pizzas, Tutto also offers calzones, lasagna and soup. His selection of specialty beers numbers over 50. Focaccia with seasonal toppings is a new addition to the menu. Daily pizza and focaccia specials often include whatever is fresh at the farmers market. Recent specials included pies topped with fiddlehead ferns and asparagus and another boasted brown piopini mushrooms.

Though Tutto is careful not to promote his food as vegetarian, there are no meat items on his menu and most of the ingredients are organic.

To say that Tutto has come a long way since the day he decided to follow his pizza dreams with his cash-only pizzeria where orders were placed on Post It Notes is an understatement. The self-described shy guy who was accustomed to promoting others is now a veteran restaurateur with a loyal and beloved following.

“I’m just trying to make really good pizza and see people be happy,” says Tutto.

Horoscope

ARIES (March 21-April 19): Time to shake things up! In the next three weeks, I invite you to try at least three of the following experiments. 1. See unusual sights in familiar situations. 2. Seek out new music that both calms you and excites you. 3. Get an inspiring statue or image of a favorite deity or hero. 4. Ask for a message from the person you will be three years from now. 5. Use your hands and tongue in ways you don’t usually use them. 6. Go in quest of a cathartic release that purges frustration and rouses holy passion. 7. Locate the sweet spot where deep feeling and deep thinking overlap.

TAURUS (April 20-May 20): According to science writer Sarah Zielinski in *Smithsonian* magazine, fireflies produce the most efficient light on planet Earth. Nearly 100 percent of the energy produced by the chemical reaction inside the insect’s body is emitted as a brilliant glow. With that in mind, I propose that you regard the firefly as your spirit creature in the coming weeks. According to my reading of the astrological omens, you, too, will be a dynamic and proficient generator of luminosity. For best results, don’t tone down your brilliance, even if it illuminates shadows people are trying to hide.

GEMINI (May 21-June 20): Here’s a message from author Susan J. Elliott: “This is not your week to run the Universe. Next week is not looking so good either.” Now here’s a message from me: Elliott’s revelation is very good news! Since you won’t have to worry about trying to manage and fine-tune the Universe, you can focus all your efforts on your own self-care. And the coming weeks will be a favorable time to do just that. You’re due to dramatically upgrade your understanding of what you need to feel healthy and happy, and then take the appropriate measures to put your new insights into action.

CANCER (June 21-July 22): The next three weeks will be an excellent time to serve as your own visionary prophet and dynamic fortune-teller. The predictions and conjectures you make about your future destiny will have an 85 -percent likelihood of being accurate. They will also be relatively free of fear and worries. So I urge you to give your imagination permission to engage in fun fantasies about what’s ahead for you. Be daringly optimistic and exuberantly hopeful and brazenly self-celebratory.

LEO (July 23-Aug. 22): Leo poet Stanley Kunitz told his students, “You must be very careful not to deprive the poem of its wild origin.” That’s useful advice for anyone who spawns anything, not just poets. There’s something unruly and unpredictable about every creative idea or fresh perspective that rises up in us. Do you remember when you first felt the urge to look for a new job or move to a new city or search for a new kind of relationship? Wildness was there at the inception. And you needed to stay in touch with the wildness so as to follow through with practical action. That’s what I encourage you to do now. Reconnect with the wild origins of the important changes you’re nurturing.

VIRGO (Aug. 23-Sept. 22): I have no complaints about the measures you’ve taken recently to push past unnecessary limits and to break outworn taboos. In fact, I celebrate them. Keep going! You’ll be better off without those decaying constraints. Soon you’ll begin using all the energy you have liberated and the spaciousness you have made available. But I do have one concern: I wonder if part of you is worried that you have been too bold and have gone too far. To that part of you I say: No! You haven’t been too bold. You haven’t gone too far.

LIBRA (Sept. 23-Oct. 22): “Dreamt of a past that frees its prisoners.” So wrote Meena Alexander in her poem “Question Time.” I’d love for you to have that experience in the coming weeks. I’d love for you be released from the karma of your history so that you no longer have to repeat old patterns or feel weighed down by what happened to you once upon a time. I’d love for you to no longer have to answer to decayed traditions and outmoded commitments and lost causes. I’d love for you to escape the pull of memories that tend to drag you back toward things that can’t be changed and don’t matter any more.

SCORPIO (Oct. 23-Nov. 21): “Desire is a profoundly upsetting force,” writes author Elspeth Probyn. “It may totally rearrange what we think we want. Desire skews plans and sets forth unthought-of possibilities.” In my opinion, Probyn’s statements are half-true. The other half of the truth is that desire can also be a profoundly healing and rejuvenating force, and for the same reasons: it rearranges what we think we want, alters plans, and unleashes unthought-of possibilities. How does all this relate to you? From what I can tell, you are now on the cusp of desire’s two overlapping powers. What happens next could be upsetting or healing, disorienting or rejuvenating. If you’d like to emphasize the healing and rejuvenating, I suggest you treat desire as a sacred gift and a blessing.

SAGITTARIUS (Nov. 22-Dec. 21): “So much of what we learn about love is taught by people who never really loved us.” My Sagittarian friend Ellen made that sad observation. Is it true for you? Ellen added the following thoughts: so much of what we learn about love is taught by people who were too narcissistic or wounded to be able to love very well; and by people who didn’t have many listening skills and therefore didn’t know enough about us to love us for who we really are; and by people who love themselves poorly and so of course find it hard to love anyone else. Is any of this applicable to what you have experienced, Sagittarius? If so, here’s an antidote that I think you’ll find effective during the next seven weeks: identify the people who have loved you well and the people who might love you well in the future—and then vow to learn all you can from them.

CAPRICORN (Dec. 22-Jan. 19): Capricorn fantasy novelist Laini Taylor creates imaginary worlds where heroines use magic and wiles to follow their bliss while wrangling with gods and rascals. In describing her writing process, she says, “Like a magpie, I am a scavenger of shiny things: fairy tales, dead languages, weird folk beliefs, and fascinating religions.” She adds, “I have plundered tidbits of history and lore to build something new, using only the parts that light my mind on fire.” I encourage you to adopt her strategies for your own use in the coming weeks. Be alert for gleaming goodies and tricky delicacies and alluring treats. Use them to create new experiences that thrill your imagination. I believe the coming weeks will be an excellent time to use your magic and wiles to follow your bliss while wrangling with gods and rascals.

AQUARIUS (Jan. 20-Feb. 18): “I was always asking for the specific thing that wasn’t mine,” wrote poet Joanne Kyger. “I wanted a haven that wasn’t my own.” If there is any part of you that resonates with that defeatist perspective, Aquarius, now is an excellent time to begin outgrowing or transforming it. I guarantee you that you’ll have the potency you need to retrain yourself: so that you will more and more ask for specific things that can potentially be yours; so that you will more and more want a haven that can be your own.

PISCES (Feb. 19-March 20): I’m not a fan of nagging. I don’t like to be nagged and I scrupulously avoid nagging others. And yet now I will break my own rules so as to provide you with your most accurate and helpful horoscope. According to my analysis of the astrological omens, you aren’t likely to get what you truly need and deserve in the coming days unless you engage in some polite, diplomatic nagging. So see what you can do to employ nagging as a graceful, even charming art. For best results, infuse it with humor and playfulness.

Memory Lane

When it first roared to life in 1986, the May Madness car show was already a blast from the past. Greg Borrelli created it to revisit his high school days of cruising up and down Fourth Street in downtown San Rafael back in the ‘60s and ‘70s.

Though Borrelli passed away in 1998, his legacy lives on today in the now-named Greg Borrelli May Madness Car Show and Parade, marking its 31st year on Friday and Saturday, May 10 and 11, in San Rafael.

May Madness is now helmed by Borrelli’s longtime friend and associate Rick Lewis, who’s been a part of the tradition since its inception in 1986. “I worked for Greg Borrelli when he owned the pawn shop San Rafael Loan,” says Lewis, who currently runs Gold Rush Jewelers. “He had a ’32 Ford Roadster, and when he had it restored finally, he wanted to cruise with his friends on Fourth Street, and at that time it was not allowed.”

Cruising had been a long-standing tradition in San Rafael during Borrelli’s youth, even garnering a scene in American Graffiti. Unfortunately, by the middle of the ’80s, the San Rafael Police Department put an end to it. Lewis cites Borrelli’s connection to the merchants association and relationship with then Mayor Al Boro for getting the show off the ground. Through the years, the event has grown exponentially, now attracting thousands of visitors each May.

“It brings back a ton of nostalgia, myself included,” says Lewis. “When I was a 19-year-old kid, I had a ’65 Impala Super Sport convertible, and my friends and I would pile in the car in Fairfax and we’d cruise in San Rafael. It was a great time.”

In addition to the car show and parade on Saturday, May 11, this year’s May Madness is reliving the memories with it’s first-ever Friday Night Cruise on May 10, with engines revving up at Terra Linda High school and moving through San Rafael. Afterwards, a barbecue at the Elks Lodge raises funds for under-served Marin youth to experience Camp Chance.

“It’s a way to have that fun again” says Lewis. “We all have our project cars, mine’s a ’68 Cougar, and we’ll get to relive that experience.”

Saturday’s show will boast the largest collection of classic cars in the history of May Madness, and Lewis says those who wait until the day-of to register their car may be turned away. “I’ve walked each block, counting spaces and trying to figure out how to add more cars,” he says. “It’s very touching that people want to spend their day with us.”

For the general public, Saturday’s show also features food trucks, live music, refreshments and a parade led by a 1928 San Rafael police car. Another after-party at the Elks Lodge rounds out the weekend.

“It’s great to see friends and families come to this event,” says Lewis. “People who grew up in Marin and have moved away; they come back here to do things they did when they were young.”

Greg Borrelli’s May Madness Car Show and Parade happens Friday and Saturday, May 10-11, Fourth St., San Rafael. Fri, 6pm; Sat, noon. Free admission; Fri BBQ is $35. Maymadnesssanrafael.com.

Abstract Rhythms

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The Oxford Dictionary defines “jazz” as a type of music of black American origin characterized by improvisation, syncopation, and usually a regular or forceful rhythm.

The same definition could be applied to Nambi E. Kelley’s Jazz, her theatrical adaptation of Toni Morrison’s 1992 novel of the same name. Awoye Timpo directs the Marin Theatre Company production running through May 19 in Mill Valley.

Death hangs over this story like a coffin lid, which is exactly what the scenic design by Kimie Nishikawa evokes from the opening. Below it is the grave of an unknown person, surrounded by mourners. Enter a woman who begins to rail against the deceased before pulling out a knife with the intent to disfigure the corpse.

We soon learn that the woman is Violet Trace (C. Kelley Wright), wife of Joe Trace (Michael Gene Sullivan), and that the deceased was a young girl named Dorcas (Dezi Soley). She was Joe’s mistress and Joe shot her after she attempted to end the relationship. Violet is bedside herself trying to understand why Joe would enter into that relationship. The story then moves back and forth in time and location as Violet and Joe’s story is told.

Having not read the book, I can’t tell you whether or not the playwright successfully captures the essence of the novel, or what is kept or lost when a 229-page novel is reduced to 95 uninterrupted minutes.

What I can say is that the non-linear approach is often confusing. Scenes and dialogue are repeated, ostensibly from different points of view, but that is often not very clear. A parrot (portrayed by Paige Mayes with wonderful physicality in a terrific Karen Perry-designed costume) seems to exist only to chirp “I love you” to Violet. By the end, we do get a sense of why Joe did what he did, but the morally ambiguous conclusion is unsatisfying.

What is more than satisfying is the caliber of performance brought to this tale by a cast of Bay Area stalwarts and guest talent. Wright and Sullivan give towering lead performances and are given a bedrock of support from Margo Hall as Alice Manfred, Dorca’s aunt and guardian. Soley spends a great deal of time on stage as a “living” painting, but really comes alive in her portrayal of Dorcas. Strong work is done by the entire ensemble.

Jazz isn’t the most comprehensible play. Actually, it’s a bit of a mess, but a well-produced and well-acted one.

‘Jazz’ runs Tuesday–Sunday through May 19 at Marin Theatre Company, 397 Miller Ave., Mill Valley. Tuesday – Saturday, 7:30 pm; Sunday, 2:00 pm. $25–$60. 415.388.5208. marintheatre.org.

Mall Cats

Santa Rosans woke up Monday morning to a circling helicopter and news that a juvenile mountain lion was spotted camping out under at bush near Macy’s downtown at the Santa Rosa Plaza.

Headline machines cranked up around the North Bay to describe the peculiar phenomenon—“Mauled at the Mall!” was one headline we were glad to not see—as the animal was quickly tranquilized by the California Department of Fish and Wildlife, who said the animal would be released back into the wild. A leading theory from state officials and was that the animal had found its way to Santa Rosa by following the city’s namesake creek downtown, or via the Manzanita creek.

“We’ve had a lot of interest and a lot of the public connecting with us about the mountain lion in the mall,” says Dr. Quinton Martins, director and principal Investigator with Living with Lions, which tracks the animals’ presence in the state. The sighting of large wild animals juxtaposed in urban environments is not a new story in the North Bay, but it does have a new twist. Multiple online resources devoted to the life and times of apex predators, not to mention California environmental organizations, have noted an uptick in the number of animals loping into urban areas in recent years—mostly due to their habitats being squeezed by development or, as the case may be, a year-round fire season that’s seen beasts of all size and dimension fleeing the flames for un-scorched earth.

“It’s funny that it takes a mountain lion to go shopping at Macy’s to get people really aware of the fact that we are living with lions,” says Martins, who says the cat was given an ear tag to track it, and that its DNA was collected for testing before it was released. He estimates the cat to be between eight and 10 months old and says his organization will now try to figure out where it came from and see if it’s related to any of the other 17 cats the Living With Lions is tracking.

A posting on the mountain lion-loving site knowyourneighbors.com was characteristic in describing the phenomenon that hit home this week in front of the big-hands sculpture at the Santa Rosa mall: “As mountain lion habitat becomes more fragmented, dispersing young mountain lions often find their way into urban areas by accident. Urbanization and habitat fragmentation disrupts the natural dispersal landscape, and reduces the amount of available territory for dispersing young.”

That site, among others, shares some recommendations on how to deal with the arrival of mountain lions, should the jarring visit to the mall this week bespeak a trend: keep the pets locked up, not to mention the goats and sheep, and other vulnerable animals, from dusk ’til dawn.

All we really know is that the mountain lion was spotted at around 9am, and by 10am life had returned to normal on the corner of 4th Street and Avenue B. It was an hour that will live on, in infamy, and in the imaginations of Santa Rosans mesmerized by the bizarre spectacle. We anticipate that a limited-edition Mountain Lion Malt Ale to emerge from nearby Russian River Brewery any day now, to commemorate the occasion.

But there’s a larger “what’s it all mean” storyline here that’s of a more spiritual question in search of an answer. While rare in Santa Rosa, mountain lions do appear on occasion in West Marin and especially in the Mt. Tam watershed—and when it happens, folks out in unicorn bush country tend to be both freaked out and spiritually awestruck at the sighting.

The Marin Municipal Water District reports on its website that the agency’s “watershed management staff occasionally receive reports of mountain lion sightings on Mt. Tamalpais Watershed lands. These sightings are not cause for alarm, but the district recommends that visitors to public lands follow the mountain lion precautions provided by the California Department of Fish and Wildlife.”

Those precautions include deer-proofing one’s home, never hiking or jogging alone, refraining from leaving pets or small children outdoors unattended, and to “acknowledge that you live in mountain lion country and make a commitment to educate yourself.”

For all the caution recommended, it’s also helpful to educate oneself about the mountain lion’s heavy symbolism for the spiritually inclined, especially since Fish & Wildlife says that “mountain lion attacks on humans are extremely rare,” and that the animal is likely more scared of the humans it encounters than vice versa.

As a spiritual matter, for example, the noble animal pops up in Jimi Hendrix’s “Voodoo Chile,” right after the moon turns fire red and Jimi’s gypsy mother drops dead upon seeing the dread spawn she’s just birthed. Abandoned to his fate, like Moses, Jimi sings, “Well, mountain lions found me there waiting, and set me on an eagle’s back.”

Hendrix was part Cherokee, and First Nations folklore holds the mountain lion in very high totemic regard; the animal is conferred the status of “magical sun dancer,” and one of the bits of wisdom that pops up on sites devoted to animal symbolism is that if a mountain lion should appear in your cosmology, at your local mall or atop your local mountain, its message is that the human beings who engage with it must “find the balance between freedom and maintaining boundaries.”

In life as in redevelopment, that’s a message with some real poignancy. It’s especially wise counsel for a North Bay now under an intensive rebuilding regime after the 2017 wildfires wiped out five percent of the housing stock in Santa Rosa—a rebuild that’s met with increasing housing unaffordability for an underpaid North Bay workforce from Larkspur to Cloverdale, not to mention an anticipated population spike in coming years up and down the Highway 101 transit corridor to San Francisco.

Those “boundaries” alluded to by First Nations people are presumably inclusive of the locally legislated “urban growth boundaries” that have kept the North Bay from morphing into a gigantic sprawl with even less wild space to accommodate the occasional beast that wanders into town to check out the sale at Macy’s. Organizations including the Sonoma Land Trust have put a emphasis on maintaining, or developing, so-called “wildlife corridors,” around the region to mitigate against any local destruction of animals’ traditional rangelands at the hands of, for example, expanded vineyard footprints and the like.

Any time a big animal shows up downtown, it’s serious business—a potentially dangerous animal on the loose in a populated area. And, while mountain lion attacks on humans are rare, they do occur. After a mountain lion killed a bicyclist in Washington State, in 2018, the Mercury News reported that it was only the sixth fatal mountain-lion attack in the country over the preceding 25 years; three of the attacks occurred in California, the paper reported.

But if this episode is repeated, Fish & Wildlife recommends that you fight back like it’s Black Friday and you’re beating off fellow shoppers to be first in line for the Christmas sales at Sears. “Research on mountain lion attacks suggests that many potential victims have fought back successfully with rocks, sticks, garden tools, even an ink pen or bare hands,” the state reports. “Try to stay on your feet. If knocked down, try to protect head and neck.”

Gills and Windmills

Healdsburg State Senator Mike McGuire is hosting a hearing this Friday, May 3, that’s devoted to the prospects for offshore wind energy in the region and how it may impact California fisheries.

Earlier this year we reported on a push to develop wind farms off the Humboldt coast that’s been generally supported by California coastal electeds ranging from U.S. Rep. Jared Huffman to McGuire himself (“Full Tilt,” Feb. 27). McGuire is Chair of the Joint Committee on Fisheries and Aquaculture and says in a statement that he’s calling the meeting to take a close look “at any potential environmental impacts it could have on our state’s fisheries.”

The hearing is being presented as a question in search of answer that’s already been answered: “California’s Fisheries and Wildlife: Can they co-exist with Offshore Wind Energy Development?”

The answer appears to be, “They’re going to have to figure out a way to co-exist,” given McGuire’s support for offshore wind farms, which are increasingly being presented as a fait accompli, given the state’s robust push to go all-renewables by 2045—and by the federal Bureau of Ocean Energy Management initiating an offshore-leasing program in 2018.

Earlier this year, the American Jobs Project, a Democratic-leaning nonprofit think tank founded by former Michigan governor Jennifer Granholm, issued a white paper in support of two wind farms under consideration—one at Morro Bay and the aforementioned Humboldt County coast—and said that a combination of federal leases and state interest could see the first offshore wind farm leases as early as next year.

Coastal congressman Jared Huffman signaled support for a locally based wind energy project run by the Redwood Coast Energy Authority (Humboldt’s communitychoice aggregate), as he noted its potential benefit to Sonoma and Marin counties, both of which have their own CCA’s, Sonoma Clean Energy and Marin Clean Energy. Those entities purchase renewable energy from solar and wind farms that are often many miles down the electric wire from the point of consumption. Huffman says offshore wind in Humboldt could be of service to those CCAs, given that “there’s way more energy potential than there is demand,” in Humboldt County.

McGuire notes in his statement that “the burgeoning Pacific offshore wind energy industry is going to be a critical component of our state’s energy supply,” as he highlights the need for input from fisheries experts in advance of any leases.

As we reported last month, offshore wind projects on the East Coast had a traditional base of opposition driven by the fishing industry’s concerns over the tethered windmills’ potential impact on their gear and on their traditional fishing grounds.

Those concerns gave way over time, and the nation’s first big offshore wind-farm went online off the coast of Rhode Island in 2016. As we reported in February from the department of irony, Fishermen are now using their boats to haul “eco-tourists” to the site to check out the windmills, whose blade-span is more than the length of a football field and quite impressive to behold.

Friday’s meeting is taking place up in Eureka from 11am to 2pm and will be live-streamed via the state’s Joint Committee on Fisheries and Aquaculture online portal. Speakers are coming from a range of shareholders—including the BOEM, the California Coastal Commission, representatives from the windmill-energy industry, the National Resources Defense Council, and several organizations representing fishermen’s interests. They may be tilting at windmills.

On Stage

In a world where male playwrights outnumber women, especially in Broadway and off-Broadway theaters, the Marin Theatre Company’s upcoming season looks nothing short of revolutionary.

“American theater has taken some remarkably groundbreaking steps, and there are things we do faster and better than others,” says Jasson Minadakis, artistic director of the Mill Valley theater company. “But there are other areas in which American theater has shown up late to the table, if at all. And theater’s reluctant relationship—and almost nonexistent promotion of female playwrights—is one of those areas.”

MTC has long been a champion of playwrights who fall into categories often underrepresented on the American stage. So it shouldn’t be shocking that when the award-winning nonprofit recently announced its 2019–20 season, the six shows named include five by established and emerging female playwrights. After all, of the seven playwrights included in the company’s current season—including this week’s debut of Nambi E. Kelley’s “Jazz”—four of those playwrights are women. It’s a big deal, just don’t make too big a deal of it, says Minadakis.

“But for what it’s worth, [gender] is really not a conscious consideration in choosing our season,” says Minadakis. “We literally just went after the six best new plays we could find, the scripts that grabbed out interest and held it. Only after we looked at them all together did we realize that we had picked plays by five amazing American women and one Canadian man.”

The season begins Oct. 1 with Mary Katherine Nagle’s “Sovereignty,” an examination of the genocidal Trail of Tears, and its modern-day impact on one young Cherokee lawyer. The play had its world premiere earlier this year in Washington D.C.

After that comes the ferocious historical drama “Mother of the Maid” (Nov. 19), in which the mother of Joan of Arc confronts the many contradictions of her doomed daughter’s astonishing life. It was penned by Nicasio playwright-screenwriter Jane Anderson, who also wrote last year’s Oscar-nominated “The Wife.”

On Jan. 14, in association with San Francisco’s Golden Thread Productions, it’ll be “Noura”, by Heather Raffo (“The 9 Parts of Desire”), the intimately crafted story of an Iraqi family celebrating Christmas (and their new American citizenship), and what happens when an unexpected guest arrives for the holidays. Then, beginning March 10, 2020, MTC presents the world premiere of Kate Cortesi’s “Love,” followed by Lynn Nottage’s mysterious “Mlima’s Tale” (opening April 28), about the hunting and trafficking of endangered animals as told by the spirit of an African elephant. The final show of the season will be “Botticelli in the Fire” by Jordan Tannahill, opening next June.

Minadakis points out that MTC’s upcoming season (with the exception of Cortesi’s “Love”) is almost entirely made up of the second or third productions of these plays. For a playwright, that’s almost as important, and perhaps even more so, than a world premiere, since when it comes to new works, many companies recognize the potential box office bragging rights that come from debuting a new show. In the case of Nagle, a renowned playwright who garnered tremendous praise for her work at some of America’s most prestigious companies, MTC’s production of “Sovereignty” will mark the first time a company has given any of her plays a second production.

“That’s crazy isn’t it?” says Minadakis. “And it’s just another example of how hard it is for the voices of female playwrights to be heard in this country.”

That’s a fact that Kate Cortesi, the Boston-based author of “Love,” has been contending with for years, despite what some would call a high degree of success. Originally from Washington D.C., Cortesi had a number of plays produced at festivals and college settings, and has amassed a good deal of attention along the way—including winning the esteemed Princess Grace award for her 2014 play “Great Kills.” MTC’s 2020 production of “Love” takes on workplace sexual harassment in the #MeToo era and will be her first professional production.

“I’m thrilled that MTC will be doing my play,” says Cortesi. “And I have to say I feel pretty psyched to be on that list, alongside such amazing company.”

Cortesi agrees that the female-dominated lineup is a notable, and still extremely rare, occurrence. “I’m thinking about Ruth Bader Ginsburg’s quip when asked, ‘When there will be real equity on the Supreme Court?’, and she said ‘When there are nine female Supreme Court justices.’ Truly, we are so conditioned to all-male landscapes, that’s the sort of background and wallpaper of our lives, and when you change any part of that wallpaper, it’s extremely noticeable. It’s impossible to ignore, because it stands out. I do hope for a time when the wallpaper of American theater being frequently made out of women, instead of all men, just looks like wallpaper.”

Cortesi adds that when she looks around at the new plays exciting her at the moment, it’s hard to ignore the contributions from women.

“Women playwrights are kicking ass right now,” she says. “They are producing remarkable work, and they are leading. I think that centering is long overdue. It’s such a great time to go to the theater right now.”

Jane Anderson, who splits her time between Marin County and Los Angeles, shares Cortesi’s dream of a time when a season like MTC’s is business as usual.

“Won’t it be great when things like that don’t seem like some big leap forward, and just seem like another year at the theater?” she says.

Anderson’s “Mother of the Maid” was originally developed at the Berkshire Playwrights Lab, and was revamped before last year’s run at NYC’s Public Theater, with Glenn Close in the title role.

“I’m really not interested in bumping-off male playwrights,” Anderson says. “There are so many wonderful men in the theater—artists, and directors, and actors, and designers—and I’ve been listening to a lot of scolding going on, men being scolded for dominating theater. But I tend to think the artists are the wrong people to be yelling at. I truly believe every artist is unique, regardless of what gender or color or orientation they are.”

Female playwrights, she says, are demanding basic equity and fairness. “I think the main request from us female playwrights, and playwrights of color and other playwrights who are in the minority, is that we get read and we get a fair shot,” she says. “Breaking through the American stage is such a complicated concept. It’s hard for everybody. I suppose in some ways, it will be a great day when it’s equally hard for men to break through as it is for women, instead of it being so very much harder for women. “And I think maybe, little by little, we’re beginning to move in that direction,” she says. “Companies like Marin Theatre Company are part of the solution. But we have a long way to go.”

By David Templeton

Sour Candy

0

Most folk’s affection for Roald Dahl’s Charlie and the Chocolate Factory began with reading the book or watching the somewhat renamed 1971 Gene Wilder film. “Charlie” purists rejected Tim Burton’s 2005 cinematic take on the tale as too dark and weird. Well folks, you ain’t seen nuthin’ yet.

San Francisco’s SHN Golden Gate Theatre is hosting the touring company from the 2017 Broadway production through May 12 that, while based on Dahl’s classic, goes in several decidedly different directions. Audiences expecting anything close to the original book or film are likely to leave disappointed.

The show opens with Willy Wonka himself (Noah Weisberg) providing needless exposition and singing “The Candy Man.” Lest you think that’s a sign of good things to come, forget it. While you’ll hear some of Leslie Bricusse and Anthony Newley’s Oscar-nominated score and songs from the original film, most of the songs in this version are by Marc Shaiman and Scott Wittman. Despite their pedigree (Hairspray, the recent Mary Poppins Returns), their work here is weak and forgettable.

That’s just the first in a series of mistakes made by this show’s creators. David Grieg’s book introduces Wonka from the get-go and eliminates a lot of the mystery about him. He’s also written Wonka as pretty much of a jerk and aged every other child but Charlie into a sullen teenager (or older). This may have been out of necessity as they might have had difficulty casting children as characters who (spoiler alert) explode on stage or are dismembered by giant squirrels.

You read that right. While in the book and films the bratty kids get their comeuppances, in this version they’re killed. Be prepared to do a lot of explaining to your tykes should you choose to bring them along. Additionally, the stagecraft was surprisingly weak and the finale with the great glass elevator was less than great.

What the show does get right is some of the casting. Henry Boshart (one of three young actors performing the role of Charlie Bucket) is absolutely delightful and he brings a charm to the show that is sorely lacking elsewhere. James Young brings a lot of heart as Grandpa Joe. The solution to casting the Oompa Loompas is a clever one, and their appearances were definitely the show’s highlights. In the end, this Chocolate was too bitter for my tastes.

‘Roald Dahl’s Charlie and the Chocolate Factory’ runs through May 12 at the Golden Gate Theatre, 1 Taylor St., San Francisco. Dates and times vary. $56–$256. 888.746.1799. shnsf.com

Hero & Zero

Hero

Last Tuesday, the Marin County Board of Supervisors accepted a $4.8 million state grant for a Homeless Emergency Aid Program. Homeward Bound of Marin will receive $4.5 million of the grant to replace the Mill Street Center in San Rafael, the county’s only year-round shelter program. Groundbreaking for the new building will begin next year.

The center will provide 60 beds. An additional 32 permanent beds will be allocated to house chronically homeless men and women, defined as those who have been homeless for at least a year and have a disability. These individuals will also receive services for mental health, substance abuse and job counseling.

St. Vincent de Paul Society of Marin, located in San Rafael, will receive almost $308,000 for a diversion program for newly homeless people.

Kudos to the Marin Board of Supervisors, Homeward Bound, the St. Vincent de Paul Society of Marin and the city of San Rafael for working together to help resolve Marin’s homeless crisis.

 

Zero

Sausalito folks are wondering why the Marin County Sheriff’s Office allowed their contractor to dismantle a tugboat, moored at a Sausalito dock, in the early morning hours on beautiful Easter Sunday. The work, conducted by Sean Alexander Marine Services, began sometime between 8 and 8:30am, according to Donna, a local resident.

“Instead of sounds of peace, we all were forced to listen to hours of heart-wrenching grinding of metal,” she said.

The Sheriff’s Office coordinated the removal and demolition of both boats after one sank in the mud during a storm earlier this year. While the tugboats may have posed an environmental hazard, they were in the bay for years and there seems no reason the demolition couldn’t have waited one more day. Next time, wait until noon, or better yet, take Easter off entirely.

 

email: ni***************@ya***.com

 

 

 

Hero & Zero

Hero

Last Tuesday, the Marin County Board of Supervisors accepted a $4.8 million state grant for a Homeless Emergency Aid Program. Homeward Bound of Marin will receive $4.5 million of the grant to replace the Mill Street Center in San Rafael, the county’s only year-round shelter program. Groundbreaking for the new building will begin next year.

The center will provide 60 beds. An additional 32 permanent beds will be allocated to house chronically homeless men and women, defined as those who have been homeless for at least a year and have a disability. These individuals will also receive services for mental health, substance abuse and job counseling.

St. Vincent de Paul Society of Marin, located in San Rafael, will receive almost $308,000 for a diversion program for newly homeless people.

Kudos to the Marin Board of Supervisors, Homeward Bound, the St. Vincent de Paul Society of Marin and the city of San Rafael for working together to help resolve Marin’s homeless crisis.

 

Zero

Sausalito folks are wondering why the Marin County Sheriff’s Office allowed their contractor to dismantle a tugboat, moored at a Sausalito dock, in the early morning hours on beautiful Easter Sunday. The work, conducted by Sean Alexander Marine Services, began sometime between 8 and 8:30am, according to Donna, a local resident.

“Instead of sounds of peace, we all were forced to listen to hours of heart-wrenching grinding of metal,” she said.

The Sheriff’s Office coordinated the removal and demolition of both boats after one sank in the mud during a storm earlier this year. While the tugboats may have posed an environmental hazard, they were in the bay for years and there seems no reason the demolition couldn’t have waited one more day. Next time, wait until noon, or better yet, take Easter off entirely.

 

email: ni***************@ya***.com

 

 

 

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Sour Candy

Most folk’s affection for Roald Dahl’s Charlie and the Chocolate Factory began with reading the book or watching the somewhat renamed 1971 Gene Wilder film. “Charlie” purists rejected Tim Burton’s 2005 cinematic take on the tale as too dark and weird. Well folks, you ain’t seen nuthin’ yet. San Francisco’s SHN Golden Gate Theatre is hosting the touring company from...

Hero & Zero

Hero Last Tuesday, the Marin County Board of Supervisors accepted a $4.8 million state grant for a Homeless Emergency Aid Program. Homeward Bound of Marin will receive $4.5 million of the grant to replace the Mill Street Center in San Rafael, the county’s only year-round shelter program. Groundbreaking for the new building will begin next year. The center will provide...

Hero & Zero

Hero Last Tuesday, the Marin County Board of Supervisors accepted a $4.8 million state grant for a Homeless Emergency Aid Program. Homeward Bound of Marin will receive $4.5 million of the grant to replace the Mill Street Center in San Rafael, the county’s only year-round shelter program. Groundbreaking for the new building will begin next year. The center will provide...
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