San Anselmo Mayor Brian Colbert

I’ll be honest: I didn’t know the town of San Anselmo at all before my family moved here earlier this year. But as the real estate gods would decree, we found our own slice of paradise nestled between the sprawling hills of West Marin—south of Wine Country and north of San Francisco. And like a Nextdoor member on steroids, I did my best to get to know my neighbors. I even managed to get appointed to our town’s Arts Commission, and part of that involved meeting our Mayor Brian Colbert.

When I asked Brian to participate in this interview series, he was happy to oblige. Imagine that, a politician who actually responds to and interacts with his citizens! Thanks for being so welcoming, Mr. Mayor. Now, if you could just help with some re-zoning permits …

Nish: What is your idea of perfect happiness?

Brian: Having my 11-year-old daughter show my wife and me one of her new creations. The look on my daughter’s face lights up the universe.

Nish: What was your worst job ever?

Brian: Never had a “worst job,” since I learned from every job I’ve had, some more than others of course. I worked at Friendly’s for two weeks. It was akin to working in the salt mines.

Nish: What was your first job ever?

Brian: If you’re not counting babysitting, I worked at the Shell Station in Bethel, Connecticut. I was the cashier and pumped gas. It was quite an introduction to dealing with the public. It also taught me the value of being on time and honest.

Nish: What was your best job ever?

Brian: I lived in Izmir, Turkey, for three and a half years. During that time I taught in the Political Science Department at Izmir University of Economics. It was a great experience living and teaching there, and I also had an opportunity to travel around the Middle East and Southeast Asia.

Nish: What is the trait you most deplore in yourself?

Brian: Sometimes I’m a little too quick to speak before reflecting on the flow of the conversation.

Nish: What is the trait you most deplore in others?

Brian: Reticence to speak their mind.

Nish: What’s some advice you’d give to yourself at 23?

Brian: Be open to new experiences and people that you might think have nothing to offer.

Nish: What is your greatest extravagance?

Brian: I have been known to splurge on certain experiences and meals while traveling.

Nish: You have exclusive dinner reservations for four, excluding family and close friends; who are the three people—alive, dead or imaginary—you’d invite?

Brian: Michael Milken, Angela Davis and the person who masterminded the temples at Angkor Wat

Nish: What is the theme song of your professional life?

Brian: “Ramble On” by Led Zeppelin. I’ve been fortunate to have a varied professional career! I also tried to choose from Miles Davis & Gil Evans: The Complete Columbia Studio Recordings, because I simply love that boxed set.

Nish: What is your motto?

Brian: Never had one before this question. “Live every moment to the fullest.”

Nish: What is something you’re really excited about right now?

Brian: The world has fundamentally changed in big ways over the last several years, and a lot of people are frightened by this—but I’m not. I’m excited about the new conversations I’m having that just weren’t possible even two or three years ago. I’m excited about new opportunities that I’m seeing out in the world.

A version of this conversation originally appeared at lostanswers.substack.com.

Open Mic: Lunch at Eden

Eve 

young beautiful woman

Adam

a gentleman

Eve presented apple

Adam unfilled

Bit

too quick

The couple

shrieked

Ran for cover

God 

robed in purple

Silently 

birding in garden

Observes

Adam 

Aghast

Quaking

in bushes

Adam

idiot

I ordered you not to eat

Adam confesses

Eve tempted me

Snitch

cries Eve

Witch

bellows Adam

Quiet sinners

Cover yourselves

Suddenly

Three white doves

soar to the heavens

singing 

Eden

not so Paradise

anymore

Personal Brand Plan

James Bond just underwent a redemptive reckoning onscreen. The latest iteration of Superman is, as the New York Times reports, “Up, up and out of the closet.” Rebranding cultural icons seems all the rage. And not just for superheroes.

Many public-facing entities have endeavored to refresh their image, some to fix longstanding cultural offenses—looking at you, Cleveland Guardians—and others to better align with their offerings—the company that brings you this weekly publication is aptly named “Weeklys.” I’d consider changing my own name—again—but the paperwork is as tedious as spelling “Daedalus,” so I’ll live with it.

That said, I am overdue for a rebrand. The louche, alt-weekly newspaperman with dry wit and drier wine schtick is so 2020, and by 2020, I mean 1997. The gnawing notion that my professional persona is past its “best by” date led me to Platform: The Art and Science of Personal Branding by Cynthia Johnson, which I’m inhaling in print, digital and audio forms. Yes, I’m literally mediating my narcissism with more media.

I think my brand-angst is career-oriented. As a writer, my byline and my brand name are one, which naturally complicates my identity and self-image, especially when my work ends up lining litter boxes.

My career has always stratified along the lines of media, entertainment and art; a continuum from the ephemeral to the eternal. Media is momentary, art is forever. Entertainment is somewhere in between, until time and taste determine it’s one or the other. I’ll be 50 next year, which is probably why I’m beginning to think about legacy and the nagging concern that my literary estate consists mostly of newspaper clippings. Apart from a few books and fewer films, my oeuvre is basically an old man’s scrapbook. I need to reinvent my entire premise and change who I am and what I’m doing fast, before everything I’ve ever done ends up in a recycling bin.

In her book, Johnson encourages honest assessments and inventory of one’s current brand endeavors. My social media channels are essentially comatose, my Google results aren’t checkered but plaid and no matter how I try to improve how I present myself, I still look like a character actor in the Motion Picture Version of My Life. But I can change—excuse me—“rebrand.” And so can we all. Join me, and we’ll reinvent ourselves together. And hopefully we’ll do better than New Coke: doomed by our own poor taste.

Daedalus Howell rebrands himself at DaedalusHowell.com.

Filmmaker Emmett Brenner Focuses on California Water Stewardship

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On a bright, blustery October day, a day that felt almost like normal fall weather, I had a conversation with filmmaker Emmett Brenner about his latest film, Reflection: A Walk with Water. In the film, Brenner and fellow environmental advocates walk the length of the Los Angeles Aqueduct to raise awareness about the misuses of water in California and the acute effects it’s having on the land. Brenner’s film informs, educates and empowers viewers. Reflection teaches about how water is moved, how that relocation affects the surrounding land and how short-sighted city planning results in shocking and avoidable water waste. It also shows ways, happening in real time, to resolve this mismanagement of water. During the hour and 19 minutes I spent watching Reflection: A Walk with Water,my mind was quietly and beautifully opened. I can’t recommend enough that everyone engage with this film and the insight it affords. 

This discussion with Emmett was as much an appreciation of his work as it was two human beings considering the current state of humanity and our responsibility to participate in its fate. You, the reader, are also part of this dialogue.

Jane Vick: So I watched the film yesterday—

Emmett Brenner: Yay!

JV: Emmett, it was awesome! Really inspiring. My boyfriend and I were talking just the other day about how human beings develop systems. We identify—or create—a problem, endeavor to fix it and end up with another problem. A sort of teeter-totter effect ensues, searching for equilibrium between our innovative inclinations and pre-existing natural cycles. And when we pull away from the natural cycle in an attempt to manifest something on our own, things become destructive. If we used our abilities to steward the land in a participatory way, we could really get somewhere.

EB: Totally. And it’s incredible to me—we live in an unbelievably intelligent system, and all these things we create are attempting to accomplish tasks the natural world has for the most part already accomplished in more efficient methods than we could conceive of. But the beauty is that we don’t need to. We are a part of the intelligence of these natural systems, we have an opportunity to live human life in relationship with that intelligence.

JV: Reflection has so many inspiring examples of this relationship. There are so many brilliant minds in this film, sharing ways we can marry our ingenuity with natural cycles. It’s felt like a strange hubris has worked its way into the human dynamic, where instead of returning to the wisdom of the natural world to correct our missteps, we move further away.

EB: Right, yeah—the idea that natural methods of stewardship are “primitive,” as though that makes them ineffective. It reminds me of when colonizers came to the Americas; they described these landscapes proliferating with fruits and nuts and these incredible, old-growth trees. And they completely omitted—didn’t actually understand—that these places were being tended to by relationships with humans. These forests were being cultivated to have the abundance of food and life that they did. We can’t separate the “wild” as something other that we don’t belong within. We’re deeply connected. We’re part of the complexity of this whole system of life on Earth.

JV: Completely. I love the portion of the film that talks about thatch—tall grass growth, left untrampled—and how grazing elk would stomp it down until it lay flat on top of the soil, fertilizing it and aiding in water transfer, thus avoiding fire conditions. It makes me think about places like Spring Lake, where they now bring goats in to take care of the overgrowth to reduce fire risk. The fires really woke us up.

EB: It’s a struggle in this era of ownership and privatization, when landscapes are cut into boxes. The natural movement of wild grazers is significantly impacted, and it puts much more emphasis on our management of domesticated animals for the time being. We need to look to the patterns of those wild animals in our management of domesticated ones. I’m glad the fires are waking us up in this way … it’s troubling that it takes such catastrophe to initiate change.  

JV: Do you harbor concerns about our future in that way?

EB: I do. On a personal level, my patterns and addictions to technology, the role it plays in my life, concerns me greatly. I don’t know fundamentally where we’re heading, and in order to be resourced with hope I feel that I need to be tending my own relationship with life and love and land. When I’m wrapped up in my phone I feel farther away from that tending. Farther away from the resources to feel possibility and hope. I feel most capable of facing the context of these times when I am present in a quieter way.

JV:  I also frequently confront my own struggle with technology. Trying to gauge an appropriate level of use, wanting to be involved in contemporary society and experiencing incredible anxiety and confusion as our neurochemistry and societal practices change. And it’s true, we don’t know what will come of humanity, or Earth. I think the things we engage in—sometimes benign, sometimes malevolent, often both—must be recognized as imperfect attempts at a cohesive existence. We can’t completely reject what is—i.e. tech, now clearly a part of our lives—we can only continue engaging with our circumstances and ask when things feel wrong and when they feel right. That’s how I deal with so much change and challenge. There’s immense mystery to it, much we can’t explain, but still we engage in real time.

EB: It’s true. Humans struggle with mystery—when we approach something that carries a feeling of not knowing we tend to tighten, to turn towards control and the pretence of knowing. We try to define anything that our mind can’t fully wrap around—to take it apart and categorize it. But we lose the whole picture this way. It’s how we’ve treated water. Water is way more mysterious than we can fathom, so intricately involved in every system, and we’ve done everything we can to control and manipulate it, to devastating outcome. We try to dominate the unknowable instead of finding our place within it.

JV: Right. We forget that we are participating, not directing, and then the balance and understanding are lost. We need active participation in life, but we can’t override it; we have to operate within the larger system.

EB: Exactly. It can’t just be inquiry and openness, nor domination and control. It’s the balance that produces something lasting.

JV: And we have the capacity within us. Reflection is a beautiful testimony to that capacity.

Reflection: A Walk with Water is currently showing at the Mill Valley Film Festival, and tickets can be found at mvff.com. Please take your time with it, and foster a sense of hope for our future.

Tam High Student Finalist for Prestigious Science Award

A Mill Valley teen made the grade with a creative three-minute video, last month reaching  the finals of a prestigious international science competition. Up for grabs is a $400,000 grand prize.

Ari Katz, 18, a senior at Tamalpais High School, wrote, produced and starred in The Shape of the Universe, a video aiming to explain complex physics concepts in a way everybody can understand.

The judges of the 2021 Breakthrough Junior Challenge competition agreed Katz accomplished his goal, earning him a spot among the 16 finalists. Not an easy feat, with more than 3,400 students from around the world entering the competition.

When Katz, a science enthusiast, first heard about the science competition from a family friend, he knew he wanted to enter. And he didn’t have to think long before he came up with a topic.

“I’ve been thinking about the shape of the universe for many years, because I am really in love with physics,” Katz said.

The specifics for Katz’s video began germinating when his older cousin, who is in the process of earning a doctorate in mathematics, taught him about topology, which is the study of properties preserved through the deformation of objects. While all this advanced science and math might go over the heads of many folks, Katz dug into the material. He researched the concept and applied topology to physics.

“Topology for the universe has been very well thought out,” Katz said. “I was quite astonished that it would be possible to think about such a grand subject. Then, I thought that making a video about it would get others excited about it like I was.”

Voila. The Shape of the Universe video began taking, well, shape.

Once Katz had the theory down, he created an animated ant critter, Antonio, and some cool graphics to represent gravity and dark energy, a mysterious property of space that may play a role in the accelerating rate of the expansion of the universe.

Antonio stands in Katz’s hand and asks him questions about the shape of the universe. Katz decided on Antonio because he could talk to the creature, who was small enough not to be distracting. By adding another voice, Katz gave the video contrast and also made it more human. Rather than simply lecturing, Katz wanted to use Socratic dialogue to discuss the complex concepts in the video and inspire the viewer. Antonio is the best way to do that, Katz said.

“In some sense, Antonio is the audience I’m kind of holding in the palm of my hand,” Katz said. “It’s very engaging because it keeps the focus, but it also gives me the chance to second guess myself. From the very start, it’s a ping pong back and forth, trying to figure out how to answer the question Antonio comes up with.”

Katz also gave serious consideration to the various locations used in the video and how colors could portray overarching concepts. Green represented gravity, and red symbolized dark energy.

“Gravity and dark energies, as far as we know, seem to be perfectly balanced,” Katz said. “It’s a profound thing—one in infinity. It’s what we see all around us.”

The elements Katz brought together in the Shape of the Universe allow the viewer to grasp the complicated science involved, which is the purpose of the seventh annual Breakthrough Junior Challenge. Students, ages 13 to 18, submit original videos, up to three minutes long, on a concept or theory in life sciences, physics or math, according to the Breakthrough Foundation. The videos are judged on the student’s ability to communicate the idea in “engaging, illuminating, and imaginative ways.”

The $400,000 prize for the Breakthrough Junior Challenge includes a $250,000 scholarship, a $100,000 science lab for the winner’s school and $50,000 for the science teacher.

The champion will be chosen in November by a selection committee of prominent people in the science and math fields, including astronauts, professors and authors. Katz is especially proud to have earned a spot in the finals this year, as several of his personal heroes are serving as judges.

“Terrence Tao, one of the judges, is regarded as the greatest mathematician of today,” Katz said. “Having known that he saw my video is quite an honor.”

Katz, a young Renaissance man, is quite accomplished in a variety of fields. Currently, he’s taking ballet classes and studying physics at Marin Community College. In his leisure time, he enjoys playing the baritone saxophone, listening to jazz and producing videos.

It’s not surprising to learn Katz plans on becoming a professor one day—specifically a theoretical physics professor. He developed a taste for teaching while working as a math tutor for middle school students. Currently in the process of applying to colleges, Katz’s list includes UC Berkeley, Stanford, MIT and a few other schools, all which would be lucky to grab him.

The teachers who taught Katz over the years played a large role in his love for physics and science. Katz credits Simon McBride, chemistry teacher at Tam High, with helping him hone his ability to tutor others. McBride will be awarded $50,000 if Katz wins the competition.

“Mr. McBride is a great chemistry teacher,” Katz said. “He taught me [that] when you teach in a science class, if you bring in the humanity aspect, it makes learning a more enjoyable experience. You learn at a more natural pace. I took that to heart.”

Grateful for what he’s learned from his teachers, Katz wants to share some words of wisdom for younger science enthusiasts. He especially wants young students to dismiss any fears they may have of studying science—because he didn’t feel confident in the beginning, either.

“If you’re interested in science and you feel like you’re not good enough to do science, I strongly encourage you to do it,” Katz said. “It would be a shame to let fear get in the way. The thing so rewarding about science is that regardless of how much you learn, there’s always an infinite expanse that you still have to travel. There’s the perspective that you have that no other person is going to have. I definitely urge every young person to keep learning what they want to learn about. Go all the way, and see what happens.”

Watch “The Shape of the Universe” and the other Breakthrough Junior Challenge finalists here.

Lights, Camera, Masks On

The 44th Mill Valley Film Festival

Fans of Shakespeare, Agatha Christie, Mary Shelley or the Brothers Grimm probably already know this. At the 2021 Mill Valley Film Festival, running Oct. 7–17, Sir Kenneth Branagh—the actor/director known for his film adaptations of Henry V, Hamlet, Much Ado About Nothing, Murder on the Orient Express, Frankenstein and Cinderella—will appear with his acclaimed new 1960s coming-of-age film Belfast.

And Sir Kenneth won’t be alone.

Throughout this year’s festival, dozens of filmmakers will make their way to Marin, from exciting emerging artists to Oscar-winning legends. Denis Villeneuve finally unveils his epic adaptation of the science-fiction classic Dune, producer Nina Yang Bongiovi presents pirector Rebecca Hall’s Jim Crow-themed drama Passing and Jane Campion unleashes The Power of the Dog. For the first time since 2019, live audiences will be welcomed back to the annual event’s multiple indoor venues, as an array of established and emerging filmmakers happily engage with grateful film fans, and the good news spreads that—one way or another—the Mill Valley Film Festival is back.

If organizers have done their work correctly, and all indications suggest they have, one thing that won’t be spreading is Covid-19. After pivoting to a virtual/streaming event last year, augmented by several drive-in screenings at the Marin Civic Center, the California Film Institute, which produces the festival, is tackling the monumental task of staging a massive film festival in what is still a deadly global pandemic.

“It’s really tricky, because things are changing frequently,” says Jeromy Zajonc, director of operations and special projects at CFI. “There’s a lot to stay on top of when you are organizing an event as large and complex as a 10-day-long film festival.”

Zajonc acknowledges that fresh information—new safety advisories, new infection statistics and new health recommendations, none of which can be ignored—come along on a nearly daily basis. To help shape its company-wide response to such information, CFI is working with Dr. Lael Conway Duncan of the Marin County Department of Public Health. According to Zajonc, Duncan is the festival’s go-to health professional to look over plans and help the staff stay on target and establish the best possible safety protocols.

“Once we decided it was possible to do the festival in person, while a pandemic is still raging,” Zajonc says, “the next question was to figure out what that would look like. And to some degree we looked at what other major film festivals and events have been doing, from limitations on audience attendance to the number of events held to finding a balance of indoor and outdoor activities to which special guests and filmmakers are invited and from how far away we are willing to let them come.”

As of right now, he says, the organization is feeling good about the procedures it’s put in place, though the process has led to some difficult decisions, and the loss of a few traditional MVFF elements.

In addition to reducing the number of festival programs by more than half, scheduling films with much longer stretches of transition time in between them—about an hour—and miniaturizing the size of the festivals’ popular after-parties and receptions, all concessions—including popcorn, candy and beverages—will be closed at the Mill Valley and San Rafael theaters. Capacity inside the theaters has been carved back to no more than 75% per venue. Other significant reductions have been made as well. The accompanying Mill Valley Music series at the Sweetwater, for example, will experience a strict cut-back in its number of concerts, reduced from 10 shows in 2019 to just four this time around.

“It’s easier to stay on top of a dime than a quarter, right?” he says. “With smaller events, we can control the situation better. With more time in between screenings, we can allow more breathing room, less crowding in the restrooms and fewer folks assembling for one show in front of the theater while people spill out of the previous show onto the sidewalk.”

In addition to the in-theater screenings, the festival continues to offer streaming options for a large number of films. And in a move that seemed controversial when it was initially announced, but has since become industry standard, all staff and volunteers are vaccinated and wear masks, and all attendees must also be masked at all times and show proof of vaccination or a negative Covid-19 test to be admitted.

“That was a big decision when we first put that up on our website,” Zajonc says. “But now it’s more commonplace, and from everything we’ve heard people are very appreciative of it.”

Though there are still some who hold out hope that such measures are temporary, whether mandatory or just strongly recommended, Zajonc believes we should all get used to seeing and using masks, and carrying our vaccination cards—not just at this year’s Mill Valley Film Festival, but everywhere, and for some time to come.

“Honestly, I think masks will be around, and be part of doing things we want to do, for the rest of our lifetimes,” he says. “So we can complain about it, or we can get used to it and get on with it.”

Ticket sales for both streaming and in-person events have been really strong so far, Zajonc says. “That’s from all constituent groups. Certainly the long-time Mill Valley Film Festival attendees and pass-holders are returning in large numbers. But we’re also seeing a lot of brand-new customers who’ve never been to the festival before.”

And yes, he allows, people do seem very interested in the festival’s Covid protocols. “For some ticket-buyers, it’s the first thing they want to know about, even before they check out what films we’re screening and which filmmakers will be here in person,” Zajonc says, adding that the festival’s designated Covid page (MVFF.com/covid) has been extremely active. “We get a lot of eyeballs on that page.”

These protocols are not just to make the audiences more comfortable, but to keep the small army of staffers safe as well. Zajonc points out that while many attendees will be watching movies inside a theater for two-to-three hour stints, many festival staffers will be working eight to 10 hours a day.

Describing another accommodation that may be the first of its kind in the area—for an event of this type, at least—all staff and invited guests will be tested on site, some multiple times, and Covid-19 rapid testing will also be available on location for the general public.

“Those are some extreme measures, by Mill Valley Film Festival standards,” Zajonc says. “But ultimately, this is a festival. It’s supposed to be fun, and these protocols will allow everyone to relax and do that. People really want this festival. The filmmakers are very excited, the staff is excited and now we can just put the focus on the extraordinary films we’ve put together for this community to see together. In my opinion, this is going to be one of our best festivals ever.”

The 44th annual Mill Valley Film Festival runs Oct. 7–17. For tickets and schedule info, visit www.MVFF.com.

Free Will Astrology

Week of October 6

ARIES (March 21-April 19): Aries poet Anna Kamieńska said her soul didn’t emanate light. It was filled with “bright darkness.” I suspect that description may apply to you in the coming weeks. Bright darkness will be one of your primary qualities. And that’s a good thing! You may not be a beacon of shiny cheer, but you will illuminate the shadows and secrets. You will bring deeper awareness to hidden agendas and sins of omission. You will see, and help others to see, what has been missing in situations that lack transparency. Congratulations in advance!

TAURUS (April 20-May 20): “There is something truly restorative, finally comforting, in coming to the end of an illusion—a false hope.” So declared author Sue Miller, and now I’m sharing it with you, Taurus—just in time for the end of at least one of your illusions. (Could be two, even three.) I hope your misconceptions or misaligned fantasies will serve you well as they decay and dissolve. I trust they will be excellent fertilizer, helping you grow inspired visions that guide your future success. My prediction: You will soon know more about what isn’t real, which will boost your ability to evaluate what is real.

GEMINI (May 21-June 20): Afghan-American novelist Khaled Hosseini writes, “People mostly have it backward. They think they live by what they want. But really what guides them is what they’re afraid of—what they don’t want.” Is that true for you, Gemini? The coming weeks will be an excellent time to meditate on that question. And if you find you’re motivated to live your life more out of fear than out of love, I urge you to take strenuous action to change that situation! Make sure love is at least 51% and fear no more than 49%. I believe you can do much better than that, though. Aim for 75% love!

CANCER (June 21-July 22): “Sometimes dreams are wiser than waking.” Oglala Lakota medicine man Black Elk said that, and now I’m passing it on to you. It’s not always the case that dreams are wiser than waking, of course, but I suspect they will be for you in the coming weeks. The adventures you experience while you’re sleeping could provide crucial clues to inform your waking-life decisions. They should help you tune into resources and influences that will guide you during the coming months. And now I will make a bold prediction: that your dreams will change your brain chemistry in ways that enable you to see truths that until now have been invisible or unavailable. (PS: I encourage you to also be alert for intriguing insights and fantasies that well up when you’re tired or lounging around.)

LEO (July 23-Aug. 22): “Don’t hope more than you’re willing to work,” advises author Rita Mae Brown. So let me ask you, Leo: How hard are you willing to work to make your dreams come true, create your ideal life and become the person you’d love to be? When you answer that question honestly, you’ll know exactly how much hope you have earned the right to foster. I’m pleased to inform you that the coming weeks will be a favorable time to upgrade your commitment to the work and therefore deepen your right to hope.

VIRGO (Aug. 23-Sept. 22): “To be truly visionary, we have to root our imagination in our concrete reality while simultaneously imagining possibilities beyond that reality.” This shrewd advice comes from author bell hooks (who doesn’t capitalize her name). I think it should be at the heart of your process in the coming days. Why? Because you now have an extraordinary potential to dream up creative innovations that acknowledge your limitations but also transcend those limitations. You have extra power available to harness your fantasies and instigate practical changes.

LIBRA (Sept. 23-Oct. 22): “Some people are crazy drunk on rotgut sobriety,” wrote aphorist Daniel Liebert. I trust you’re not one of them. But if you are, I beg you to change your habits during the next three weeks. According to my reading of the astrological omens, you have a heavenly mandate to seek more than the usual amounts of whimsical ebullience, sweet diversions, uplifting obsessions and holy amusements. Your health and success in the coming months require you to enjoy a period of concentrated joy and fun now. Be imaginative and innovative in your quest for zest.

SCORPIO (Oct. 23-Nov. 21): Scottish Poet Laureate Jackie Kay, born under the sign of Scorpio, writes, “It used to be that privacy came naturally to everybody and that we understood implicitly what kind of things a person might like to keep private. Now somebody has torn up the rule book on privacy and there’s a kind of free fall and free for all and few people naturally know how to guard this precious thing, privacy.” The coming weeks will be a good time for you to investigate this subject, Scorpio—to take it more seriously than you have before. In the process, I hope you will identify what’s truly important for you to keep confidential and protected, and then initiate the necessary adjustments. (PS: Please feel no guilt or embarrassment about your desire to have secrets!)

SAGITTARIUS (Nov. 22-Dec. 21): “All our Western thought is founded on this repulsive pretense that pain is the proper price of any good thing,” wrote feisty author Rebecca West (1892–1983). I am very happy to report that your current torrent of good things will NOT require you to pay the price of pain. On the contrary, I expect that your phase of grace and luck will teach you how to cultivate even more grace and luck; it will inspire you to be generous in ways that bring generosity coming back your way. As articulated by ancient Chinese philosopher Sun Tzu, here’s the operative principle: “Opportunities multiply as they are seized.”

CAPRICORN (Dec. 22-Jan. 19): “If you don’t ask, the answer is always no,” declares author Nora Roberts. In that spirit and in accordance with astrological omens, I urge you to be bold and lucid about asking for what you want in the coming weeks. In addition, I encourage you to ask many probing questions so as to ferret out the best ways to get what you want. If you are skilled in carrying out this strategy, you will be a winsome blend of receptivity and aggressiveness, innocent humility and understated confidence. And that will be crucial in your campaign to get exactly what you want.

AQUARIUS (Jan. 20-Feb. 18): “Few persons enjoy real liberty,” wrote poet Alfred de Musset. “We are all slaves to ideas or habits.” That’s the bad news. The good news is that October is Supercharge Your Freedom Month for you Aquarians. I invite you to use all your ingenuity to deepen, augment and refine your drive for liberation. What could you do to escape the numbness of the routine? How might you diminish the hold of limiting beliefs and inhibiting patterns? What shrunken expectations are impinging on your motivational verve? Life is blessing you with the opportunity to celebrate and cultivate what novelist Tim Tharp calls “the spectacular now.” Be a cheerful, magnanimous freedom fighter.

PISCES (Feb. 19-March 20): The brilliant Piscean composer Frédéric Chopin (1810–1849) wrote, “I wish I could throw off the thoughts that poison my happiness, but I take a kind of pleasure in indulging them.” What?! That’s crazy! If he had been brave enough and willful enough to stop taking pleasure in indulging his toxic thoughts, they might have lost their power to demoralize him. With this in mind, I’m asking you to investigate whether you, like Chopin, ever get a bit of secret excitement from undermining your own joy and success. The coming weeks will be a favorable time to dissolve that bad habit.

Letters to the Editor

Trump better watch out, Sheldon’s harassment of male coworkers, and apples rotting.

Bad Things

Failed wannabe Fuhrer Donald Trump made a thinly veiled, mafia-esque death threat against U.S. Chairman of the Joint Chiefs of Staff General Mark Milley during a Sept. 21, 2021, interview with the ridiculous AM Radio reject Glenn Beck: “And bad things should happen to him.”

Let me make this clear for right-wing Republican readers. Clear enough so that even the psychotically selfish simpletons of the treasonous Trump Crime Family can comprehend. (I’m talking to you, Eric Trump. Stop eating paste, Eric. Specifically, stop eating horse paste, you pasty putz!) Beware. If anything “bad” should happen to General Milley, as deranged Donald Trump suggests should happen, expect complete payback to occur quickly. In fact, should anything “bad” happen to General Mark Milley, Colin Powell’s doctrine of overwhelming force will come down on Moron-a-Lago like a ton of TNT! Believe me.

The American military protects its own; it does not defend racist Russian puppets, nor does it support generations of anti-American, greedy grifters like the Trump traitors. America prevails, and Russia fails.

Jake Pickering

Arcata

Lowell Sheldon

Thank you for including that he was abusive toward male staff as well. It would be refreshing to see a news story on behalf of his male victims. I can’t help but wonder if he did so in front of female staff as an attempt to impress them.

Joe Manthey

Petaluma

Big Nuisance

Aaaah … fall in West County, where tons of apples rot on the ground every year. 

Neil Davis

Sebastopol

Julie, Julie, Julie

A journey down the Nextdoor rabbit hole

I fell down a rabbit hole last week and couldn’t claw my way out. Not surprisingly, it began with a post on Nextdoor.

A victim of credit card fraud, Julie Dee, asked people whether they’d also experienced fraud. If so, she would contact them. The Mill Valley Police Department is investigating a local business, she said.

“I am doing the legwork to identify other possible victims since the police detective (Mill Valley has two) does not have the time,” Julie wrote.

Scores of folks responded “yes.” Others pleaded for the name of the business. Julie refused to reveal it.

With so many people falling prey to fraud, I smelled a news story. I called Sgt. Shaun McCracken at the Mill Valley Police Department. They didn’t have a fraud report from Julie Dee and hadn’t asked anyone to gather information, McCracken said.

I posted McCracken’s statements. Julie pushed back, suggesting she was using a fake name on Nextdoor and saying the police knew she was identifying victims. Nextdoor promptly removed her account for using an alias, and the post disappeared.

The next day, Julie and the deleted post returned, this time under a different last name. Within hours, she changed her last name to an initial.

“I thought she was legit until the 3 versions of her last name,” a Sausalito neighbor posted.

Soon there were hundreds of comments. Some questioned Julie’s motives. Julie lashed out, often at me. Suffering from I’m-Always-Right syndrome, I repeated the facts. Back and forth we went.

Sources messaged me: Julie alleges the business is a nail salon. I posted that. Clearly, not all these people were defrauded by a manicurist.

“This is officially the weirdest Nextdoor post I’ve seen ever,” a Mill Valley resident wrote.

The Mill Valley police posted their own statement after receiving calls about a private citizen investigating fraud. They confirmed an investigation; however, they never asked a citizen for assistance. Crime victims should file a report with the police, not a private party, they said.

Julie said the police posted the statement at her request and only two people had called the department. Nope. McCracken told me the police received “a number” of calls. He knew nothing about Julie asking them to post a statement.

“Someone is McCracked up and it’s not the sergeant,” a Larkspur woman wrote.

Julie’s post garnered a whopping 375 comments before it was shut down. It turns out the frenzy was for naught.

“At this point, there is one single victim,” McCracken said. “We haven’t been able to detect a pattern of fraud from this business.”

My advice: pay cash. Oh, and stay off Nextdoor.

FREE WILL ASTROLOGY

Week of September 29

ARIES (March 21-April 19): Blogger AnaSophia was asked, “What do you find attractive in a person?” I’ll reproduce her reply because it’s a good time to think about what your answer would be. I’m not implying you should be looking for a new lover. I’m interested in inspiring you to ruminate about what alliances you should cultivate during the coming months. Here’s what AnaSophia finds attractive: “strong desire but not neediness, passionate sensitivity, effortlessness, authenticity, innocence of perception, sense of humor, vulnerability and honesty, embodying one’s subtleties and embracing one’s paradoxes, acting unconditionally and from the heart.”

TAURUS (April 20-May 20): Taurus author Roberto Bolaño confessed, “Sometimes I want greatness, sometimes just its shadow.” I appreciate his honesty. I think what he says is true about most of us. Is there anyone who is always ready for the heavy responsibility of pursuing greatness? Doubtful. To be great, we must periodically go through phases when we recharge our energy and take a break from being nobly ambitious. What about you, dear Taurus? If I’m reading the omens correctly, you will benefit from a phase of reinvention and reinvigoration. During the next three weeks, you’ll be wise to hang out in the shadows of greatness.

GEMINI (May 21-June 20): “Have fun, even if it’s not the same kind of fun everyone else is having,” wrote religious writer C. S. Lewis. That advice is 10 times more important right now than it usually is. For the sake of your body’s and soul’s health, you need to indulge in sprees of playful amusement and blithe delight and tension-relieving merriment. And all that good stuff will work its most potent magic if it stimulates pleasures that are unique to you—and not necessarily in line with others’ tastes.

CANCER (June 21-July 22): “It is one thing to learn about the past,” wrote Cancerian journalist Kenneth Auchincloss. “It is another to wallow in it.” That’s stellar advice for you to incorporate in the coming weeks. After studying your astrological omens, I’m enthusiastic about you exploring the old days and old ways. I’m hoping that you will discover new clues you’ve overlooked before and that this further information will inspire you to re-envision your life story. But as you conduct your explorations, it’s also crucial to avoid getting bogged down in sludgy emotions like regret or resentment. Be inspired by your history, not demoralized by it.

LEO (July 23-Aug. 22): Would you like to deepen and strengthen your capacity to concentrate? Cosmic rhythms will conspire in your favor if you work on this valuable skill in the coming weeks. You’ll be able to make more progress than would normally be possible. Here’s pertinent advice from author Harriet Griffey: “Whenever you feel like quitting, just do five more—five more minutes, five more exercises, five more pages—which will extend your focus.” Here’s another tip: Whenever you feel your concentration flagging, remember what it is you love about the task you’re doing. Ruminate about its benefits for you and others.

VIRGO (Aug. 23-Sept. 22): What’s your favorite feeling? Here’s Virgo poet Mary Szybist’s answer to that question: hunger. She’s not speaking about the longing for food, but rather the longing for everything precious, interesting and meaningful. She adores the mood of “not yet,” the experience of moving toward the desired thing. What would be your response to the question, Virgo? I’m guessing you may at times share Szybist’s perspective. But given the current astrological omens, your favorite feeling right now may be utter satisfaction—the gratifying sensation of getting what you’ve hungered for. I say, trust that intuition.

LIBRA (Sept. 23-Oct. 22): In the English language, the words “naked” and “nude” have different connotations. Art critic Kenneth Clark noted that “naked” people depicted in painting and sculpture are “deprived of clothes,” and embarrassed as a result. Being “nude,” on the other hand, has “no uncomfortable overtone,” but indicates “a balanced, prosperous, and confident body.” I bring this to your attention because I believe you would benefit from experiencing extra nudity and no nakedness in the days ahead. If you choose to take on this assignment, please use it to upgrade your respect and reverence for your beauty. PS: Now is also a favorable time to express your core truths without inhibition or apology. I urge you to be your pure self in all of your glory.

SCORPIO (Oct. 23-Nov. 21): Scorpio poet Anne Sexton wrote, “One has to get their own animal out of their own cage and not look for either an animal keeper or an unlocker.” That’s always expert advice, but it will be extra vital for you to heed in the coming weeks. The gorgeous semi-wild creature within you needs more room to run, more sights to see, more adventures to seek. For that to happen, it needs to spend more time outside of its cage. And you’re the best person to make sure that happens.

SAGITTARIUS (Nov. 22-Dec. 21): Sagittarian composer Ludwig van Beethoven (1770–1827) could be a marvelous friend. If someone he cared for was depressed or feeling lost, he would invite them to sit in his presence as he improvised music on the piano. There were no words, no advice—only emotionally stirring melodies. “He said everything to me,” one friend said about his gift. “And finally gave me consolation.” I invite you to draw inspiration from his example, Sagittarius. You’re at the peak of your powers to provide solace, comfort and healing to allies who need such nurturing. Do it in whatever way is also a blessing for you.

CAPRICORN (Dec. 22-Jan. 19): At age 23, Capricorn-born Jeanne Antoinette Poisson (1721–1764) became French King Louis XV’s favorite mistress. She was not born into aristocracy, but she wielded her Capricornian flair with supreme effectiveness. Ultimately, she achieved a noble title as well as high prestige and status in the French court. As is true for evolved Capricorns, her elevated role was well-deserved, not the result of vulgar social-climbing. She was a patron of architecture, porcelain artwork and France’s top intellectuals. She ingratiated herself to the King’s wife, the Queen, and served as an honored assistant. I propose we make her your role model for the next four weeks. May she inspire you to seek a boost in your importance and clout that’s accomplished with full integrity.

AQUARIUS (Jan. 20-Feb. 18): The bad news is that artist Debbie Wagner was diagnosed with two brain tumors in 2002. The good news is that surgery not only enabled her to survive, but enhanced her visual acuity. The great news is that on most days since 2005, she has painted a new image of the sunrise. I invite you to dream up a ritual to celebrate your own victory over adversity, Aquarius. Is there a generous gesture or creative act you could do on a semi-regular basis to thank life for providing you with the help and power you needed?

PISCES (Feb. 19-March 20): A self-described “anarchist witch” named Lars writes on his Tumblr blog, “I am a ghost from the 1750s, and my life is currently in the hands of a group of suburban 13-year-olds using a ouija board to ask me if Josh from homeroom has a crush on them.” He’s implying that a powerful supernatural character like himself is being summoned to do tasks that are not worthy of him. He wishes his divinatory talents were better used. Are there any resemblances between you and him, Pisces? Do you ever feel as if you’re not living up to your promise? That your gifts are not being fully employed? If so, I’m pleased to predict that you could fix this problem in the coming weeks and months. You will have extra energy and savvy to activate your full potential.

[Editor: Here’s this week’s homework:]

Homework: Describe the status quo situation you’re tired of, and how you’re going to change it. https://Newsletter.FreeWillAstrology.com

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