Summer Guide Update

Napa Porchfest will not take place in July (“Lost Summer,” May 20). The committee will reevaluate the situation mid-July and decide whether we will be able to move forward with it at a later date.

Amy Lyons Linn

Via bohemian.com

Wanted: Isolation Experts

COVID-19 has given almost all Americans a lesson in how to deal with isolation, which you may want to add to your resume if you also speak Russian and meet other qualifications. Why? Because NASA is looking for 30-to-55-year-old men and women with experience in the practice of seclusion. They must also be fluent in English and Russian and have advanced degrees. The job will put those who qualify in isolation with a small international crew for eight months in Moscow. The purpose is “to study the effects of isolation and confinement as participants work to successfully complete their simulated space mission.” It will give the space agency an idea of what astronauts will experience on extended space missions.

John Grimaldi

Association of Mature American Citizens

Amazon Woes

Kudos to Tim Bray, a distinguished engineer formerly at Amazon. Mr. Bray, a vice president and veteran engineer with the company’s cloud-computing division, said in a post on his personal blog that he quit on May 1st “in dismay at Amazon firing whistleblowers who were making noise about warehouse employees frightened of Covid-19.”

Now, if Amazon “leadership” could release Jay Carney and David Zapolsky for their shameful plan to discredit and demonize whistleblowers and other warehouse workers, who are the true backbone of Amazon for, among other things, working conditions and worker safety.

Gary Sciford

Santa Rosa

Two takeaways from these trying times

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Sometimes it’s not easy to learn.     

I have been a refrigeration technician for 50 years. I had my own business servicing restaurants for 33 years. Learning was a constant. Not only the technical aspects of my trade, but the skills of being a business person. Learning by doing things correctly, looking at that in perspective to make improvements is easy. Making mistakes from not having thorough knowledge or not paying 100 percent attention in the moment is very painful. However, one learns from those mistakes.     

Now, here on the Earth, in this moment, pain, suffering, despair, sadness and grief are a part of almost everyone. This is not the event anyone would want to have as a learning experience, yet it is. Many facets of life, such as how people live their lives, are impacted. Changes after this disaster will happen.

Two important revelations and hopes for change as a result of these times that I have are as follows:

1. The United States of America is not united at all. The disarray, division and polarity are clogging the operation of the system. The United States of America was formed to be a country of the people, by the people, for the people. Now it is a country of the corporation, by the corporation, for the corporation. The people need to take our government back. Get unity as a way of operating the government in the people’s interest.       

2. Unity worldwide is vital for the survival of humanity. Climate change is not a catchy phrase. Climate change, hunger and disparity in wealth are the premier battles confronting every human. ONE EARTH … ONE PEOPLE. The path to peace on all the Earth is paved with free medical from birth to death and free education from nursery school through vocational school or college, for every human being.

May peace in good health be with you, your family and all your friends.

Happy Olives,

Don Landis

Don Landis lives in Sonoma County and is known as “The Olive Guy” on his site, donsolives.com.

Local arts groups coordinate online camps for kids

Three Sonoma County arts and education organizations are coordinating their summer schedules this year to collectively provide North Bay students with seven weeks worth of virtual summer arts camps.

The Alexander Valley Film Society, Luther Burbank Center for the Arts and Transcendence Theatre Company are engaging local youth with online arts experiences in their respective disciplines this summer, running consecutively to keep the kids busy all season.

“The collaboration is in the scheduling,” says Ashleigh Worley, director of education and community engagement at Luther Burbank Center. “The camps are independently run, and we’re working together so kids can participate in all three.”

First, the AVFS Filmmaking Bootcamp, running June 22–26 and led by Sonoma County–based writer/director and film educator Malinalli Lopez, welcomes students grades 5–12 to learn the basics of filmmaking over Zoom, using smartphones to creatively capture their story. Students then continue to film the rest of the summer camps for the final Editing Bootcamp that happens in August.

“The reason the three of us collaborated was to give families a sure-fire schedule that they could put into their calendars now and count on in the months to come,” says Alexander Valley Film Society founder and executive director Kathryn Hecht. “We want kids to stay engaged, meet new people and try to prevent much of that learning slide that is supposed to happen in the summer anyways.”

After the initial AVFS bootcamp, students can participate in LBC’s Summer Arts Sampler Camp for students grades 5–12 that will explore music in the form of ukulele, percussion and hip-hop dance in three available sessions, June 29–July 3, July 6–10 and July 13–17. The center’s instrument lending library will be open for students who don’t have a ukulele, and there is no skill requirement to attend the virtual camps.

From there, students ages 7–12 can also choose to attend Transcendence Theatre Company’s virtual camp, July 27–31, that focuses on musical theater, improvisation, dance and movement. TTC is also hosting a Virtual Teen Intensive Camp for ages 13–18 a week earlier.

The AVFS and the LBC camps are free to attend. Transcendence Theatre Company is charging a modest fee, $35–$100, though TTC has several need-based scholarships available for students on their website.

“This is a collective mission of our arts organizations in the county,” says Transcendence Theatre Company director of education and community engagement Nikko Kimzin. “I think arts are sometimes viewed as the side dish and not the main meal. We are trying to band together to say, especially in this time, connection and creating things as a group is a necessity for the mental health of our youth. The arts can be a main meal when it comes to that.”

The Alexander Valley Film Society, Luther Burbank Center for the Arts and Transcendence Theatre Company virtual summer arts camps run June 22–Aug 7. Registration is required for each camp. Avfilmsociety.org; lutherburbankcenter.org; bestnightever.org.

In Defense of G-ville

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This arrived in my email a couple of weeks back: “I was dismayed to see that the Guerneville Safeway has brought back the single-use plastic bag.” The writer went on to remind us that a countywide ban on plastic bags went into effect in 2014, that they are unrecyclable, and that no matter how beautiful that one looked in American Beauty, they’re ugly litter in real life. “It is my hope you’ll help get Safeway to cease and desist this scourge on our beautiful home.”

I’m on it. Here’s what’s happening: On March 4, Gov. Gavin Newsom issued Executive Order N-54-20, which suspends the statewide ban on plastic bags for 60 days citing concerns about the spread of Covid-19. However, those cities and counties that had a law on the books before the state law went into effect in Jan. 2015—cities like Guerneville and counties like Sonoma—are still banned from using single-use plastic bags, despite the order.

84 days have passed since the order was issued—it expired on May 3. Even if the store in question was understandably confused by the executive order, they should have ceased nearly a month ago. The local edition of the company website states “Reusable bags are not allowed until further notice to ensure the health and safety of our customers and employees.” A call to the Guerneville Safeway established that plastic bags are still in use; however, contact with management has yet to be accomplished. Our investigation continues …

Eve of Distraction

Here are the three points you need to know about 1991’s sci-fi flick Eve of Destruction: the titular character was a blond android who also happened to be a nuclear bomb; star Gregory Hines’ performance can be entirely summed by his expression on the poster, which asks, “WTF am I doing here?”; it was shot in Sonoma County. At some point, Hines announces that the android is on her way to “Guern-EE-ville.” Yep. Like “gurney” with a “ville” tacked on. A gurney—like the one Hines’ career was apparently on before a redemptive turn on Sesame Street the following year as a tapdancing magician.

Anyway, this is the moment I realized I had Sonoma County pride. Hearing Hines say Guern-EE-ville was like a chalkboard waking up on a bed of nails—it sounded hideous but was an arresting image all the same. The Hines Line is the last part of the film I remember, it was also my first thought when I learned he died in 2003. And for you, Guerneville, I will never forgive him.

Rivertown comes to you

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During the past 10 years, Petaluma’s Rivertown Revival has become one of the North Bay’s most beloved annual events of the summer.

The organizers of the festival, a benefit for the conservation and education group Friends of the Petaluma River, were planning this year’s Rivertown Revival when Sonoma County went into shelter-in-place mode to stop the spread of Covid-19.

Given the pandemic’s uncertain timeline, Rivertown Revival canceled the event this year in the name of public health and safety.

“It was going to be awesome,” says Rivertown Revival music-director Josh Windmiller. “Every year, it always is a mind-blowing event.”

Windmiller not only laments the loss of the festivities this summer, he realizes how the cancellation will impact Friends of the Petaluma River fiscally.

“It’s kind of a bleak summer for a lot of people,” he says. “So, we thought, ‘What could we do?’”

To answer that question, Windmiller and the other festival organizers asked themselves, what is Rivertown Revival besides that one-day festival each summer?

“It’s about celebrating the arts, celebrating the community and supporting our natural resources, our environment, through raising awareness and funds,” Windmiller says.

With those goals in mind, Rivertown Revival and Friends of the Petaluma River are teaming up for Living Room Live, which presents all of the best parts of the festival in a streaming weekly showcase on Rivertown Revival’s Facebook and YouTube pages.

Living Room Live kicked off last Saturday, May 23, and will run for three more weeks. Windmiller plays Johnny Carson for the show, and Living Room Live will feature musical performances, a family-oriented segment, “My Town Is Magical,” videos from visual artists, comedy segments and more.

“We’re trying to fit in what people love about Rivertown into something we can get right into their living rooms,” Windmiller says.

He hopes folks will also hit the donate button that will accompany the stream to support the Friends of the Petaluma River, which connects the community to the Petaluma watershed through educational activities and events such as Rivertown Revival.

“I’m really happy, and Rivertown is really happy, to provide another place where people and the artists can meet and build something stronger,” Windmiller says. “That’s what the event has always been, so this is the same thing. A different time, different conditions, but the same thing.”

Living Room Live streams online Saturdays, May 30–June 13, 7pm. Free, donations welcome. rivertownrevival.com.

Undocumented workers face tough circumstances amid pandemic

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By Hiya Swanhuyser

Gervacio Peña, who has worked in agricultural fields in Wine Country and elsewhere for more than three decades, says fieldworkers’ lives during the coronavirus pandemic are grim. 

“A majority do not receive any support from the government,” he says, in Spanish. 

Peña is a founding member of the Graton Day Labor Center, a Sonoma County nonprofit which helps undocumented immigrants and others find work. The people the Graton Day Labor Center works with are always vulnerable, but during Covid-19, they are even more so.

“If they don’t work, don’t pay their bills, then they don’t have enough for food for their families,” Peña says. 

The situation is made worse because although undocumented workers pay taxes, they don’t receive any of the unemployment benefits other unemployed workers are now relying on.

Undocumented workers in California pay $3,199,394,000 per year in state and local taxes, according to the Institute on Taxation and Economic Policy (ITEP).  The Institute estimates that 26,100 undocumented Californians live in Sonoma County and contribute $16,400,600 into local coffers. In Marin, 8,100 undocumented people contribute $5,032,000 a year to the county, and in Napa, 9,800 individuals generate $5,357,000. 

Furthermore, depending on their employer, some do not receive paid sick leave, and many may be discouraged from using even those services to which they have legal access. 

As the Covid-19 pandemic has already shown, the supply chain is only as strong as the human hands holding it together. 

In the North Bay, undocumented residents play an important role in growing and harvesting wine grapes, but also in a variety of other critical industries. 

Undocumented workers can be found in restaurant kitchens, construction sites and offering home care for many of the North Bay’s elderly residents. And, as another fire season begins, undocumented landscape workers help to complete potentially life-saving, home-saving and business-saving fire-abatement projects.

As Sonoma County begins to reopen some businesses it’s worth noting that some essential workers never stopped working, and many undocumented workers could not afford to take time off due to a lack of any direct government aid. 

Last week, Gov. Gavin Newsom’s administration launched a program to offer one-time aid to undocumented workers but, even on paper, the numbers fell short of providing meaningful help to all undocumented workers. 

Newsom’s Disaster Relief Fund will distribute $75 million in state funds, along with an additional $50 million from nonprofits contributions. Under the program, undocumented workers will be eligible for a one-time payment of $500 with a $1,000 cap per household. 

In the end, the $125 million package only pencils out to $500 for 250,000 undocumented people in a state that is home to an estimated 2 million-plus undocumented people. 

On May 12, the Sonoma County Department of Health Services released figures broken down by race and ethnicity. 

The numbers reveal stark inequality. Latinx residents comprise 26.6 percent of the total number of Sonoma County residents, but 69 percent of Covid-19 cases, as of Tuesday, May 26. By contrast, white people comprise 63.5 percent of the county’s population, but only 25 percent of Covid-19 cases. 

Many things remain unclear based on the numbers the county has released. For instance, Sonoma County has yet to release data by zip code, a step that Santa Clara County took on May 18. The county has also not released data about Covid-19 patients’ income levels or immigration statuses.

The Sonoma County Department of Health Services did not respond to a request for comment on its plans to release additional data.

Salvador G. Sarmiento, campaign director of the National Day Laborer Organizing Network, spoke during an April 28 online meeting about immigrants’ concerns during the pandemic, focusing on the action—or inaction—of local governments as an important factor moving forward.

“The question for local officials is: What are you going to do?” Sarmiento said. “We know what Trump is going to do. The real question is what are the mayors going to do, what are the governors going to do?”

In February 2017, eight months ahead of the catastrophic wildfires, the Sonoma County Board of Supervisors passed a non-binding resolution committing the county, at least in theory, to “Providing essential services to all County residents regardless of immigration status” and “Developing solutions to ensure respect for the rights of all residents and to take actions to ensure the family unity, community security, dignity and due process for all residents of Sonoma County.”

Yet, in a May 14 interview, Sonoma County District 1 Supervisor Susan Gorin wasn’t able to point to activity on the board’s part to protect undocumented immigrants during the Covid-19 pandemic. 

“We’ve been slow to really embrace worker conditions, or safeguards for undocumented workers,” Gorin acknowledged. 

That lack of action was also pointed out by county residents and activists during a May 18 supervisors meeting, the supervisors’ first public meeting after the county released data about Covid-19 disproportionate impact on the county’s Latinx population. Several supervisors spoke in favor of ramping up efforts to support the county’s Latinx communities and, since then, the health department has ramped-up testing in some areas with large Latinx populations. 

Asked how many constituents contact her about the health and welfare of the people who perform their fire abatement, care for their houses and children, tend their vineyards and pick their food, Gorin gave a quick answer: “Not many.”

She also says that some landlords are trying to evict undocumented tenants during the pandemic.

“They can’t complain loudly about living conditions, and they’re desperate for housing, and it’s impossible for them to get additional housing [if they’re evicted.],” Gorin says. “So they’re mostly the silent part of the equation.”

Sonoma County Legal Aid’s caseload is ever-increasing, Gorin says. But, despite passing a local eviction ordinance for the duration of the Covid-19 pandemic in late March, the county has not set aside substantial funding to provide legal assistance for renters, documented or not.

Graton Day Labor Center Executive Director Christy Lubin is a vocal critic of the county’s track record so far, saying, “I don’t know that our Board of Supervisors has made any commitment to protect our farmworkers.”

So, with no serious amount of financial aid on the horizon and local plans to reopen the economy rolling out day by day, the Graton Day Labor Center started sending workers out again in early May. 

“Garden, landscape and construction jobs are legal now,” Lubin said on May 14. “No indoor jobs at this time, but everyone who can work is working. There’s a lot of grass to be cut; weed abatement and fire safety.”  

But are the workers the Center sends out safe? 

“I sure hope so,” Lubin says.

North Bay Students Curate Online Art Show on Theme of Belonging

Located on the grounds of the Veterans Home of California in Yountville, the Napa Valley Museum closed its doors in mid-March to help stop the spread of the Covid-19 pandemic. What’s more, due to the virus-vulnerable residents who live at the Veterans Home, it’s unlikely that the museum will be able to open on the same timeline as other venues.

“They haven’t had any (Covid-19) cases among the veterans which is wonderful, but they’re understandably very protective,“ says Laura Rafaty, Executive Director of Napa Valley Museum. “And then there’s a lot of (Covid-19 related) retrofitting that has to get done before we can reopen; things like the elevator, stairwells and the gift shop, we can’t have people touching things. It’s going to be a very different environment and we are going to work our way through that.”

The closure means the museum’s current exhibit of visual works by actor and activist Lucy Liu, “One of these things is not like the others,” is currently sitting in the dark until the museum reopens, at which time the exhibit will run through October.

The closure also means that the museum’s planned student-curated youth art exhibition in April was delayed until now; transformed into a virtual exhibit available to view on the Napa Valley Museum website.

“We had this student exhibition scheduled for April, but suddenly the kids were out of school and most of this artwork was stranded in the school building without a way to physically get at it,” Rafaty says. Once the museum could get the works in hand, the plan became to show the artwork virtually and, if possible, to display the pieces physically at the museum once it can reopen.

“The opportunity to have your work seen in a museum is so impactful for kids,” Rafaty says. “We don’t want to miss that, and at the same time, this is maybe a chance for people who would never physically get to our museum to see the work of these talented artists from the North Bay.”

The now-virtual exhibit, titled “Not From Around Here,” is the fourth annual youth art show that the museum presents in partnership with Napa’s Justin-Siena High School visual arts department.

The goal of the annual exhibit is to present diverse artwork centered on a timely or personal topic, and this year’s theme aims to raise questions within the student artists’ minds, “about our sense of belonging somewhere or to something.”

Nearly 30 student artists are participating in this year’s online exhibit, representing Justin-Siena High School, Vintage High School, The Oxbow School, Saint Helena High School, Marin Catholic High School and Novato High/Marin School of the Arts.

The works on display include paintings, photography, collage and assemblage and drawings that explicitly or abstractly tackle the topics of identity and society as it relates to the theme. In addition to the art, students write an accompanying artist statement that speaks to their intent.

“When you look at the statements, you get that sense of some of them asking, ‘Who am I?’” Rafaty says. “Being different, being out of place, that seems to be a theme that goes through this.”

Led by a panel of student jurors and curatorial teams, this is a youth exhibit through and through. The young artists even decide where to hang the work in the museum normally.

“Our team gets to work with the kids and see how they envision this, and sometimes they do things that we might not have thought to do that are really impactful,” Rafaty says. “We’re really missing that with the virtual exhibit.”

In addition to viewing the work online, virtual visitors are encouraged to vote online for the exhibit’s “People’s Choice” award and to donate to the museum’s efforts to reopen its galleries and educational programs.

Napa Valley Museum’s fourth annual student-curated exhibit, “Not from Around Here,” is on view virtually now through July 31 at napavalleymsuem.org.

Rock Steady with Marin Musicians at Upcoming Virtual Festival

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North Bay grass-roots organization RockSteadyFest is committed to connecting local audiences and artists through the shared experience of live music.

Since 2017, the group has held several local, live events to do just that, though their plans to hold a concert last month were canceled in the face of the Covid-19 pandemic.

“We canceled one week before it was a mandatory stay-at-home order; we saw the writing on the wall,” says RockSteadyFest artistic director Jeffrey Trotter.

Like other event producers in the North Bay, RockSteadyFest knew they would have to transform their model to continue their musical mission. This weekend, the organization unveils the RockSteadyFest Virtual Concert, which is in fact three days of live musical performances from popular North Bay artists that runs Friday to Sunday, May 29–31, via Facebook TV and airing on Marin TV, channel 30.

The virtual weekend opens with a Youth concert on May 29, 3–8pm, featuring talented Marin student musicians. Saturday and Sunday concerts begin at 2pm and 3pm respectively, and feature artists including the boogie-woogie team of Wendy DeWitt and Kirk Harwood, the Tom Finch Trio, Jonathan Korty, Darren Nelson and Jimmy Dillon, among many others.

“We already had this festival planned, and we’re not going to let the virus run things completely,” Trotter says. “There are ways to make this work and the artists all said, ‘“Let’s try to do something online.’”

Trotter and the organizers of RockSteadyFest have been working hard for the last month and a half to ensure the online event will be as seamless as possible, with one-off shows to test the Facebook video feed and a slew of technical rehearsals with the musicians from their studios and with youth performers.

“The kids are performing from their backyards, of course with the consent of their parents,” Trotter says.

“The youth concert is in cooperation with the Tomales Bay Youth Center, so lots and lots of talented kids out in West Marin are going to play music on Friday, and they’re going to scare everybody or everybody is going to love it,” Trotter adds, laughing.

On Saturday, RockSteadyFest opens its lineup with a tribute to late North Bay–vocalist Stefanie Keys, who headlined the organization’s first concert in 2017 with Big Brother & the Holding Company. Keys lost her battle with ovarian cancer last year at the age of 51.

Saturday’s lineup then opens with keyboardist Peter Keys, brother of Stefanie, and also features Chelsea the Piper, Courtney Erwin, Lorin Rowan, Vikki D’Orazi, Kevin Griffin, Susan Zelinsky, Jimmy Dillon, Darren Nelson and Jonathan Korty.

Sunday’s locals lineup includes Danielle Vantress-Salk, Gene Ptak, Clementine Darling, Chris Holbrook, John Ford, Tom Finch Trio, John Allair and Wendy DeWitt with Kirk Harwood. All the performances are free to stream on Facebook and watch on Marin TV channel 30; donations are welcomed through Paypal and Venmo.

RockSteadyFest Virtual Concerts happen Friday to Sunday, May 29–31, Fri, 3–8pm; Sat, 2–8pm; Sunday, 3–8pm. Visit www.rocksteadyfest.org for more details.

San Francisco’s Punk Pioneers Tell Their Stories in Online Exhibit

“In the 1980s, San Francisco grew blander, wealthier and more corporate almost by the day, but a resilient multi-cultural underground thrived in nooks and crannies.”

So writes former Sonoma State University professor, prolific author and longtime Bohemian– and Pacific Sun–contributor Jonah Raskin in his introduction to the new virtual exhibit, “Alternative Voices.”

The show, originally scheduled to open at the San Francisco Main Public Library’s Jewett Gallery this month, looks back on the city’s ’80s punk scene with intimate and grandiose black-and-white images taken at the time by Jeanne Hansen that are paired with recollections from the subjects as told to Raskin in interviews over the last few years. Raskin also wrote the introduction for the show.

“It was very interesting for me to find out about San Francisco and this underground culture in the 1980s,” Raskin says. “This was a way for me to get connected to a generation that was not my own generation, and to see the way that counterculture gets reinvented as each new generation comes along.”

Luckily, almost all of the individuals Hansen photographed in the ’80s were still alive to tell their stories, and they all still embody their younger, DIY personas in their work and their ethos.

Those subjects include Stannous Flouride (real name Kevin Kearney), who now works as a local historian leading Haight-Ashbury walking tours. Back in the day, Flouride worked the door at punk venues like Deaf Club and Target Video and was part of the Suicide Club, a group of urban spelunkers who went on outings at abandoned sites in the city.

Raskin writes the interviews from a first-person perspective, allowing each “Alternative Voices” subject’s personal experiences to come through in the writing as well as the photos.

“At first, I wasn’t sure about the title of the exhibit, because it started with the photographs,” Raskin says. “Though I think the two of them, the photos and words, go really well together. It’s a good combination.”

Raskin’s main challenge in writing these 500-word stories was the editing.

“Some of these people’s interviews started as a manuscript with, like, 10,000 words,” he says. “I was really wrestling with the text to get it down to a manageable length while being true to the people and using some of their language and their expressions to keep them as distinct individuals.”

Of the sample interviews that are available to view online now, Raskin’s words paint detailed and imaginative memories from people including Mia Simmons, leader of punk band Frightwig, whose story includes gems like this paragraph:

“In the ’80s we could work our crappy little jobs and get minimum wage, which was, I remember, $3.25 an hour at the Egyptian and the Strand on Market Street. Our studio was opposite the Sound of Music; we had to carry our equipment at three a.m. downstairs in spiked heel shoes and really blotto drunk.”

In addition to revealing details about the city in the ’80s, the interviews also tell the story of how San Francisco remained a hub for creative and nontraditional people after the ’50s Beat movement and the ’60s hippie movement, as all but one of the exhibit’s subjects were San Francisco transplants who moved there from across the country.

“It’s about people who want to spread their wings and do something different and not be knocked down the way that can happen in so many other places in the country where there’s more conformity than in San Francisco,” Raskin says.

Even today, as tech companies continue to push San Francisco towards a bland corporate epicenter, Raskin says there’s still some subterranean culture left in the Bay Area.

“There’s people still doing their thing, Jeanne (Hansen) is still taking photographs,” Raskin says. “There are still pockets of alternative voices.”

“Alternative Voices” is available to view online now, with an in-person exhibit opening at the San Francisco Main Public Library at a later, so far undetermined date. Visit sfpl.org for more details.

Five Ways to Stay Connected in the North Bay This Weekend

Though Memorial Day weekend is customarily a time for gatherings, Covid-19 has put a halt to all the parties and festivals that usually take place in the North Bay over the three-day weekend.

Even with some North Bay parks opening back up, most folks may still want to stay at home—but that doesn’t mean they have to be bored. Many arts groups have ramped up their online offerings in recent weeks as venues and artists alike adapt to the new era of social distancing get-togethers.

San Rafael’s Terrapin Crossroads is one such venue, having expanded their digital offerings since closing down in March. Terrapin co-founder and Grateful Dead–icon Phil Lesh leads the way on the new Terrapin TV, performing with his son Grahame Lesh and friends from their respective living rooms to raise funds for the venue’s 100-plus staff members who are feeling the financial strain since the stay-at-home orders shuttered the space.

This evening, May 22, Terrapin Crossroads hosts a special cook-along dinner and show from Midnight North–vocalist Elliott Peck and guitarist Jesse Barwell, live from their kitchen and living room at 5pm. First, join the pair in making “Something like a Stroganoff” before enjoying some comforting music.

Deadheads can also enjoy live and recorded concerts streaming on Deadheadland. The long-running, Marin-based Grateful Dead fan site is hosting over 10 different streaming sessions this weekend, including performances by Marin musicians Scott Guberman and Stu Allen, as well as classic sets from Mark Karan and friends. Visit Deadheadland.com for a full schedule.

Napa’s Blue Note Jazz Club, another venue renowned for hosting nightly concerts, has also been dark for two months. In the meantime, it is participating in “Blue Note at Home,” a daily streaming showcase hosted by the original Blue Note in New York City. The live-streaming series showcases artists in their homes, and this weekend’s schedule includes a set from influential jazz-guitarist Marcus Miller, who will be talking about Miles Davis and playing bass on May 23 at 5pm. The next day, on May 24, Soul Rebels’ trombonist Paul Robertson streams at 1pm, followed by a set from harpist Brandee Younger and double-bassist Dezron Douglas at 3pm.

Up the road from Napa, St. Helena’s Cameo Cinema is one of several local theaters streaming on-demand films. In addition to offering streaming movie rentals, Cameo takes the online concept to new heights with its upcoming Zoomfari, in cooperation with Santa Rosa’s Safari West wildlife preserve.

The live virtual experience will feature a meet-and-greet with Safari West’s resident giraffes, and Safari West’s expert rangers will be on hand to answer questions. This Zoomfari pairs with Cameo’s streaming of the documentary The Woman Who Loves Giraffes, which follows 23-year-old biologist, Anne Innis Dagg, on her unprecedented 1956 solo journey to South Africa to study giraffes in the wild. The documentary is available to stream now, and the Zoomfari, presented as part of the theater’s “Science on Screen” series, happens on Saturday, May 23, at 10am on Zoom; RSVP links available on cameocinema.com.

In addition to this family-friendly event, kids will also get a kick out of a pair of online readings being offered this weekend through the new virtual version of the Bay Area Book Festival.

First, bestselling children’s author Colin Meloy—who’s other talent is leading the rock band The Decemberists—and illustrator Shawn Harris appear on YouTube together to discuss their newest collaboration, Everyone’s Awake. The read-aloud book for families is a fun new bedtime-routine for kids who have trouble getting to sleep. That program happens on May 23 at 10am, and is immediately followed by another kid-centric event, as the Bay Area Book Festival hosts author Brian Weisfeld on May 23 at 11am for a lemonade-making session aimed at inspiring kids to get that lemonade stand ready for summer. 

Both of these events are part of a massive online pivot for the Bay Area Book Festival, which presents its #UNBOUND series of engaging conversations and readings  through June at baybookfest.org.

Summer Guide Update

Napa Porchfest will not take place in July (“Lost Summer,” May 20). The committee will reevaluate the situation mid-July and decide whether we will be able to move forward with it at a later date. Amy Lyons Linn Via bohemian.com Wanted: Isolation Experts COVID-19 has given almost all Americans a lesson in how to deal with isolation, which you may want to add...

Two takeaways from these trying times

Sometimes it’s not easy to learn.      I have been a refrigeration technician for 50 years. I had my own business servicing restaurants for 33 years. Learning was a constant. Not only the technical aspects of my trade, but the skills of being a business person. Learning by doing things correctly, looking at that in perspective to make improvements is easy....

Local arts groups coordinate online camps for kids

Three Sonoma County arts and education organizations are coordinating their summer schedules this year to collectively provide North Bay students with seven weeks worth of virtual summer arts camps. The Alexander Valley Film Society, Luther Burbank Center for the Arts and Transcendence Theatre Company are engaging local youth with online arts experiences in their respective disciplines this summer, running consecutively...

In Defense of G-ville

This arrived in my email a couple of weeks back: “I was dismayed to see that the Guerneville Safeway has brought back the single-use plastic bag.” The writer went on to remind us that a countywide ban on plastic bags went into effect in 2014, that they are unrecyclable, and that no matter how beautiful that one looked in...

Rivertown comes to you

During the past 10 years, Petaluma’s Rivertown Revival has become one of the North Bay’s most beloved annual events of the summer. The organizers of the festival, a benefit for the conservation and education group Friends of the Petaluma River, were planning this year’s Rivertown Revival when Sonoma County went into shelter-in-place mode to stop the spread of Covid-19. Given the...

Undocumented workers face tough circumstances amid pandemic

By Hiya Swanhuyser Gervacio Peña, who has worked in agricultural fields in Wine Country and elsewhere for more than three decades, says fieldworkers’ lives during the coronavirus pandemic are grim.  “A majority do not receive any support from the government,” he says, in Spanish.  Peña is a founding member of the Graton Day Labor Center, a Sonoma County nonprofit which helps undocumented...

North Bay Students Curate Online Art Show on Theme of Belonging

Located on the grounds of the Veterans Home of California in Yountville, the Napa Valley Museum closed its doors in mid-March to help stop the spread of the Covid-19 pandemic. What’s more, due to the virus-vulnerable residents who live at the Veterans Home, it’s unlikely that the museum will be able to open on the same timeline as other...

Rock Steady with Marin Musicians at Upcoming Virtual Festival

North Bay grass-roots organization RockSteadyFest is committed to connecting local audiences and artists through the shared experience of live music. Since 2017, the group has held several local, live events to do just that, though their plans to hold a concert last month were canceled in the face of the Covid-19 pandemic. “We canceled one week before it was a mandatory...

San Francisco’s Punk Pioneers Tell Their Stories in Online Exhibit

“In the 1980s, San Francisco grew blander, wealthier and more corporate almost by the day, but a resilient multi-cultural underground thrived in nooks and crannies.” So writes former Sonoma State University professor, prolific author and longtime Bohemian- and Pacific Sun–contributor Jonah Raskin in his introduction to the new virtual exhibit, “Alternative Voices.” The show, originally scheduled to open at the San...

Five Ways to Stay Connected in the North Bay This Weekend

Though Memorial Day weekend is customarily a time for gatherings, Covid-19 has put a halt to all the parties and festivals that usually take place in the North Bay over the three-day weekend. Even with some North Bay parks opening back up, most folks may still want to stay at home—but that doesn’t mean they have to be bored. Many...
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