As the pace of vaccination picks up, California state officials today announced the date they plan to fully reopen the state’s economy: June 15.
Reopening by then will largely depend on two criteria: Vaccine supply must be sufficient for anyone 16 and older who wants a shot and hospitalization rates must remain low and stable. The mask mandate would remain in place, however.
“It is incumbent upon all of us not to state mission accomplished, not to put down our guard, but to continue with vigilance that got us to where we are today,” Gov. Gavin Newsom said today from San Francisco.
The move would eliminate the complex web of county-by-county tiers and replace it with a statewide reopening of businesses.
Businesses would open up to full capacity, although individual counties can still opt to have more restrictions depending on their circumstances. Schools would be allowed to reopen to all in-person learning; however, the school districts will maintain control.
“I want kids back in school safely, and on June 15 we anticipate there will be no barriers to getting kids back in person, not just K-12…(also) including institutions of higher education,” Newsom said.
Dr. Mark Ghaly, the state’s health secretary, said he feels comfortable allowing businesses to operate at full capacity in mid-June because the state will continue to track local conditions.
“What we could see is fully occupied settings, but yet still with masks,” Ghaly said today.
Until at least Oct. 1, events at large settings like convention centers will only be allowed if organizers can show that attendees are either vaccinated or are tested. There is still no plan, however, for large, multi-day events like music festivals to take place, Ghaly said.
As of Monday, the state had administered more than 20 million vaccines — more than entire countries. That includes 4 million doses in the state’s hardest-hit, disadvantaged communities. This progress allows the state to move forward, and leave behind its colored blueprint that has been determining reopenings by county.
State officials chose the June 15 date because it is eight weeks after April 15, when everyone 16 and older becomes eligible for vaccinations. That gives people three weeks to find an appointment, another three weeks in between their first and second dose and two more weeks after their second dose, which allows them to acquire full protection.
“It makes sense to me,” said Dr. George Rutherford, an epidemiologist at UC San Francisco. “On the one hand, vaccination is going gangbusters, I think that will give us the out, but we also have to see what happens with the variants, and if people who are vaccinated are getting infected.”
Infections are skyrocketing in some other parts of the country, with some of the outbreaks linked to new variants of the virus. But California has been able to keep its positivity rate under 2% for several weeks now.
“What we’re asking is for people to hunker down for another two months and when we get there, then it’s Miller time,” Rutherford said.
Nearly all of California currently is in the orange and red tiers, which allowed businesses to reopen with limited capacity. Only Merced and Inyo counties remain in the most-restricted purple tier after failing today to meet the health metrics required to move to red.
The National Park Service (NPS) has revealed that 152 Tule elk recently died under its watch. Tule elk, a species unique to California, once numbered a half million, but were hunted to near extinction when their territory was appropriated for cattle. Now rare, Tule elk can be seen in one national park—Point Reyes National Seashore.
An 8-foot fence surrounds the so-called Tule Elk Reserve at the Seashore to prevent the native elk from eating grass reserved for domestic cattle. The Seashore elk population has declined from 445 last year to 293. The NPS attributes this to poor forage due to drought. None of the 5,700 cattle in the park reportedly succumbed.
The NPS says the elk die-off is a “natural” event”— a normal “population fluctuation” in response to available resources. But there’s nothing “natural” about fencing in wild animals and denying them the food and water they need to survive. This isn’t an act of God. It’s official National Park Service policy: Provide grass and water for cattle. Let wildlife fend for itself.
Last fall, park visitors and wildlife advocates alerted the NPS that water sources in the elk enclosure had dried up, offering photos of elk carcasses as evidence. The NPS dismissed them, insisting there was water. Some 250 elk—half the confined herd—died during the 2012-2015 drought, also a “natural” event in park parlance.
In response, three nonprofit organizations—Resource Renewal Institute, Center for Biological Diversity and Western Watersheds Project—sued the NPS in 2016. The lawsuit was meant to give the public a voice as to whether ranching belongs at the Seashore and under what conditions. A legal settlement committed the NPS to prepare the first-ever Environmental Impact Statement for ranching in the Seashore and to solicit public comments to its plan. Ninety-one percent of the nearly 7,000 public comments opposed continued ranching.
Nevertheless, NPS persisted.
Beef and dairy ranchers hold 24 leases covering approximately one third of the 71,000-acre park. The NPS considers these commercial operations “cultural resources.” Persuaded by politicians and powerful agricultural interests, the NPS sees to it that ranching at the Seashore continues, regardless of environmental impacts or public opposition.
The plan that Seashore ranchers lobbied for, county officials endorsed and the Trump Administration fast-tracked guarantees the ranchers 20-year leases, more livestock, crops and new income streams intended to offset the decline in beef and dairy consumption. Wildlife, the environment and park visitors are shortchanged.
For example, the NPS permits dairies to pump water out of park wetlands to supply cattle—no environmental impact analysis necessary. The plan considers digging wells to supply the water demands of additional livestock and crops—no current data exists on groundwater supplies. In January an independent lab found extremely high fecal coliform in waters draining the ranches at the Seashore, some showing as much as 40 times the allowable limit for E. coli. Despite data showing chronic water pollution between 1998 and 2005, the NPS rarely tests the water at the dairy ranches.
The latest park superintendent offers his assurances that the Seashore will be better off once his superiors in Washington sign off on the new plan. Never mind that cattle remain the largest source of greenhouse gases at the Seashore; healthy elk will be shot to ensure enough grass for cattle; and Tule elk behind the fence face a long, dry summer.
California opened Covid-19 vaccine eligibility to all residents age 50 and older Thursday, the last step before making vaccines available to the state’s entire adult population later this month.
The expansion comes roughly three-and-a-half months after the first doses were shipped to local health departments and administered in the Bay Area and across the state.
According to state officials, roughly 7.2 million state residents are between age 50 and 64 and some 2.8 million of them have already received at least one dose by fitting into other, previously eligible categories like health care workers, educators and first responders.
The state is set to open vaccine eligibility to all state residents age 16 and older on April 15.
“We have an enormous opportunity in the next six to eight weeks to run the 100-yard dash, not the 90-yard dash,” Newsom said Thursday, acknowledging the concern of proliferating coronavirus variants.
“Let us not dream of regretting,” he said. “We’ve come so far together and we’re this close; 18-plus million vaccine doses have been administered in the state of California.”
Newsom, 53, celebrated the state’s eligibility change by receiving the one-dose vaccine developed by Janssen, the pharmaceutical subsidiary of Johnson & Johnson. He added that his wife, 46-year-old Jennifer Siebel Newsom, will receive the vaccine once she becomes eligible later this month.
Newsom cautioned that it will take several months to fully vaccinate every California resident seeking to receive a shot, due in part to continuing supply constraints.
State officials expect to receive roughly 2.4 million doses from the federal government next week. However, Newsom said, vaccination sites across the state still have the capacity to administer two times that number of doses per week.
“We’re confident we can deliver on that as long as the manufactured supply still comes into the state of California,” he said. “That’s the one criteria, that’s the one condition.”
Newsom also said the state is in the process of transferring operations of the mass vaccination sites at the Oakland Coliseum and California State University Los Angeles to Alameda County and the city of Los Angeles, respectively.
Since opening in February, the two sites have been operated by the Federal Emergency Management Agency, the Department of Defense and the state’s Office of Emergency Services and have been administering more than 7,500 doses per day.
“The two FEMA sites, combined, are less than 4 percent of our entire delivery system,” Newsom said. “So it’s not profound in terms of its impact, but it is an impact nonetheless and we try to get every dose we possibly can.”
Newsom encouraged all California residents to make a vaccination appointment as soon as they are eligible, saying it will hasten the state’s burgeoning recovery from the pandemic. Some 18 million vaccinations have already been administered across the state.
“I just encourage everyone 50 and over, do what I just did,” he said. “And I would encourage you, when you’re curious what’s the best vaccine to take, the best vaccine is the next one available.”
Residents who are eligible for the vaccine can visit myturn.ca.gov or call (833) 422-4255 to schedule a vaccination appointment.
Even the concert hall at Mills College is different.
Looming at the back of the stage is a huge, bright mural of a forest opening onto a deep blue lake. The ceiling is painted in geometric patterns and vivid colors. Frescos of Gregorian chant scores flank the stage.
We are not in sedate, monochromatic Carnegie Hall. No, Littlefield Concert Hall at Mills, in Oakland, is a vibrant, even eccentric place, where it is clear from the surroundings that music outside the mainstream is not simply tolerated, but celebrated. “There was a real atmosphere of comfort and support for whatever it is that you wanted to do,” composer David Rosenboom, who led the music program at Mills in the 1980s, said in an interview.
Now that program and the electronics-focused Center for Contemporary Music, together among the most distinguished havens for experimental work in America over the past century, are facing possible closure. On March 17, the college, founded in 1852, announced that ongoing financial problems, exacerbated by the coronavirus pandemic, would mean the end of its history as a degree-granting institution made up of an undergraduate women’s college and several coeducational graduate programs.
Pending approval by its board of trustees, the school’s final degrees are likely to be conferred in 2023. The statement announcing the proposed closure alluded to plans for a “Mills Institute” on the 135-acre campus, but the focus of such an institute—and whether it would include the arts—is unclear.
For composers and musicians, the potential loss of the Mills program has come as a startling blow, even though the college’s finances have been shaky for years.
“I long feared this might be the worst-case scenario, but I am still devastated by the news,” said harpist and composer Zeena Parkins, who teaches there.
It has been an astonishing run. The school’s faculty over the years has been practically an index of maverick artists, including Darius Milhaud, at Mills for three decades beginning during World War II; Luciano Berio, who came at Milhaud’s invitation; Lou Harrison, who built an American version of the Indonesian gamelan percussion orchestra; “deep listening” pioneer Pauline Oliveros; Robert Ashley, an innovator in opera; Terry Riley, a progenitor of minimalism; influential composer and improviser Anthony Braxton; James Fei, a saxophonist and clarinetist who works with electronic sounds; and Maggi Payne, a longtime director of the Center for Contemporary Music, Mills’ laboratory for electronic work since the 1960s, when Oliveros was its first leader.
Among the alumni are Dave Brubeck, Steve Reich, John Bischoff, William Winant and Laetitia Sonami; several former students ended up returning to teach after graduating.
“What Mills College had was unique,” said Riley, who taught there from 1971 to 1981. “I have never in my travels encountered another institution like it.”
Mills’ defining feature was its sense of community.
Despite all the famous names involved, the overriding impression was that music is not created by lone geniuses, but by people working together.
Fred Frith, whose career has included avant-garde rock and idiosyncratic improvisations and who retired from Mills in 2018 after many years there, said, “Music is essentially a collaborative activity, and if I’m going to teach improvisation or composition without real hands-on involvement, then we’re all going to miss out on something.”
In the first half of the 20th century, when composers like John Cage became associated with the school, Mills developed a reputation for nonconformity.
Performances ran the gamut from traditional instruments to obscure electronics to vacuum cleaners, clock coils and other found objects. Riley recounted an early performance of “In C,” his open-ended classic from 1964, at which the audience was dancing in the aisles. Laetitia Sonami recalled taking singing lessons with master Indian vocalist Pandit Pran Nath, guru to Riley and others.
At that time, the program was practically public access.
“In the 1970s, Mills was still like a community group,” said composer Chris Brown, a former director of the Center for Contemporary Music. “It still had the idea that community members could come and use the studios.”
Robert Ashley, a guiding presence from 1969 to 1981, helped foster that spirit. Though the radically open sensibility faded as the years went by, Mills maintained a commitment to access through frequent performances in and around Oakland, many of them free.
“One of the amazing things about Mills is the rich musical community that it creates through the entire Bay Area,” said composer Sarah Davachi, who graduated in 2012.
As the personal computer revolution was taking hold in nearby Silicon Valley, experiments with home-brew electronics and microcomputers, like those of David Behrman, were common at Mills, where technology had long been at home through the Center for Contemporary Music. Serendipitous moments abounded: As a student in the ’70s, John Bischoff remembers running into David Tudor, renowned as a collaborator with Cage, in the hallway and being asked to assist with recording Tudor’s work “Microphone.” Winant said he found an original instrument built by composer and inveterate inventor Harry Partch hidden under the stage in the concert hall.
“It felt like utopia: an environment where students are encouraged, and given the support they need, to pursue any and all ideas that came to mind, free from the stifling pressures of capitalism,” said Seth Horvitz, an electronic composer known as Rrose.
Students built their own instruments and sound installations, exhilarated by the freedom to do what they wanted. “We commandeered every square inch of the music studio and surrounding areas,” said composer Ben Bracken, “putting up rogue installations in the courtyards, hallways and hidden rooms, inviting friends to perform in inflatable bubbles, screening Kenneth Anger films in the amphitheater with live studio accompaniments, Moog studio late nights that bled into morning.”
But pressures on institutions of higher education around the country, which have intensified in recent decades, did not spare Mills. In 2017, as a cost-cutting measure, it began laying off some tenured faculty. Celebrated composer and multi-instrumentalist Roscoe Mitchell learned his contract was not being renewed—news that was met with an outcry from the experimental music community. (Mitchell’s contract was eventually extended, but he chose to retire.) In 2019, the college sold a rare copy of Shakespeare’s “First Folio” at auction for just under $10 million, and a Mozart manuscript for an undisclosed sum. But the losses continued—and then came the pandemic.
Many musicians said they were concerned about the fate of Mills’ archives.
Maggi Payne said it includes over 2,000 tapes of performances, lectures and interviews, along with scores, letters and synthesizers—and hundreds of percussion instruments owned by Lou Harrison. David Bernstein, who chairs the music department, said the archives would be protected.
“We have been working on this project for quite some time,” he said. “And yes, there are instruments at Mills of significant historical importance. We are very concerned about their fate. Most of all, they should not be stored but used by students interested in exploring new sounds and different musical cultures. And they should also be played by virtuoso performers, as they are now.”
But if Mills’ future is unclear, Mitchell said, its legacy is not. It will live on “much longer than you and I,” he said. “It’s history. It’s not going to go away.”
Five California legislators are trying to establish the nation’s first public bankingoption that would offer no-fee, no-penalty bank accounts to all California residents.
The California Public Banking Option Act, also known as BankCal, seeks to close the widening racial wealth gap by offering financial services at no cost.
Those services include a no-fee, no-penalty debit account that requires employees to facilitate direct deposit into the account when requested. It also includes automatic bill pay capacity and free ATM access at participating banks—services critical to asset building and wealth generation.
It would also have infrastructure in place that would allow public benefit payments such as federal stimulus checks to be directly deposited.
“I’m very excited for the opportunity that BankCal presents to combat some of (those inequities and the racial wealth gap) and to expand essential financial services to all Californians, especially working people,” Assemblymember Ash Kalra, D-San Jose, who co-authored the legislation, said at a news conference on Tuesday.
Nearly a quarter of Californians are either unbanked or underbanked—meaning they lack a bank account or pay a steep price for basic financial transactions like cashing their paycheck.
This rate is even higher for Black and Latinx households, where nearly half are unbanked or underbanked—making up 78 percent of the state’s unbanked population, according to the legislation.
The bill also stated that Californian households earning less than $30,000 per year, or just under $15 per hour for a full-time worker, make up 80.7 percent of unbanked people in the state.
A little less than half of California’s disabled population is also unbanked.
“We know that that 15 bucks an hour means a lot less when that person actually gets a product cash in their hand, and that’s unfair,” lead author of the legislation Assemblymember Miguel Santiago, D- Los Angeles said. “It makes no sense that somebody would earn $15 an hour and after every fee, after every transaction, after everything they do, after overdraft fees, that 15 bucks an hour is even decreased because financial institutions continue to make enormous amounts of profit.”
Those fees could cost an average of 10 percent of an hourly wage worker’s take home pay, Santiago said.
Sofia Lima, a San Francisco resident who works at McDonald’s and Carl’s Jr. to support her two young daughters said she can attest to that.
“I cash my paychecks at a store half an hour away from home that I have to take a bus to get to,” Lima said in Spanish. “I spend $12 for each check I cash, aside from the cost of travel, and it adds up quickly to having lost over $500 in check cashing over the last couple of years, not including travel.”
She said she has lost even more money from paying for money orders and using public transportation to pay her bills.
“If I was able to save more of my money, maybe child care would be an option,” Lima said.
By offering those banking services for free, BankCal would level the playing field, by allowing low- and middle-income residents to save money, build credit, access their money and pay their bills without needing to use “predatory financial services” like same-day loans, money order fees or overdraft fees, Kalra said.
To be clear, this bill would not create a new bank, rather a statewide retail banking option.
If passed, the legislation would create a BankCal board, staffed by the State Treasurer’s office, to be the oversight body, ensuring the program reflects the legislation’s priorities.
It would also have a program administrator who would facilitate partnerships with government agencies and nonprofit organizations as well as a network administrator who would coordinate with financial institutions and debit/credit card networks.
The banking service would be self-sustaining through the revenues generated from merchant swipe fees from debit card purchases, backers said.
“It is a direct solution to traditional commercial banks that have been operating with no real incentive to help impacted communities,” Trinity Tran, co-founder and lead organizer of California Public Banking Alliance said.
BankCal would also eliminate the possibility of overdraft fees by ensuring all payments are made via debit card and not check.
Tran noted that low-income people are twice as likely to pay overdraft fees, adding that 80 percent of bank fees are paid by only 20 percent of U.S. bank customers.
Currently, BankCal is not outlined to have the ability to issue loans, but the legislation notes that the board could review and add other services in the future.
So far, the legislation has garnered a lot of support from progressive organizations and representatives, including Congressman Ro Khanna, D-Santa Clara, who called BankCal “an incredibly innovative,” transformative and moral proposal.
“It says if you’re a Californian, you’re now going to have a bank account, and it’s not going to cost you anything,” Khanna said. “It is actually giving financial security and financial dignity to so many Californians who don’t have it.”
The California Public Banking Option Act will be heard before the Assembly Banking and Finance Committee on April 29, 2021.
Just when you thought it was safe to come out of the cannabis closet the Biden administration announced that five White House employees were fired after revealing past marijuana use during background checks. Other White House employees have been suspended or told to work remotely after they fessed up. “Don’t ask, don’t tell” sounds like good advice. Jared Huffman who represents the North Coast, plus 29 other representatives in Congress have protested the Biden action.
In New Mexico, the state legislature recently declined to pass House Bill 12, that would have made cannabis legal for people over 21. The bill would have expunged the criminal records of people arrested for possession of two ounces or less of marijuana. It also would have allowed those serving time for violation of the marijuana laws to be eligible for a dismissal or reversal of their sentence.
Closer to home, there was more disturbing news for pot lovers. Marin County residents, Jennifer Durham and Justin Pool, withdrew their application for a delivery service, “Highway 420,” at 205 San Marin Drive in Novato. The couple received conditional approval from the city council, but members of the community raised their voices in opposition and gathered more than 1,000 signatures on a petition that cried out, “Our way and no Highway 420, either.”
The site would have been a mile from San Marin High School. Opponents of the delivery service felt that was too close to kids, and too much of a temptation. Still, as marijuana advocacy groups have shown, there’s no conclusive evidence that cannabis dispensaries and delivery services attract crime and criminals, or that high school students obtain their drug of choice when a dispensary opens its doors, no matter how near to classrooms and playgrounds.
Prejudices die hard. Old bugaboos don’t easily vanish and the war on cannabis isn’t over yet, not by a long shot. Marin teens have long had easy access to weed. Teens with parents who smoke, smoke with their parents. Teens with parents who are opposed to pot, persuade other adults to buy weed for them. Some teens in Marin grow their own in backyards and on remote hillsides.
Keeping teens away from weed is as challenging as keeping teens away from cell phones. Also, as many if not most savvy parents know, telling a teen not to do something, is tantamount to an open invitation to do so, whatever it is. Teens say that adults ought to focus on their own addictions, whether they’re to fast foods, alcohol, and their own vices and devices. Yesterday’s pot foes become tomorrow’s aficionados. Pot partisan and former Bohemian editor, Gretchen Giles, tells me, “Keep the faith. We’re making progress.”
Pairing a laid-back flow and a relentless drive, North Bay native J.Lately has crafted relatable and engaging hip-hop since his days at high school.
Now 10 years into his music career, Lately just dropped his latest album, Winnebago, and he’s inviting audiences to join him on his journey.
“For me, it’s always felt like writing a song is not the entire process; sharing it is also an important part of the process as well,” Lately says.
From his days burning CDs for friends at school to his years on the road touring across the country, Lately steadily increased his musical output as he matured as an artist, and Winnebago follows on the heels of his Campfire EP, released in August of 2020, and his last full-length, Tuesday, released in 2019.
“It’s taken me a lot of time to develop that confidence in myself as an artist; find my voice and find my path,” Lately says. “That’s something I’ve been able to tap into more in recent years. I am feeling more comfortable in my shoes now.”
That confidence and comfort shows through on Winnebago’s 10 tracks, which lyrically find J.Lately on the move and navigating life’s detours amidst the album’s memorable hooks and smooth beats.
The title track was the first song Lately wrote for the new album, and he says it became the cornerstone for the whole record.
“It happens to me a lot with albums, the first song that I write is my thesis statement about just where I am in life at the time,” Lately says. “That’s what happened with Winnebago.”
Shortly after writing Winnebago, the Covid-19 pandemic sequestered everyone in their homes, amplifying Lately’s physical need for movement, growth and freedom.
“The idea of a Winnebago is such a perfect representation of that idea; you’re in your home, but you’re moving in your home,” Lately says. “That’s what I’m trying to find; being comfortable with myself in my home, but that home doesn’t need to be a stagnant place.”
During the past year, Lately collaborated remotely with his two producers, Space Cadet and Trey C—who Lately knows from high school—as well as the three guest artists, Las Vegas’s Dizzy Wright, L.A.’s Gavlyn and Vancouver, British Columbia’s Junk, who all appear on the album.
“It’s been a blessing to have these producers that I can work so closely with,” Lately says. “I think that’s helped with the sound on Winnebago and finding something that’s uniquely myself.”
With the pandemic’s end almost in sight, Lately looks forward to returning to the touring life so he can keep sharing his music with the world. For now, Winnebago is a great way for listeners to musically hit the road and expand their horizons.
Like a bird chirping on a branch deep in the forest of my mind, the voice kept repeating the word like a mantra while I walked the crowded streets of New York.
“Back,” it said. “Back to what?” I demanded. “To where, to whom?” But the voice flew away on the winds of my thoughtstream. Over a period of nine months the phantom nightingale added more words to its lament, until finally, as I lay in Central Park on a summer’s day, it came forth loud and clear:
Go back. Come. To me. Home.
Or, translated from the language of the unconscious, “Come back home to me.”
And so here I was en route for California, roused in the middle of the night by the sudden stillness of the train. As I stepped outside, my feet landed on snowy turf. My sleepercar’s attendant said a truck had flipped on the tracks up ahead. We were somewhere in the cavern of the heartland, where there are neither lights nor mountains, only an endless flatness that suffocates with its emptiness. For, in the United States, there is more space where nobody is than where anybody is, noted Gertrude Stein. “That’s what makes America what it is.”
The delay meant more interminable hours in the tiny Amtrak compartment, which was something like an airplane restroom connected to a closet, a masterpiece of Soviet-style design at its most brutally efficient. I was halfway through my four-day journey from Manhattan’s Penn Station to the end of the line in Emeryville, after 12 years away from home. But now I knew I’d been split apart inside for much longer than that, traumatized by the loss of someone dear. The inability to properly grieve had made me a hollow man cut off from his feelings, from all sense of continuity with the past and from the internal rhythm of my heart and its murmurs of affirmation.
It had been two decades since my mother died, and I was finally ready to face her, to apologize for the mute goodbye that final day on the bench in Rincon Valley that now bears her name, where she stoically endured the effects of chemotherapy before cancer finally sucked her into a coma so it could finish ravaging her insides and shut down her remaining systems. She had faced death more bravely than I’d faced life, and now I was coming home a humbled and enlightened man, cramped on a train with an aching back, microdosing cognac, Advil and Dramamine, the salmon I’d brought starting to smell like cat food. With the obstruction cleared, the train recommenced its clickety-clack towards California, to that never-mourned astrologer-mother whose maternal spirit haunts the night sky in the guise of that lunar luminary that shines over my childhood home deep in the Valley Of The Moon.
1: Written in the Stars
According to Shakespeare, our faults lie not in our stars, but in ourselves. But when you’re raised by an astrologer, you learn that faults in ourselves are faults in our stars. And sometime around the age of 40 you’re forced to realize that playing to your strengths only gets you so far, and that conflicting tendencies, if not reconciled, will eventually unravel you.
The recession of 2008 exposed all my inner fault lines as, one by one, my clients slashed their budgets. I should have gathered my wits and taken action at the first sign. Instead, I decided to ignore what I didn’t like, and followed my sun even deeper into distracting hobbies. Soon the fragile moon, angry at being neglected, took her revenge in the form of anxiety, insomnia and a paralyzing sense of existential dread.
“I feel like the gods are judging me,” I remember saying. My mother would have understood. Before working as Elsie Allen High School’s career counselor, Carolyn Chensvold combined her master’s degree in Jungian psychology from San Francisco State with the ancient wisdom of astrology, mankind’s oldest science. She’d learned it from her mother and her aunt, and then taught classes and analyzed natal charts from our quiet home in Rincon Valley. I had a natural affinity for the family tradition, and found my mother’s wisdom both eerie and strangely logical. I knew my Moon in Virgo made me both imaginative and orderly, but it was only after her death that I discovered that its placement in the First House brings with it a deep connection to the mother. I’d always thought losing her would be the worst thing imaginable, and when her ovarian cancer was deemed terminal, suddenly the unimaginable became real.
When she died, it was as if my nervous system short-circuited and stopped carrying signals from my heart to my brain. Astrologically speaking, it was like my microcosm of a self could no longer properly reflect the microcosm that had stamped it with a unique energy pattern. I swept the grief under the rug of avoidance and forged onward into the world of the marketplace, bartering my skills for money and prestige, both of which were eventually revealed to be as fleeting as moonlight among clouds. In tandem with the rise of the internet, mobile phones and social media, my inner world went from a rich kingdom of the imagination to a ghost town sunken into desuetude, as my once-grounded sense of self was sucked into the digital vortex.
Until the end, my mother embodied both unconditional maternal love as well as the mythological figure of Sophia, the Greek personification of feminine wisdom in a man’s world. She was her father’s daughter, and raised me to handle bullies, court a lady, seek victory in sport and take my place among my peers. That is, she instilled in me the kind of knowledge that helps a storybook hero discover vital powers that lay hidden within him, and which are shunned by the world of the fathers and their rigid laws. As with Alexander the Great, it is the mother who helps the hero understand his true lineage; that he has not just an earthly father, but a “second father” beyond the stars, whose divine spark glows in his breast.
REMEMBERED A plaque on a bench in Santa Rosa’s Brush Creek Park commemorates the author’s mother. Photo by Daedalus Howell.
2: The Dark Side of the Moon
I don’t like to fly as it is, and online chatter painted an ugly picture of air travel in the age of Covid-19, with in-flight brawls, planes turned around because a two-year-old wouldn’t keep their mask on, flight attendants encouraging passengers to sip beverages with straws beneath their face coverings. I had visions of snapping mid-flight, suffocating and howling about mass psychosis, being forcibly restrained in my seat and arrested upon arrival. Driving would mean10 days of backbreaking tedium, bad food and the constant threat of snow. There was only one way back to California: in my own train compartment, quietly sipping cognac while watching 3,000 miles of the United States roll by across four days of sun and three nights of moon.
In the wisdom traditions, the moon rules over the body and emotions, the receptive soul as opposed to the active spirit. It regulates the tides of the sea, the human menstrual cycle and the harvesting of crops. In our little corner of the vast universe, the earth’s moon is a femine energy representing the maternal side of creation, the bride of the sun and, like all energies, it contains a positive charge as well as a negative one. The bright side is the light of maternal love, while the dark flipside is the destructive side of Mother Nature, which values the species over the individual. In its mythological guise as the devouring dragon of the Great Mother archetype, what we call “lunar consciousness” reduces all of mother’s children to the same level, washing over them with a tidal wave of egalitarianism that erases all qualitative difference, since all children are equally deserving of mother’s love. All members of society must don the tribal mask to ensure the cohesion of the social unit. There is no place for the individual in a system ruled by lunar consciousness, and universal myths speak of heroes who face “castration,” or what in our digital civilization we’d call “canceling,” for disobeying the Great Mother.
Jungian analyst Liz Greene was my mother’s favorite astrological writer, and in her book The Luminaries, she writes:
“Because the Moon governs the realm of nature, a purely matriarchal consciousness dispenses with the value of the individual, giving absolute importance to family and to tribe, justifying the suppression or destruction of individual self-expression if the security of the group is threatened. There are no ethics or principles in this domain, nor any disciplined use of the will. All is justified by instinctual need and preservation of the species.”
Unchecked by yin-yang balance, lunar consciousness conjures up images of bald men with manicured goatees presiding over rituals of human sacrifice, of orgiastic frenzy with people’s eyes rolling back into their sockets, of descent into dreamlike states and regression into earlier, sub-rational stages of human development—what we’d call mass recollectivization, or in the age of coronavirus, “mask recollectivization.” The solar instinct is to sacrifice the weak in order to maximize future conditions for the young and healthy, while the lunar instinct places compassion above all else and will immediately halt civilization in order to protect the most vulnerable, for it exists in a state of aevernity, the eternal now, in which the future does not exist.
Our response to the pandemic is guided by cosmic forces that stand in complete opposition to one another, squaring off in a way we haven’t seen for 30,000 years. The ancient Greek mystery schools—in which those gifted with metaphysical sensibilities were initiated into knowledge of divine law—taught that the greatest mystery of all is that the solar element must dominate and yet the lunar must be free. This is the great paradox that comes with a universe based on polarity, where the immovable object is met by an implacable force. It is the opposition of night and day, positive and negative, masculine and feminine, and the battleground of the sexes that will cycle through time for all eternity.
3: Moon Talk
Chemotherapy rendered my mother bald and frail, but failed to stop the corruption, which continued to gnaw at her ovaries and uterus before finally marching an assault of the vaginal wall—all the organs that brought me into this world. By the end, she was emaciated and comatose, and her breath rattled like a rusty pipe, until on the last morning it became a desperate chortle as the last living part of her fought for its final breath. She was gone, but the survivors lived on. Mythology teaches us that the cause of a paralyzing wound contains within it the key to healing. In other words, whatever causes one’s fall from grace is ultimately the source of one’s redemption. But one must undertake the excruciating journey into the cavern of the heart, face the pain and redeem it through compassion for one’s human weaknesses, guided by the magical ability of the soul to heal itself with the light of truth, as if it were some sort of ultraviolet medical instrument steadied by the hand of God.
Coming back to California was like coming back to myself. Each passing fragrance wafting in the air—newly mown grass, blossoms from the trees, a fireplace on a breezy night—seemed to recapture a youthful memory I thought was lost forever. The moon governs the world of feelings, and as I worked through my mother’s loss and repaired the inner short-circuits, everything inside began to flow and the background noise of agitation was gradually replaced by one of joy. I began to feel that I’d fallen into a kind of time-travel paradox in which I had to fall apart in order to embark on a journey to understand why I’d fallen apart. To the awakened being, life ceases to be linear and becomes a single pulsing energy field, with the past just as necessary for the future as the future is for the past. Time moves both ways, or, as Kierkegaard put it, life is lived forwards, but understood backwards. This coming-home story, whose focus I did not know when the Bohemian asked me to write it, has now been made clear; an exercise in how we are able to create reality and meaning even in the face of tragedy, or, precisely the kind of lesson my mother would have wanted me to learn.
Now I was ready to finally talk to her. I knew I was ready, because that’s precisely what I was doing. To the sound of dogs barking and children playing, I sat cross-legged with both hands on my mother’s weathered bench. I don’t believe it is possible to contact the spirits of the dead, and my mother certainly never discussed such things. But we can tune our heart’s inner receiver to the channel where all our memories of someone who’s departed are stored. This channel will then vibrate in consciousness, which is not confined to the body, but a field that surrounds us through what the ancients called akasha, ether or numen, and what modern science calls dark energy. It’s that invisible medium through which light and cellular signals travel, and maybe even thoughts and deeds. This is what I believe we can talk to, and so I did. I also shared with my mother a line I’d written years before in the notebook she gave me: “I would not be surprised if the answers you seek are right here in this book, which is to say right inside you.”
There is one little coda to the story of my return to Sonoma County, and that is the matter of housing. While I’d been away the cost of living had grown rather high, and there seemed to be few vacancies. All my old tendencies began bubbling in a sickly stew of despair until I quieted my mind and let the heart lead. A kind of electro-magnetic energy brought a fanciful notion into my head, and I followed it to the apartment complex where I’d stayed briefly in 2009 at the dawn of my crisis, trying to summon the pluck to move to New York. Sure enough, as if waiting for me in this sprawling complex of 60 apartments, was the exact same unit where I’d lived at the start of my inner journey, when I’d felt the intolerable burden of the gods judging me.
Now it’s clear I was right: the gods have indeed been judging me all along. But I had proven my worthiness through the courage to confront my failings, and so the planets showed me that they are not just malefic, but benevolent as well, and that they giveth as much as they taketh away. Now each day when the sun rises over the hills of Rincon Valley, I see what I want and who I am a little bit more clearly. What I want is to fulfill the potential—from the Latin word for power—of all my stars, for a horoscope is a kind of cosmic fingerprint of everything one could be if they could get all their internal energies working together in harmony, instead of opposition. As for who I am, I’m just like you: a mixture of Sun and Moon, Mars and Venus, light and shadow, heaven and earth.
I wish you had a chance to interview my dear son Trevor, who started smoking pot at age 14 while a Freshman at Redwood High School. This handsome, sweet young man, if sober, could have told you how he became violent when coming down from cannabis. He would have told you that no matter the treatment he received, he knew he was going to use cannabis, since he was unable to fight his brain activity that prioritized using his drug of choice (cannabis) to get high over everything else.
The day after he turned 18, he received his medical marijuana card in the mail, despite the Cannabis Use Disorder diagnosis that sent him away for much of his high school years. (Disproving your comment about cannabis not legally available to teens.)
Alas, you can’t interview him, because he is dead—poisoned by a fentanyl-laced street pill in his dorm room at age 18, looking for his next high. His addiction, like one-in-six youth, began with cannabis.
Mr. Raskin, your entire article is full of misinformation. This is unfortunate, since the cannabis industry perpetuates untruths and has much deeper pockets to spread this misinformation, and newspapers like this are eager to run stories like yours in order to support their advertisers.
I am disgusted and appalled at this “journalism,” and remain devastated at the loss of my beautiful boy, whose life could have been saved had it not been for the normalization and proliferation of youth and adult use of cannabis throughout Marin County, in part by articles like this.
I would close my eyes before being called away forever to the sounds of the sea.
My heartbeat would stop, and I would fall asleep forever in the sea.
I have looked in a mirror often, and once every twenty years,
I stop, and I examine the face of me, a portrait.
I am just a human being.
I would think of how graceful it would be for my skin
to become the bark of a hardwood tree.
It would conceal its age inside,
one ring for every year.
I see the rings that have scarred my face.
The pendulous features of a man are less graceful
than the branches of a Katsura tree.
The Katsura’s beauty lies in its branches that have
umbrellaed and touch the ground.
The other young trees that surround the old Katsura don’t mock,
but instead, they wait, they wait, they wait.
They wait for their own rings of years that will expand their trunks,
not as fat, but as the strength of an old tree.
I often feel my strength inside.
We are reminded every year of the time we were born. Perhaps one day, and many years away,
a gentle wind will blow with a scent of cotton candy.
And like the Katsura tree, I will lean and fall to the ground.
Before I am swept away, a young child will walk upon me,
and she will look closely at my skin and the bark of an old tree.
Scott Reilly runs Glaze and Confused pottery studio in San Rafael.To have your topical essay considered for publication, write to op*****@pa********.com.
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