Heroes of Marin 2016: Courage

Heroes of Marin 2016

Courage: Aneice Taylor

By Dani Burlison

In 1982, Aneice Taylor’s Lagunitas home was destroyed in a powerful mudslide. The freak accident left her, a 37-year-old mother of two, paralyzed below the shoulders. After a six-month hospitalization, Taylor returned to her role as a parent while simultaneously learning to live as a quadriplegic.

After about three years prioritizing her role as a parent, Taylor says she realized that she was going to need more attendant care than was available through In-Home Supportive Services (IHSS) to remain at home with her children. The county/state program assists low-income individuals who need help from others to remain safely in their homes; yet the wages through IHSS are usually very low, and for Taylor, there were not enough hours awarded each month.

“Upon examining all possible situations where I could work or receive extra funding for attendant care,” Taylor says, “the only possibility I could come up with was to form a nonprofit to help quadriplegics like myself to help pay for their personal attendant care.”

So she did just that. In 1987 Taylor founded IN SPIRIT, a local nonprofit organization that works to provide services to people living with spinal cord injury, multiple sclerosis, ALS, polio, muscular dystrophy and other neurological disorders. IN SPIRIT fills in the gaps, so to speak, that are left by the low wages and hours available by government agencies, by providing  monthly grants toward their care. The organization also has a program that assists with certain special needs of quadriplegics and has been very active in legislative advocacy work to improve services through IHSS.

“Almost all quadriplegics would rather live at home than in nursing homes, and will endure many hardships to live independently,” Taylor says. “This service is a great boon to the families and for the home-care workers of those who we help.”

Yet, funding can, and has been, a problem in regard to people acquiring the help that they need, which can vary greatly. Taylor says that “adequate personal home attendant care is essential for quadriplegics to get help with their activities of daily living: Dressing, feeding, bowel and bladder care, range of motion, bathing, grooming, access to community and sometimes respiratory assistance. If these needs are not met, quadriplegics can be faced with a myriad of health complications, some of which may be life-threatening. They might also have long hospitalizations, and without essential services, they might be isolated and depressed.”

IN SPIRIT receives its funding through foundation grants, private donations and fundraising events. Over the last decade, funding for the organization has declined, an impact brought on by a shaky economy. Yet Taylor says that IN SPIRIT has never had to discontinue offering services to their clients and has assisted them through their end-of-life care.

“The greatest reward of my work is that we have been operating nonstop since 1987, and have helped many people continue to live at home,” Taylor says. “The bonds and friendships developed with our clients and their families, it is very enriching and comforting to them as well as myself.”

One of Taylor’s favorite stories is of an individual who IN SPIRIT worked with who had a persistent and severe form of muscular dystrophy since he was a toddler.

“He was one of our earliest clients and after 20-plus years of IHSS and IN SPIRIT assisting with attendant care funding, he is now over 50 and is still living at home with his devoted mother,” Taylor says. “As [his mother] says, ‘I made a pact with God that if my child could live, I would care for him the rest of his life.’ Although they experience serious medical hurdles, with his devoted attendants and mother, their household has been upbeat and bright.”

Cases like this are not uncommon and are exactly the types of scenarios that Taylor hopes to continue creating through her work with IN SPIRIT. The organization often has a waiting list of applicants hoping to remain at home with their families.

“I have been very rewarded to have meaningful work all these years. It made a big contribution to my happiness and sense of well-being as a quadriplegic,” Taylor says. “It has also been rewarding to have had the generous support of the community in which I have lived for over 40 years—the San Geronimo Valley.”

And Taylor’s community is certainly grateful for her. According to one friend/colleague, “She can reflect her own success in maintaining independence and dignity while living as a quadriplegic. Aneice helps quadriplegics expand awareness of their possibilities by showing her skillful achievements in personal management.”

It’s a sentiment that makes Taylor well-suited to be the recipient of this year’s Heroes of Marin award for Courage, the category that recognizes “an act of bravery or for determination and strength of character to triumph over adversity.”

“Part of our mission has been to educate the public about the lives of quadriplegics,” Taylor says. “I have a saying: ‘It takes a community to keep a quadriplegic on the roll,’ so keep your eye out for quadriplegics in your community. It is an honor to be acknowledged by the Heroes of Marin award.”

Heroes of Marin 2016: Community Spirit

Heroes of Marin

Community Spirit: Heidi Krahling

By Tanya Henry

With the seemingly unstoppable popularity of cooking shows like those featured on the Food Network and Bravo’s Top Chef that hungrily seek out their next celebrity chef, it might be surprising to learn that some chefs shun the spotlight and big stage in favor of something they feel is more sustaining and meaningful.

Heidi Krahling is one of those chefs. The San Anselmo-based restaurateur and owner of both Insalata’s and Marinitas is the recipient of this year’s Heroes of Marin Community Spirit award.

“Community is our stage—it is what is important and what feeds us,” explains Krahling who, along with her husband of 34 years, Mark, takes a moment to come out of the kitchen, sit down and talk with me about her work, and what it has meant for her and her family to be part of the Ross Valley community for the last 20 years.

“What do you mean you aren’t hungry? It’s 1pm—it’s lunchtime—of course you’re eating,” insists the ever-gracious chef, as I retrieve my notebook. It doesn’t take much convincing for me to give in to her pleas, especially since she plans to join me—which for the record, is the first time that I have ever seen the always-on-the-move chef sit down in her restaurant.

In between bites of Insalata’s beloved signature fattoush salad—a sumptuous medley of romaine lettuce, sheep’s milk feta cheese, olives and tasty bits of toasted pita bread, I learn that Krahling’s generosity starts close to home with her staff, all of whom she considers part of her own extended family.

“We try to do the right thing, of course we are going to help the people who have been loyal to us for all of these years,” explains Krahling, who takes some prodding when asked about specific acts of charity. Mark, however, is more forthcoming in singing his wife’s praises, and recounts the time that Krahling brought a pitcher of Manhattans over to the merchants on San Anselmo Avenue when their storefronts were flooded in 2005. The following day she showed up with hot mugs of soup for the entire block.

Perhaps one of Krahling’s biggest fans is Marv Zauderer, founder of ExtraFood, an organization that collects excess food from businesses throughout the county, delivers it to those in need and serves 40,000 people. Krahling not only donates the excess from her restaurants to the organization, but she goes above and beyond with her “planned giving” meals that reach Marin’s most vulnerable population who suffer from food insecurity. Hunger is an issue that Krahling has cared about long before she became a chef.

Growing up in Ventura in Southern California, Krahling recalls her family “cooking for everyone.” They had a large orchard and she says that they were always giving fruit away. Her parents cooked for school functions, Knights of Columbus and St. Vincent de Paul. The notions of community and charity were instilled in Krahling at a young age. Today, her sister runs Table to Table, a community-based food rescue program that delivers food to those most in need in New Jersey.

When Krahling was enrolled in Tante Marie’s Cooking School, founded by Mary Risley, she got involved with Food Runners—a hunger relief organization founded by Risley in 1987. It’s safe to say that she has quietly been feeding and nourishing her community for 20 years.

As a business owner, Krahling is frequently asked for donations, and while she accommodates as best she can, her husband points out that there is a rhyme and reason to their giving. “The cause needs to be local (within the community), food-related and will ultimately help people who are helping themselves.”

As anyone who has been in the restaurant business knows, it’s a highly risky enterprise. Krahling expresses gratitude to her loyal customers who have stuck with her and supported her through multiple economic downturns. Insalata’s will turn 20 this year, and she opened Marinitas in 2009, right when the recession was hitting hard. Today, both establishments are thriving, and the longevity and success of her restaurants (especially in a town of revolving dining options) is clearly a testament to her getting it right.

Fittingly, Krahling will be celebrating the 20th anniversary of Insalata’s in April by hosting a dinner to thank her many loyal customers. Cookbook giveaways and plenty of activities—including the introduction of 20 special wines to commemorate the milestone—are planned for the entire month.

Clearly, Krahling enjoys feeding people—and it doesn’t seem likely that that will change anytime soon. With two cookbooks under her belt—Insalata’s Mediterranean Table (2009), and Insalata’s & Marinitas: The Story of Two Restaurants (2014), a nomination for a lifetime of culinary excellence award from the Women Chefs & Restaurateurs professional organization and a work schedule that still exceeds 10-hour days, she doesn’t appear to be slowing down a bit.

When asked what’s next, Krahling, replies, “I’d like to make soup with the excess from my restaurants and feed everyone in my community who is hungry.”

Yep, Krahling is a hero alright.

Heroes of Marin 2016: Arts & Culture

Heroes of Marin 2016

Arts & Culture: Sara Pearson

By Charles Brousse

Ask a politician, or the manager of just about any nonprofit organization, what the least favorite part of their job is, and the almost certain reply will be, “Fundraising.” Not the case with Sara Pearson. Executive Director of the Mountain Play Association and producer of the annual play in the Sidney B. Cushing Amphitheatre atop Mount Tamalpais, Pearson says that corralling the hundreds of thousands of dollars in donations needed to support each year’s show is “fun.” Before you conclude that the lady has lost her marbles, let me suggest that the ability to enjoy her work—along with the remarkable mix of passion, energy, perseverance and management skills that comes with it—is the essential quality that has fueled her success since the Mountain Play’s board of directors selected her to replace the retiring Kathy King.

Now, you may wonder what is so difficult about pulling together one production a year when resident theaters regularly mount five to seven every season. The answer lies in the scale and complexity of company operations. Since budgets usually tell the story best, here’s a quick summary for last year’s six performances and one dress rehearsal of Peter Pan. On the expense side, costs totaled $1,152,500. The income grand total was $724,300. That left a gap of $428,200 that had to be covered by grants and individual contributions to break even. Despite strong attendance figures and energetic fundraising, the fiscal year ended with a small deficit of $4,700.

The main problem is that Mountain Play productions have so many moving parts. Many of them can potentially go wrong and it’s virtually certain that some will. There could be trouble with California State Parks, which is sensitive to overuse of the land; a shuttle bus accident or breakdown on the winding narrow road that leads to the top of Mt. Tam; unfavorable weather on performance days; a medical emergency in the large casts; glitches in the sound system; higher than expected royalty costs. In the absence of a financial reserve or endowment, a setback like the audience decline after the country’s 2007 economic crash can pose an existential threat. In such circumstances, with only a three-person paid administrative staff (plus volunteers) to keep the ship afloat, people on the inside confirm that it helps to have a “happy warrior” at the helm.

“The large-scale American musical isn’t dead!” Pearson says, noting that people love the classics. “How about The Lion King on the mountain? Wouldn’t that be something!”

Sara Pearson was born in Bismarck, North Dakota, but when very young, migrated with her family to Baltimore, Maryland, where she says she encountered a lively cultural scene. Frequent trips to New York theaters with her father led to a desire to get on stage—a calling that she tested in high school and in the drama program at Drew University (Madison, New Jersey) in the early 1970s. When the latter was abruptly shut down two years after she arrived, Pearson left Drew and, having decided by then that a theater career was (in her words) “not meant to be,” headed west to the Bay Area in 1976. Once here, she married a Baltimore friend, Adam Davis (currently a partner in an environment-oriented San Francisco investment firm) and enrolled at San Francisco State University to study history and international relations. Most importantly, she also took a course on nonprofit company management that got her thinking about her future career.  The couple moved to Marin in 1989, where their two daughters, now aged 26 and 21, attended local public schools before going on to graduate from Marin Academy.

Always a practical problem-solver rather than someone chasing academic degrees, Pearson sought out actual job experiences to hone what by then she recognized were her native abilities.  During the subsequent two decades after she and Davis settled here, she worked as a part-time consultant to, or staff member of, a variety of organizations, including Mother Jones magazine, the Marin Conservation Corps, Marin Conservation League, Point Blue Conservation Science and many others. (All the while, of course, she was raising her children, volunteering at school functions, meeting with teachers, doing what mothers usually do.) From a professional standpoint, the most notable part of this pre-Mountain Play period was her 10-year tenure (1992-2002) as development director for the Marin Agricultural Land Trust (MALT). Working beside MALT founder Bob Berner, she was able to use skills gained in telemarketing, public relations, board management and fundraising (especially the solicitation and cultivation of major donors) in the group’s successful campaign to raise $5 million in individual gifts, an achievement that helped establish the organization as a model for similar land preservation programs.

Despite past achievements and a positive attitude, Pearson recognizes that the road ahead for the Mountain Play is full of potential potholes. Public enthusiasm for a family theatrical outing on Mt. Tam could wane as alternative recreational options multiply. Costs are increasing faster than income, and there is still no reserve to draw on. Since few of the latest Broadway musicals have the scale needed for a Mountain Play, it is forced to continually recycle previous productions (a situation also faced by opera companies, ballets and symphony orchestras). After a suitable musical like The Lion King does debut in New York, production rights are withheld for years and, when they finally become available, are priced beyond reach.

So—what to do? Pearson’s sights are now set on the Mountain Play’s West Side Story—directed by Jay Manley (whose The Sound of Music was a big success a couple of seasons ago), and incorporating a stellar artistic team—which opens a five-Sunday run on May 21. Pearson expects that the Mountain Play goal of “community theater with professional standards” will be fully realized. “It has everything: Music by Leonard Bernstein, lyrics by Stephen Sondheim, choreography by Jerome Robbins, a book based on Romeo and Juliet … ,” Pearson says. “The audience will love it!”

As for the more distant future, Pearson says that her primary objective is to create a solid financial base for the organization she runs and, in the process, strengthen its ties with the Marin community. “It’s been around for 103 years,” she says of the Mountain Play. “I want it to grow and evolve so that our grandchildren can also enjoy ‘a day on the mountain.’”

Hero & Zero: Search and Rescue Heroes

By Nikki Silverstein

Hero: Thanks to a crew of Marin heroes, a 10-year-old Sacramento girl is safe after a snowshoeing accident in the High Sierra. As Samantha White walked across a snow bridge above a creek, it collapsed and she fell 10 feet into a hole and landed in the bitter cold water. Her father, who had been unable to lift her out, was on the phone with 911 when 14 members of the Marin County Sheriff’s Office Search and Rescue (SAR) team just happened upon the scene. Perfect timing. The group had been training nearby and was headed back to camp. They assessed the situation and realized that the adjacent snow bridge could collapse into the hole.

Though they didn’t have the necessary equipment with them, the team improvised and devised a configuration of ropes. Within minutes, they pulled Samantha straight up from the hole and into their arms. Michael St. John, the unit leader at Marin SAR, said that the team used quick, critical thinking to get her out of harm’s way. If that’s not amazing enough, all SAR members are volunteers and six of the 14 involved in Samantha’s rescue are local high school students. In fact, Marin SAR, 100 strong, has the only mountain rescue team in the world with youth members. Kudos to Marin County Search and Rescue, with a special shout-out to the youth members who were an integral part of this mission: Max Schoenlein, Lauren Knott, Will Sileo, Cole Zesiger, Caelum Kelly, Kathryn Jarrell, Nicholas Forbes and Francesco Cico.

Advice Goddess

By Amy Alkon

Q: I’m in a new relationship with the sweetest, most generous girl, but I’m hesitant to let her do nice stuff for me. In my previous relationship, every single nice thing my ex did was held against me later. I can hear her now: “Remember that time I brought you food at work? All the way across town?” Eventually, I’d wince anytime she did anything for me. However, my new girlfriend seems so happy to make me food or run an errand for me. Still, I feel uneasy. I keep waiting for her to turn into my ex and present me with a list of what I owe her.—Bad History

A: Aww, a relationship with an accounts receivable department.

Your ex’s human abacus approach—running a relationship on the, “Hey, what’s in it for me?” model—doesn’t bode well for happily ever after, and not just because it makes it hard to tell your girlfriend apart from one of those aggressive strangers who call at dinnertime, threatening to repo your car.

Social psychologist Margaret S. Clark explains that partners are more loving and generous toward each other when a relationship runs on the “communal” model (which describes love or friendship) rather than the “exchange” model (the merchant-customer relationship). The main difference between these relationship types is in the motivations for giving and the expectations in the wake of it. You give to somebody you love—like by giving your honey a massage—to make her feel good; you don’t wipe the lotion off your hands and then hand her a bill for $80.

Love relationships are often not entirely 50/50, and the payback from a romantic partner often comes in different ways and at a later date, and that’s OK. In an exchange relationship, however, people give to get. There’s careful accounting and speedy invoicing. When the mechanic fixes your bum tire, immediately after doing the work, he expects equivalent compensation—in cold, hard cash (or plastic). You can’t just kiss him on the cheek, chirp, “Thanks, cookieface!” and be on your way.

Looking back at your relationship with your ex, ask yourself something: Why did she view popping over with a lunchtime cooler—probably containing sandwiches and a Snapple—like she’d brought you her left kidney? Maybe she’s been counting in all of her relationships. Or … maybe this reflects Clark’s finding that people in relationships switch to an “exchange norm” when they notice that their partner is all take and take.

In your current relationship, remind yourself to credit your girlfriend for who she is—which you do by observing her actions and attitude—instead of fearing who she might be. You should also make sure you’re holding up your part of the giving. But give for the right reason: To make her happy—and not because you can’t bear to hear another woman yelling, “Owe, owe, owe!” during sex.

Q: I used to have a terrible temper. My girlfriend never experienced it, because I did major therapy before meeting her. Now, when I get upset, I step back, consider whether my beef is legit, and then think about how I can present it calmly. My girlfriend, who gets frustrated that I can’t always discuss things immediately, says I “bottle up” my feelings.—Formerly Volcanic

A: Rarely do you hear someone say, “So, I ran the issue by my therapist, made a list of pros and cons, meditated on it … and then went out and put a bat through the guy’s windshield.”

Admirably, instead of continuing to lose your temper, you got it a little red leather collar, and now you just walk it out of the room on a matching red leash. This doesn’t mean you “bottle up” your feelings. You’re simply giving reason first crack at your problems—which doesn’t exactly come naturally. Psychologists Daniel Kahneman and Amos Tversky explain that we have two thinking systems: A fast-responding emotional system and a slower rational system. Your rational system does come around eventually—typically, just in time to grab a broom and dustpan to sweep up the pieces of the job or relationship that your trigger-happy emotional system just exploded.

Because relationships are happier when those in them feel understood and appreciated, it seems that you need to give your girlfriend the details on where you were and how far you’ve come. (Whaddya know, you didn’t spend those court-mandated anger management sessions with headphones on listening to Metallica.) Explaining this to her should help her understand that when you’re mulling things over, she isn’t waiting; she’s benefiting. Maybe you’ll get speedier at the reasoning process in time, but rushing you out of your cool-out corner is a bit like saying, “Hey, let’s make conflict resolution more like drunk dialing!”

This week in the Pacific Sun

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This week in the Pacific Sun, you’ll find our cover story, ‘We all scream,’ about the Silver Scream festival, which debuts in the North Bay on March 4. On top of that, you’ll find a story about startups that are making it easy for cannabis to be delivered, a preview of the Culinary Classic that will take place at Cavallo Point, a review of ‘The River Bride’ play, which was first performed in Marin and which is now at the Oregon Shakespeare Festival and an interview with the musical couple behind Mini Music. And if you’re getting ready to plan a summer of fun for your kids, be sure to check out our 2016 Kid’s Camp Guide. All that and more on stands and online today!

Free Will Astrology

By Rob Brezsny

ARIES (March 21-April 19): Actress Blythe Baird writes about the problem that arises when her dog sees her eating a peanut butter and chocolate chip bagel. Her beloved pet begs for a piece and becomes miserable when it’s not forthcoming. Baird is merely demonstrating her love, of course, because she knows that eating chocolate can make canines ill. I suspect that life is bestowing a comparable blessing on you. You may feel mad and sad about being deprived of something you want. But the likely truth is that you will be lucky not to get it.

TAURUS (April 20-May 20): “I do not literally paint that table, but rather the emotion it produces upon me,” French artist Henri Matisse told an interviewer. “But what if you don’t always have emotion?” she asked him. This is how Matisse replied: “Then I do not paint. This morning, when I came to work, I had no emotion. So I took a horseback ride. When I returned, I felt like painting, and had all the emotion I wanted.” This is excellent advice for you to keep in mind, Taurus. Even more than usual, it’s crucial that you imbue every important thing you do with pure, strong emotions. If they’re not immediately available, go in quest of them.

GEMINI (May 21-June 20): Some night soon, I predict that you’ll dream of being an enlightened sovereign who presides over an ecologically sustainable paradise. You’re a visionary leader who is committed to peace and high culture, so you’ve never gone to war. You share your wealth with the people in your kingdom. You revere scientists and shamans alike, providing them with what they need to do their good work for the enhancement of the realm. Have fun imagining further details of this dream, Gemini, or else make up your own. Now is an excellent time to visualize a fairy tale version of yourself at the height of your powers, living your dreams and sharing your gifts.

CANCER (June 21-July 22): It’s not always necessary to have an expansive view of where you have been and where you are going, but it’s crucial right now. So I suggest that you take an inventory of the big picture. For guidance, study this advice from philosopher Friedrich Nietzsche: “What have you truly loved? What has uplifted your soul, what has dominated and delighted it at the same time? Assemble these revered objects in a row before you and they may reveal a law by their nature and their order: The fundamental law of your very self.”

LEO (July 23-Aug. 22): Sportswear manufacturer Adidas is looking for ways to repurpose trash that humans dump in the oceans. One of its creations is a type of shoe made from illegal deep-sea nets that have been confiscated from poachers. I invite you to get inspired by Adidas’ work. From an astrological perspective, now is a good time to expand and refine your personal approach to recycling. Brainstorm about how you could convert waste and refuse into useful, beautiful resources—not just literally, but also metaphorically. For example, is there a ruined or used-up dream that could be transformed into raw material for a shiny new dream?

VIRGO (Aug. 23-Sept. 22): “There isn’t enough of anything as long as we live,” wrote Raymond Carver. “But at intervals a sweetness appears and, given a chance, prevails.” According to my analysis of the astrological omens, Virgo, you’ll soon be gliding through one of these intervals. Now and then you may even experience the strange sensation of being completely satisfied with the quality and amount of sweetness that arrives. To ensure optimal results, be as free from greed as you can possibly be.

LIBRA (Sept. 23-Oct. 22): “For a wound to heal, you have to clean it out,” says author Yasmin Mogahed. “Again, and again, and again. And this cleaning process stings. The cleaning of a wound hurts. Yes. Healing takes so much work. So much persistence. And so much patience.” According to my analysis, Libra, you should be attending to this tough but glorious task. Although the work might be hard, it won’t be anywhere near as hard as it usually is. And you are likely to make more progress than you would be able to at other times.

SCORPIO (Oct. 23-Nov. 21): “The other day, lying in bed,” writes poet Rodger Kamenetz, “I felt my heart beating for the first time in a long while. I realized how little I live in my body, how much in my mind.” He speaks for the majority of us. We spend much of our lives entranced by the relentless jabber that unfolds between our ears. But I want to let you know, Scorpio, that the moment is ripe to rebel against this tendency in yourself. In the coming weeks, you will have a natural talent for celebrating your body. You’ll be able to commune deeply with its sensations, to learn more about how it works and to exult in the pleasure it gives you and the wisdom it provides.

SAGITTARIUS (Nov. 22-Dec. 21): In his “Dream Song 67,” poet John Berryman confesses, “I am obliged to perform in complete darkness operations of great delicacy on my self.” I hope you will consider embarking on similar heroics, Sagittarius. It’s not an especially favorable time to overhaul your environment or try to get people to change in accordance with your wishes. But it’s a perfect moment to spruce up your inner world—to tinker with and refine it so that everything in there works with more grace. And unlike Berryman, you won’t have to proceed in darkness. The light might not be bright, but there’ll be enough of a glow to see what you’re doing.

CAPRICORN (Dec. 22-Jan. 19): Here’s the dictionary’s definition of the word “indelible:” “having the quality of being difficult to remove, wash away, blot out, or efface; incapable of being canceled, lost, or forgotten.” The word is often used in reference to unpleasant matters: Stains on clothes, biases that distort the truth, superstitions held with unshakable conviction or painful memories of romantic breakups. I am happy to let you know that you now have more power than usual to dissolve seemingly indelible stuff like that. Here’s a trick that might help you: Find a new teacher or teaching that uplifts you with indelible epiphanies.

AQUARIUS (Jan. 20-Feb. 18): According to poet Tony Hoagland, most of us rarely “manage to finish a thought or a feeling; we usually get lazy or distracted and quit halfway through.” Why? Hoagland theorizes that we “don’t have the time to complete the process, and we dislike the difficulty and discomfort of the task.” There’s a cost for this negligence: “We walk around full of half-finished experiences.” That’s why Hoagland became a poet. He says that “poems model the possibility of feeling all the way through an emotional process” and “thinking all the way through a thought.” The coming weeks will be a favorable time to get more in the habit of finishing your own feelings and thoughts, Aquarius. It will also be more important than usual that you do so! (Hoagland’s comments appeared in Gulf Coast: A Journal of Literature and Fine Arts.)

PISCES (Feb. 19-March 20): Unless you work at night and sleep by day, you experience the morning on a regular basis. You may have a love-hate relationship with it, because on the one hand you don’t like to leave your comfortable bed so early, and on the other hand you enjoy anticipating the interesting events ahead of you. But aside from your personal associations with the morning, this time of day has always been a potent symbol of awakenings and beginnings. Throughout history, poets have invoked it to signify purity and promise. In myth and legend, it often represents the chance to see things afresh, to be free of the past’s burdens, to love life unconditionally. Dream interpreters might suggest that a dream of morning indicates a renewed capacity to trust oneself. All of these meanings are especially apropos for you right now, Pisces.

Homework: Imagine gazing into the eyes of the person you were 10 years ago. What do you want to say to the Old You? Freewillastrology.com.

Film: Moral simplicity

By Richard von Busack

The Oscar-nominated Embrace of the Serpent is the biggest European guilt-whip since Jim Jarmusch’s Dead Man. The Colombian film contrasts two incidents in the life of the Amazonian shaman Karamakate, the last of his nation. He encounters two explorers, some 40 years apart, in the first half of the 20th century.  Karamakate (played in youth by Nilbio Torres) is a noble, scornful warrior. Braced against his 7-foot blowgun, he wears his thong like Superman’s trunks.

In 1909, the feverish explorer Theo (Jan Bijvoet), on assignment from the museum in Stuttgart, has traveled deep into Karamakate’s forest. He arrives in a dugout canoe by his friend and guide Manduca (Yauenku Migue), a refugee from the rubber plantations. The two seek a semi-legendary drug, derived from a rare flower called “Yakruna.”

The riverlands are blighted with massacres. There are border wars between the Colombians and the Peruvians. Rubber planters commit atrocities that rival Heart of Darkness.

Forty years later, a North American explorer named Evan (Brionne Davis) encounters the shaman (now played by Tafillama, aka Antonio Bolivar Salvador). The outsider says that he’s come to study plants. “That’s the most sensible thing I ever heard a white man say,” the shaman says. But the aged Karamakate has forgotten all his lore and become, he says, a “chullachaqui,” a spiritless ghost haunting the jungle clearings. On their travels together, they see rot and decline. A mission, once ruled by a flagellating monk, has gone full Kurtz. Seeing the crypto-Christian savages there, Karamakate exclaims—in case we didn’t get it—“They are now the worst of two worlds.”

The young director, Ciro Guerra, working from the diaries of two real-life explorers, lures you in with visuals so verdant and dense, in black and white widescreen, that you can almost overlook the moral simplicity. The shaman is self-sufficient—it’s the white men who need and want and grasp. Embrace of the Serpent bypasses heading back to Carlos Castaneda right into the realm of James Fenimore Cooper’s super-Indians. The movie keeps rebuking the clumsy packrat whites who carry so much with them: “They’re just things,” Karamakate says, as if he were one of those professionals you hire to get the clutter out of your house.

Music: Family time

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By Charlie Swanson

It started in a Mill Valley living room in 2009, when Ali Weiss gathered 12 babies and their moms in a circle for her first interactive music class. Six years on, Mini Music has grown into a tri-county experience for the littlest music lovers in the North Bay.

A Bay Area native, Weiss is a lifelong musician and singer. After pursuing the music industry in Los Angeles, she returned to the North Bay in 2005 and earned a teaching credential at Sonoma State University. “As much as I loved rockin’ and rollin’,” Weiss says, “I decided I needed to settle in somewhere.”

Weiss says that happening upon a music class for babies sparked the idea for her. “I knew it was something I could do and wanted to do,” she says. What she didn’t know then was how popular Mini Music would become.

Mini Music offers dozens of classes in Sonoma, Napa, Corte Madera, Santa Rosa and Sebastopol, taught by Weiss, her musician husband, Warren Mann and a roster of three other instructors. Each 10-week class is open to a dozen infants and children up to 5 years old, and their parents.

At the start of the sessions, each family receives an original album of music written and performed by Weiss and Mann, and each song is performed in different ways during the sessions. Kids are inspired to dance, move about, sing, use egg shakers and play instruments, but the class also aims to “inspire the parents to be making music with their children and to be passionate about music in general,” Weiss says.

“What we really strive to do as musicians ourselves is share the joy that music can bring out in people,” Mann adds. “Our thought is that this is music for people, not just kids. We want to create that experience that only music-making can create.”

This month, Mini Music is offering a series of free family concerts open to kids and families interested in joining the program. Mann and all of the instructors will be performing onstage with sing-alongs and dancing.

On Saturday, March 5, Mini Music will be at the Arlene Francis Center in Santa Rosa at 4pm. The show then moves to the Tam Valley Community Center on Sunday March 6, at 10:30am. The following weekend, Mini Music will hold afternoon concerts in Napa on March 12 and Sebastopol on March 13.

Mini Music’s next 10-week session begins April 11, and enrollment is open now. For more information, visit minimusictime.com.

Theater: Depths of love

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By David Templeton

“Love is for the bold! You have to be willing to risk everything!”

So exults Belmira, an impetuous young bride-to-be, in an evocative early scene in Marisela Treviño Orta’s stunning The River Bride. It’s easily the best new show in a strong current batch of four that just opened the Oregon Shakespeare Festival, in Ashland (where seven more shows will be added throughout the year).

With her line about love and boldness, the flirtatious Belmira is speaking of romance and escape, but she could just as well be describing the artistic risks taken by Orta with her extraordinary script, first staged in San Rafael in 2014, now given a magical makeover in Ashland by director Laurie Woolery, and a first-rate team of theatrical artists.

A slinky blend of Grimm’s Fairy Tales and Brazilian river mythology, the play rose from the waters of Orta’s imagination as part of the AlterLab new play development program, an arm of Marin’s award-winning AlterTheater. Co-directed in San Rafael by Ann Brebner and Jeanette Harrison, the original production used only a few wooden blocks as set pieces. In Ashland, Orta’s deeply affecting tale of transformation and heartbreak has itself been transformed, with the use of brilliant projections and ingeniously simple effects that bring the Amazon River and its fishing villages to life while retaining the essential simplicity of the story.

With the wedding of Belmira (a playfully sexy Jamie Ann Romero) and local fisherman Duarte (a coiled and intense Carlo Alban) just three days away, the bride’s older sister Helena (Nancy Rodriguez, spectacular) is doing her best to hide her own broken heart, having loved Duarte since childhood. During a stormy day of fishing, Duarte and the sisters’ goodhearted father Senhor Costa (a delightful Triney Sandoval) haul up their nets to discover that they’ve caught a well-dressed, unconscious stranger named Moises (Armando McClain, who makes an art of enigmatic smoldering). Initially suspicious, Senhora Costa (Vilma Silva, also excellent) so welcomes the sweetly mannered newcomer, who has formed an instant and obvious bond with Helena.

On the Amazon, there are legends of trickster porpoises, who for three days in June take the form of human men, looking for love among those who dwell on the land. This myth, or is it more, overlaps reality in powerful ways as Moises courts Helena, stirring up deep and forbidden passions long hidden within the hearts of Helena’s family and friends.

The cast is uniformly exceptional, and they each expertly straddle the line between fantasy and true emotion. The scenic design by Mariana Sanchez works a similar trick, placing simple set pieces—a wooden dock, a boat, a framed house on stilts—above a glistening splash of watery blue, with a silky curtain behind it all, occasionally opening to show hints of the village and the ocean beyond.

The video design by Mark Holthusen also works wonders, from a glittering sprinkle of stars and the rising and setting of the sun, to the glorious, sometime ripple effect that plays across the whole set, making us wonder if the entire story is no more than a dream itself. Or perhaps only the echo of life-altering love, nearly found, but lost at last in the depths of the river.

NOW PLAYING: The River Bride runs various days and times each week, in repertory with ‘Twelfth Night,’ ‘Great Expectations’ and others, Tuesday through Sunday in the Angus Bowmer Theater at the Oregon Shakespeare Festival, Ashland, Oregon. For information on this and 10 other shows opening throughout the year, visit osfashland.org.

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