Smokescreen: Rebuild North Bay Shirks Pledge to North Bay Fire Victims

Non-Profit Foundation offered ‘Immediate Relief’ but what really happened?

AS THOUSANDS of Sonoma County homes smoldered in ruins from the Tubbs Fire in the fall of 2017, Darius Anderson—veteran lobbyist for Pacific Gas & Electric Corporation and an owner of the Press Democrat daily newspaper—established the non-profit Rebuild North Bay Foundation.

In an application for tax-exempt status, Anderson told the Internal Revenue Service that his charity would “provide immediate disaster relief to those residents of the North Bay who were hardest hit: families and individuals with low incomes who have been displaced from their homes and/or lost their jobs due to the wildfires.”

According to a months-long investigation by the Pacific Sun’s sister paper, the North Bay Bohemian, that’s not how things played out. The foundation’s independent audit and tax returns and hundreds of emails obtained from local governments reveal that the non-profit founded by Anderson and headed by Jennifer Gray Thompson functions more as a lobbyist than disaster relief group.

During its first year of existence, most of the foundation’s revenue came from PG&E while the bulk of expenses went to management. It spent relatively little money on grants to the public, according to the audit. The foundation made erroneous claims in its tax return regarding its lobbying activities—serious errors which the organization said it will correct. Despite laws prohibiting such foundations from making campaign contributions, Rebuild North Bay donated cash to support local elected officials.

Rebuild North Bay
COVER STORY: During Rebuild North Bay’s first year of existence, most of the foundation’s revenue came from PG&E while the bulk of expenses went to management.

While Rebuild North Bay has performed some charitable acts, it has devoted more resources to creating a network of business people and local public officials to lobby bureaucrats and legislators in Washington DC. Under IRS rules, a charity may engage in some lobbying related to its purpose—but a primary focus on lobbying can cost its tax-exempt privilege.

According to multiple experts, Rebuild North Bay blurred the boundary between charity and political influence machine. “It’s not even a close call; it’s blatant lobbying,” said Ellen Aprill, a Loyola Law School professor. “The foundation is primarily a lobbyist, not a charity.”

Days of Fire

In addition to Rebuild North Bay’s founders Anderson and Marisol Lopez of Platinum Advisors, its 18-member governing board comprises a “who’s who” of Bay Area business elites.

Board president Elizabeth Gore runs Alice, an artificial-intelligence website for business owners, and is married to Sonoma County Supervisor James Gore. Other directors include four renowned vintners and United Way of the Wine Country CEO Lisa Carreño. In the tax filing, Anderson’s business partner, Press Democrat publisher Steve Falk, is listed as a friend of the board. Anderson alone controls a fairly powerful business empire. Over the past decade through Sonoma Media Investments, he’s snapped up virtually every major news, business and lifestyle print publication in the North Bay, including the Press Democrat, Petaluma Argus-Courier, Sonoma Index-Tribune, North Bay Business Journal, Sonoma Magazine, Spirited Magazine, La Prensa Sonoma and Emerald Report.

Anderson’s stake in the local news business paid off last year when a panel of arbitrators implicated him and Doug Boxer—his partner in Kenwood Investments and son of former senator for California, Barbara Boxer—in a fraud scheme that victimized a group of indigenous people. Just about a year ago, the San Francisco Superior Court affirmed the arbitrators’ finding that Anderson and Boxer bilked the Federated Indians of Graton Rancheria when the tribe was trying to develop a casino in Sonoma County in 2003. The Press Democrat did not report the finding of fraud in its brief coverage of the court-ordered $725,000 award to the Native Americans.

It was Anderson’s unsavory dealings with the tribe that prompted this news organization to take a closer look at Rebuild North Bay.

To its credit, the foundation does boast some charitable accomplishments. Over the past year, it organized PG&E and other businesses to help replace burned street walls in several neighborhoods. It gave a county government $25,000 and partnered with United Way of the Wine Country to distribute $300,000 in small grants to community groups.

For these acts, Rebuild North Bay has received plenty of coverage in the Press Democrat in articles that “disclose” Anderson as the founder of the charity. On the other hand, Press Democrat articles omit Anderson’s role as a PG&E lobbyist in stories about the utility. Nor did the newspaper report that PG&E gifted Rebuild North Bay millions in start-up funds—money which has yet to trickle down to fire victims.

PG&E to the Rescue?

The day after Christmas 2017, PG&E cut Rebuild North Bay a check for $2 million; the utility’s largesse accounted for 75 percent of the foundation’s contributions in the ensuing months.

While the region struggled to rebuild itself after devastating fires, however, the foundation disbursed only 1 percent of its cash to the public during its first year. Meanwhile, it spent hundreds of thousands of dollars on salaries, consulting fees, overhead, lobbying, advocacy and travel, according to its tax filings, and ended its first fiscal year with $1.8 million in the bank. “We were conservative in the first year because we are committed to the long term,” Thompson explains.

According to the foundation’s independent audit of its first fiscal year, it made only one cash grant—$25,000 to Lake County to help it pay for fighting the Pawnee wildfire. Management and administration costs amounted to $302,760—83 percent of its total cash expenses of $362,428. Many of the disbursements the foundation claimed as charitable grants raise questions about their value to a community trying to recuperate from devastating wildfires.

To celebrate its first anniversary in October 2018, Rebuild North Bay distributed 5,000 emergency preparedness bags emblazoned with its logo to local residents. The bright yellow sacks did not adhere to the California Department of Public Health’s recommended components for standard emergency kits. Rather, the bags contain two dust masks donated by Freidman’s Home Improvement, a tiny hand-cranked flashlight courtesy of PG&E, a throw-away cell phone charger supplied by Comcast and a toothbrush, toothpaste, plastic razor, shampoo and conditioner gifted by Kaiser Permanente. Completing the so-called GO! Bags were a handful of brochures, including a “Prepare with Pedro” coloring book. A FEMA brochure warns us to “Save for a Rainy Day” and “Make a Plan.”

Rebuild North Bay
The Rebuild North Bay Foundation distributed 5,000 promotional tchotchke-filled ‘GO! Bags’ to fire victims and other residents and claimed it as a $75,000 charitable grant. Credit: Peter Byrne

Casey Mazzoni, a San Rafael-based lobbyist hired by Rebuild North Bay for $60,000, oversaw the bag project, which the foundation pegged as a $75,000 community grant.

By contrast, following the fires, Redwood Credit Union’s North Bay Fire Relief Fund distributed $31 million to the community from more than 41,000 donors. Its administrative costs amounted to 3 percent of its grants, according to its 2017 tax return. The non-profit North Bay Organizing Project’s UndocuFund made $6 million in cash grants to almost 1,900 families that lost homes, possessions and earnings in the fires while only 10 percent of revenue went to overhead.

The law allows Rebuild North Bay, as a charitable organization, to focus some of its activities on lobbying government officials on issues relevant to its mission. Non-profit tax experts consulted for this story say such a group should spend more than 80 percent of the budget on the charitable purpose, not on lobbying of any sort.

According to tax filings and financial documents provided by Thompson, Rebuild North Bay deposited $2.8 million in cash and non-cash donations from more than 100 donors in its first year. PG&E donated most of the cash. Ordinary people wrote checks for $20 or $50, richer folks donated five-figure sums for disaster relief. The Ford Dealers Advertising Association gave $25,000; the Associated Students of Stanford University gave $5,000; a Girl Scouts Brownie Troop raised $904. What happened to the money?

During its first year, Rebuild North Bay distributed $169,499—6 percent of its donations—as wildfire disaster relief, offering only a small part of that charity in cash. Most of it came in the form of donated items passed through the foundation’s books and counted as grants to the public.

According to its tax return, much of the foundation’s first year budget went to “coordination,” paying staff salaries, consulting fees and more than $100,000 for building a website featuring headshots and glowing biographies of its directors. It spent $28,500 on “advocacy” and $18,500 for lobbying, which it defined as “direct contact with legislators, their staffs, government officials or a legislative body.”

Pay to Play

Anderson ostensibly chartered Rebuild North Bay for disaster relief, not to intersect with the founder’s financial and business interests or send politicians to lobby in DC. Yet time and again, the non-profit apparently went far astray from its stated mission.

For example, until Nov. 1, Anderson’s lobbying firm, Platinum Advisors, counted PG&E as a client. As PG&E grappled with bankruptcy and $30 billion in liabilities for sparking wildfires around California, two of its executives served on the foundation’s board, which counted the utility as a “partner” in charitable giving.

The debris removal company Ashbritt Environmental also hired Anderson’s lobbying firm and gifted the foundation with $450,000—only after some of the foundation’s board members pressed federal officials to change regulations governing disaster cleanup reimbursement. Ashbritt was paid $288 million in federal funds as part of the $1.3 billion cleanup operation.

In its IRS tax filing, Rebuild North Bay credits its influence for Congress upping the debris-cleanup reimbursement rate. When asked for evidence that the foundation played such a pivotal role, Thompson replied: “Prove that we didn’t.”

While the foundation boasts of its effective advocacy, however, Thompson denies that such influence activities constitutes lobbying.

Ultimately, it’s up to the IRS to determine whether the Rebuild North Bay has run afoul of non-profit rules, according to Philip Hackney, a professor of non-profit law at the University of Pittsburgh.

“What is most interesting is that Rebuild told the community it was going to do one thing and then ended up doing another,” he says.

The North Bay Bohemian’s full investigative report is available here.

This story was supported by the Fund for Investigative Journalism and pro bono legal assistance from the Reporter’s Committee for Freedom of the Press.

Horoscope

ARIES (March 21-April 19): Humans invented the plow in 4,500 B.C.E., the wheel in 4,000 B.C.E., and writing in 3,400 B.C.E. But long before that, by 6,000 B.C.E., they had learned how to brew beer and make psychoactive drugs from plants. Psychopharmacologist Ronald Siegel points to this evidence to support his hypothesis that the yearning to transform our normal waking consciousness is a basic drive akin to our need to eat and drink. Of course, there are many ways to accomplish this shift besides alcohol and drugs. They include dancing, singing, praying, drumming, meditating and having sex. What are your favorite modes? According to my astrological analysis, it’ll be extra important for you to alter your habitual perceptions and thinking patterns during the coming weeks.

TAURUS (April 20-May 20): What’s something you’re afraid of, but pretty confident you could become unafraid of? The coming weeks will be a favorable time to dismantle or dissolve that fear. Your levels of courage will be higher than usual, and your imagination will be unusually ingenious in devising methods and actions to free you of the unnecessary burden. Step one: Formulate an image or scene that symbolizes the dread, and visualize yourself blowing it up with a “bomb” made of a hundred roses.

GEMINI (May 21-June 20): The word “enantiodromia” refers to a phenomenon that occurs when a vivid form of expression turns into its opposite, often in dramatic fashion. Yang becomes yin; resistance transforms into welcome; loss morphs into gain. According to my reading of the astrological omens, you Geminis are the sign of the zodiac that’s most likely to experience enantiodromia in the coming weeks. Will it be a good thing or a bad thing? You can have a lot of influence over how that question resolves. For best results, don’t fear or demonize contradictions and paradoxes. Love and embrace them.

CANCER (June 21-July 22): There are Americans who speak only one language, English, and yet imagine they are smarter than bilingual immigrants. That fact amazes me, and inspires me to advise me and all my fellow Cancerians to engage in humble reflection about how we judge our fellow humans. Now is a favorable time for us to take inventory of any inclinations we might have to regard ourselves as superior to others; to question why we might imagine others aren’t as worthy of love and respect as we are; or to be skeptical of any tendency we might have to dismiss and devalue those who don’t act and think as we do. I’m not saying we Cancerians are more guilty of these sins than everyone else; I’m merely letting you know that the coming weeks are our special time to make corrections.

LEO (July 23-Aug. 22): “Erotic love is one of the highest forms of contemplation,” wrote the sensually wise poet Kenneth Rexroth. That’s a provocative and profitable inspiration for you to tap into. According to my analysis of the astrological omens, you’re in the Season of Lucky Plucky Delight, when brave love can save you from wrong turns and irrelevant ideas; when the grandeur of amour can be your teacher and catalyst. If you have a partner with whom you can conduct these educational experiments, wonderful. If you don’t, be extra sweet and intimate with yourself.

VIRGO (Aug. 23-Sept. 22): In the follow-up story to Alice’s Adventures in Wonderland, our heroine uses a magic mirror as a portal into a fantastical land. There she encounters the Red Queen, and soon the two of them are holding hands as they run as fast as they can. Alice notices that despite their great effort, they don’t seem to be moving forward. What’s happening? The Queen clears up the mystery: In her realm, you must run as hard as possible just to remain in the same spot. Sound familiar, Virgo? I’m wondering whether you’ve had a similar experience lately. If so, here’s my advice: Stop running. Sit back, relax, and allow the world to zoom by you. Yes, you might temporarily fall behind. But in the meantime, you’ll get fully recharged. No more than three weeks from now, you’ll be so energized that you’ll make up for all the lost time—and more.

LIBRA (Sept. 23-Oct. 22): Most sane people wish there could be less animosity between groups that have different beliefs and interests. How much better the world would be if everyone felt a generous acceptance toward those who are unlike them. But the problem goes even deeper: Most of us are at odds with ourselves. Here’s how author Rebecca West described it: Even the different parts of the same person do not often converse among themselves, do not succeed in learning from each other. That’s the bad news, Libra. The good news is that the coming weeks will be a favorable time for you to promote unity and harmony among all the various parts of yourself. I urge you to entice them to enter into earnest conversations with each other!

SCORPIO (Oct. 23-Nov. 21): Poet Cecilia Woloch asks, “How to un-want what the body has wanted, explain how the flesh in its wisdom was wrong?” “Did the apparent error occur because of some ghost in the mind?” she adds. Was it due to “some blue chemical rushing the blood” or “some demon or god”? I’m sure that you, like most of us, have experienced this mystery. But the good news is that in the coming weeks you will have the power to un-want inappropriate or unhealthy experiences that your body has wanted. Step one: Have a talk with yourself about why the thing your body has wanted isn’t in alignment with your highest good.

SAGITTARIUS (Nov. 22-Dec. 21): Sagittarian composer Ludwig van Beethoven was inclined to get deeply absorbed in his work. Even when he took time to attend to the details of daily necessity, he allowed himself to be spontaneously responsive to compelling musical inspirations that suddenly welled up in him. On more than a few occasions, he lathered his face with the 19th-century equivalent of shaving cream, then got waylaid by a burst of brilliance and forgot to actually shave. His servants found that amusing. I suspect that the coming weeks may be Beethoven-like for you, Sagittarius. I bet you’ll be surprised by worthy fascinations and subject to impromptu illuminations.

CAPRICORN (Dec. 22-Jan. 19): During the next 11 months, you could initiate fundamental improvements in the way you live from day to day. It’s conceivable you’ll discover or generate innovations that permanently raise your life’s possibilities to a higher octave. At the risk of sounding grandiose, I’m tempted to predict that you’ll celebrate at least one improvement that is your personal equivalent of the invention of the wheel or the compass or the calendar.

AQUARIUS (Jan. 20-Feb. 18): The only thing we learn from history is that we never learn anything from history. Philosopher Georg Hegel said that. But I think you will have an excellent chance to disprove this theory in the coming months. I suspect you will be inclined and motivated to study your own past in detail; you’ll be skilled at drawing useful lessons from it; and you will apply those lessons with wise panache as you re-route your destiny.

PISCES (Feb. 19-March 20): In his own time, poet Henry Wadsworth Longfellow (1807–1882) was acclaimed and beloved. At the height of his fame, he earned $3,000 per poem. But modern literary critics think that most of what he created is derivative, sentimental and unworthy of serious appreciation. In dramatic contrast is poet Emily Dickinson (1830–1886). Her writing was virtually unknown in her lifetime, but is now regarded as among the best ever. In accordance with astrological omens, I invite you to sort through your own past so as to determine which of your work, like Longfellow’s, should be archived as unimportant or irrelevant, and which, like Dickinson’s, deserves to be a continuing inspiration as you glide into the future.

Ho, Ho, Poe!

Edgar Allan Poe (as embodied by Marin County’s Lee Presson), rifling with a kind of reluctant amusement through a clutched sheaf of pages, proclaims “I’ve been asked to present something in the spirit of the Christmas season.”

He is addressing a standing-room-only audience at the Adventurer’s Club, in a bustling corner of the Great Dickens Christmas Fair, now in its 20th year at the Cow Palace in Daly City. It’s opening day of the annual celebration of Victorian culture and Dickensian storytelling, and this—the highly anticipated daily appearance by the famous American author—is one of the Fair’s most popular events; the presentation of Poe’s “The Tell Tale Heart,” as recited by the author himself.

The 30-minute show began with Poe’s gleefully unsettling recitation of “The Conqueror Worm,” before moving on to his grief-stricken reading of “Annabelle Lee.” After his deliriously entertaining, audience-participation performance, he will conclude with a delightfully macabre reading of “The Raven.” But first, by special request of his fellow historical figures Oscar Wilde, Lady Ada Lovelace and the Rev. Dodgson (AKA Lewis Carroll), Poe is preparing to present something “Christmassy.”

“Well, all right … this is the most ‘Christmassy’ piece I have,” he says with a kind of sinisterly you-asked-for-it warning on his face, and launches into a gradually escalating performance of the initially light but increasingly frantic and terrifying poem “The Bells.”

“Hear the sledges with the bells—silver bells!” he begins. “What a world of merriment their melody foretells! How they tinkle, tinkle, tinkle, in the icy air of night! While the stars that oversprinkle all the heavens, seem to twinkle, with a crystalline delight. Keeping time, time, time, in a sort of Runic rhyme, to the tintinnabulation that so musically wells from the bells, bells, bells, bells, bells, bells, bells—from the jingling and the tinkling of the bells.”

As the poem continues, Presson masterfully builds the pace of the piece, gradually escalating its intensity and volume, practically shrieking the final lines, as the poem that began with a sleigh ride turns into a ghost- and ghoul-filled description of eternal damnation.

“Keeping time, time, time, in a sort of Runic rhyme, to the throbbing of the bells … of the bells, bells, bells … to the sobbing of the bells … keeping time, time, time … as he knells, knells, knells … to the rolling of the bells … of the bells, bells, bells … to the tolling of the bells … of the bells, bells, bells, bells, bells, bells, bells! To the moaning and the groaning of the bells!”

After absorbing a mighty cheer from the electrified audience at the Adventurers Club, including many folks outside who are now peering in with astonishment, Presson/Poe takes a deep recovery breath, reaches for his glass of “absinthe,” tosses off a quip about alcohol being “medicine,” and continues.

Presson as Poe has become, over the years, as much a tradition at the fair as is a procession by Queen Victoria and Prince Albert, the appearance of Fagin and the Artful Dodger, a chance to waltz at Mr. Fezziwig’s, and a chance to chat with Mr. Dickens himself.

“This is year 31 of me playing Poe at the Dickens Fair,” says Presson, of San Rafael, when no longer in character. “I’ve technically been playing Edgar Allan Poe longer than I’ve been playing Lee Presson.”

The multi-talented performer is, of course, the founder and leader of the goth swing band known as Lee Presson and the Nails, which just released its 25th anniversary album, a swing-based celebration of Halloween titled “Last Request.” The band will be appearing on New Year’s Eve at the Uptown Theatre in Napa, as part of the club’s annual presentation of The Hubba Hubba Revue’s New Year’s Eve Burlesque Bash.

But first, he’s got five more weekends of the Dickens Fair.

“Many, many years ago I was dating a woman whose mother operates the Dark Garden corsetry store at the Dickens Fair,” Presson says, explaining how this annual Poe impersonation began.

“It was suggested that, to give me something to do that was appropriately dark and creepy, I play Edgar Allan Poe, as if the guy was visiting London at Christmastime,” he recalls, noting that Poe was very much alive during the Victorian era, and was, in fact, a friend of Charles Dickens. “At the time, I was not a big Poe fan,” he continues. “I knew about him, of course. I hadn’t read a lot of his work, but it sounded like something I could do, so I contacted to Leslie Patterson at the Fair, and said, ‘I believe I’d like to play Edgar Allan Poe for you!’ And Leslie said, ‘Edgar Allan Poe? Don’t you think that’s a little depressing for a Christmas fair?’ And I remember, I paused a moment and then said, ‘Depressing? You’ve READ Dickens, right?’”

That year, he put on a historically accurate Poe-esque outfit, based on portraits of the famously glum author, and he’s been doing it every year since.

“I’ve basically come up with a happy-go-lucky version of Poe,” says Presson. “In addition to my daily presentation at the Adventurers Club, where I spend a lot of time hanging out with Mary Shelley and Oscar Wilde and other historical figures, I enjoy singing and dancing once a day at Mad Sal’s Dockside Alehouse. The only way we can get away with putting Poe on stage there, of course, is to act like he doesn’t want to be there, so we’ve come up with a story in which he’s sort of coerced into singing a song. Occasionally, you can even find me accompanying the singing sailors on piano, but I just play along as a sad, silent drunk, which is more what people expect from Edgar Allan Poe.”

Asked about favorite moments from his years of playing Poe in a vast hall filled with Dickensian characters historical and fictional, Presson mentions an encounter he had years ago with the Ghost of Christmas Present, from Dickens’ “A Christmas Carol.”

“I decided that Mr. Poe can see spirits, though he’s not very comfortable with it,” Presson says. “When the ghosts of Christmas escort Ebeneezer Scrooge through the streets of the Fair, Poe can see them. So one day I tipped my hat to one of them, and said, ‘Spirit.’ And he said, ‘You can SEE me?’ ‘Yes I can,’ I said, and he answered, ‘That’s wonderful!’ Later that day, after Scrooge has been redeemed, he’s running through the streets saying ‘Merry Christmas’ to everyone, and I saw him and said, ‘An eventful night, Mr. Scrooge?’ He said, ‘Yes, a VERY eventful night, Mr. Poe.’ That’s one of my favorite moments I’ve ever had at the Dickens Fair.”

Having began as someone with only a minimal knowledge of the life and work of E.A. Poe, Presson has evolved into a full-on Poe expert, having read countless books on the man, and nearly everything he ever wrote.

“I still read new books on Poe, all the time,” he admits, “because there’s always something new coming out.”

Spending months of every year playing Poe at a Christmas Fair does put Presson in a pleasantly “Christmassy” mood each year, he allows, though by the time the Fair concludes a few days before the 25th of December, he’s generally had his fill of Christmas.

“On Christmas Day, I’m often at a loss for what to do,” he says with a slightly Poe-ish laugh. “I’ve just been celebrating Christmas for a month, so what I do with the actual day? I usually think, ‘I don’t have time for Christmas! I have a New Year’s Eve show to do!”

The Great Dickens Christmas Fair runs Saturdays and Sundays (and the Friday after Thanksgiving) through Dec. 22 at the Cow Palace, 2600 Geneva Avenue, Daly City. Tickets $14–$32. DickensFair.com.

Sharp Mystery

Middling, but not without surprises, Knives Out is Rian Johnson’s mystery about a group of greedy heirs in ugly holiday sweaters.

They’re the descendants of writer Harlan Thrombey (Christopher Plummer), author of The Menagerie Tragedy Trilogy and other best-selling bafflers. The morning after his 85th birthday party, the old man was found with his throat cut–an apparent suicide. The deceased was no stranger to the macabre. “He basically lives on a ‘Clue’ board,” says the investigating Lt. Elliott (Lakeith Stanfield of Sorry to Bother You); it’s a turreted Victorian manor floating in a sea of dead leaves, with hidden entryways, creaky floorboards and sinister-doodads galore. Placed prominently is a life-sized, jolly-sailor dummy in homage to the Olivier/Caine (and later, Caine/Jude Law) Sleuth.

Harlan’s parasitic family isn’t exactly weeping over the senseless waste of human life. They include designer Jamie Lee Curtis whose business Harlan’s checkbook propped up, and her loafer-husband Don Johnson. Their son is a professional wastrel (Chris Evans handles this anti-Captain America role well). Another son is grumbling Michael Shannon, limping on a cane; he’s furious at the old man’s refusal to sell his work to the movies, even after Netflix makes a solid offer with numbers on it.

On scene is Daniel Craig’s Benoit Blanc, “Last of the Gentlemen Detectives,” recently profiled in the New Yorker. (“I read a tweet about the article,” says another suspect, Toni Collette’s Joni, burnished by unnatural skin bronzers.) Craig uses a Southern accent, with more molasses in it than the one he used in Logan Lucky. This diction increases Craig’s likeness to Robert Mitchum. What’s uniquely his own is the satisfactory way Craig wears his fine clothes, dandles his cigar and utters Gothic comments about “vultures at the feast, knives out, beaks bloody!”

To him, the case is a sort of donut, the hole beckoning. This metaphysical donut mirrors a frightening living-room sculpture: hundreds of knives, all blades pointing to a vortex.

Johnson gets us out of the house for an encounter with a mildewed old gatekeeper (M. Emmet Walsh) who puts his faith in the sturdy old VHS player he’s been using for decades. There’s also a car chase—justly described by a character as “the dumbest of all time”—through a dozing milltown, with only one old witness who lacks the energy to do a double take at the speeding Hyundai careening past him.

The air-weight movie is a little furry; we wait in vain for some crack in old Harlan’s stern benignness—he has such good reasons for his iron-willed decisions that we want to see a touch of evil revealed. Knives Out is also strangely sexless. Unless Miss Marple is the sleuth, Agatha Christie-esque entertainments usually have a bit of plunging neckline and a suggestion of kink. A scene of Evans and de Armas drinking beer at a country inn with Gordon Lightfoot’s “Sundown” playing in the background is about as heated as it gets.

Johnson’s superb emulation of Hammett and Chandler in his debut Brick (2006) gave us a more energetic mystery, and this sputters a bit by comparison. But he does have a purpose, beyond pastiche: Knives Out is Thanksgiving entertainment for those seething at their relatives over the turkey carcass.

‘Knives Out’ is playing now.

Flashback

50 Years Ago

California Highway Patrol Commissioner H.W. Sullivan has characterized the state’s new “presumptive limits” law which became effective November 10 as “a major boost to efforts to remove drunk drivers from the state’s highways.”

“Now, for the first time in California, we have a legal objective method of determining whether a person is under the influence of intoxicating liquor,” Sullivan declared. “It will go a long way toward assisting the court or a jury to determine the guilt of an alleged drunk driver.”

Under the presumptive limits law, a person with a blood alcohol level of .10% is presumed to be under the influence of intoxicating liquor. If the blood alcohol level is between .05% and .10% there is no presumption, and if the blood alcohol level is less than .05% the person is presumed not under the influence. It does not prevent introduction of other evidence relevant to the question of intoxication.

⁠—Untitled, 11/26/69

40 Years Ago

The trial of the Pacific Sun vs. the Chronicle and the Examiner opened Monday in U.S. district court in San Francisco. Although the case has been in the works for 4 1/2 years, will take a month to try and involves five squads of lawyers, it seeks basically to answer one simple question:

Why did Examiner president Randolph Hearst and the late Chronicle publisher Charles Theriot decide in 1962 to quit competing for advertising and circulation?

Was it because a joint operating agreement, in which production facilities are shared and profits split 50-50, was the only way to prevent both the examiner and News Call-Bulletin from going out of business? If so, that’s legal and the Sun loses its case.

Or was it because the joint operating agreement was merely the most profitable of several ways by which the Examiner and/or News Call-Bulletin could have been saved? If so, that’s illegal and the Examiner and Chronicle will have to dissolve their agreement and stand again on their own two feet.

⁠—Newsgrams, 11/23/79

30 Years Ago

With The Little Mermaid, Disney’s first animated feature since 1959’s Sleeping Beauty, the old studio is really back up to speed. Though more Disney than Hans Christian Anderson (predictably, the movie avoids the tale’s sad ending), John Musker and Ron Clement’s charmer is bound to become a favorite. Deservedly so.

The style is more or less classic Disney, with its full animation, lush colors, cute heroine and hateful villain, lovable sidekick characters and hummable songs. It’s familiar territory – derivative, even, though what it derives from is so good that one can scarcely object.

Most of the action is set under water – “Darling, it’s better down where it’s wetter, under the sea,” as one character sings – and it is better indeed, with lots of gorgeous color and an array of sea creatures ranging from winsone dolphins and whales to seahorses, turtles and snails. Makes you want to grab your mask and fins and dive right in.

⁠—Renata Polt, 11/24/89

20 Years Ago

What [public health scientist George Carlo] found may prove to be the cell phone industry’s worst nightmare.

He found that the risk of acoustic neuroma, a benign tumor of the auditory nerve that is well in range of the radiation coming from a phone’s antennae, was 50 percent higher in people who reported using cell phones for six years or more.

…He found that the risk of rare neuroepithelial tumors on the outside was more than doubled, a statistically significant increase, in cell phone users as compared to people who did not use cell phones.

He found that there appeared to be some correlation between brain tumors occurring on the right side of the head and use of the phone on the right side of the head.

And, most troubling, he found that laboratory studies looking at the ability of radiation from a phone’s antenna to cause functional genetic damage were definitely positive, and were following a close-response curve.

Carlo said that he has repeatedly recommended that the industry take a proactive, public health approach on the issue, and inform customers of his findings. He says that he uses a cell phone, but only with a headset.

⁠—Russell Mokhiber & Robert Weissman, 11/24/99

Hero & Zero

Hero

James, the school crossing guard stationed between St. Rita Catholic Church and the Fairfax public library, reports that motorists blow through the crosswalk, even as he stands in the middle of the street wearing a yellow vest and cap while waving a red stop sign. Did we mention there’s also a flashing yellow light? It happens daily, especially during his morning shift. We’re definitely describing zero behavior here, but new Fairfax police officer Eric Conrado makes this a hero story.

Officer Conrado recently began pulling over motorists who clearly saw James and the flashing light, but chose to ignore them. James says Officer Conrado’s diligence keeps the children safe. We offer kudos to James for shepherding the children and to Officer Conrado for punishing the scofflaws who barrel through the school crosswalk like race car drivers.

 

Zero

Speaking of race car drivers, reviewers are giving two thumbs up to the racing film Ford v Ferrari. With such a good flick on screen, we’re wondering why a Zero sprayed a fire extinguisher at a Novato theater audience watching a matinee showing of the auto action movie last Wednesday.

Imagine sitting in the theater at Century Rowland Plaza, munching on hot, buttered popcorn, engrossed in Matt Damon on the big screen, and suddenly an 18-year-old punk pulling a prank sprays a fire extinguisher in your direction. Apparently, his buddy egged him on. (These two Mensa members need to get a job or a hobby or something.)

Witnesses saw the suspect make his getaway in a red Mustang and reported it to the police, who found the young man and his car down the street at Novato Community Hospital.

No one was hurt during the incident; however, the Novato PD, rightfully so, is taking the caper seriously. They booked Joshua Quinn Meade of Fairfield into the Marin County Jail on suspicion of battery, vandalism, releasing a gaseous substance within a theater and disturbing the peace.

 

email: ni***************@***oo.com

Hero & Zero

Hero

James, the school crossing guard stationed between St. Rita Catholic Church and the Fairfax public library, reports that motorists blow through the crosswalk, even as he stands in the middle of the street wearing a yellow vest and cap while waving a red stop sign. Did we mention there’s also a flashing yellow light? It happens daily, especially during his morning shift. We’re definitely describing zero behavior here, but new Fairfax police officer Eric Conrado makes this a hero story.

Officer Conrado recently began pulling over motorists who clearly saw James and the flashing light, but chose to ignore them. James says Officer Conrado’s diligence keeps the children safe. We offer kudos to James for shepherding the children and to Officer Conrado for punishing the scofflaws who barrel through the school crosswalk like race car drivers.

 

Zero

Speaking of race car drivers, reviewers are giving two thumbs up to the racing film Ford v Ferrari. With such a good flick on screen, we’re wondering why a Zero sprayed a fire extinguisher at a Novato theater audience watching a matinee showing of the auto action movie last Wednesday.

Imagine sitting in the theater at Century Rowland Plaza, munching on hot, buttered popcorn, engrossed in Matt Damon on the big screen, and suddenly an 18-year-old punk pulling a prank sprays a fire extinguisher in your direction. Apparently, his buddy egged him on. (These two Mensa members need to get a job or a hobby or something.)

Witnesses saw the suspect make his getaway in a red Mustang and reported it to the police, who found the young man and his car down the street at Novato Community Hospital.

No one was hurt during the incident; however, the Novato PD, rightfully so, is taking the caper seriously. They booked Joshua Quinn Meade of Fairfield into the Marin County Jail on suspicion of battery, vandalism, releasing a gaseous substance within a theater and disturbing the peace.

 

email: ni***************@***oo.com

Washed Up

Like the Petaluma River (Creek Deemed Dirty, Nov. 13), when Stinson Beach and Bolinas were found to be impairing waters of the state more than 40 years ago, we were justifiably threatened with a complete building ban if we didn’t come up with solutions. Bolinas built a low-tech but effective sewer system. Stinson created a septic tank maintenance district, with serious regulations that got stricter over time and an effective inspection program. It looks like the Petaluma River was found to be impaired at about the same time. There is no reason that Petaluma and Sonoma County can’t take the same steps as Bolinas and Stinson did. They could start by requiring houses to be connected to the sewer or to an effective, engineered, septic system at the time of sale and no later than five to ten years out.

Skip Lacaze

Via Facebook

Inoculate Your Homes

To prevent communities from being destroyed by wildfires, houses need to be fireproofed.

Normally we depend on the fire department to put out fires. Unfortunately, when wildfires are threatening our communities, the situation is too extreme for the fire departments to fight the inferno. That being the case, each house should be individually fireproofed.

Just as we inoculate people keep them from catching the flu and other serious illnesses, actions must be taken beforehand to prevent buildings from catching fire.

Three things are needed for the fireproofing:

1. Water 2. An installed sprinkler system to cover the house 3. A source of electricity to power the sprinkler system. Since there would not be enough water for everybody, your system needs a cistern with enough capacity to spray over the whole structure.

Because the public electricity grid often goes down in major fires, a small electric generator is needed to power the sprinkler; the sprinkler system should be set up so that it can function by itself after being started. This system would not be cheap, but would cost nothing compared to the cost of replacing the home, to say nothing of the lives lost. Lower insurance rates will help to pay for the “inoculation.”

Another benefit for society: If most buildings installed the fireproofing system, we’d have an innovative industry employing tens of thousands of highly paid skilled workers.

Lee Spiegel

Corte Madera

Kitchen Classic

Most of us own a copy of Joy of Cooking. It’s likely many a college student tucked the enduring classic into their box of belongings when they headed off to school. Or perhaps it was a wedding gift, or as in my case, the well-worn copy on my kitchen shelf was their mother’s.

Irma Starkloff Rombauer wrote Joy of Cooking, first published in 1931, along with her daughter, Marion Rombauer Becker, who recipe-tested and illustrated. They kept the All Purpose Cookbook updated for the last 88 years, and this month a ninth revised edition with over 600 new recipes hit bookstore shelves across the country.

They kept it all in the family—Irma Rombauer’s great-grandson John Becker and his wife Megan Scott spent almost 10 years mindfully revising the book to reflect and include “changing cooking methods, the availability of new ingredients and to be more globally inclusive.”

To learn more about the book, its history and the process of revising and updating this iconic compendium of recipes, Becker and Scott will discuss the process over lunch at Left Bank in conjunction with Book Passage.

In the meantime, here are two classic recipes for the season—that will remain as timeless as the beloved cookbook.

Cooks with Books: John Becker & Megan Scott present ‘The Joy of Cooking’ as part of the Book Passage Book & Author lunch at 12:30 pm, Saturday, Dec. 7 at in Larkspur at Left Bank, 507 Magnolia Ave, Larkspur. Tickets: $125 per person; $200 per couple (includes meal & book).

Classic Roast Turkey

10 to 25 servings

This is the ideal method to use for birds over 15 pounds in weight, though it works well for smaller birds, too. The lower heat ensures that the bird cooks to doneness relatively evenly. While we give the option to stuff the bird, please be aware that you will have to remove the stuffing and finish cooking it in a baking dish, as it will not cook through at the same rate as the turkey. Please read About Turkey, 426, and About Roasting Turkey, 427.

A day or more before roasting the turkey, you may brine or dry-brine it, 405 (we recommend dry-brining), if desired. If you have wet-brined the bird, pat it dry and allow it to air-dry overnight, uncovered and refrigerated, on a rack set over a baking sheet. It is imperative to dry out the skin to encourage browning.

Position a rack in the lower third of the oven. Preheat the oven to 500°F.

If you wish to stuff the bird, have hot or at room temperature:

(Basic Bread Stuffing or Dressing, 532, or Basic Cornbread Stuffing or Dressing, 532, with any desired additions)

If you have not done so already, remove the giblets and neck from:

One 10- to 25-pound turkey

If the bird is not kosher, self-basting, or brined, rub all over with:

Salt

Loosely pack the body and neck cavities with the stuffing, if using. Bring the legs together and tie them to hold the stuffing in. Set the turkey breast side up on a V rack in a roasting pan or on a large rimmed baking sheet. Any leftover stuffing can be placed in a buttered baking dish. Brush the turkey’s skin all over with:

3 to 6 tablespoons melted butter, depending on the size of the turkey, or as needed

Transfer the turkey to the oven and immediately reduce the oven temperature to 325°F. Roast until the internal temperature of the breast reaches 155°F, and the thickest part of the thigh reaches at least 170°F. (Stuffing must reach 165°F.) This may take as little as 2 hours for a 10-pound turkey and up to 6 hours for a very large turkey. Transfer the turkey to a platter and let rest for at least 20 and up to 40 minutes before carving.

If the breast is done but the thighs are not, take the turkey out of the oven and carve the legs off at the hip joint. Place the legs on a rimmed baking sheet and return to the oven to finish cooking through while the breast and carcass rests.

Excerpted from Joy of Cooking by John Becker and Megan Scott. Copyright © 2019. Reprinted by permission of Scribner, an imprint of Simon & Schuster, Inc.

Close to Home

From a young age, San Rafael native Anna Dellaria used music as a built-in mode of self-expression. The keyboardist, vocalist and singer-songwriter remembers dragging family members into the living room to perform make-shift concerts and teaching herself music in middle school.

“I went through a lot of weird phases as a kid in middle school, trying to make friends and such, as I’m sure many people go through,” says Dellaria. “The thing that kept my head on straight was writing songs. It allowed me to work through what I was feeling and grapple with these larger issues of what it means to grow up.”

Now based in Los Angeles, Dellaria graduated from the prestigious and competitive USC Popular Music Program in 2017, and the 24-year-old is ramping up her pop-music career with a steady performing schedule in L.A. and gigs writing music for television programs like TV Land’s “Younger” and Paramount Network’s “Heathers.”

“That’s been an awesome opportunity in a way that I’ve been focusing in on utilizing music not only to express myself but to tie in with film and TV in creating a story,” she says.

Regarding her own work, Dellaria has a debut EP in the works, and is hyping the EP with a series of singles being released through next year.

“Coming up in 2020 will be a series of singles that I think are my most cohesive work that I’m most excited about,” she says.

Dellaria is also passionate about using her music for good causes, and she possesses a philanthropic streak, donating her talents to organizations like Girls Inc. in Alameda.

“A lot of my songs are centered around the idea of self-empowerment, even through challenging times,” Dellaria says. “As someone who grew up struggling with anxiety and depression without having the tools to describe it yet, I feel strongly about telling people that are also struggling with these emotions that those struggles don’t define your worth, but rather make you stronger because you’re able to battle through them.”

This weekend, Dellaria is back in Marin County and giving back to the community that fostered her music with a one-of-a-kind collaboration with Cyclebar in Novato on Sunday, Dec. 1. The fundraiser begins bright and early at 8am and will include several 45-minute cycling classes at Cyclebar, with Dellaria performing inspiring music in-class and in a public noontime concert reception. All donations go to Marin-founded organization Beyond Differences, which inspires students nationwide to combat bullying, social media anxiety and more.

“For me, (the event) is going to bring together art and fitness, which has also been a helpful tool for me to work through those issues,” she says. “It’s open to the public, anyone can ride, or if they just want to check out the music or come out, we want to bring people together and think about how we can help empower kids in our community.”

Anna Dellaria appears at the Beyond Differences Fundraising Ride on Sunday, Dec. 1, at CycleBar, 5800 Nave Drive, Suite J, Novato. Rides happen 8am, 9am, 10:30am; reception at noon. Reserve a spot at cyclebar.com/location/novato.

Smokescreen: Rebuild North Bay Shirks Pledge to North Bay Fire Victims

Rebuild North Bay
Non-Profit Foundation offered ‘Immediate Relief’ but what really happened? AS THOUSANDS of Sonoma County homes smoldered in ruins from the Tubbs Fire in the fall of 2017, Darius Anderson—veteran lobbyist for Pacific Gas & Electric Corporation and an owner of the Press Democrat daily newspaper—established the non-profit Rebuild North Bay Foundation. In an application for tax-exempt status, Anderson told the Internal...

Horoscope

ARIES (March 21-April 19): Humans invented the plow in 4,500 B.C.E., the wheel in 4,000 B.C.E., and writing in 3,400 B.C.E. But long before that, by 6,000 B.C.E., they had learned how to brew beer and make psychoactive drugs from plants. Psychopharmacologist Ronald Siegel points to this evidence to support his hypothesis that the yearning to transform our normal...

Ho, Ho, Poe!

Edgar Allan Poe (as embodied by Marin County’s Lee Presson), rifling with a kind of reluctant amusement through a clutched sheaf of pages, proclaims “I’ve been asked to present something in the spirit of the Christmas season.” He is addressing a standing-room-only audience at the Adventurer’s Club, in a bustling corner of the Great Dickens Christmas Fair, now in its 20th...

Sharp Mystery

Middling, but not without surprises, Knives Out is Rian Johnson’s mystery about a group of greedy heirs in ugly holiday sweaters. They’re the descendants of writer Harlan Thrombey (Christopher Plummer), author of The Menagerie Tragedy Trilogy and other best-selling bafflers. The morning after his 85th birthday party, the old man was found with his throat cut–an apparent suicide. The deceased...

Flashback

50 Years Ago California Highway Patrol Commissioner H.W. Sullivan has characterized the state’s new “presumptive limits” law which became effective November 10 as “a major boost to efforts to remove drunk drivers from the state’s highways.” “Now, for the first time in California, we have a legal objective method of determining whether a person is under the influence of intoxicating liquor,”...

Hero & Zero

Hero James, the school crossing guard stationed between St. Rita Catholic Church and the Fairfax public library, reports that motorists blow through the crosswalk, even as he stands in the middle of the street wearing a yellow vest and cap while waving a red stop sign. Did we mention there’s also a flashing yellow light? It happens daily, especially during...

Hero & Zero

Hero James, the school crossing guard stationed between St. Rita Catholic Church and the Fairfax public library, reports that motorists blow through the crosswalk, even as he stands in the middle of the street wearing a yellow vest and cap while waving a red stop sign. Did we mention there’s also a flashing yellow light? It happens daily, especially during...

Washed Up

Like the Petaluma River (Creek Deemed Dirty, Nov. 13), when Stinson Beach and Bolinas were found to be impairing waters of the state more than 40 years ago, we were justifiably threatened with a complete building ban if we didn’t come up with solutions. Bolinas built a low-tech but effective sewer system. Stinson created a septic tank maintenance district,...

Kitchen Classic

Most of us own a copy of Joy of Cooking. It’s likely many a college student tucked the enduring classic into their box of belongings when they headed off to school. Or perhaps it was a wedding gift, or as in my case, the well-worn copy on my kitchen shelf was their mother’s. Irma Starkloff Rombauer wrote Joy of Cooking,...

Close to Home

From a young age, San Rafael native Anna Dellaria used music as a built-in mode of self-expression. The keyboardist, vocalist and singer-songwriter remembers dragging family members into the living room to perform make-shift concerts and teaching herself music in middle school. “I went through a lot of weird phases as a kid in middle school, trying to make friends and...
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