Fling Time

Cabernet Franc isn’t the first varietal I think of for springtime sipping. The spicy, floral white wine called Gewürztraminer—that’s more like it. When samples of both showed up on our doorstep, with a note linking them to a springtime event, it begged for inquiry and a full report. The standard package for Bordeaux-style Cab Franc is the French region’s high-shouldered bottle style. So what’s this one doing in a more gently curved (one hates to say, “feminine”) “Burgundy” glass?

In France’s Loire Valley, the wonder twins of white and red wine are crisp Chenin Blanc and silky Cabernet Franc. There they get to express their true selves instead of playing referee between Merlot and Cabernet Sauvignon.

The Paul Mathew Russian River Valley Cabernet Franc ($29) must be the softest, most supple (again, one hates to say, “feminine”) Cabernet Franc I’ve run across in these parts, showing pretty aromas of red licorice, soft leather and warmed olives. It’s the kind of easygoing bistro wine that plays nice, but doesn’t feel cheap.

This wine is made in 100 percent stainless steel, “and also made by a guy who predominately makes Pinot Noir,” says Barb Gustafson, co-conspirator in Paul Mathew Vineyards with winemaker Mat Gustafson, “so he’s trying to bring up the elegance of the wine, instead of oaking it and making a big, huge, chunky wine.”

You can pair this wine with small bites by Boon Eat + Drink, Agriculture Public House, Big Bottom Market, A La Heart Catering and other food vendors at the fourth annual Spring Fling, a benefit for the Guerneville Chamber of Commerce, which could use a little benefit after a soaking wet winter.

They’re calling it their coming out party after the floods, says Gustafson. Should the weather warm enough to mandate a splash of spicy white, try Paul Mathew’s Russian River Valley Gewürztraminer ($24). This is no sweet thing, like many wine drinkers expect of Gewürz. The aroma’s just a touch creamy, with accents of rosemary and juniper berry, and it drinks like a spicier Sauvignon Blanc, with zesty, kiwi cocktail acidity for days and a nice and dry finish.

For $50 you can bet there’s more wine at the Spring Fling: the seldom-seen Flowers and Wild Hog come down from the mountain, plus Woodenhead, and more. Korbel brings bubbles. The Thugz bring Grateful Dead cover music. And Michelle Anna Jordan brings cookbooks. Bring a thirst and an appetite, and this fling is sprung.

Spring Fling, downtown Guerneville, Saturday, April 27, 1–4pm. $30 food only; $50 food and wine. 707.869.9000. RussianRiver.com.

Fitzgerald’s Game

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The venerable Ross Valley Players have a long history of presenting original works to their audiences. In 1984, they initiated the Ross Alternative Works (RAW) program, dedicated to staged readings and full productions of works by Bay Area playwrights. This season brings Scott & Zelda: The Beautiful Fools, running now through April 28.

Written by Sausalito resident Lance S. Bellville and directed by Lynn Lohr, it’s a look at the tumultuous relationship of writer F. Scott Fitzgerald and his wife Zelda. It’s not a strict bio piece per se, but a “stream of consciousness” play that takes place in the mind of Fitzgerald.

Set in the late 1930’s, we first meet Scott (Frankie Stornaiuolo) in the apartment of his mistress, Hollywood gossip columnist Sheila Graham (Marissa Ellison).

The play zips back and forth between the times and places—when he first meets Zelda (Emily Dwyer), their time together in Paris, his friendship with Ernest Hemingway (Izaak Heath), their Long Island residency with next-door neighbor Groucho Marx (Peter Warden), his parenthood of daughter “Scottie” (Charlotte Curtin), and Zelda’s decline due to mental illness. It’s all sort of “book-ended” with comments and exposition from Fitzgerald’s literary agent Harold Ober (Warden again) and editor Max Perkins (Ron Talbot).

There’s little depth to the characters and the hopscotching around their lives amounts to a Classics Illustrated approach to their story. Performance-wise, Dwyer does well as Zelda, a fascinating individual who deserves to have her story told (better). Stornaiuolo, who overcame script deficiencies with his character in the last RVP production, has no such luck here and is given little to do other than resemble Fitzgerald. Among the supporting players, Warden’s agent and Heath’s Hemingway come off best.

To paraphrase Fitzgerald’s contemporary Gertrude Stein, when it comes to Scott & Zelda, there’s no there there.

‘Scott & Zelda: The Beautiful Fools’ runs Friday – Sunday through April 28 at the Barn Theatre in the Marin Art and Garden Center, 30 Sir Francis Drake Blvd., Ross. Times vary. $20. 415.883.4498. rossvalleyplayers.com.

Dixie Coup

(This letter is in reference to efforts to change the name of the Dixie School District)

Rededicating the school to Mary Dixie neatly resolves the dispute! A Miwok named Mary Dixie has a logical connection to James Miller, founder of the Dixie Schoolhouse. I believe a false narrative was created in 1972 when, hastily, an application was filed for the Dixie Schoolhouse as a landmark, without fully examining the heirlooms and analyzing the history.

James Miller had ties to the Gold Country (and not the Confederacy). If you will follow history you will know that Irish people faced discrimination. Prejudices existed for the Irish for their religious beliefs when they first set foot in America. As tensions built, the Irish immigrant men often joined the army to gain acceptance from Americans; others headed West. Eventually, many Irish men were recruited for the Union Army because it more closely aligned with their beliefs. Throughout the Union army, Irishmen and their sons served with distinction. Most Irish came after the potato famine of 1845 to New York, though Miller came much earlier by way of Canada. A native of Wexford Ireland, Miller never served the Union Army, but he accepted a Union Captain into his family. Here is his story.

Like other Irish emigrating first to Canada, Miller made his way to America and settled briefly in Missouri, a hotly contested slave border state. Not satisfied with life in Missouri, Miller and his wife Mary Murphy, headed West through Iowa, a Union state, to meet up with the Martin Murphy family and other Murphys, where the family formed a 10-wagon train and eventually merged with a 40-wagon train to Oregon and California. It was an eight-month journey with an overlay at Truckee Lake. Miller eventually made home near Mission San Rafael, which was Mexico at the time. Miller named the Truckee River and Lake after a Miwok/Paiute chief who helped him navigate the region. At Mission San Rafael, Miller met his wife’s extended relation, Don Timoteo Murphy, defender of the indigenous people.

Along with his wealth, James Miller grew his family to 10. The Latin word for “ten” is Decem, the numeral X or Dixie, which coincidentally is also the baptismal name given by missionaries to Miwok-Paiute, such as Mary Dixie, who was born well before the Civil War. As an Irishman, Miller was grateful to the indigenous people and likely aligned with them. It’s highly plausible, as our Miwok historian tells us, that James Miller named the school after Mary Dixie, head of her family. It’s possible the school was named Dixie in honor of Mary Dixie and for his 10 children. The only thing we really know is that the school was named at the cusp of the American Civil War—and in that time the Irish were recruited for the Union Army. What’s more, the Union army benefited from the gold rush and Miller would have had much interaction with Union men in his journeys. James Miller’s daughter married Captain John Keys of the Union Army.

Given that his family was Union and that James Miller was sympathetic and grateful to indigenous people, we can be certain that he was neither a racist nor a confederate. We can all confidently conclude that the school was named in the Latin “Dixie” and that the surname Dixie (as in Mary Dixie) applies. Mary Dixie was an exemplary person. She was head of household in her triblet of Miwok, and a skilled artisan.

We stripped the Miwok of their land. We have no reason now to strip the Miwok of the surname, which is the last vestige of the indigenous people in our parts. A surname does not offend anyone. Only people can offend other people. It’s time to put and end to the nonsense. Rededicate the school to the woman named Mary Dixie! She is the name behind our school. I’m hoping you will now associate the surname with missionaries and not Confederates.

—M.C. Nygard

Via Pacificsun.com

Hero & Zero

Hero

Finally, after months of personal attacks and general misbehavior, the Dixie School District Board of Trustees voted to change the name of the district and Dixie Elementary school. We say better late than never, but this action should have taken place decades ago when it was first suggested in 1997 by Kerry Peirson of Mill Valley. To the three trustees who voted yes, Marnie Glickman, Megan Hutchinson and Brooks Nguyen, hats off to you.

Zero

A Santa Rosa man, on his way to go hiking in Novato last Sunday morning, made a quick stop at a coffee shop in Cotati, leaving his dog and keys inside the vehicle. When he came out 10 minutes later, his car and 11-year-old pooch Kada had vanished.

After flagging down a Cotati police officer and filing a report, James did what anyone would do: he turned to social media to find the beloved mixed-breed who’d been with him since she was three months old. His Facebook post garnered hundreds of shares and comments, but no one had seen her.

A break came on Tuesday afternoon when police in Port Orford, Oregon pulled over a woman driving James’ stolen car. Unfortunately, Kada wasn’t with her. Suspect Danielle Lormer, 37, arrested and booked on several charges, said the last time she’d seen the dog was in Santa Rosa. It’s one thing to steal a car, but only an inhumane Zero would put a senior pooch out on the road.

Later that evening, James received a call from Marin Humane saying a woman reported she recognized Kada from Facebook and had seen her at the Marin Gateway shopping center. James rushed to Marin City and with the help of a Marin County Sheriff’s deputy searched for her for two hours. Around 1 a.m., Deputy Kevin Guinn spotted her under a bush in a nearby residential area and phoned James, who was still out looking.

Kada and James were reunited in the wee hours of Wednesday morning, three days and 37 miles away from where they were last together. We’re happy to report that both man and dog are doing well.

 

email: ni***************@ya***.com

 

 

Hero & Zero

Hero

Finally, after months of personal attacks and general misbehavior, the Dixie School District Board of Trustees voted to change the name of the district and Dixie Elementary school. We say better late than never, but this action should have taken place decades ago when it was first suggested in 1997 by Kerry Peirson of Mill Valley. To the three trustees who voted yes, Marnie Glickman, Megan Hutchinson and Brooks Nguyen, hats off to you.

Zero

A Santa Rosa man, on his way to go hiking in Novato last Sunday morning, made a quick stop at a coffee shop in Cotati, leaving his dog and keys inside the vehicle. When he came out 10 minutes later, his car and 11-year-old pooch Kada had vanished.

After flagging down a Cotati police officer and filing a report, James did what anyone would do: he turned to social media to find the beloved mixed-breed who’d been with him since she was three months old. His Facebook post garnered hundreds of shares and comments, but no one had seen her.

A break came on Tuesday afternoon when police in Port Orford, Oregon pulled over a woman driving James’ stolen car. Unfortunately, Kada wasn’t with her. Suspect Danielle Lormer, 37, arrested and booked on several charges, said the last time she’d seen the dog was in Santa Rosa. It’s one thing to steal a car, but only an inhumane Zero would put a senior pooch out on the road.

Later that evening, James received a call from Marin Humane saying a woman reported she recognized Kada from Facebook and had seen her at the Marin Gateway shopping center. James rushed to Marin City and with the help of a Marin County Sheriff’s deputy searched for her for two hours. Around 1 a.m., Deputy Kevin Guinn spotted her under a bush in a nearby residential area and phoned James, who was still out looking.

Kada and James were reunited in the wee hours of Wednesday morning, three days and 37 miles away from where they were last together. We’re happy to report that both man and dog are doing well.

 

email: ni***************@ya***.com

 

 

Flashback

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<50 Years Ago>

The strains between the hip and the straight communities in the San Geronimo Valley have erupted into gunfire and arson. A committee will attempt to cool things off. Shirley’s Cafe, a gathering place for the hips, has been the target of the violence. Co-owner Richard Green said shots have been fired through his windows and somebody tried to burn down the place by setting fire to a trash bin wedged up against the door. At a meeting which drew 200 Valley residents and a score of county officials, the straights gave vent to their anger, some people even applauding when Green mentioned the arson and gunfire. But in the end it was agreed that a committee be formed to get the rival factions together. Supervisor Bud Baar, certainly no friend of long-hairs, said that peace would come only when everybody respected the rights of others. —Newsgram, April 23, 1969

<40 Years Ago>

Synanon likes to sue newspapers. In recent years its bustling legal department has filed suits and/or demands for retraction from coast to coast. Targets have included the Chronicle, the Kansas City Star, Time magazine, the Pacific Sun and oddly, even the I-J, which often sounds like a Synanon house organ. . . . The Pulitzer citation said the [Point Reyes] Light “ . . . had found evidence of [Synanon] beatings, of hoarding of weapons, of revenge attacks and other legal and extra-legal goings on.” It was coverage of these events which prompted Senator Peter Beher to praise the Light glowingly when he ran into [co-publisher] Dave Mittchell outside the Inverness Store last Thanksgiving. “I told him that considering the quality of your writing, and the risk you are running, somebody ought to nominate you for the Pulitzer Prize,” remembers Beher. —Steve McNamara, April 20, 1979

<30 Years Ago>

There will probably come a day when we look upon television with nostalgia.

God forbid. —April 21, 1989

Compiled by Alex Randolph

Horoscope

ARIES (March 21-April 19): In the U.S., the day after Thanksgiving typically features a spectacular shopping orgy. On “Black Friday,” stores sell their products at steep discounts and consumers spend their money extravagantly. But the creators of the game Cards Against Humanity have consistently satirized the tradition. In 2013, for example, they staged a Black Friday “anti-sale,” for which they *raised* their prices. The coming weeks will be a favorable time for you to try something similar. Is it possible you’re undercharging for your products and services and skills? If so, consider asking for more. Reassess your true worth and seek appropriate rewards.

TAURUS (April 20-May 20): Whether or not you believe in magic, magic believes in you right now. Will you take advantage of the fancy gifts it has to offer? I guess it’s possible that you’re not interested in seeing deeper into the secret hearts of those you care for. Maybe you’ll go “ho-hum” when shown how to recognize a half-hidden opportunity that could bring vitalizing changes. And you may think it’s not very practical to romance the fire and the water at the same time. But if you’re interested, all that good stuff will be available for you. (P.S. To maximize the effects of the magic, believe in it.)

GEMINI (May 21-June 20): In 1815, the most ferocious volcanic eruption in human history exploded from Mount Tambora in what’s now known as Indonesia. It flung gas and ash all over the planet, causing weird weather for three years. Sunlight dimmed, temperatures plummeted, skies were tumultuous, and intense storms proliferated. Yet these conditions ignited the imagination of author Mary Shelley, inspiring her to write what was to become her most notable work, *Frankenstein*. I suspect that you, too, will ultimately generate at least one productive marvel in response to the unusual events of the coming weeks.

CANCER (June 21-July 22): For over 40 years, Cancerian musician Carlos Santana has made music that blends rock and roll with Latin and African rhythms. In the early years, his creations sold well, but by the mid-1980s his commercial success declined. For a decade, he floundered. His fortunes began to improve after a spectacular meditation session. Santana says he was contacted by the archangel Metatron, who told him how to generate material for a new album. The result was Supernatural, which sold 30 million copies and won nine Grammy Awards. I mention this, Cancerian, because I suspect that you could soon experience a more modest but still rousing variation of Santana’s visitation. Are you interested? If so, the next seven weeks will be a good time to seek it out—and be very receptive to its possibility.

LEO (July 23-Aug. 22): “Expergefactor” is an old English word that has fallen out of use. In its original sense, it meant something that wakes you up, like an alarm clock or thunderstorm or your partner’s snoring. But I want to revive “expergefactor” and expand its meaning. In its new version, it will refer to an exciting possibility or beloved goal that consistently motivates you to spring out of bed in the morning and get your day started. Your expergefactor could be an adventure you’re planning or a masterpiece you’re working on or a relationship that fills you with curiosity and enchantment. In my astrological opinion, the coming weeks will be an excellent time to identify and fine-tune an expergefactor that will serve you well for a long time.

VIRGO (Aug. 23-Sept. 22): We live in a cultural moment when satire, sarcasm, cynicism, and irony are prized as supreme emblems of intelligence. If you say that you value sincerity and earnestness, you risk being considered naive and unsophisticated. Nevertheless, the current astrological omens suggest that you will generate good fortune for yourself in the coming weeks by making liberal use of sincerity and earnestness. So please try not to fall into the easy trap of relying on satire, sarcasm, cynicism, and irony to express yourself. As much as is practical, be kindly frank and compassionately truthful and empathetically genuine. (P.S. It’s a strategy that will serve your selfish aims quite well.)

LIBRA (Sept. 23-Oct. 22): “Most people don’t find their creativity,” mourned Libran author Truman Capote. “There are more unsung geniuses that don’t even know they have great talent.” If that describes you even a little bit, I’m happy to let you know that you’re close to stumbling upon events and insights that could change that. If you respond to the prompts of these unexpected openings, you will rouse a partially dormant aspect of your genius, as well as a half-inert stash of creativity and a semi-latent cache of imaginativity.

SCORPIO (Oct. 23-Nov. 21): Do you know the word “sfumato”? Its literal meaning in Italian is “smoked.” When used to describe a painting, it refers to blurred borders between objects or fuzzy transitions between areas of different colors. All the forms are soft and hazy. I bring this to your attention because I suspect the coming weeks will be a sfumato-like time for you. You may find it a challenge to make precise distinctions. Future and past may overlap, as well as beginnings and endings. That doesn’t have to be a problem as long as you’re willing to go with the amorphous flow. In fact, it could even be pleasurable and useful. You might be able to connect with influences from which you’ve previously been shut off. You could blend your energies together better with people who’ve been unavailable.

SAGITTARIUS (Nov. 22-Dec. 21): “You have a right to experiment with your life,” declared author Anaïs Nin. I agree. You don’t necessarily have to be what you started out to be. You can change your mind about goals that you may at one time have thought were permanent. I suspect you could be at one of these pivot points right now, Sagittarius. Are there any experiments you’d like to try? If so, keep in mind this further counsel from Nin. It’s possible “you will make mistakes. And they are right, too.”

CAPRICORN (Dec. 22-Jan. 19): You have one main task to accomplish in the coming weeks, Capricorn. It’ll be simple and natural if you devote yourself to it wholeheartedly. The only way it could possibly become complicated and challenging is if you allow your focus to be diffused by less important matters. Ready for your assignment? It’s articulated in this poem by Rupi Kaur: “bloom beautifully / dangerously / loudly / bloom softly / however you need / just bloom.”

AQUARIUS (Jan. 20-Feb. 18): When the forces of the Roman empire occupied the British Isles from the years 43 to 410, they built 2,000 miles of roads. Their methods were sophisticated. That’s why few new roads were built in England until the eighteenth century, and many of the same paths are still visible and available today. In this spirit, and in accordance with astrological omens, I recommend that you make good use of an old system or network in the coming weeks. This is one time when the past has blessings to offer the future.

PISCES (Feb. 19-March 20): “I’m not enigmatic and intriguing enough,” writes a Piscean blogger named RiddleMaster. “I really must work harder. Maybe I’ll start wearing ankle-length black leather coats, billowing silk scarves imprinted with alchemical symbols, and wide-brimmed hats. I’ll listen to Cambodian folk songs and read rare books in ancient Sanskrit. When someone dares to speak to me, I’ll utter cryptic declarations like, ‘The prophecies will be fulfilled soon enough.'” I understand RiddleMaster’s feelings. You Pisceans need mystery almost as much as you need food. But I believe you should set aside that drive for a few weeks. The time has come for you to show the world who you are with crisp candor.

Homework: Compose an exciting prayer in which you ask for something you’re not “supposed” to. FreeWillAstrology.com

Advice Goddess

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Q: I’m a slim woman in my early 40s—successful in my field—and I am always in jeans, a vintage ripped t-shirt, and boots. I mean, always. Granted, I have an extremely expensive handbag and perfectly highlighted blonde hair, and I always wear winged eyeliner. My friends say that going “underdressed” like this is disrespectful and inappropriate for (corporate-type) business meetings. Are they right, or is rocking your own thing no matter what a sign of confidence? (P.S. I’d kill myself before I’d wear a blazer.)—Punk Rock Corporate

A: There’s actually something to be said for a person who goes into an important business meeting dressed like one of their LinkedIn endorsements is “Aggressive Panhandling.”

Sure, to a lot of people, it looks like career suicide in progress. However, research by Harvard Business School’s Francesca Gino suggests that rebelling against norms for business attire can make you come off as higher status than people who dress all junior CEO.

Gino ran a number of experiments that led her to this conclusion, but my favorite is from a seminar on negotiations she taught at Harvard to two different groups of bigwigs in business, government and philanthropy. For each session, she dressed in the requisite “business boring”—a dark blue Hugo Boss suit and a white silk blouse. But then, for her second session, she paired this outfit with a pair of red Converse high-tops. As she made her way to the classroom, a few fellow professors did give her the WTF-eye. However, seminar participants, surveyed after each session, guessed that she was higher in status and had a pricier consulting rate when she was wearing the red sneaks.

Gino explains that a person who is seen to be deliberately violating workplace wardrobe norms sends a message that they are so powerful that they can shrug off the potential costs of not following convention.

Anthropologists and zoologists call this a costly signal: a trait or behavior that’s so wastefully extravagant and/or survival-threatening that only the highest-quality, most mojo-rific people or critters could afford to display it. This, in turn, suggests to observers (whether predators or predatory executives) that it’s more likely to be legit—and not false advertising.

Q: I’ve long been a “Shallow Hal,” attracted to women’s youth and physical beauty and less concerned with integrity. Not surprisingly, I keep getting into relationships with women who aren’t very good people. How can I stop being so superficial?—Man With Eyes

A: It isn’t wrong to initially be looks-driven: “Now, she’s a woman I wanna have sex with!”—as opposed to “Now, she’s a woman I wanna debate on Jeremy Bentham’s views on utilitarianism!”

Also, you should no more feel guilty for being drawn to young women than you would for having your taste buds be more “All aboard, baby!” for chocolate cake than for a “burger” made out of broccolini. This preference evolved to solve the “How do I pass on my genes?” problem for our male ancestors.

However, it helps to understand what psychologist Daniel Kahneman has explained as our two thinking systems—fast and slow. Our fast system is emotion-driven, rising up automatically, and is often home to toddler-like demands: “Gimme cake!” Our slow system, the home of rational thought, needs to be forced to do its job—examining our impulses and assessing whether it’s wise for us to run with them.

In other words, your problem comes from running with your initial impulse without putting it through the Department of Reasoning. Though it’s natural to be led by your eyes, you need to implement a next step—assessing the character of these foxerellas before you turn them into girlfriends.

Visions of Moderation

 

By Bill Smith

The good old days were the good because you were young. As a rule, wherever you spent your 20s, the memories you made are precious and enduring. I was lucky. I made mine in the Bay Area in the 1990s: affordable rents, barbecued oysters on Drake’s Bay, biking over the bridge to the Marin Headlands or over to Sausalito for the ferry ride back to The City. A super beef-tongue burrito at La Cumbre cost less than $4 and Capp Street Project was on Capp Street. For a time, you could smoke in bars, restaurants and cafes. That was also the last time I took psychedelics—a magical day amidst the undulating redwoods of Muir Woods.

I thought I had left those days far behind me until a crisis loomed and I knew I needed to make some adjustments fast. My son was going off to college, my cannabis-addicted mother was going off the deep end, and I really had to quit smoking cigarettes. I had just finished Michael Pollan’s new book on the healing power of psychedelics, How to Change Your Mind.

I figured that a guided psychedelic experience could provide the quick jolt of therapy I needed, so I contacted a local shaman who worked with ayahuasca. The irony of scrambling my brains with a hallucinogenic DMT concoction from the Amazon to unscramble my comparatively cushy American life is not lost on me. But my insurance deductible puts regular therapy out of reach.

Alan Watts said this of the psychedelic experience: “If you get the message, hang up the phone.” I honestly don’t recall any message from my drug-induced 20s. I’m not sure if I even hung up or just hit “hold.” But I was about to pick up that phone again. Only now I wasn’t a carefree kid with most of his unexplored life ahead; I was a stressed-out 52-year-old single father with most of his unexamined life behind him.

Two weeks before my ayahuasca “sit,” I got instructions for how to prepare: “Rest, reflect on your intention, walk easily and eat whole foods—no red meat, alcohol, marijuana or other drugs. Consider lowering or avoiding coffee, sugar and salt.” The hardest thing for was to cut back to one cup of coffee a day.

I wasn’t surprised that marijuana was on the prohibited list. I started smoking marijuana in high school, but I’d stopped in college. The reason it took me even that long was that I was too intoxicated to notice how dull-witted, unproductively introspective, isolated and boring it made me. What’s surprising, in retrospect, is that I ever started smoking marijuana at all. I was raised by a “stoner,” which is to say, I raised myself. And, after a lifetime of smoking marijuana, my mother was the same emotionally stunted, rage-filled, paranoid narcissist she was when I was a kid.

So, as far as I’m concerned, there’s no message to be gotten from cannabis. There’s nothing on the other end of that line. That the shaman and “Grandma Ayahuasca” frowned on it made sense to me. If you’re looking for clarity, insight and growth from one drug, you should first step out of the paralyzing fog from another.

How my son turned out the way he did is beyond me. I was going to miss him when he left for college, but I was unprepared for exactly how much until I returned home unexpectedly one night recently, and found the aftermath of a teen party.

Popcorn and tortilla chips were scattered on the sofa and floor; two half empty bottles of Coke and ginger ale with their caps off sat on the coffee table, along with a half-eaten pan of brownies. Uh-oh. I took a bite.

It was pure brownie.

Who is this kid? When I was 16 I was climbing out my bedroom window to take LSD and drink and smoke anything and everything I could get my hands on. And now my own son wasn’t even having interesting parties when Dad was away. As I chewed on the brownie, it hit me how integral my son is to my identity. I’m going to miss the boy when he goes off to school in a way I hadn’t missed anyone since my father died.

Well then. After two weeks of minor deprivation and self-reflection, I arrived at the gathering place: a basement rec room in the basement in a subdivision. Most of the 15 other “sitters” seemed to be in their late 30s or early 40s. All were white. As we waited for the shaman we chatted. It seemed like half the group was in tech, the other half was in art. Half had money, but little meaning, and the other half had meaning, but little money. Only three of us seemed to have a profound need for healing: a recovering heroin addict, a man with obvious mental illness, and a woman who just got diagnosed with a death sentence in the form of Huntington’s Disease. The rest of the group was like me: the walking wounded.

When the shaman and his wife arrived they introduced themselves by their actual names and then by their shamanic names. We were in their home. They trusted us, we should trust them. He had taken ayahuasca more than 2,000 times. They explained what to expect with the “medicine,” how the visions were a gift from the plants’ spirit they called “Grandmother.”

The experience was visceral, physical and intellectual. It will connect you to your body in new ways. For the first 20 minutes after drinking the tea, there will be nothing.

Then the visions will begin, as if a switch was flipped. We were told, don’t fight it. Let Grandmother guide you and you will learn what you need to learn, though not necessarily what you thought you needed to learn.

A prayer was sung, sage and herbs were smudged, and the seekers, one by one, went before the shaman. Each sat or kneltkneeled and made some blessing while he stared into their eyes and measured out a portion of the ayahuasca, blew on it rapidly three times and then handed them the cup. When it was my turn I downed it without hesitation. It was viscous, thick and pulpy and tasted like licorice. Not unpleasant. I then returned to my spot and waited and watched.

The Shaman drank a big cup of tea and then his wife turned the overhead lights off. The room was candle-lit and the Shaman went around to each of us with his eagle feather. He touched the feather to our heads and shoulders, and waved them about our bodies. I noticed he spent a little extra time with the Huntington’s woman, the man with mental illness, and the heroin addict. When he returned to his seat, he began beating on a drum and singing. I guessed it was Quichua. It was rhythmic and powerful. His wife then joined in with harmonies, and it became so ethereally beautiful that I almost cried. Someone blew out the candles and we were left with only the moonlight, smoldering sage and the shamanic singing to guide us.

The purging started with the artist to my right. He doubled over, convulsed, and spewed a mighty torrent. I was worried the little bucket would overflow, but as quickly as he started, he stopped. I was surprised the sound didn’t gross me out. It didn’t even make me queasy. And there was no nausea-inducing smell. A benefit of the diet, no doubt. The vomiting then moved around the yurt like the fountains at the Bellagio. I stifled laughter, shut my eyes, and the visions began.

Geometric patterns shot across my eyelids until I was swimming in them. I felt a kindness welling up, some entity entering me. Grandmother! The visions were intense, but my ego, the “I” in my narrative, never completely dissolved. This was fine with me. Grandmother was kind. Her lessons had such a gentle wisdom that I spent much of the night softly laughing.

First she “looked” at me and gave me a quizzical smile: “You are fundamentally a happy person! Deep-down you are happy.”

“Really?” I thought.

And she smiled and shook her head in bemusement: “You seem to feel the need to pay for that happiness with being unhappy? That’s so funny! You don’t pay for happiness with misery! You pay by enjoying it! By sharing it!”

Then she took a tour around my body, racing like a child through a new house who opens up every door to peek inside each room. She would occasionally stop and I would notice—heart and beat; lungs and breath; she opened every door and bounced on every bed and sofa. When she was bouncing around my abdomen, I noticed a pain in my shoulder from my arthritis. She then bounded up to the pain, and as she explored my shoulder, the pain quickly and gently melted away. Same with my tortured knee. I recall wondering if DMT or the other chemicals in my body at the moment had anti-inflammatory properties. But even though I was making a more clinical evaluation than your typical mystic on potent drugs, I still said, “Thank you” to Grandmother. Whatever I chose to call it, this was powerful medicine.

“I am blessed!” was the next lesson from Grandmother. This message was, again, delivered with seeming wide-eyed wonderment and boundless love. This wasn’t guilt over my white, male privilege. It wasn’t nearly so rational or abstract as that. I actually felt these blessings: I had a comfortable home, a remarkable son, good friends, a creative and supportive community. My life was abundant with meaning. And again, gently, she pointed out the absurd calculus I made in paying for these blessings with guilt and self-loathing. Deserving or not deserving was not a part of the equation. You pay for your blessings by honoring them, by sharing them, by tending to them. But what does honoring your blessings look like? Is it as simple as keeping the house tidier? Unclogging the sink in a timely manner? Not chastising the boy when he spaces out and drops his wet towels on the floor eight inches from the laundry basket?

“That’s a start,” came her reply. “I think I could manage that,” I thought.

The final two lessons were simple and quick. They, too, involved reframing a problem that allowed the possibility for, if not resolution, then at least management. I saw my mother as a sad, confused, angry old woman who reflexively drove away the one thing she craved: love. “Have some pity on this old lady. She is powerless,” came the voice. “Yeah,” I agreed. And again, I felt it deeply. Seeing her in this light bypassed all my triggers and defenses and I was able for the first time ever to generate some sympathy for that woman.

Last came the smoking. “You can choose to have a cigarette, or to not have a cigarette. Just be sure it is you who is choosing. Say, ‘I am choosing to smoke this cigarette now, or I am choosing not to have this cigarette now.’” All of a sudden, I felt some agency in my relationship with tobacco. We actually practiced this a few times: “I choose not to smoke right now.” It seemed to work. A lot seemed to work with Grandmother holding your hand.

At some point Grandmother showed me a gate. It was of brown, twisted vines interwoven with hundreds of faces. Behind the gate was the real trial and transformation;, ego death and rebirth. I asked her if we were going through that gate. She smiled a compassionate smile and led me away: apparently not. Although I would have trusted the lesson that lay beyond it, I was relieved.

Throughout the evening the chanting and singing would come and go. It would pull us back, and refocus the visions, and remind us of our intentions, our “work.” At one point I sat up and opened my eyes. Sprawled all about the yurt were bodies; some prone, a few sitting upright, some twisting and heaving, some completely still. It occurred to me that if someone walked in here they would think this no different from a nineteenthan nineteenth century opium den. How would anybody know that this mass of shivering, twitching, writhing humanity was working on healing intentions and not just taking a holiday from the barely tolerable misery of modern life?

It’s hard to say if or when I awoke, because it’s hard to say if I ever slept. It seemed to me that the visions traversed both realms and blurred the distinction between my sleeping and waking self. At last I felt Grandmother had taken her leave of me and I sat up and looked around the yurt. It took me a moment to be sure that it was dawn coming through the opening in the center and not the moonlight. There were only two other bodies left Everybody else had gone back to the heated rec room.It was cold. So I bundled up my blanket and pillow and headed toward some warmth. In the rec room, I found a spot on the floor and promptly fell asleep.

Later when I was driving home, Ihome I felt like I was returning from summer camp. We had all hugged each other goodbye with a warmth that was astonishing considering we spent less than two days together and I couldn’t tell you a single one of their names. During the ride back home I chose to not have three cigarettes. I chose to have one. And I enjoyed the hell out of it.

Later that evening I found the boy reading in bed. He gave me a “Hey Dad,” without looking up from his book.

“You know, we are really fortunate.”

“Yeah.”

“We are, for lack of a better word, ‘blessed.’”

He cocked his head.

“We have a nice home, we have plenty to eat, we have an amazing community. And it’s not a question of whether we deserve these blessings or not, it’s our job to . . . honor them.”

“OK . . .

“Sometimes we feel like we have to pay for them by not acknowledging them or by not taking care of them properly, but that’s silly. We should tend to our blessings.”

Now his book was completely down, and he was looking at me as if there was some joke he wasn’t quite getting.

“We should, you know, tidy up more, do the dishes after dinner, put away our clothes.”

An audible sigh escaped from his lips.

“For a second, I thought you’d joined some Christian cult,” he said. We laughed, each honoring, in our way, the blessing of the other.

It’s been four weeks since my session with Grandmother. I still smoke, but I do it deliberately. I “choose” to have eight to 10 cigarettes a day. I drink one cup of coffee in the morning and I keep the house a bit tidier than before. I am grateful for a son who has not dulled himself with marijuana, and more forgiving toward a mother who has.

Bill Smith is a pseudonym. The author is a public educator and former Bay Area resident.

Henry the Great

For most mortals, a single major accomplishment can be satisfying enough for one lifetime. Being an Academy Award–nominated producer, say; or a director-composer and cinematographer for multiple television series; or a university professor for nearly two decades; or a research diver with one of the highest numbers of dives under Antarctic sea ice; or creating your own record label still going strong in its fifth decade; or collaborating with an unprecedented array of artists across numerous genres from many different cultures—or, say, being one of the most outstanding guitarists of your generation—would be a laurel quite large enough to rest on.

Not so for Henry Kaiser, whose Promethean achievements encompass all of these and much else.

But let’s focus for the moment on Henry Kaiser, guitarist. Picking up the guitar at the comparatively late age of 20 and emerging as a cutting-edge improviser in the late seventies, Kaiser has continued to record an incomparably broad variety of music very much in keeping with his wide-ranging interests and influences. In a discography now north of 300 releases, one thing that becomes abundantly clear is how much this man loves to play, with an instantly recognizable, invigorating tone and sky (or is that sea?) diver’s fearlessness, and one who equally esteems the process of collaboration with many different kinds of artists.

That love of playing will be on full display during the weekend of April 20 as Kaiser performs in tributes to two major inspirational figures for him. First, on the exalted marijuana holiday itself, Kaiser will join longtime friends and collaborators Rova Saxophone Quartet among many others for “Fly! Fly! Fly! Fly! Fly! A Tribute to Cecil Taylor” at CounterPulse in San Francisco. And the following day finds him once more joining drummer John Hanrahan’s ongoing project, performing the classic suite by the late saxophone titan John Coltrane, A Love Supreme, at Sweetwater Music Hall in Mill Valley.

Reached at his home near the Santa Cruz mountains, Kaiser recalled the memorable first time he heard Coltrane.

“Some girl played A Love Supreme for me in her dorm room while we made out on her bed! So, it made a strong impression,” he says.

Hanrahan has been leading the Coltrane project for several years with the work’s original instrumentation and recently decided to take the work in an electric direction. One of the first people he contacted was Kaiser. He was in, but said to Hanrahan, “Let’s get some more electric players with us—let’s open it up and not do it all reverent.”

On April 21, Hanrahan and Kaiser will be joined at Sweetwater Music Hall by violinist Mads Tolling, keyboardist Scott Looney and bassist Murph Murphy. It’s one of several electric incarnations for this project, which has included such musicians as guitarist Steve Kimock as well as the legendary bassist for the iconic West Coast punk band the Minutemen, Mike Watt.

“Watt’s a super Coltrane freak and he was kinda terrified to do it,” Kaiser says. “And the big surprise about A Love Supreme is that it’s something that’s open. It’s a recipe and it makes different things every time. Like the Grateful Dead’s ‘Dark Star,’ it has a strong identity of its own that takes over and you don’t know what’s going to happen.”

That’s a telling reference both from Kaiser’s influences and his own discography, one that features several instances of him playing the Dead’s psychedelic anthem “Dark Star,” starting with a sidelong rendition on his 1988 album Those Who Know History Are Doomed To Repeat It, recorded for the Minutemen’s label SST Records. Kaiser has been effusive in his praise of the Dead over the years, extolling their pioneering blending of styles and their range of expression from the most familiar to the most avant of gardes, strikingly similar to Kaiser’s own musical journey.

His embrace of widely different musical approaches has resulted in a truly multicultural catalog, with Kaiser exploring music from Africa, India, Japan, Korea, Norway and elsewhere. Perhaps his most popular world music endeavor was his celebrated collaboration with fellow guitarist David Lindley and several musicians from Madagascar on the joyous two-volume A World Out Of Time.

“Lindley and I did not take any money for it,” Kaiser recalls. “All the money went to the Malagasy people. We set up a special publishing deal where they got 90 percent of the publishing and all the proceeds from it. That was sort of a protest against certain first-world artists who badly exploited third-world artists, including stealing their songs and their publishing.”

Alongside all this musical activity has been a parallel career as a research diver and educator. “I taught scientific diving at UC Berkeley since the mid-80s,” says Kaiser. “When our program went away in 2001, I became a diver in the U.S. Antarctic program and I’ve had 13 deployments. And I have the seventh-most dives in the program.”

This experience, in conjunction with his work in film and video, has served him well over the years, not least when he was nominated for an Academy Award as a producer while also serving as soundtrack artist and both land and underwater cinematographer for Encounters at the End of the World, one of several documentaries he has worked on for German director Werner Herzog.

“I met Werner sitting next to him on an airplane years ago,” says Kaiser. “I was a soundtrack advisor to Little Dieter Needs to Fly, I was a cameraman on The Wild Blue Yonder, I was a soundtrack producer on Grizzly Man and then I did the soundtrack and was cameraman on Encounters. And I was the producer, because nobody wanted to be in charge of Werner! So, I got the job and also got to do the soundtrack for it with Lindley. I was lucky.”

Kaiser’s accomplishments seemingly know no bounds in yet another ideal metaphor for his music. One irony, sharper as we approach April 20, is that this self-described “psychedelic” guitarist has famously never taken drugs. When asked what “psychedelic” means for him in this context, Kaiser replies, “It means what Salvador Dalí said: I don’t need drugs, I AM drugs!”

Kaiser expands on this thought in a follow-up email, writing, “I get the feeling that what my guitar has to say is psychedelic, rather than coming from psychedelics.

“When you were a preschool kid, did you–like me–lay in your dark bedroom at night and press on the lids of your eyes to generate phosphene patterns of internal light that danced in your head before going to sleep each night? Even though it may look like I’m smiling at the drummer or the audience, inside my mind, and without the addition of recreational chemicals, I’m drifting through glowing clouds of light; among coruscating fractal and geometric forms that shimmer in and out of existence. Rivers of light, like oceanic streams of phosphorescent plankton inflamed by the wakes of playful sea lions, dance in multi-colored time to the music before it happens; giving me my silent cues, like the clouds a glider pilot watches to catch updrafts.”

James Keepnews is a musician, writer and multimedia artist.

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