Even if you don’t know the name Billy Joe Shaver, you’ve heard his songs sung by legends like Johnny Cash and Elvis Presley. At age 76, Shaver brings his outlaw country band to Mill Valley on April 27 for a show at Sweetwater Music Hall.
“God gave me a gift, and I’ve been doing the best I can with it,” says Shaver from his home in Waco, Texas.
Born in 1939 and raised by his grandmother in Corsicana, Texas, Shaver began playing guitar and writing songs when he was a kid. Even though he lost two fingers in a sawmill accident in 1960, Shaver went to Nashville in ’66 with a handful of songs and a heart full of determination.
“My best songs I already had written before I got there,” he says.
Kris Kristofferson was one of the first artists to notice him and cover his work, scoring a hit with Shaver’s “Good Christian Soldier” in 1971. His country-western tunes have seen success with artists like Waylon Jennings, whose 1973 album Honky Tonk Heroes is comprised almost entirely of Shaver’s works. Even Bob Dylan sings Shaver’s songs in concert and mentions him in his own 2009 song, “I Feel a Change Comin’ On.”
“I have never met [Dylan],” says Shaver. “I’d like to before I close the door on everything.”
Shaver has also been a close friend of Willie Nelson since the 1950s. Nelson appears on Shaver’s 2014 album, Long in the Tooth, singing on the opening track, “Hard to Be an Outlaw.”
After more than 20 albums, Long in the Tooth is Shaver’s first record to chart in Billboard’s Top Country Albums. Yet for Shaver, it’s the songwriting that matters most. “That’s what keeps me going,” he says.
“What I do is I take [the lyrics] and treat [them] like a letter that I’d write to someone that I love,” Shaver says. “Got to make sure every word counts, almost like a soldier writing to his sweetheart back home while he’s in battle.”
Though Shaver only received an eighth-grade education, he writes poetic lyrics with a focus on simplicity and a personal perspective.
“The best way for me is to just write about myself,” says Shaver. “I’m pretty sure my life is almost like everybody else’s.”
Currently working on a new record, Shaver says songwriting is also a form of therapy. “It’s the cheapest psychiatrist there is, and probably the best,” he says. “You can’t lie to yourself, you just can’t do it.”
Billy Joe Shaver performs on Wednesday, April 27, at Sweetwater Music Hall, 19 Corte Madera Ave., Mill Valley; 8pm; $30–$35; 415/388-3850.
San Rafael actor Will Marchetti is not a celebrity. In fact, you may have never heard of him unless you’re a dedicated playgoer who has been around the Bay Area scene for some time. But, if you have had the good fortune to observe him on stage at A.C.T., Aurora Theatre Company, San Francisco Playhouse, Mill Valley Center for the Performing Arts (MVCPA), Theater Artists of Marin, Magic Theatre or many other venues, large and small, you probably won’t forget the sonorous voice and the uncanny way in which he burrows into the essence of the character he is portraying.
Actually, Marchetti is not justa stage actor. He’s had a number of movie roles, but live theater is his preferred territory, the place where he feels most at home and where his exceptional talents have been most appreciated. When not performing, he’s been a stage director and the founder or co-founder of several respected production groups—including the North Bay’s flagship Marin Theatre Company. Recently, he’s added playwriting to the list. Two of his comedies have been produced and the latest, Extreme Measures, a 40s-style “noir farce,” just opened at the Shelton Theater in San Francisco.
Charles Brousse: Tell me how this long journey of yours began.
Will Marchetti: I was born in San Francisco on November 11, 1933. My parents were from a small town in central Italy. They put on comedy shows there and when they came here they started doing the same thing at places like Club Fugazi in North Beach. They also had a weekly radio program, Antonio and Maria, on KRE, Berkeley, that was a big hit with the Italian community.
CB: Did you get involved?
WM: Nah. At that time, playing piano was my thing. When they wouldn’t go along, after high school I joined the Coast Guard, but by the time I got out five years later I changed my mind and decided to become an actor. So I hooked up with Lee Abbott, who had a beautiful theater and school. That’s where I studied performance technique and stage craft. After that, I headed off to New York to continue studying and performing at the Neighborhood Playhouse. Summer stock at Saranac Lake. Everything was looking great when I suffered a collapsed lung and the doctor said I needed a better climate.
CB: So you headed back to San Francisco?
WM: Right. As it happens, the move turned out OK. I got in at the Actor’s Workshop, which was the city’s best theater company, and when A.C.T. came in they started casting me. When there were breaks, I worked in smaller theaters all over the Bay Area and went out of town to some of the larger regional theaters.
CB: That schedule must have been hard on your personal life.
WM: (Long sigh) What can I say? Three wives? Seven kids … ? The first two marriages fizzled because they couldn’t deal with the separations, financial insecurity and my passion for the theater. Can’t blame them. Susan [Susan Brashear, actress and co-director of the drama department at Tamalpais High School] is different. She knew what it was like going in. We’ve been married 38 years! My relationships with the kids have improved and several will be at the opening night for Extreme Measures.
CB: Looking back, what have been your favorite theater experiences?
WM: Well, I really enjoyed being artistic director of MVCPA during the 1970s, working with producer Sali Lieberman and a fantastic group of Marin-based actors to bring classic plays to the Mill Valley golf clubhouse. You don’t find that kind of collegiality and investment of personal emotion these days. It’s all hurry up, put in your hours and out the door. As for roles, my favorites are all by Arthur Miller: Eddie Carbone in A View from the Bridge, Joe Keller in All My Sons and Willy Loman in Death of a Salesman. You gotta realize I’m notone of those flexible actors who can play Shakespeare—anything—if given enough rehearsal time. I need to be able to know the character, get inside his skin, feel in my gut that I can play him as well, or better, than anybody else in the world. That’s a limitation, I know, but it’s just the way I am.
NOW PLAYING: Extreme Measures runs through May 14 in the basement at the Shelton Theater, 533 Sutter St., San Francisco; 800/838-3006; SheltonTheater.org.
There have been a lot of firsts lately for California’s venerable Sunset magazine, which, up until December had been headquartered in Menlo Park since 1951. Last year, a realty investment firm bought the seven-acre site that housed editorial offices, a test kitchen and expansive gardens, and Sunset got the boot. In February, ‘the magazine for Western living’ relocated to a shiny new 22,000-square-foot space in Oakland’s Jack London Square. In May, it will host its 18th annual Celebration Weekend at Cornerstone Sonoma, where the magazine’s new main test garden and outdoor kitchen will be viewed by guests for the first time.
With the steady demise of print publications, it’s encouraging to see this lifestyle publication keeping up with the 21stcentury and refusing to become irrelevant. “We are at a very exciting moment in Sunset’s history, and the theme of this year’s Celebration Weekend, ‘The New Sunset,’ reflects that,” says Irene Edwards, editor-in-chief of the magazine. “We’re injecting the Sunset experience with new life, so look for fresh faces, flavors and festivities at the event.”
For the uninitiated, Sunset’s Celebration Weekend takes a deep dive into all things food, wine and garden. Vintners, craft beer brewers and, of course, plenty of chefs—including Ludo Lefebvre, Tanya Holland and TV personality Ellie Krieger—will be offering demos and tastes from the event’s outdoor kitchen cooking stage. The magazine’s editors will also be presenting, and a garden stage will feature tree experts, florists and more.
It’s quite likely that anyone who has written about food in California has a Sunset story; I am no exception. Upon college graduation, one of my professors introduced me to then-editor Jerry DiVecchio, and arranged an interview. I made a couple of trips from San Luis Obispo to the Peninsula’s 80 Willow Road address, but was ultimately told that Lane Publishing was selling to Time Warner and there was a hiring freeze. Hopes dashed, I moved to San Francisco and started working for the San Francisco Bay Guardian. And here I am today, still contributing to my favorite alternative weeklies.
Whether or not you have a Sunset story, it’s likely that you enjoy food, wine or both; there will plenty of that, along with truly West Coast experiences, at the upcoming Celebration Weekend. Hopefully, it’ll be the first of many.
Sunset Celebration Weekend, Saturday and Sunday, May 14-15, 11am to 5pm, and a $125 Friday night dinner, featuring a four-course meal and wine and beer pairings; Cornerstone Sonoma; 23570 Arnold Drive, Sonoma; general admission each day, $35;sunset.com/cw.
I’m keeping a marijuana diary. On select evenings, I spray a little cannabis mixture under my tongue and wait for nirvana to visit. Don’t call the narcs. I have a legal right to use medical Mary Jane.
Well it’s not quite like that. But at age 87 I have joined a coterie of seniors in Marin—mostly women—who have legal access to medical marijuana through a licensed doctor. She is Dr. Laurie Vollen, a general practitioner with offices in Albany, California, and founder of Naturally Healing MD. By appointment, she visited me at my apartment in Marin for an interview to discuss my insomnia and bursitis, and to determine if Medical Marijuana (MM) could help. A week later I had my little starter bottle mixture of CBD (2.6 mg, non-psychoactive) and THC (.6 mg, psychoactive) in a low-dose, four-to-one combo mixed with coconut oil. I couldn’t wait to join Senior Stoners.
That first night, ready for bed, mouth open, I pointed the arrow of the spray bottle mixture toward the little opening and—phooey! I couldn’t master the technique of the spray. So several anxious days later, 7 Stars, a licensed dispensary in Richmond, California, replaced it. (There are no legal licensed dispensaries in Marin.) Not so fast, though. Because of my difficulties with the spray technique I decided to consult with other MM Pioneers, as we were called, to get their results. Before that, though, I tried again, missed my mouth and sprayed over my right shoulder.
I wasn’t the only klutz who couldn’t get the applicator to work. Several women in our age category (60-90) had trouble getting the sublingual squirter to work. “I tried moving the applicator arrow around and it worked several times and then quit,” Martha said. “I don’t know if I should keep trying.” But it has eased the pain of neuropathy in her feet, she told me, and she wants to continue.
Abby, 79, had no trouble squirting the solution; it was very mild, and she found that it didn’t help her anxiety—so she moved up to a stronger, 8-to-1 solution. “I don’t use it for pain,” she told me. “I sometimes have anxiety about helping my partner, so I found medical marijuana calms me. I also use a flower-based anti-anxiety solution called Rescue Remedy.”
No one mentioned the munchies that one used to get smoking joints. That was in the ‘60s, when we were young enough to eat and not gain weight. Mercedes tried it for spinal stenosis and found at her age of 83 it wasn’t much help. Unable to have surgery on her back because of a heart condition, she found that she couldn’t control the dose until she tried the smokeless inhaler. “It works for insomnia,” she said. But her back pain continues.
Another friend with severe health issues—fibromyalgia, arthritis, back pain—was frustrated that her pain was not under control. Whereas she sometimes felt calm, she also felt that her mind wasn’t coherent. Now when pain reaches a level of 8 or 9, she uses her medical marijuana despite the mental side effects, and plans to not make any decisions for a few hours.
The one man in our pioneer group uses his 4-to-1 combination for pain and stress relief. With a terminal illness and memory failure, he has multiple issues that seem to be addressed—so far. He has a supportive wife who uses a mild combination of ingredients to reduce stress.
Medical marijuana appears to work best for sleeplessness rather than pain, according to our Senior Stoners. “Also, I think it’s a mood stabilizer and the vaporizer is best,” said Gabby, who, at age 60, is the youngest of the group. “Drops don’t work for me.”
Medical Marijuana arrived at our retirement facility under the sobriquet of alternative pain management, a specialty of Vollen.
With multiple credentials, including an Master of Public Health, Vollen founded Naturally Healing MD because, she says, “There are many symptoms that can be safely and effectively alleviated through the use of marijuana. It is the most versatile natural remedy known today, with over 2000 years of usage treating a wide variety of symptoms.”
As Vollen—who has been working with marijuana patients for the past 16 years—recounts on her website (naturallyhealingmd.com), patients are looking for alternatives to painkillers, anti-depressants, sleeping pills and other prescription meds.
“I think marijuana is a social justice issue,” she said. “The medical community has been robbed of an opportunity to help patients with a variety of problems through the use of it; as the story of marijuana in America goes forward, I worry that it will go from illegal to a predominantly commercial enterprise, and marijuana will not become assimilated into the mainstream medical culture. Today most physicians are ignorant about marijuana and many continue to stigmatize it out of ignorance.
“Those facing major illness such as cancer, bowel disease or multiple sclerosis find marijuana a valuable resource to cope with the consequences of major disease,” she continues, noting that the other conditions that marijuana offers relief from are depression, ADD, mood disorders and chronic insomnia.
As stated in Vollen’s introductory guide for new users, “The key to using marijuana effectively is finding the right strain (there are about 500 different components in marijuana that have been identified), taking the right dose and using it at the correct frequency.” Starting doses and frequency depend on the symptoms.
Vollen will be returning to our facility next month to listen to the Stoners’ reactions to their first foray into alternative pain management. She charges $150 for a first-time private visit; the MM itself ranges from $50 to $100 for a two- to three-month supply, depending on method of use.
And yes, I finally got it together the Saturday before Easter. I slept well, and awoke fuzzy but happy. I’m trying it again. Meantime, back to my MM diary to log progress. To be continued after more results are in.
The young boy was borderline autistic and suffered from anxiety and a learning disability when he went to see Dr. Jeffrey Hergenrather.
“He was like a raccoon in his office on that first visit,” says his mother, “Paula,” who requested anonymity for this story, as she described her son bouncing off the medical-office walls like a wild animal. “Literally—like we brought a raccoon,” she repeats with a slight laugh.
That was about four years ago.Hergenrather, a Sebastopol-based physician, has recommended cannabis to children who have come through his practice since the state’s 1996 medical cannabis law was enacted. He recommends its use for medical conditions ranging from autism to epilepsy to cancer to genetic disorders and mental disabilities.
For autistic children and teenagers, cannabis “works so well for reducing anxiety, reducing pain and reducing agitation and anger,” Hergenrather says, especially as autistic children become adults. “The calming effect of cannabinoids has been a real plus for families.”
After her consultation with Hergenrather, Paula found a woman in Southern California who had developed an edible product, a brownie, especially for autistic kids.
“That was our first introduction,”she says, “and we started him on it two days before school started. He was just out of summer school and that had been a hot mess—he was miserable, they couldn’t get him to do anything. That was two days before. Then he went to school without any protest, and he did every single task they put in front of him,” Paula says, with another slight laugh.
The parents and teachers and occupational therapists were shocked at the sudden change. “What the heck happened, what did you do?” Paula recalls them asking her, “and they were looking for me to say that we had put him on meds.”
But Paula played off the inquiries, given the sensitivity and stigma around pediatric cannabis. “I guess we are having a good week,” she told them. “I played dumb. No one put a finger on what happened, but it was a big success.”
Paula’s story is one of thousands involving pediatric cannabis in the state, in a gray-area legal world where the conditions being treated may not be as serious as childhood cancer, but are nonetheless devastating or debilitating to families.
The 1996 California law didn’t come with any age limits on who can or can’t access medical cannabis, but physicians are boxed in by an overarching federal scheduling of the drug that says marijuana has no medical benefits whatsoever, and the absence of a state law that would legalize cannabis outright.
Even as pediatric cannabis protocols and attitudes are in flux, parents in Paula’s situation are pretty much on their own, she says, and with the risk of a call to child protective services (CPS) if they are not careful with the cannabis they provide their children.
“Because it’s not fully legal here,” says Paula, “[Hergenrather] can’t tell us what strain, what dosage, where to get it—it’s on the parents to figure it out.”
She credits the work Hergenrather’s done on behalf of children in California , as she points out the twisted ironies of cannabis law and morality. “He treats so many kids that are so successful, but their parents are afraid to tell their doctors why.”
Paula and the doctor agree that the best medicine is whole-plant medicine that balances the compounds cannabidiol (CBD) and THC (the psychoactive compound in cannabis) and the terpene oils in the plant.
“CBD is a great physical healer,” Paula says, “but we are focused on cognition.” By itself, she says, CDB-only products “did absolutely nothing” for her son.
Paula and her husband took it upon themselves to find the right medicine for him. Paula’s husband does the medicinal cooking, she says, after they’ve secured one of two strains of Kush, which is hard to come by because you have to grow it outdoors in order to be working with organic product. They use the Northern Lights variety for depression and the Blue Dream to treat their child’s anxiety, she says.
“We learned a lot about it cooking it on our own,” says Paula, who has been making cannabis capsules for her child for four years. She and her husband were open to cannabis treatment for their child all along, she says, unlike many parents who are equally desperate, but “who have this stigma, that this is a horrible drug. For them to have to figure it out on their own, that’s nearly impossible.”
But the government’s ban against children feeling any sort of euphoria has meant the advent of products such as Epidiolex, which comes from Great Britain and is “a federal investigational new drug which is 99 percent CBD and 1 percent non-THC cannabinoids,” Hergenrather says.
“The reason they took out the THC is purely political,” he adds. “THC is a great anti-convulsant. So when doctors in my specialty are trying to control seizures, sometimes they get access to Epidiolex, people qualify to use it, but if they are not getting as good control for seizures as they’d hope to, they’re bringing back more of the THC into the product that they are using.”
Products that contain all the compounds, he says, “work better, you get better pain [relief], better anti-cancer, and it’s a better medication for treating seizures. Kids don’t seem to have a problem with more THC in the meds. It’s a fiction.”
Pediatric cannabis got a big boost from CNN’s resident physician Sanjay Gupta in 2013, when he reported on an extract made from a Colorado strain called Charlotte’s Web that helped to control a young girl named Charlotte Figi’s grand mal seizures. Hergenrather noticed the difference a TV star can bring to a debate.
“I had a bell curve of my age distribution for a number of years,” he says. “And there were very few children and very few older people—the center of my bell curve was about 48 years old, and 99 percent of those people were using cannabis to start with. Over the past five years, that has changed drastically,” Hergenrather says. “I was treating kids for cancers and seizures prior to that time, but it really increased the number of patients that were seeking a recommendation. Parents got a lot more comfortable with it—if they see it on TV, hey, they can do it too.”
Charlotte’s Web is a strain with a high level of CBD but comparatively low levels of THC, about a 20–1 ratio, says Hergenrather. “It’s very low in THC, so the psychoactivity is markedly reduced.”
And also more socially acceptable. The Gupta broadcast and advent of Charlotte’s Web—Hergenrather likens the strain to California’s ACDC strain—led states like New Jersey and Florida to enact last-resort pediatric cannabis laws. But there’s the problem right there, Hergenrather says. “It’s a first resort.”
In the four years that she has used cannabis to treat her son’s borderline autism (but technically undiagnosed) and associated conditions, Paula has noticed the shift in public opinion, too.
“Parents are more open to it, now they are bringing it up. But there’s no step-by-step guide to treating your kid with cannabis in 2016. They need some guidance, and there isn’t anything. We want so bad to be that voice, be that support group, but it is so risky. Even if it’s legal and there’s not necessarily an age limit, it just takes that one person to call child protective services. In the end, maybe you keep the kids, but who the hell needs that anxiety?”
No sooner has Waldo Dave settled into a corner table at Mill Valley’s Depot Bookstore & Cafe, his back to the windows that separate the indoor tables from the outdoor patio, when a loud thud! behind his left shoulder startles him. He whips around to see Waldo Steve’s face smooshed up against the glass. The two men—both in their early 60s, friends of more than 45 years—laugh as Waldo Steve peels his face away and heads inside, leaving behind a drizzly April morning and a contorted imprint.
He grabs a chair, sits down and pats an envelope that contains 167 pages of officially embossed United States Coast Guard records. “This was the ultimate goal,” he says of the highly anticipated mail that arrived three weeks ago but took years of searching to obtain.
“This is what slams the door shut on everyone who says that our story is a bunch of bull,” Waldo Dave says.
As the story goes, in the fall of 1971, “five wise-cracking friends”—Steve, Dave, Mark, Larry and Jeff, who called themselves the Waldos after a wall they hung out on in between classes at Marin County’s San Rafael High School—were given a hand-drawn map to a secret patch of cannabis in Point Reyes. The crop had been planted—and the map leading to it drawn—by a Coast Guard reservist named Gary Newman. Newman, brother-in-law of Bill McNulty, a friend of the Waldos who gave them the map, was said to have been paranoid about getting busted for planting the cannabis on federal property.
The Waldos were determined to find the patch. Week after week, they planned to meet at 4:20pm at a campus statue of Louis Pasteur. They’d get high, jump in Waldo Steve’s 1966 Chevy Impala, listen to its “killer” eight-
Photo courtesy of the Waldos.
track stereo and head to the Point Reyes coast in search of the treasure. “It was always like Cub Scout field trips,” Waldo Steve says of the group’s Waldo Safaris. “Except we were stoned.”
The Waldos never found the patch. But “420 Louis”—and later, simply “420,”—became their secret code for pot. Today, the Waldos’ three-digit code has become mainstream universal slang for all things cannabis. Every year, April 20 (4/20) is the date of 420 festivals, 420 races, 420 Olympics and 420 college campus “smokeouts.” There are 420 publications, 420 beers, “420-friendly” real estate ads and a California Senate Bill No. 420. The list goes on.
The Waldos, who describe their high school selves as intelligent, fit guys who were “seekers” rather than “stupid, slacker stoners,” live throughout Marin and Sonoma and work in fields ranging from financial services to independent filmmaking to the wine industry. Waldo Steve and Waldo Dave, the “talking heads” of the group, agreed to meet me prior to the annual worldwide pot holiday to share their story. It’s a busy time of year for them.
“By the way, The Huffington Post just called,” Waldo Steve tells Waldo Dave as he flips through a heavy-duty blue binder that contains hundreds of references to 420 culture in newspaper and magazine articles from the New York Times, the Los Angeles Times, National Geographic, Time, Esquire and dozens more, records of dissertations on the sociological aspects of 420 and documented proof of conversations, handwritten eyewitness accounts, references to the marijuana map and copies of letters from the early ’70s—all supporting the Waldos’ claims that they were the very first people to use the term “420.”
“Actually, we’re the centerfold in this one,” Waldo Dave jokes, pointing to a cover of Playboy.
The two men (who could be stand-up comedians) enthusiastically exchange inside jokes, noises, secret words, one-liners and impersonations. Their banter is a glimpse into the wild, adventurous world of the Waldos—intertwined with the beauty and the freewheeling counterculture of Marin in the ’70s. A golden era, they call it.
The Waldos don’t know what became of the map that revealed the Point Reyes cannabis patch. But “everything else” is preserved in a high-security bank safety deposit vault in San Francisco’s Financial District. One letter, written by Waldo Dave and sent to Waldo Steve after he had left Marin for college, reads, My brother is Phil Lesh’s [of the Grateful Dead] manager, and last weekend I had a job as a doorman backstage at a concert. I smoked out with David Crosby and Lesh … p.s. A little 420 enclosed for your weekend.
Another, from a friend who had also left Marin and was living in Israel, informs the Waldos that there’s “no 420 here.”
“It was an original little joke that turned into a worldwide phenomenon,” Waldo Dave says.
Cannabis culture
It’s 4:20pm in San Francisco’s Golden Gate Park, and puffs of smoke drift from groups of young people gathered on “Hippie Hill,” known among potheads as the place to light up. A drum circle provides a fast-paced, background beat, and an older guy dances, hands clapping above his head.
Next to a grove of eucalyptus trees, three friends pass a joint around. When asked what 420 means to them, the one with long, dark dreadlocks proves that he’s adopted the Waldos’ secret code as his own. “Usually means it’s time to smoke,” he says with a crooked smile.
Do they know where the term comes from?
“If I can remember correctly, it was a group of high school kids who would meet at 4:20 to smoke,” says another. “My mom told me that.”
Dave recalls: “In about 1995 or so we started seeing ‘420’ carved into benches and spray-painted on signs, and we said, ‘Hey, what’s happening here? This is starting to evolve. We’ve gotta start looking into this thing, you know?”
Waldo Steve remembers Waldo Larry telling him that he was seeing more and more 420 paraphernalia— “more hats, more T-shirts, more everything.”
I better get the story straight, he said to himself.
A phone call to High Times magazine—“the definitive resource for all things marijuana”—resulted in the publication’s editor immediately flying to California to meet the Waldos and verify their claims.
Following the original 1998 article in High Times, the origin story of 420 spread to other publications, one by one. “I think after the internet became big around 2000, then it started snowballing,” Waldo Dave says.
Ever since, the Waldos have fiercely defended their version of events, agreeing to meet journalists at their vault, get on camera and trek out to Point Reyes.
When asked how many hours they’ve devoted to documenting their story, Waldo Steve answers quickly and assuredly: “Thousands.”
“People keep trying to twist the story,” Waldo Steve says, noting the naysayers “come out of the woodwork” each year to attack and discredit the Waldos’ story, or claim to have coined the term “420” themselves.
“There’s so many of ’em you can’t keep track of ’em,” Waldo Dave says. “It’s pretty hilarious. We’ve created a whole generation of 420 claimers now.”
“It’s such a fabled thing,” Waldo Steve adds. “People want to be part of a fable.”
“We’ve had people saying they thought our story was a fairytale,” Waldo Dave says, noting their recent search for the Point Reyes Coast Guardsman who made the map. “So we said, ‘Hey—we’ll go find this guy. We may not be able to find him, but we’re gonna try.’”
The missing link
The search for Gary Newman began six years ago. It was never easy. There were false starts, dead-ends, unanswered phone calls, unanswered letters and “no show” meetings in San Jose, where the Waldos had leads that the Coast Guardsman could be living.
“I was getting worried,” Waldo Steve says. “I was thinking, ‘God, this guy could die, and I’ll never get his side of the story.”
More searching led to piles and piles of databases, and more dead-ends. Finally, the Waldos received a reply from Gary’s friend Carol, and found out that Gary most likely did not have a permanent residence.
“Somebody had to get into the streets,” Waldo Steve says of the search. For a reasonable price, he hired Bay Area private investigator Julie Jackson.
“He said he needed to find a guy that was basically homeless,” Jackson says of Waldo Steve in a recorded interview. “It was like a needle in a haystack.”
Although she had little information to go on, Jackson was fascinated by the history of the Waldos that was presented to her. She informed the San Jose Police Department about what she was up to, in case she needed backup, created a perimeter map of where Gary might be located and started reaching out to people who might know him.
“Usually I don’t take cases like that,” Jackson says. “But this one was too good to pass up.”
The phone call
Months after getting a hold of Gary’s friend Carol but not hearing anything, Waldo Steve was traveling in a Texas “ghost town” near Big Bend National Park. “Big thunderstorms,” he says. “Cracks of lightning.”
He and his brother Norm were the only people in a little emptied-out Mexican restaurant and saloon. “And between cracks of thunder, I get a phone call.”
Who could be calling me in the middle of nowhere, he thought to himself.
“This is Carol, I’m Gary’s caretaker,” the woman on the line said.
“And I could hear Gary goin’ [imitating his raspy voice], ‘I can remember everything about the Coast Guard!’” Waldo Steve says. “It was like, ‘Whoahh!’”
“Major breakthrough,” Waldo Dave says. “He’s aliiive!”
What seemed to be a hot trail led to months of more unreturned phone calls, unanswered letters and no-show meetings. And then, suddenly, everything changed. There was a date, a meeting spot and a time. Gary showed up.
“Gary, we’ve been looking for you for so long!” Waldo Dave yelled when he first saw him.
As it turned out, the Coast Guardsman who had played such a large role in the Waldos’ story, and in what developed in following years, was homeless and living on the streets of San Jose. The Waldos paid for their
The five Waldos were recently reunited with former Coast Guardsman Gary Newman (center, white beard), who verified the story of the cannabis patch map. Photo courtesy of the Waldos.
new friend to stay in a San Jose hotel during the Super Bowl, so that he could watch the game. There, they interviewed him to make sure that all records and accounts matched up.
“Gary had no idea what he started,” Waldo Steve says, referring to 420. “I thought it’d be better for him to show us everything,” He rounded up the Waldos, Gary, Carol, Jackson, Patrick McNulty (brother of the late Bill McNulty), and headed out to the Point Reyes Lighthouse, where Gary had been stationed. In a short video made by Waldo Dave, Gary talks passionately about his time there.
The official Coast Guard records that the Waldos sent away for—and received three weeks before our interview—describe a decorated, life-saving Coast Guardsman. Finally meeting him after 45 years, the Waldos say, was like a reunion with a relative they never knew. And through the kindness of someone who Waldo Dave describes as “having a heart of gold,” Gary is no longer homeless.
“And now we’re like some big, happy family,” Waldo Steve says.
The fun never stops
Waldo Steve says that with Gary Newman’s official Coast Guard records in hand, and an eyewitness account of his time at Point Reyes, the 420 naysayers of the internet will hopefully be silenced.
“I don’t think it’ll be finished,” Waldo Dave says. “There’ll still be people saying, ‘Oh, that’s not true.’ But you know, they’re entitled to their own opinions; we have the facts.”
Are the Waldos done searching for more proof of their claims?
At some point, Waldo Steve says, he may take some of the Waldos’ evidence to a museum or an auction house that offers forensics, to get an approximate date of creation.
“That’d probably be the last thing we can come up with, right?” Waldo Dave says.
“I don’t know,” Waldo Steve says with a laugh.
“I guess we could find that missing roach from 1971,” Waldo Dave jokes. “Underneath the seat [of the Impala].” He holds up an imaginary roach. “This is proof!”
The Waldos say that in 45 years they haven’t made a penny off of their story. But that was never their intention anyway—they were just a bunch of hippies running around, oblivious to the idea that their secret code would one day have such far-reaching ripples.
They’re regular, working guys, Waldo Steve says, noting that they have wives, kids, jobs, commitments and bills to pay.
“We’re not doing this to be celebrities,” Waldo Dave says. “We’re just doing this to set the record straight.” The evidence, they say, will probably be in a museum someday.
“We don’t look too deep,” Waldo Steve says of what the group started in 1971. “We just think it’s funny. And we think it’s funny when people do look deep.”
“It’s like when they tried to find out what the Beatles were saying by turning records backwards, and things like that,” Waldo Dave says, laughing.
After the excitement surrounding April 20, they’ll sit back, watch how their secret code—and all things cannabis—evolves. And they’ll keep on laughing.
“Sometimes,” Waldo Steve says, “I’ll get a message from Dave, and it’ll just be a bunch of wild screaming and antics. We remind each other that we’re all kinda nutty-crazy, that we’re all there for each other in this crazy, mixed-up world.”
This week in the Pacific Sun, our cover story, ‘Place oddities,’ will take you on an adventure to under-the-radar gems in the North Bay. On top of that, we’ve got a story on local congressmen grappling with consumer-protection politics, a piece on San Rafael’s Pint Size Lounge, a conversation about ‘Batman v Superman’ with Andrew Farago, curator of San Francisco’s Cartoon Art Museum and an interview with Jeffrey D. Brown, director of the film ‘SOLD.’ All that and more on stands and online today!
When Academy Award-winning Mill Valley co-writer-director Jeffrey D. Brown says that making the film SOLD in India changed his life, he doesn’t mean because of the leeches that sucked his blood or the near-death illness that leveled him while shooting.
He’s talking about the 2,000 kids he met there who were trafficked as sex workers as young as age 9.
“One girl had just been rescued in a raid on a Calcutta brothel half an hour before I got to the safe house,” says Brown, whose human trafficking film—based on the bestselling novel by Patricia McCormick—opens on Friday, April 15 at the Rafael. “She had been made to service 10 to 20 men a night. And when you see this kind of fear in a human, it’s like looking at an animal with its back against a wall.”
Most of those children, however, never get out of those places. “It’s essentially a death sentence,” Brown, 59, says. “They are there, maybe five years, and then they get AIDS or they are killed. [For those] who are rescued, someone has to be with them for three months because they are in such a state of fear they will try to kill themselves.”
Brown says that young girls are in demand because virgins fetch a higher price. “Traffickers tell their customers if you have a virgin you’ll have a longer life. So they stitch them up 10 times to fake virginity.
“A lot of them are what they call ‘in the life,’ meaning they’ve been brainwashed and they’re in love with their abuser,” Brown continues. “They believe their pimps actually love them … Even if they escape or are rescued, there is the stigma of being trafficked and their families (who have sold them for $50 or $100) won’t take them back. They are alone.”
So how have visits to numerous brothels half a world away and interacting with such gut-wrenching life stories changed a Marin filmmaker’s life?
“Going into this kind of darkness showed me a lot of light,” Brown says. “Once these children have been rehabilitated, they will risk their lives to save others. These kids have kind of died, but have made it back and they become liberators of others.”
When Brown, who suffered from dysentery while shooting, read McCormick’s book, he felt a calling. “I grew up in Uganda and my stepfather is Bengali, so I saw India firsthand when I was 10,” he says. “It is a place of extremes. You can smell jasmine flowers and open human feces at the same time. You’re bombarded with incredible wealth and incredible poverty. It confronts every belief system you’ve ever had and blows it up so you end up knowing nothing.
“A woman comes out of a cardboard box with three kids, dressed in all these colors and she’s happy and proud, and then in Marin people are living in these amazing houses and they are all stressed out.”
According to Ruchira Gupta, an Indian sex trafficking abolitionist who won the Clinton Global Citizen Award and the Abolitionist Award from the U.K.’s House of Lords, one million new girls a year are forced into sex slavery in India alone, with a total of 6.4 million between the ages of 9 and 18. The average age is 13.
Brown knows of 50 safe houses, each with 200 to 500 kids, who are often there for two or three years because there is nowhere else to put them. He’s partnering with numerous non-governmental organizations (NGOs) that offer vocational training; among them are Project Udaan and Nest.
There is a role for the arts in the effort to end human trafficking, Brown says. The loquacious director, an Oscar winner in 1986 for Best Live Action Short, showed the trailer from SOLD to a United Nations commission on issues facing women. Activists from all over world saw it. “There was excitement that the film was going to be available to them,” Brown says. “It was like we were giving a weapon to a mobilized army.”
Brown pursued the film project for nine years, trying to get as many women involved as he could. He sent it to 12 female directors, none of whom responded, though he did persuade Academy Award-winning actress Emma Thompson to attach her name to it and serve as an executive producer. International humanitarian photographer Lisa Kristine of San Francisco, whose gallery decorates the plaza in Sonoma, visited the set and worked with Gillian Anderson for her role of a photographer trying to gather visual evidence.
The hope is that SOLD will inspire a global movement to address domestic and international human trafficking.
“The courage I saw from these children, their resilience, their kindness and the compassion of those who have managed to come out of those prison brothels, taught me to continue doing what my heart calls me to do,” Brown says. “Allowing the fear, but making your life what you want it to be in spite of it.”
‘SOLD’ opens on Friday, April 15 at the Christopher B. Smith Rafael Center, 1118 Fourth St., San Rafael. Director Jeffrey D. Brown appears in person for the Sunday, April 17 showing at 4:30pm.
Year in and year out, the English-language adaptation of Marc Camoletti’s 1960s bedroom farce, Boeing Boeing—on view through May 1 at Ross Valley Players’ (RVP) Barn Theatre—is among the standard program choices at this country’s community theaters. The local run provides an enticing opportunity to see what lies behind its apparent popularity.
I say “apparent” because the allure for American theater programmers may be based on the play’s racy theme and international success. The original French version set a Paris record by running for 19 years, and its English language counterpart filled a London West End theater for seven. Beyond those global centers and in various translations, Boeing Boeing is acknowledged to be among the most widely produced plays in recent history.
The U.S. experience, however, has been quite different. While I don’t have statistics about ticket sales at the community theater level, the professional ledger isn’t exactly encouraging. New York’s original 1965 run lasted only 23 performances. A 2008 revival won several Tony Awards, but still closed after 229 performances—very brief by Broadway standards and certainly not enough to repay investors. Meanwhile, the large regional nonprofit companies (probably because they consider the piece too “commercial”), have largely ignored it.
What does all of this have to do with RVP’s current production? It means that Camoletti’s hit play may not be the surefire ringer that programmers imagined. I think a big part of the problem lies in theatergoers’ ambivalent attitude about its content.
Boeing Boeing is a traditional French sex farce in the style that made Georges Feydeau so popular a century ago. Bernard (a well-off, middle-aged American businessman living in Paris in the Beverly Cross/Francis Evans English translation) thinks he has found the perfect arrangement to satisfy his desire for diversity and what must be an exceptionally powerful libidinal appetite. By scrupulously charting departures and arrivals of major airlines, he has been able to con three attractive, but obviously naive stewardesses (Gabriella, the earthy Italian; Gretchen, a German romantic; and Gloria, the practical American) into thinking each is his fiancé and therefore available for whatever sexual pleasure he may require. Reinforced by a stream of lies and phony promises—and with the invaluable assistance of his world-weary French housekeeper Berthe—everything has proceeded without a hitch until …
Not wanting to be a spoiler, I’ll stop here. Let’s just say that, as in all classic bedroom farces, there will come a reckoning, but—miraculously—no one will be hurt, justice will have been done, life will go on and folks can exit the theater feeling pleasantly entertained.
This is where the uncomfortable American ambivalence comes in. Whether it’s our Calvinistic background or something else, unlike the more hedonistic French, we don’t view sex in playful terms. Everything is NOT permitted in love and war. Even though the rule is violated all the time, it’s NOT OK to lie and cheat to obtain sexual favors. Laughs aside, Bernard is a scumbag predator and these gullible women are his victims.
So, how do you get around this line of thinking? It’s difficult to say. Having a stronger production, one that emphasizes its French origin, might help to promote the amoral attitude toward sex that is necessary to appreciate bedroom farce. In RVP’s case, only Alison Whismore’s Berthe truly captures its European flavor. Jayme Catalano has some nice moments as an over-the-top, Walkure-like Gretchen. Robyn Grahn (Gabriella) and Jessica Lea Risco (Gloria) contribute solid performances, but neither provides the needed sparkle. Mark Vashro gives a good account of himself as Robert, Bernard’s ingenuous friend from Milwaukee, who eventually aspires to replace the “Master.” As for Bernard himself, I have the sense that Sean Garahan is trying a bit too hard to give the impression that he is in control of the situation, no matter how dire it becomes. After a while, his persistent lack of concern and exaggerated self-confidence wears thin. Director Christian Haines’ emphasis on broad physical comedy produces some laughs, but also obscures the production’s European inheritance, which requires stylistic delicacy to succeed.
These problems aren’t entirely RVP’s fault. I don’t remember ever hearing anybody say that transferring French bedroom farce to American soil would be easy.
NOW PLAYING: Boeing Boeing runs through May 1 at the Ross Valley Players’ Barn Theatre, Marin Art and Garden Center, Ross; 415/456-9555; rossvalleyplayers.com.
Hero: “No one should face breast cancer alone” is a guiding principle of To Celebrate Life Breast Cancer Foundation, a nonprofit based in Kentfield. This volunteer-based organization recently awarded $300,000 in grants to 16 Bay Area agencies, five in Marin, that provide services to underserved populations with breast health issues. The group began in 1996, when several Marin breast cancer survivors held a small fundraiser, which evolved into a large annual gala. Over the past 20 years, the foundation has granted more than $4.5 million dollars and assisted 20,000 individuals. “We are making a difference in the day-to-day care of those living with the challenges of breast cancer,” said Jane Pallas, board president. Thank you to the heroes at To Celebrate Life Breast Cancer Foundation for their lifesaving work.
Zero: Martin & Harris Appliances, in San Rafael, is in hot water with a customer. Cheri wanted to support a local business and purchased a refrigerator and oven from the store. Though she informed the salesperson that there were approximately 40 steps down to her San Anselmo home, when the delivery man arrived, he complained about the trek. He continued to voice his dissatisfaction while he installed the new appliances. Then, he refused to remove her old fridge, which was part of the service. As of our last update from Cheri, the appliance has remained in the same spot that he left it, outside on her deck, for almost a month. Adding to her frustration, the deliveryman has “no showed” for several scheduled appointments to remove it.
By Charlie Swanson
Even if you don’t know the name Billy Joe Shaver, you’ve heard his songs sung by legends like Johnny Cash and Elvis Presley. At age 76, Shaver brings his outlaw country band to Mill Valley on April 27 for a show at Sweetwater Music Hall.
“God gave me a gift, and I’ve been doing the best I can...
By Charles Brousse
San Rafael actor Will Marchetti is not a celebrity. In fact, you may have never heard of him unless you’re a dedicated playgoer who has been around the Bay Area scene for some time. But, if you have had the good fortune to observe him on stage at A.C.T., Aurora Theatre Company, San Francisco Playhouse, Mill Valley...
By Tanya Henry
There have been a lot of firsts lately for California’s venerable Sunset magazine, which, up until December had been headquartered in Menlo Park since 1951. Last year, a realty investment firm bought the seven-acre site that housed editorial offices, a test kitchen and expansive gardens, and Sunset got the boot. In February, ‘the magazine for Western living’...
By Mary Jane Waterman
I’m keeping a marijuana diary. On select evenings, I spray a little cannabis mixture under my tongue and wait for nirvana to visit. Don’t call the narcs. I have a legal right to use medical Mary Jane.
Well it’s not quite like that. But at age 87 I have joined a coterie of seniors in Marin—mostly women—who...
By Tom Gogola
The young boy was borderline autistic and suffered from anxiety and a learning disability when he went to see Dr. Jeffrey Hergenrather.
“He was like a raccoon in his office on that first visit,” says his mother, “Paula,” who requested anonymity for this story, as she described her son bouncing off the medical-office walls like a wild animal....
No sooner has Waldo Dave settled into a corner table at Mill Valley’s Depot Bookstore & Cafe, his back to the windows that separate the indoor tables from the outdoor patio, when a loud thud! behind his left shoulder startles him. He whips around to see Waldo Steve’s face smooshed up against the glass. The two men—both in their...
This week in the Pacific Sun, our cover story, 'Place oddities,' will take you on an adventure to under-the-radar gems in the North Bay. On top of that, we've got a story on local congressmen grappling with consumer-protection politics, a piece on San Rafael's Pint Size Lounge, a conversation about 'Batman v Superman' with Andrew Farago, curator of San Francisco’s...
By Mal Karman
When Academy Award-winning Mill Valley co-writer-director Jeffrey D. Brown says that making the film SOLD in India changed his life, he doesn’t mean because of the leeches that sucked his blood or the near-death illness that leveled him while shooting.
He’s talking about the 2,000 kids he met there who were trafficked as sex workers as young as...
By Charles Brousse
Year in and year out, the English-language adaptation of Marc Camoletti’s 1960s bedroom farce, Boeing Boeing—on view through May 1 at Ross Valley Players’ (RVP) Barn Theatre—is among the standard program choices at this country’s community theaters. The local run provides an enticing opportunity to see what lies behind its apparent popularity.
I say “apparent” because the allure...
By Nikki Silverstein
Hero: “No one should face breast cancer alone” is a guiding principle of To Celebrate Life Breast Cancer Foundation, a nonprofit based in Kentfield. This volunteer-based organization recently awarded $300,000 in grants to 16 Bay Area agencies, five in Marin, that provide services to underserved populations with breast health issues. The group began in 1996, when several Marin...